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Wavelength (December 1981)
University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 12-1981 Wavelength (December 1981) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (December 1981) 14 https://scholarworks.uno.edu/wavelength/14 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. ML I .~jq Lc. Coli. Easy Christmas Shopping Send a year's worth of New Orleans music. to your friends. Send $10 for each subscription to Wavelength, P.O. Box 15667, New Orleans, LA 10115 ·--------------------------------------------------r-----------------------------------------------------· Name ___ Name Address Address City, State, Zip ___ City, State, Zip ---- Gift From Gift From ISSUE NO. 14 • DECEMBER 1981 SONYA JBL "I'm not sure, but I'm almost positive, that all music came from New Orleans. " meets West to bring you the Ernie K-Doe, 1979 East best in high-fideUty reproduction. Features What's Old? What's New ..... 12 Vinyl Junkie . ............... 13 Inflation In Music Business ..... 14 Reggae .............. .. ...... 15 New New Orleans Releases ..... 17 Jed Palmer .................. 2 3 A Night At Jed's ............. 25 Mr. Google Eyes . ............. 26 Toots . ..................... 35 AFO ....................... 37 Wavelength Band Guide . ...... 39 Columns Letters ............. ....... .. 7 Top20 ....................... 9 December ................ ... 11 Books ...................... 47 Rare Record ........... ...... 48 Jazz ....... .... ............. 49 Reviews ..................... 51 Classifieds ................... 61 Last Page ................... 62 Cover illustration by Skip Bolen. Publlsller, Patrick Berry. Editor, Connie Atkinson. -
DJ Honda HII Mp3, Flac, Wma
DJ Honda HII mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop Album: HII Country: US Released: 1998 MP3 version RAR size: 1376 mb FLAC version RAR size: 1944 mb WMA version RAR size: 1986 mb Rating: 4.8 Votes: 863 Other Formats: RA AA AIFF MP1 VQF TTA ASF Tracklist Hide Credits Roc Raida Intro 1 1:10 Producer – Roc RaidaScratches – Roc Raida Trouble In The Water 2 3:45 Featuring – De La Soul 5 Seconds 3 3:58 Featuring – Black Attack Hai! 4 3:25 Featuring – 50 Grand, Keith Murray Every Now & Then 5 2:21 Featuring – Syndicate* Mista Sinista Interlude 6 1:04 Producer – Mista SinistaScratches – Mista Sinista Team Players 7 4:42 Featuring – KRS-One, Doe-V* On The Mic 8 3:45 Featuring – A.L., Cuban Link, Juju , Missin' LinxProducer – Vic* For Every Day That Goes By 9 3:31 Featuring – Rawcotiks WKCR Interlude 10 0:51 Featuring – Lord Sear, Stretch Armstrong Who The Trifest? 11 3:37 Featuring – The Beatnuts Talk About It 12 3:12 Featuring – Al' Tariq Blaze It Up 13 4:09 Featuring – Black Attack 14 DJ Ev Interlude 0:30 Go Crazy 15 2:52 Featuring – S-On Around The Clock 16 3:37 Featuring – Problemz When You Hot You Hot 17 4:12 Featuring – Dug Infinite, No I.D. Interlude 18 1:04 Featuring – Fat Lip Travellin´ Man 19 5:16 Featuring – Mos Def Companies, etc. Phonographic Copyright (p) – Relativity Copyright (c) – Relativity Manufactured By – Sony Music Entertainment (Canada) Inc. Distributed By – Sony Music Entertainment (Canada) Inc. Mastered At – Sterling Sound Credits Mastered By – Tom Coyne Producer – DJ Honda (tracks: 2 to 5, 7 to 19) -
HA-Bio New 2010
Howard Alden- Jazz Guitarist “He may be the best of his generation,” writes Owen Cordle in JAZZ TIMES. George Kanzler of the NEWARK STAR LEDGER proclaims that he is “the most impressive and creative member of a new generation of jazz guitarists.” And Chip Deffaa of the NEW YORK POST observes that he is “ ...one of the very finest young guitarists working today.” It seems that the only thing regarding Howard Alden on which the critics have debate is whether the remarkable jazz guitarist is one of the best or simply the best. Born in Newport Beach, California, in 1958, Howard began playing at age ten, inspired by recordings of Louis Armstrong, Count Basie and Benny Goodman, as well as those by guitarists Barney Kessel, Charlie Christian, Django Reinhardt and George Van Eps. Soon he was working professionally around Los Angeles playing in groups ranging from traditional to mainstream to modern jazz. In 1979, Alden went east, for a summer in Atlantic City with vibraphone legend Red Norvo, and continued to perform with him frequently for several years. Upon moving to New York City in 1982, Aldenʼs skills, both as soloist and accompanist, were quickly recognized and sought-out for appearances and recordings with such artists as Joe Bushkin, Ruby Braff, Joe Williams, Warren Vache` and Woody Herman. He has continued to win accolades from critics and musicians alike, adding Benny Carter, Flip Phillips, Mel Powell, Bud Freeman, Kenny Davern, Clark Terry, Dizzy Gillespie and George Van Eps, as well as notable contemporaries such as Scott Hamilton and Ken Peplowski to his list of impressive credits. -
1993 February 24, 25, 26 & 27, 1993
dF Universitycrldaho LIoNEL HmPToN/CHEVRoN JnzzFrsrr\Al 1993 February 24, 25, 26 & 27, 1993 t./¡ /ìl DR. LYNN J. SKtNNER, Jazz Festival Executive Director VtcKt KtNc, Program Coordinator BRTNoR CAtN, Program Coordinator J ¡i SusnN EHRSTINE, Assistant Coordinator ltl ñ 2 o o = Concert Producer: I É Lionel Hampton, J F assisted by Bill Titone and Dr. Lynn J. Skinner tr t_9!Ð3 ü This project is supported in part by a grant from the National Endowment for the Arts We Dedicate this 1993 Lionel Hømpton/Chevron Jøzz Festivül to Lionel's 65 Years of Devotion to the World of Juzz Page 2 6 9 ll t3 r3 t4 l3 37 Collcgc/Univcrsity Compctition Schcdulc - Thursday, Feh. 25, 1993 43 Vocal Enserrrbles & Vocal Conrbos................ Harnpton Music Bldg. Recital Hall ...................... 44 45 46 47 Vocal Compctition Schcrlulc - Fridav, Fcli. 2ó, 1993 AA"AA/AA/Middle School Ensenrbles ..... Adrrrin. Auditoriunr 5l Idaho Is OurTenitory. 52 Horizon Air has more flights to more Northwest cities A/Jr. High/.Ir. Secondary Ensenrbles ........ Hampton Music Blclg. Recital Hall ...............,...... 53 than any other airline. 54 From our Boise hub, we serve the Idaho cities of Sun 55 56 Valley, Idaho Falls, Lewiston, MoscowÆullman, Pocatello and AA/A/B/JHS/MIDS/JR.SEC. Soloists ....... North Carnpus Cenrer ll ................. 57 Twin Falls. And there's frequent direct service to Portland, lnstrurncntal Corupctilion'Schcrlulc - Saturday, Fcll. 27, 1993 Salt Lake City, Spokane and Seattle as well. We also offer 6l low-cost Sun Valley winter 8,{. {ÀtûåRY 62 and summer vacation vt('8a*" å.t. 63 packages, including fOFT 64 airfare and lodging. -
CELEBRATING OSCAR PETERSON Posted on February 16, 2021
BLACK HISTORY MONTH | CELEBRATING OSCAR PETERSON Posted on February 16, 2021 Category: News Oscar Emmanuel Peterson (1925–2007) | Agent of Change | Remembered as a virtuoso jazz pianist and composer of Hymn to Freedom, an international anthem to civil rights. The son of immigrants from the West Indies, Oscar Peterson was born in Montréal, Québec and grew up in Little Burgundy, a predominantly Black neighbourhood of the city where he was immersed in the culture of jazz. He was five years old when he began taking music lessons from his father. He also studied classical piano with his sister, Daisy Peterson Sweeney, who went on to teach other renowned jazz artists. Peterson later attended the Conservatoire de musique du Québec è Montrèal and studied classical piano with Paul de Marky, but with a deep interest in jazz, he also played boogie-woogie and ragtime. At only 14 years old, Peterson won the national Canadian Broadcasting Corporation music competition, after which he dropped out of high school and joined a band with jazz trumpeter and classmate Maynard Ferguson. While still a teenager, Peterson played professionally at hotels and at a weekly radio show. He also joined the Jonny Holmes Orchestra as its only Black musician. From 1945 to 1949, Peterson recorded 32 songs with RCA Victor. Beginning in the 1950s, he released several albums each year while appearing on over 200 albums by other artists including Billie Holiday, Louis Armstrong, Count Basie, Ella Fitzgerald, and Dizzy Gillespie. In 1949, jazz impresario Norman Ganz was on his way to the airport in Montréal, when hearing Peterson playing live on radio, asked the cab driver to take him to the club where the concert was being aired. -
Herb Ellis Seven, Come Eleven (From Their Live Performance at the Concord Summer Festival) Mp3, Flac, Wma
Herb Ellis Seven, Come Eleven (From Their Live Performance At The Concord Summer Festival) mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Seven, Come Eleven (From Their Live Performance At The Concord Summer Festival) Country: US Released: 2015 Style: Post Bop, Swing MP3 version RAR size: 1446 mb FLAC version RAR size: 1837 mb WMA version RAR size: 1585 mb Rating: 4.7 Votes: 345 Other Formats: WAV VOX AA MP2 RA FLAC AIFF Tracklist Hide Credits In A Mellowtone A1 6:36 Written-By – Edward Kennedy Ellington* Seven Come Eleven A2 4:36 Written-By – Erroll Garner Prelude To A Kiss A3 5:20 Written-By – Duke Ellington, Irving Gordon, Irving Mills Perdido A4 4:51 Written-By – Ervin M. Drake*, Hans Lengsfelder, Juan Tizol I'm Confessin' (That I Love You) B1 4:49 Written-By – Doc Daugherty, Ellis Reynolds Easy Living B2 4:08 Written-By – Leo Robin, Ralph Rainger Concord Blues B3 8:10 Written-By – Herb Ellis Companies, etc. Phonographic Copyright (p) – Concord Jazz, Inc. Copyright (c) – Concord Jazz, Inc. Recorded At – Concord Boulevard Park Mastered At – The Lacquer Channel, Sausalito Manufactured By – Custom Fidelity Published By – Robins Music Corp. Published By – Octave Music Publishing Corp. Published By – American Academy Of Music, Inc. Published By – Tempo Music Inc. Published By – Bourne, Inc. Published By – Famous Music Corporation Published By – Joel Music Co. Credits Bass – Ray Brown Drums – Jake Hanna Guitar – Herb Ellis, Joe Pass Liner Notes – Philip Elwood Photography By [Cover] – Richard Hixson Recorded By, Mixed By [Remix], -
8 Nothin` NORE Def Jam/UNIVERSAL 1 2 Cleanin
KW 39/40/2002 Plz LW WoC Title Artist Distribution PP 1 ▲ 9 8 Nothin` N.O.R.E. Def Jam/UNIVERSAL 1 2 ➔ 2 2 Cleanin´Out My Closet EMINEM Interscope/UNIVERSAL 2 3 ▲ 5 10 I’m Gonna Be Alright JENNIFER LOPEZ FT. NAS Epic/SONY MUSIC 1 4 ▲ 22 8 The Magnificent EP DJ JAZZY JEFF BBE/ZOMBA 4 5 ▲ NEW 0 Tainted SLUM VILLAGE FEAT. DWELE Capitol/VIRGIN/EMI 5 6 ▲ 24 6 Gangsta Lovin EVE FT. ALICIA KEYS Interscope/UNIVERSAL 6 7 ▲ 11 2 Good To You / Put It In The Air TALIB KWELI Rawkus/UNIVERSAL 7 8 ▲ NEW 0 Games/Tear Shit Up BIZ MARKIE Superrappin/Groove Attack 8 9 ▲ 19 6 Know My Name (Mixes) NIGHTMARES ON WAX Warp/ZOMBA 9 10 ▼ 6 4 Rock The Beat EDO G Overlooked/Groove Attack 6 11 ▼ 4 8 Feels Good (Don’t Worry Bout A Thing ) NAUGHTY BY NATURE FEAT. 3LW TVT/UNIVERSAL 4 12 ▼ 3 2 Ova Here KRS ONE In The Paint/KOCH 3 13 ▲ 16 4 Harlem Brothers MARK THE 45 KING FT. BIG POOH Blazin Records/n.a. 10 14 ▲ 39 6 War DJ DESUE FT. AG & PARTY ARTY Rah Rah Ent./UNIVERSAL 5 15 ▲ NEW 0 Luv You Better LL COOL J Def Jam/UNIVERSAL 15 16 ▲ NEW 0 Brown Sugar MOS DEF FT. FAITH EVANS MCA/UNIVERSAL 16 17 ➔ RE 6 Don´t Mess With My Man NIVEA FEAT BRIAN & BRANDON CASEY OF JAGGED EDGE Jive/ZOMBA 4 18 ▲ NEW 0 Are You Ready DJ JAZZY JEFF BBE/ZOMBA 18 19 ▲ 27 8 Call Me TWEET Elektra/WARNER 19 20 ▼ 7 6 Smack Ya Face DEFARI ABB Records/GROOVE ATTACK 7 21 ▲ 30 4 Grindin THE CLIPSE Star Trak Ent./BMG ARIOLA 21 22 ▲ NEW 0 Multiply XZIBIT FT. -
Los Angeles: Recorded Magic (1945-1960)
Los Angeles: Recorded Magic (1945-1960) Essential Questions How did advances in technology impact jazz? How did Los Angeles (LA) become a segregated city? How did Los Angeles (LA) become a city of recorded jazz? What is West Coast bop? How does it reflect the black jazz scene in segregated LA? What is West Coast jazz? How is it a product of postwar Southern California? How does the music and literature of Los Angeles reflect its history and culture? How do you listen to jazz? The importance of listening Obtaining a jazz vocabulary Understanding and appreciating major movements in jazz Understanding and appreciating the life and sounds of jazz innovators Historical context of jazz Objectives: 1. Determine how advances in technology impacted jazz and the recording industry. 2. Rank the local, state and federal policies that contributed to the segregation of Los Angeles. 3. Explain how the music and of Los Angeles reflected its segregated population. 4. Analyze West Coast jazz and bop in historical context. Historical Context: Postwar Los Angeles (Marcie Hutchinson) Based on Why Jazz Happened by Marc Myers (social history of jazz) Introduction Profound impact of technology on the history of jazz Radio, records, the phonograph, the jukebox, film Music more accessible, more convenient, pleasing to the ear Postwar Period Jazz transformed from dance music to a sociopolitical movement Major jazz styles: bebop, jazz-classical, cool, West Coast jazz, hard bop, jazz-gospel, spiritual jazz, jazz- pop, avant-garde jazz and jazz-rock fusion Jazz reshaped from 1945-1972 Grip of 3 major record companies (Victor, Columbia, Decca) weakened by labor actions Increased competition from new labels Jazz musicians gain greater creative independence due to competition. -
Acoustic Jazz Guitar Great Marty Grosz Marks 90Th Birthday with His New Memoir
Contact: Joe Plowman, publicist Email:[email protected] Phone: 610-417-7534 Acoustic Jazz Guitar Great Marty Grosz Marks 90th Birthday with His New Memoir “…entertaining, readable, funny, and revealing…a real and sometimes startlingly candid pleasure” – Michael Steinman, Jazz Lives PHILADELPHIA, PA March 4, 2020 – A giant of jazz rhythm guitar, Marty Grosz has performed with jazz greats such as Herb Ellis, Charlie Byrd, Ruby Braff, Dick Hyman, Bob Haggart, Bob Wilber, and Kenny Davern. And after performing for 70 years, he has stories to tell. Part memoir, part transcribed oral history, It’s a Sin to Tell a Lie serves up Marty’s story raconteur style—full of sardonic wit with a touch of vaudeville. Part 1: My Story: Candid stories of life with his famous father, German Expressionist George Grosz; sailing to the US; his Chicago jazz years; travels abroad; Soprano Summit; Classic Jazz Quartet; the Orphan Newsboys. Part 2: The Interviews: Transcriptions from 11 live interviews between 2015 and 2019. Marty opines on guitar tuning, Eddie Condon, drummers and bassists, Slam Stewart, Mingus, Chet Baker, Hoagy Carmichael, Herb Ellis, and more. “A giant of jazz rhythm guitar, Marty Grosz is equal parts showman, jazz scholar and raconteur. A virtuoso in a playing style that’s both timeless and so far off the radar it’s all but lost.” — Riverwalk Jazz Marty Grosz (b. 1930, Berlin) came to the United States at age three. He is considered among the best acoustic jazz guitarists of the twentieth century, as well as a vocalist, humorist, composer and arranger. Joe Plowman, Jazz Story Club Series editor, is a musician in Philadelphia. -
Vinny Raniolo's Album Release Party
4/30/2018 Vinny Raniolo's Album Release Party contents jazz editorial distilled Vinny Raniolo's Album Release Party news articles Acclaimed classic jazz guitarist Vinny Raniolo celebrates jubilees the release of his new CD, Air Guitar, with April 27 concert home brewed at Lo ng Island's Cradle of Aviation Museum gig guide festival guide With Air Guitar, his longawaited debut album as a leader, fests by countries stellar guitarist Vinny Raniolo displays his passion for early linkograffiti jazz and flying audio files Friday, April 27th 7pm11pm musicians ads The Reckson Center Museums press room at Mitchel Cradle of Aviation press service Garden City, NY Vinny Raniolo Guitar, Elias Bailey Bass Virtuoso guitarist Vinny Raniolo has built a widespread global fan base, thanks to his engaging approach to early jazz, his regular appearances on PBS specials, and his collaborations with sixstring giants including Bucky Pizzarelli, Frank Vignola and Tommy Emmanuel. Vinny's love of flying is just about on par with his devotion to music, and with the release of his brandnew CD, Air Guitar, the 6string wizard and pilot has found a way to connect his two passions. Air Guitar, Raniolo's muchanticipated debut recording as a leader, features a cache of 15 classic tunes related to flying and the wild blue yonder, by composers ranging from Benny Goodman to John Denver. The selections travel from the birth of aviation (the 1910 rarity "Come Josephine in My Flying Machine"), through gypsy jazz (into the clouds with Django Reinhardt's "Nuages") to the easy swing of Jimmy Van Heusen ("Come Fly With Me"). -
The Future Is History: Hip-Hop in the Aftermath of (Post)Modernity
The Future is History: Hip-hop in the Aftermath of (Post)Modernity Russell A. Potter Rhode Island College From The Resisting Muse: Popular Music and Social Protest, edited by Ian Peddie (Aldershot, Hampshire: Ashgate Publishing, 2006). When hip-hop first broke in on the (academic) scene, it was widely hailed as a boldly irreverent embodiment of the postmodern aesthetics of pastiche, a cut-up method which would slice and dice all those old humanistic truisms which, for some reason, seemed to be gathering strength again as the end of the millennium approached. Today, over a decade after the first academic treatments of hip-hop, both the intellectual sheen of postmodernism and the counter-cultural patina of hip-hip seem a bit tarnished, their glimmerings of resistance swallowed whole by the same ubiquitous culture industry which took the rebellion out of rock 'n' roll and locked it away in an I.M. Pei pyramid. There are hazards in being a young art form, always striving for recognition even while rejecting it Ice Cube's famous phrase ‘Fuck the Grammys’ comes to mind but there are still deeper perils in becoming the single most popular form of music in the world, with a media profile that would make even Rupert Murdoch jealous. In an era when pioneers such as KRS-One, Ice-T, and Chuck D are well over forty and hip-hop ditties about thongs and bling bling dominate the malls and airwaves, it's noticeably harder to locate any points of friction between the microphone commandos and the bourgeois masses they once seemed to terrorize with sonic booms pumping out of speaker-loaded jeeps. -
Barney Kessel Collection Finding Aid (PDF)
University of Missouri-Kansas City Dr. Kenneth J. LaBudde Department of Special Collections NOT TO BE USED FOR PUBLICATION TABLE OF CONTENTS Biographical Sketch …………………………………………………………………… 3 Scope & Content …………………………………………………………………… 5 Series Notes …………………………………………………………………………… 6 Container List: Series I: Correspondence …………………………………………………… 9 Incoming, Dated …………………………………………………… 9 From Maurice J. Summerfield …………………………………… 33 Incoming, Undated …………………………………………………… 35 Incoming, Unsigned & Undated …………………………………… 37 Blank Envelopes …………………………………………………… 37 Outgoing, Dated …………………………………………………… 38 To Maurice J. Summerfield …………………………………………… 43 Outgoing, Undated …………………………………………………… 44 Outgoing, Unsigned & Undated …………………………………… 44 Correspondence Including Photographs …………………………… 45 Series II: Personal Documents …………………………………………… 46 Biographies …………………………………………………………… 46 Marriage Documents …………………………………………………… 46 Obituaries …………………………………………………………… 47 Series III: Seminar …………………………………………………………… 48 Business …………………………………………………………… 48 Promotional Material …………………………………………………… 48 Notes …………………………………………………………………… 49 Correspondence …………………………………………………… 49 Questionnaires …………………………………………………… 50 Series IV: Promotional Material …………………………………………… 51 Flyers …………………………………………………………………… 51 Press Releases …………………………………………………… 52 Programs & Booklets …………………………………………………… 53 Interview Transcripts …………………………………………………… 55 Reviews …………………………………………………………… 55 Oversized Posters …………………………………………………… 56 Series V: Notes …………………………………………………………… 57 Notebooks ……………………………………………………………