ALL ABOUT PLAIDS Jane Williamson Clathing Specialist
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The Balmoral Tartan
The Balmoral Tartan Introduction The Balmoral tartan (Fig 1) is said to have been designed in 1853 by Prince Albert, The Prince Consort, Queen Victoria's husband. It is unique in several respects: it is the only tartan known to have been designed by a member of the Royal Family; has a unique construction; and is reserved for members of the Royal Family. It is worn by HM The Queen and several members of the Royal Family but only with the Queen's permission. The only other approved wearers of the Balmoral tartan are the Piper to the Sovereign and pipers on the Balmoral Estate (estate workers and ghillies wear the Balmoral tweed). Fig 1. Specimen of the original Balmoral Tartan c1865. © The Author. There is some confusion over the exact date of the original design. In 1893 D.W. Stewarti wrote, ''Her Majesty the Queen has not only granted permission for its publication here, but has also graciously afforded information concerning its inception in the early years of the reign, when the sett was designed by the Prince Consort.'' Harrison (1968) ii states that both the Balmoral tartan and Tweed were designed by Prince Albert. Writing of the tartan specimen in Stewart’s Old & Rare Harrison noted that “The illustrations were all woven in fine silk which did not allow of (sic) the reproduction of the pure black and white twist effect of the original. Mr Stewart compromised by using shades of dull mauve as the nearest that his materials allowed. Thus, for generations the Balmoral was looked upon not as a pure grey scheme but as a scheme of very quiet mauves” (Fig 2). -
Kilts & Tartan
Kilts & Tartan Made Easy An expert insider’s frank views and simple tips Dr Nicholas J. Fiddes Founder, Scotweb Governor, Why YOU should wear a kilt, & what kind of kilt to get How to source true quality & avoid the swindlers Find your own tartans & get the best materials Know the outfit for any event & understand accessories This e-book is my gift to you. Please copy & send it to friends! But it was a lot of work, so no plagiarism please. Note my copyright terms below. Version 2.1 – 7 November 2006 This document is copyright Dr Nicholas J. Fiddes (c) 2006. It may be freely copied and circulated only in its entirety and in its original digital format. Individual copies may be printed for personal use only. Internet links should reference the original hosting address, and not host it locally - see back page. It may not otherwise be shared, quoted or reproduced without written permission of the author. Use of any part in any other format without written permission will constitute acceptance of a legal contract for paid licensing of the entire document, at a charge of £20 UK per copy in resultant circulation, including all consequent third party copies. This will be governed by the laws of Scotland. Kilts & Tartan - Made Easy www.clan.com/kiltsandtartan (c) See copyright notice at front Page 1 Why Wear a Kilt? 4 Celebrating Celtic Heritage.................................................................................................. 4 Dressing for Special Occasions.......................................................................................... -
House Dresses
L'iJA1 HJ - r a ,iwfw; . t. ,. mmmmmmmtms ' i ,1 ""."' . .,1.., j rtriiMn lis .u'.. 77ie Stere C7e5 Mjm .isriwww V7'v.tiiiz T Daily at 5 k M. Extra Trousers, $9.75 CLOTHIER double anniversary price. Smi STRAWBR1DGE & Werth this w will be the first day of our summer Suits of fine-twi- ll serge, with two pairs of roey shopping schedule. Beginning And until further notice the Stere will open at 9.00 M. and will close 6 P. M. dally. Sale A. at Anniversary years special at $1.25. H Incidentally the morning hours are the best Strawbrldee fc Clothier Second Floer, Filbert Street, Eatt K for' shopping, as they are the coolest. Thursday i: Announcements for Tomorrow w MBM m ' ' New Summer Frecks Much Wi These Wonder-Value-s in Women's. Coats and Capes Under Price in the Sale Canten Crepe Frecks, $32.50 Draped, plaited and straight-lin- e models, $15.00 $18.00 beaded and embroidered. Navy blue, black, Serges and wool veleurs. Tan Belivia weaves, wool veleurs beaver, gray, rust and white. and medium blue in Coats; tan, and tan cloaking, in loose-lin- e navy blue and black in Capes. Ceat3.. Capes of wool velour Fine Cotten Frecks, $17.50 Beautifully tailored and lined and twills nearly all lined Embroidered Dotted Swiss in navy blue, throughout. throughout. Copenhagen blue, brown, orchid and green. Im- 3& Strawbrldte Clothier Second Floer. Centre ported ginghams in blue, red, green and orchid trimmed in white. Dimities and Ginghams, $15 Dimity and fine ginghams, in tangerine, black, Misses' Dresses Under Price lavender and green. -
Ready-Made and Custom Jeans
Have a favorite College or Pro Team or some other Summer time is nearly here and business novelty that you want to add to your shirt? casual is in the air! Ahh yes SUMMER TIME… Time to pull out those shorts, shirts, blazers, and maybe even linen pants. Wait ... we still have to work, but we can be a bit more casual and still look like a professional. What does that mean anyway? It is simple! Some might say it is a suit without a tie or maybe just that blue blazer with a pair of nice slacks. Simplicity is sophistication. Streamlining your choices, you not only make it easier on yourself, but there’s an element of confidence that comes with keeping Ready-made things unfussy. It is about buying season-appropriate clothing. When I’m talking about picking up a new and piece for this spring/summer season, I’m assuming Custom Jeans that you’ll be on the lookout for lightweight cottons Carrying ready-made and wools along with madras, linen, and seersucker. jeans, as well as These will keep you cool and sweat-free at the office, custom. out entertaining clients, or perhaps even going to a We take what you like game. from all your favorite Ok what can I wear? Invest in a few separates; a jeans and make them navy blazer, windowpane sport jackets in lighter better! colors, some mid grey, tan, or light blue trousers, and don’t cut out those jeans. Even chalk stripe jackets can spice up that casual look to show that summer’s a time for play, not just work. -
Historic Costuming Presented by Jill Harrison
Historic Southern Indiana Interpretation Workshop, March 2-4, 1998 Historic Costuming Presented By Jill Harrison IMPRESSIONS Each of us makes an impression before ever saying a word. We size up visitors all the time, anticipating behavior from their age, clothing, and demeanor. What do they think of interpreters, disguised as we are in the threads of another time? While stressing the importance of historically accurate costuming (outfits) and accoutrements for first- person interpreters, there are many reasons compromises are made - perhaps a tight budget or lack of skilled construction personnel. Items such as shoes and eyeglasses are usually a sticking point when assembling a truly accurate outfit. It has been suggested that when visitors spot inaccurate details, interpreter credibility is downgraded and visitors launch into a frame of mind to find other inaccuracies. This may be true of visitors who are historical reenactors, buffs, or other interpreters. Most visitors, though, lack the heightened awareness to recognize the difference between authentic period detailing and the less-than-perfect substitutions. But everyone will notice a wristwatch, sunglasses, or tennis shoes. We have a responsibility to the public not to misrepresent the past; otherwise we are not preserving history but instead creating our own fiction and calling it the truth. Realistically, the appearance of the interpreter, our information base, our techniques, and our environment all affect the first-person experience. Historically accurate costuming perfection is laudable and reinforces academic credence. The minute details can be a springboard to important educational concepts; but the outfit is not the linchpin on which successful interpretation hangs. -
Journal of Irish and Scottish Studies Migrating Minds
Journal of Irish and Scottish Studies Volume 5: Issue 1 Migrating Minds AHRC Centre for Irish and Scottish Studies, University of Aberdeen JOURNAL OF IRISH AND SCOTTISH STUDIES Volume 5, Issue 1 Autumn 2011 Migrating Minds Published by the AHRC Centre for Irish and Scottish Studies at the University of Aberdeen in association with The universities of the The Irish-Scottish Academic Initiative ISSN 1753-2396 Printed and bound in Great Britain by CPI Antony Rowe, Chippenham and Eastbourne Journal of Irish and Scottish Studies General Editor: Cairns Craig Issue Editor: Paul Shanks Associate Editor: Michael Brown Editorial Advisory Board: Fran Brearton, Queen’s University, Belfast Eleanor Bell, University of Strathclyde Ewen Cameron, University of Edinburgh Sean Connolly, Queen’s University, Belfast Patrick Crotty, University of Aberdeen David Dickson, Trinity College, Dublin T. M. Devine, University of Edinburgh David Dumville, University of Aberdeen Aaron Kelly, University of Edinburgh Edna Longley, Queen’s University, Belfast Peter Mackay, Queen’s University, Belfast Shane Alcobia-Murphy, University of Aberdeen Ian Campbell Ross, Trinity College, Dublin Graham Walker, Queen’s University, Belfast International Advisory Board: Don Akenson, Queen’s University, Kingston Tom Brooking, University of Otago Keith Dixon, Université Lumière Lyon 2 Marjorie Howes, Boston College H. Gustav Klaus, University of Rostock Peter Kuch, University of Otago Graeme Morton, University of Guelph Brad Patterson, Victoria University, Wellington Matthew Wickman, Brigham Young David Wilson, University of Toronto The Journal of Irish and Scottish Studies is a peer reviewed journal published twice yearly in autumn and spring by the AHRC Centre for Irish and Scottish Studies at the University of Aberdeen. -
TXA News Test1.Pmd
Volume 22, Number 5 November, 2006 Contents ANNOUNCING Welcome Amy Galford Announcing CONSTANZA ONTANEDA Welcome Amy Galford 1 The Department of Textiles and Apparel welcomes Amy Galford as its newest part-time Extension Associate. Amy works with Ann Lemley to provide educational materials on Engaging Youth water quality to Cornell Cooperative Extension staff and to consumers. Her main task is the maintenance and expansion Youth Publications 2 of the water quality website with information for homeowners about drinking water, septic systems, and wells. This is not Amy’s only job. She is also a Program Assistant Intriguing Yarns 2 for the Northeastern Integrated Pest Management Center at Cornell, a program that supports research and education on pest management strategies such as crop rotation and beneficial insects and links academic, government, and private Concerning Consumers sector representatives. The Jeans Scene 2 Amy received her B.S. in Biology from Cornell University and a M.S. in Ecology from the University of Minnesota. Her past Plaid is Forever 3 jobs include training extension educators and local government officials about nonpoint source pollution issues and management options. She has also been a research Browsing Websites 3 technician in biogeochemistry at Cornell and an adjunct instructor at SUNY Cortland and Tompkins Cortland Community College. Recalling Tradition 4 One of Amy’s personal interests is working with animals. She has two dogs of her own and once considered studying veterinary medicine. She has volunteered for several animal shelters where she enjoyed walking dogs and helping people learn about animals; she currently volunteers for a border collie rescue group. -
Veeraa Enterprises Chennai, Tamil Nadu, India
Veeraa Enterprises Chennai, Tamil Nadu, India We are one of the leading manufacturers, suppliers and exporters of fancy fabrics like patchwork, pintuck and printed fabrics. These are used to make a variety of home furnishings and textile items like curtains and covers. Veeraa Enterprises Profile Established in the year 1996, we, “Veeraa Enterprises”, are a noted manufacturer, supplier and exporter of patchwork fabrics, fancy patchwork fabrics, zig zag patchwork fabrics, embroidery patchworks fabrics, blue patchwork fabrics, black patchwork fabrics, US patchwork fabrics, frill patchwork fabrics, denim frinches with applique fabrics, border embroidery applique fabrics, pintuck fabrics, embroidered pintuck fabric, denim pintuck fabrics, printed fabrics, printed patchwork fabrics, printed dobby fabrics, batik print fabrics, batik blue fabrics, kalamkari fabrics, checks fabrics, yarn dyed checks fabrics, madras checks fabrics. These are manufactured using quality raw material and are highly praised for attributes such as colorfastness, durability, ease in washing & maintaining and tear resistance. It is largely due to the quality of our fabrics that we have succeeded in putting together an esteemed group of loyal clients and attain high level of customer satisfaction. Our main business motive is to provide best fabrics at market-leading prices. Our team is aided by our sound infrastructure at all stages of production to ensure that the quality of our fabrics remains high. With the support of an able team and a good infrastructure, we have acquired a special place for ourselves in the industry of textiles and furnishings. As we fully understand the demands of our customers, they have a pleasurable experience while dealing with us. -
Folk Art Teddy Bear.Wps
Folk Art Teddy Bear by Missy B a lla n c e o f C r a f t y C a r n iv a l h t t p : / / m issyba lla n c e . c o m © 2007 This pattern is intended only for personal use and not for resale. Please do not sell the items you make from this pattern. Su p p lie s: 2 large scraps of darker mohair (each piece should be about 8” tall by 6” wide small scrap of light mohair (2” x 3”) perle cotton matching the two colors of mohair and black (2) 6mm glass shoe button eyes, or similar (plastic safety eyes for a child’s toy or dog toy) poly-fil stuffing (it’s the best…. never use anything but poly-fil!!) ribbon for trim basic sewing supplies comb sharpie marker optional: hemostats for turning and stuffing. jingle bells Please read all the directions before you get started. print the template for the teddy bear onto heavy duty paper such as cardstock, and cut him out Place your two large scraps of mohair with right sides together. The knap of the hair should be pointing down. Using a sharpie or marker, trace the pattern piece onto the mohair. SEW ON THE LINE leaving an opening at teddy’s side for turning and stuffing. Now that he is all sewn up, trim him out leaving about ¼” seam allowance. Clip the corners and curves. Turn teddy right side out. (I like to use hemostats for this. They are a tool that looks like scissors, but they grab instead of cut) Stuff him full of poly fil stuffing using these hemostats to help get the stuffing into the ears and limbs! As you’re stuffing add small jingle bells to his belly area. -
American Clan Gregor Society INCORPORATED
YEAR BOOK OF THE American Clan Gregor Society INCORPORATED Containing the Proceedings of the 1954 Annual Gathering .. THE AMERICAN CLAN GREGOR SOCIETY INCORPORATED WASHIN GTO N, D. C. • Copyright, 1955 by T homas Gar land Magruder, ] r., Editor Cusson s, May & Co., Inc., Printers, Richmond, Va OFFI C ER S SIR MALCOLM MACGREGOR OF M ACGREGOR, BARONET ....H ereditary Chief "Edinchip," Lochearnhead, Scotland BRIG . GEN. MARSHALL MAGRUD ER, U. S. ARMY, Re tired Chieftain 106 Camden Road , N. E. , Atlanta, Ga. F ORREST S HEPPERSON H OL M ES Assistant to the Chieftain .. 6917 Carle ton Terrac e, College P ark. Md . R EV. D ANIEL RANDALL MAGRUDER Rallking D eputy Chieftain Hingham, Mass. M ISS A NNA L OUI SE R EyNOLD S Scribe 5524 8t h St., N . W ., W ashington , D. C. MRS. O . O. VANDEN B ERG........ .......................................... .....••..•R egistrar Th e H ighland s, A pt. 803, W ashington 9, D. C. MISS R EGINA MAGRUDER HILL...... .. .......•................ ........ ............Historian The H ighl and s, Apt. 803, W ashi ngton 9, D. C. C LARE N CE WILLIAM rVICCORM ICK Treasurer 4316 Clagett Road, University Pa rk, Md. R EV. REUEL L AMP HIER HOWE Chaplain Theological Se minary, Alexandria, Va, D R. R OGER GREGORY MAGRUDER Surgeon Lewis Mount ain Circle, Charl ott esville, Va, T HOMAS GARLAND MAGRUDER, J R E ditor 2053 Wil son Boulevard , Arlington, Va . C. VIRGI NIA DIEDEL Chancellor Th e Marlboro A pts., 917 18th St., N . W., Washington 6, D. C. MRS. J A M ES E . ALLGEYER (COLMA M Y ER S ) Deputy S cribe 407 Const itutio n Ave., N. -
1811 DOLL CLOTHES Fabrics: Broadcloth, Cotton Types, Gingham
. L.LJ -0::: 11 L.LJ 18 DOLL CLOTHES VETEMENTS POUR POUPEES DE 45.Scm (./) (./) • ~~~~~~~~~~~~~~~~~~~~~- zz u:::: L.LJ • Fabrics: Broadcloth , Cotton Types , Gingham , Linen Types. B Shirt also in Tissus: Popeline, Cotonnades, Vichy, Toile de Lin. B Chemise e,n Jersey ~g 36 PIECES Interlock, Jersey. B Hat in Double Knit, Fleece. B Scarf also in Chiffon. Interlock, Jersey fin. B Chapeau en Jersey Double, Molleton. B Echarpe ~ ~ C Overskirt also in Organza. D Bodice Overlay, Shoulder Straps and Slip en Mousse I ine. C Dessus-de-Jupe en Organza aussi. D Dessus de ~ ~ Ruffle in Novelty Sheers. Corsage, Bretelles et Valant du Jupon en Tissus Transparents. ~ ~ ~~~~~~~~~~~~~~~~~~~~~- 2zmo 11 11 A Jacket- %yd. of 45 or 60 ** A Manteau- 0.40m de 115cm ou 150cm** ~~ 11 11 Pants- ~ yd. of 45 or 60 ** Pantalon- 0.40m de 115cm ou 150cm** ~ ~ Apron- %yd. of 45 11 or 60 11 ** purchase same amount for apron lining Tablier- 0.30m de 115cm ou 150cm** achetez la meme quantite que pour ~ ~ Ar la doublure du tablier ~ 8 (./) 11 11 Hat-~ yd. of 45 or 60 ** Chapeau- 0.40m de 115cm ou 150cm** ~ ~ Notions: One pkg. of piping, three small snaps, six %11 buttons,% yd. of Mercerie: Un paquet de lisere, trois petites pressions, six boutons de lcm, ~ ~ 11 11 1 ~ wide elastic, lYs yd. of ~ wide double fold bias tape, one large iron-on 0.60m delastique de 6mm de large , 1.00m de ruban de biais double de ~~ applique, one small iron-on applique. 6mm de large, un grande application acaller au fer, une petite application ~ g: 0 z A aco Iler au fer. -
Twilight Collection 94
WELCOME When selecting a finely made rug, your choice of color and design imparts a unique sense of context to your personal decorating style, transforming any room into an enchanting portrait of elegance. Color and design are important elements, but of equal importance is size. To truly make a statement, the rug should be sized to your living space. With more than three decades of expertise in producing incomparable luxury carpets for the sophisticated home, Nourison brings you their newest program – Fifty to Infinity. A unique offering of high fashion rug collections, each unrivalled for exquisite design, meticulous craftsmanship, and quality… all custom sized to your needs. All of the styles in this book are available in an unprecedented fifty area rug sizes and shapes. Choose from squares, rounds, rectangles, octagons and runners, accent sized to oversized. Need something truly unique? Custom sizes are available as well. Once your selection is made, your rug will be custom cut, serged and finished to your size specifications, all within two weeks of your order. For the discriminating consumer, this book presents an unparalleled design resource for today’s uptrend lifestyle. In these exceptional collections, you will find the perfect pattern and colorway to enrich and enliven any fashion environment. In each distinctive design, you will discover a flawless interplay of select luxury materials and sophisticated production techniques such as sumptuous New Zealand wool for incomparably lavish texture and luminous sheen, custom-spun and dyed yarns to create subtle accents of light and shade, hand carving and sculpting that endow a design with surpassing dimensional appeal and meticulous hand washing to impart the delicate patina that is the signature of the world’s finest carpets.