Los Angeles: Recorded Magic (1945-1960)
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Where to Study Jazz 2019
STUDENT MUSIC GUIDE Where To Study Jazz 2019 JAZZ MEETS CUTTING- EDGE TECHNOLOGY 5 SUPERB SCHOOLS IN SMALLER CITIES NEW ERA AT THE NEW SCHOOL IN NYC NYO JAZZ SPOTLIGHTS YOUNG TALENT Plus: Detailed Listings for 250 Schools! OCTOBER 2018 DOWNBEAT 71 There are numerous jazz ensembles, including a big band, at the University of Central Florida in Orlando. (Photo: Tony Firriolo) Cool perspective: The musicians in NYO Jazz enjoyed the view from onstage at Carnegie Hall. TODD ROSENBERG FIND YOUR FIT FEATURES f you want to pursue a career in jazz, this about programs you might want to check out. 74 THE NEW SCHOOL Iguide is the next step in your journey. Our As you begin researching jazz studies pro- The NYC institution continues to evolve annual Student Music Guide provides essen- grams, keep in mind that the goal is to find one 102 NYO JAZZ tial information on the world of jazz education. that fits your individual needs. Be sure to visit the Youthful ambassadors for jazz At the heart of the guide are detailed listings websites of schools that interest you. We’ve com- of jazz programs at 250 schools. Our listings are piled the most recent information we could gath- 120 FIVE GEMS organized by region, including an International er at press time, but some information might have Excellent jazz programs located in small or medium-size towns section. Throughout the listings, you’ll notice changed, so contact a school representative to get that some schools’ names have a colored banner. detailed, up-to-date information on admissions, 148 HIGH-TECH ED Those schools have placed advertisements in this enrollment, scholarships and campus life. -
The Dave Brubeck Quartet Featuring Paul Desmond – Brubeck Time
The Dave Brubeck Quartet Featuring Paul Desmond - Brubeck Time - Columbia Records/Speakers Corner - Audiophile Audition 27.08.18, 0937 HOME ∠ JAZZ CD REVIEWS ∠ SITE SEARCH " Search the site The Dave Brubeck Quartet Click on the category Featuring Paul Desmond – below to see that genre of Brubeck Time – Columbia reviews. Records/Speakers Corner SACD & Other Hi- Res Reviews by Audiophile Audition / August 18, 2018 / Jazz CD Reviews,, Audio News SACD & Other Hi-Res Reviews Classical CD Reviews The Dave Brubeck Quartet Classical Reissue Reviews Featuring Paul Desmond – DVD & Blu-ray Brubeck Time – Columbia Video Reviews JazzJazz CDCD ReviewsReviews Records CL622 Pop/Rock/World (1954)/Speakers Corner (2018) 180-gram CD Reviews Special Features mono vinyl, 40:00 ****1/2: Component Reviews (Dave Brubeck – piano; Paul Desmond – alto saxophone; Bob Bates – double bass; Joe Dodge (drums) Editorial Reader Feedback Dave Brubeck’s legacy as a pianist and composer is unique. Having Best of the Year studied classical and jazz composition at the University Of The Pacific https://www.audaud.com/brubeck-time-paul-desmond-columbia-records-speakers-corner/ Seite 1 von 6 The Dave Brubeck Quartet Featuring Paul Desmond - Brubeck Time - Columbia Records/Speakers Corner - Audiophile Audition 27.08.18, 0937 and Mills College, he approached his vision as a musician with complexity. In 1959, he integrated asymmetric meter into the album Take Five. With a unique time signature (5/4), the title song became a standard bearer for jazz crossover. Other compositions like “Blue Rondo A La Turk” (written in 9/8) are further examples of the unconventional use of time signatures. -
BIOGRAPHIES, INTERVIEWS, ITINERARIES, WRITINGS & NOTES BOX 1: BIOGRAPHY,1940S-1950S
HOLT ATHERTON SPECIAL COLLECTIONS MS4: BRUBECK COLLECTION SERIES 1: PAPERS SUBSERIES D: BIOGRAPHIES, INTERVIEWS, ITINERARIES, WRITINGS & NOTES BOX 1: BIOGRAPHY,1940s-1950s 1D.1.1: Biography, 1942: “Iola Whitlock marries Dave Brubeck,” Pacific Weekly, 9-25-42 1.D.1.2: Biography, 1948: Ralph J. Gleason. “Long awaited Garner in San Francisco…Local boys draw comment” [Octet at Paradise in Oakland], Down Beat (12-1-48), pg. 6 1.D.1.3: Biography, 1949 a- “NBC Conservatory of Jazz,” San Francisco, Apr 5, 1949 [radio program script for appearance by the Octet; portion of this may be heard on Fantasy recording “The Dave Brubeck Octet”; incl. short biographies of all personnel] b- Lifelong Learning, Vol. 19:6 (Aug 8, 1949) c- [Bulletin of University of California Extension for 1949-50, the year DB taught “Survey of Jazz”] d- “Jazz Concert Set” 11-4-49 e- Ralph J. Gleason. “Finds little of interest in lst Annual Jazz Festival [San Francisco],” Down Beat (12-16-49) [mention of DB Trio at Burma Lounge, Oakland; plans to play Ciro’s, SF at beginning of 1950], pg. 5 f- “…Brubeck given musical honors” Oakland Tribune, December 16, 1949 g- DB “Biographical Sketch,” ca Dec 1949 h- “Pine Tree Club Party at Home of Mrs. A. Ellis,” <n.s.> n.d. [1940s] i- “Two Matrons are Hostesses to Pine Tree Club,” <n.s.> n.d. [1940s] (on same page as above) 1.D.1.4: Biography, 1950: “Dave Brubeck,” Down Beat, 1-27-50 a- Ralph J. Gleason. “Swingin the Golden Gate: Bay Area Fog,” Down Beat 2- 10-50 [DB doing radio show on ABC] 1.D.1.5: BIOGRAPHY, 1951: “Small band of the year,” Jazz 1951---Metronome Yearbook, n.d. -
Wavelength (December 1981)
University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 12-1981 Wavelength (December 1981) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (December 1981) 14 https://scholarworks.uno.edu/wavelength/14 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. ML I .~jq Lc. Coli. Easy Christmas Shopping Send a year's worth of New Orleans music. to your friends. Send $10 for each subscription to Wavelength, P.O. Box 15667, New Orleans, LA 10115 ·--------------------------------------------------r-----------------------------------------------------· Name ___ Name Address Address City, State, Zip ___ City, State, Zip ---- Gift From Gift From ISSUE NO. 14 • DECEMBER 1981 SONYA JBL "I'm not sure, but I'm almost positive, that all music came from New Orleans. " meets West to bring you the Ernie K-Doe, 1979 East best in high-fideUty reproduction. Features What's Old? What's New ..... 12 Vinyl Junkie . ............... 13 Inflation In Music Business ..... 14 Reggae .............. .. ...... 15 New New Orleans Releases ..... 17 Jed Palmer .................. 2 3 A Night At Jed's ............. 25 Mr. Google Eyes . ............. 26 Toots . ..................... 35 AFO ....................... 37 Wavelength Band Guide . ...... 39 Columns Letters ............. ....... .. 7 Top20 ....................... 9 December ................ ... 11 Books ...................... 47 Rare Record ........... ...... 48 Jazz ....... .... ............. 49 Reviews ..................... 51 Classifieds ................... 61 Last Page ................... 62 Cover illustration by Skip Bolen. Publlsller, Patrick Berry. Editor, Connie Atkinson. -
Why Jazz Still Matters Jazz Still Matters Why Journal of the American Academy of Arts & Sciences Journal of the American Academy
Dædalus Spring 2019 Why Jazz Still Matters Spring 2019 Why Dædalus Journal of the American Academy of Arts & Sciences Spring 2019 Why Jazz Still Matters Gerald Early & Ingrid Monson, guest editors with Farah Jasmine Griffin Gabriel Solis · Christopher J. Wells Kelsey A. K. Klotz · Judith Tick Krin Gabbard · Carol A. Muller Dædalus Journal of the American Academy of Arts & Sciences “Why Jazz Still Matters” Volume 148, Number 2; Spring 2019 Gerald Early & Ingrid Monson, Guest Editors Phyllis S. Bendell, Managing Editor and Director of Publications Peter Walton, Associate Editor Heather M. Struntz, Assistant Editor Committee on Studies and Publications John Mark Hansen, Chair; Rosina Bierbaum, Johanna Drucker, Gerald Early, Carol Gluck, Linda Greenhouse, John Hildebrand, Philip Khoury, Arthur Kleinman, Sara Lawrence-Lightfoot, Alan I. Leshner, Rose McDermott, Michael S. McPherson, Frances McCall Rosenbluth, Scott D. Sagan, Nancy C. Andrews (ex officio), David W. Oxtoby (ex officio), Diane P. Wood (ex officio) Inside front cover: Pianist Geri Allen. Photograph by Arne Reimer, provided by Ora Harris. © by Ross Clayton Productions. Contents 5 Why Jazz Still Matters Gerald Early & Ingrid Monson 13 Following Geri’s Lead Farah Jasmine Griffin 23 Soul, Afrofuturism & the Timeliness of Contemporary Jazz Fusions Gabriel Solis 36 “You Can’t Dance to It”: Jazz Music and Its Choreographies of Listening Christopher J. Wells 52 Dave Brubeck’s Southern Strategy Kelsey A. K. Klotz 67 Keith Jarrett, Miscegenation & the Rise of the European Sensibility in Jazz in the 1970s Gerald Early 83 Ella Fitzgerald & “I Can’t Stop Loving You,” Berlin 1968: Paying Homage to & Signifying on Soul Music Judith Tick 92 La La Land Is a Hit, but Is It Good for Jazz? Krin Gabbard 104 Yusef Lateef’s Autophysiopsychic Quest Ingrid Monson 115 Why Jazz? South Africa 2019 Carol A. -
Big Band Arrangers of the Swing Era Selected List
Big Band Arrangers of the Swing Era Selected list Band leader Arrangers Tex Beneke Henry Mancini Jimmy Dorsey Tutti Camarata Sonny Burke Tommy Dorsey Paul Weston Sy Oliver Axel Stordahl Benny Goodman Eddie Sauter Buster Harding Fletcher Henderson Horace Heidt Frank DeVol Woody Herman Heil Hefti Ralph Burns Igor Stravinsky Harry James Leroy Holmes Dave Mathews Isham Jones Gordon Jenkins Hal Kemp John Scott Trotter Elliot Lawrence Gerry Mulligan Ray McKinley Eddie Sauter Red Norvo Eddie Sauter Artie Shaw Ray Conniff Johnny Mandel Buster Harding Charlie Spivak Nelson Riddle Claude Thornhill Gil Evans Leader/Arranger Arranger Count Basie Buster Smith Jimmy Mundy Andy Gibson Herschel Evans Cab Calloway Foots Thomas Harry White Duke Ellington Billy Strayhorn Earl Hines Jimmy Mundy Budd Johnson Stan Kenton Pete Rugolo Bill Holman Andy Kirk Mary Lou Williams Earl Thompson Glen Miller Bill Finegan Billy May Claude Thornhill Gil Evans Bill Borden Gerry Mulligan Chick Webb Edgar Sampson Charlie Dixon Andy Gibson Herschel Evans Leader/Arranger Les Brown Benny Carter Larry Clinton Will Hudson Elliot Lawrence Russ Morgan Ray Noble Boyd Raeburn Raymond Scott Musicians in Bands that were Important Arrangers Leader Arranger Instrument Bob Crosby Bob Haggart bass Matty Matlock saxophone Deane Kincaide saxophone Jimmy Dorsey Tutti Camarata trumpet Joe Lipman piano Woody Herman Heil Hefti trumpet Ralph Burns piano Hal Kemp John Scott Trotter piano Gene Krupa Gerry Mulligan saxophone Jimmy Lunceford Sy Oliver trumpet Glen Miller Henry Mancini piano Artie Shaw Ray Conniff trombone Johnny Mandel trombone Charlie Spivak Nelson Riddle trombone . -
Album Notes.Pages
SOMEWHERE ELSE: WEST SIDE STORY SONGS Album Notes Ted Nash - tenor sax, clarinet Steve Cardenas - guitar Ben Allison - bass 1) Jet Song - 5:36 2) A Boy Like That - 4:47 3) Maria - 4:04 4) One Hand, One Heart - 4:00 5) Tonight - 4:00 6) America - 5:19 7) I Have a Love - 3:19 8) Something’s Coming - 6:10 9) Cool - 4:17 10) Somewhere - 5:21 11) Somewhere (Reprise) - 2:56 All songs by Leonard Bernstein Arrangements by Ted Nash, Steve Cardenas and Ben Allison Recorded December 17 & 18, 2018 Recording engineer - Marc Urselli 2nd engineer - Duff Harris Recorded at East Side Sound, NYC Mixed by Ben Allison Mastered by Doug Schwartz, Mulholland Music Produced by Ted Nash Cover Illustration by Mary Elizabeth Huber Graphic design by Exponent Collaborative Thank you: Ben and Steve for your incredible musicianship; Doug, Marc, Ben and Duff for creating such a beautiful sound; D’lynne and great team at Exponent Collaborative for everything visual; Mike and Eric for your guidance; Cathy for your talent in connecting people and making things happen; and Kristen for your creativity, insight, honesty, vision and mostly for your love. Ted Nash uses D’Addario reeds and Beechler mouthpieces. Visit www.tednash.com Label - Plastic Sax Records Catalog number - PSR-5 Recording © 2019 ———————————————- There was a moment backstage when I wiped a bead of sweat from my temple and glanced over at Steve and Ben. We shook our heads and laughed. It was the only way to express the gratitude and sheer joy we felt about the interplay and trust we just experienced during the past hour on stage at the Havana Jazz Festival. -
Gerry Mulligan Discography
GERRY MULLIGAN DISCOGRAPHY GERRY MULLIGAN RECORDINGS, CONCERTS AND WHEREABOUTS by Gérard Dugelay, France and Kenneth Hallqvist, Sweden January 2011 Gerry Mulligan DISCOGRAPHY - Recordings, Concerts and Whereabouts by Gérard Dugelay & Kenneth Hallqvist - page No. 1 PREFACE BY GERARD DUGELAY I fell in love when I was younger I was a young jazz fan, when I discovered the music of Gerry Mulligan through a birthday gift from my father. This album was “Gerry Mulligan & Astor Piazzolla”. But it was through “Song for Strayhorn” (Carnegie Hall concert CTI album) I fell in love with the music of Gerry Mulligan. My impressions were: “How great this man is to be able to compose so nicely!, to improvise so marvellously! and to give us such feelings!” Step by step my interest for the music increased I bought regularly his albums and I became crazy from the Concert Jazz Band LPs. Then I appreciated the pianoless Quartets with Bob Brookmeyer (The Pleyel Concerts, which are easily available in France) and with Chet Baker. Just married with Danielle, I spent some days of our honey moon at Antwerp (Belgium) and I had the chance to see the Gerry Mulligan Orchestra in concert. After the concert my wife said: “During some songs I had lost you, you were with the music of Gerry Mulligan!!!” During these 30 years of travel in the music of Jeru, I bought many bootleg albums. One was very important, because it gave me a new direction in my passion: the discographical part. This was the album “Gerry Mulligan – Vol. 2, Live in Stockholm, May 1957”. -
Jazzletter I PO Box 240, Ojai CA 93024-0240 March 2005“ Vol
GeneLeasAdLibitum 6- I Jazzletter I PO Box 240, Ojai CA 93024-0240 March 2005“ Vol. 23 No. 3 must look to black authority figures to validate the life and The Worlds of Paul Desmond work ofajazz musician, it is notable that Charlie Parker, one of the supreme icons of this music, was several times on In the first paragraph of a Foreword to Take Five, Doug record that Paul was his favorite alto player. That they were Rarnsey’s superbly researched biography ofPaul Desmond, also friends is something I did not know. That is documented Dave Brubeck asserts: in this book. ’ “Paul Desmond was an enigma. I considered him my best I once did a radio interview with Paul in which he said he friend. Yet, for a couple ofyears in my life I vowed I would went far out of his way not to sound like Charlie Parker, in never speak to him again. The rifi eventually healed and for a time when seemingly every young player was trying to do three decades we were as close as brothers.” so. He said there was enormous pressure on young players, Darius Brubeck, one of Dave’s sons, for many years a during his fonnative years, to emulate Parker. He called it “a jazz teacher in South Africa and England, told me he was kind ofmusical McCarthyism.” Much ofwhat Paul said was about twelve before he realized that Paul wasn’t actually his frmny not only for its content but his manner of speech, his uncle. idiosyncratic inflections, which ofcourse cannotbe captured “From the very first,” Dave says in that introduction, “we on paper. -
Hits from the 1940S
Hits from the 1940s ¯ Boogie Woogie Bugle Boy – Andrews Sisters ¯ Chattanooga Choo Choo – Glenn Miller ¯ Cool Water – Sons of the Pioneers ¯ Don’t Fence Me In – Bing Crosby/Andrews Sisters ¯ Don’t Get Around Much Anymore – Ink Spots/Duke Ellington ¯ Don’t Sit Under the Apple Tree – Glenn Miller/Andrews Sisters ¯ I Love You (For Sentimental Reasons) – Nat King Cole/Dinah Shore ¯ I’ll Be Seeing You – Bing Crosby/Liberace ¯ I’m Looking Over a Four Leaf Clover – Art Mooney ¯ Jingle Jangle Jingle – Kay Kysor/Gene Autry ¯ Peg O’ My Heart – Harmonicats ¯ Sentimental Journey – Doris Day/Les Brown ¯ Star Dust – Artie Shaw ¯ Stormy Weather – Lena Horne ¯ Swinging on a Star – Bing Crosby ¯ Take the “A” Train – Duke Ellington ¯ The White Cliffs of Dover – Vera Lynn/Kay Kysor/Glenn Miller ¯ This Land is Your Land – Woody Guthrie ¯ When You Wish Upon a Star – Cliff Edwards/Glenn Miller/Guy Lombardo ¯ You Are My Sunshine – Gene Autry/Bing Crosby/Lawrence Welk You may find the original versions of many of these songs on You Tube. Many are also available to purchase through ITunes. Most artists referenced here had multiple hits. So once you start searching for the songs listed here you will no doubt find many others to enjoy. For lyrics try AZLyrics.com or songlyrics.com where you can copy and paste lyrics for your personal use only. www.SingingHeartToHeart.com Mary Sue Wilkinson . -
Musica Jazz Autore Titolo Ubicazione
MUSICA JAZZ AUTORE TITOLO UBICAZIONE AA.VV. Blues for Dummies MSJ/CD BLU AA.VV. \The \\metronomes MSJ/CD MET AA.VV. Beat & Be Bop MSJ/CD BEA AA.VV. Casino lights '99 MSJ/CD CAS AA.VV. Casino lights '99 MSJ/CD CAS AA.VV. Victor Jazz History vol. 13 MSJ/CD VIC AA.VV. Blue'60s MSJ/CD BLU AA.VV. 8 Bold Souls MSJ/CD EIG AA.VV. Original Mambo Kings (The) MSJ/CD MAM AA.VV. Woodstock Jazz Festival 1 MSJ/CD WOO AA.VV. New Orleans MSJ/CD NEW AA.VV. Woodstock Jazz Festival 2 MSJ/CD WOO AA.VV. Real birth of Fusion (The) MSJ/CD REA AA.VV. \Le \\grandi trombe del Jazz MSJ/CD GRA AA.VV. Real birth of Fusion two (The) MSJ/CD REA AA.VV. Saint-Germain-des-Pres Cafe III: the finest electro-jazz compilationMSJ/CD SAI AA.VV. Celebrating the music of Weather Report MSJ/CD CEL AA.VV. Night and Day : The Cole Porter Songbook MSJ/CD NIG AA.VV. \L'\\album jazz più bello del mondo MSJ/CD ALB AA.VV. \L'\\album jazz più bello del mondo MSJ/CD ALB AA.VV. Blues jam in Chicago MSJ/CD BLU AA.VV. Blues jam in Chicago MSJ/CD BLU AA.VV. Saint-Germain-des-Pres Cafe II: the finest electro-jazz compilationMSJ/CD SAI Adderley, Cannonball Cannonball Adderley MSJ/CD ADD Aires Tango Origenes [CD] MSJ/CD AIR Al Caiola Serenade In Blue MSJ/CD ALC Allison, Mose Jazz Profile MSJ/CD ALL Allison, Mose Greatest Hits MSJ/CD ALL Allyson, Karrin Footprints MSJ/CD ALL Anikulapo Kuti, Fela Teacher dont't teach me nonsense MSJ/CD ANI Armstrong, Louis Louis In New York MSJ/CD ARM Armstrong, Louis Louis Armstrong live in Europe MSJ/CD ARM Armstrong, Louis Satchmo MSJ/CD ARM Armstrong, Louis -
Art Pepper a Taste of Pepper Mp3, Flac, Wma
Art Pepper A Taste Of Pepper mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: A Taste Of Pepper Country: Europe Released: 2010 Style: Bop MP3 version RAR size: 1175 mb FLAC version RAR size: 1614 mb WMA version RAR size: 1715 mb Rating: 4.8 Votes: 650 Other Formats: VOC WMA AC3 AAC MIDI AIFF MPC Tracklist Hide Credits Art Pepper Meets The Rhythm Section ( 1957 ) You'd Be So Nice To Come Home To 1-1 5:29 Composed By – C. Porter* Red Pepper Blues 1-2 3:41 Composed By – R. Garland* Imagination 1-3 5:55 Composed By – J. Van Heusen And J. Burke* Waltz Me Blues 1-4 3:00 Composed By – A. Pepper*, P. Chambers* Straight Life 1-5 4:02 Composed By – A. Pepper* Jazz Me Blues 1-6 4:50 Composed By – T. Delaney* Tin Tin Deo 1-7 7:45 Composed By – C. Pozo*, G. Fuller* Star Eyes 1-8 5:16 Composed By – D. Raye*, G. DePaul* Birks Works 1-9 4:20 Composed By – D. Gillespie* Mucho Calor ( 1958 ) Mucho Calor 2-1 6:55 Arranged By – Bill HolmanComposed By – B. Holman* Autumn Leaves 2-2 Arranged By – Benny CarterComposed By – G. Parsons*, J. Prévert*, J. 3:07 Mercer*, J. Kosma* Mambo De La Pinta 2-3 5:30 Arranged By – Art PepperComposed By – A. Pepper* I'll Remember April 2-4 2:22 Arranged By – Art PepperComposed By – D. Raye*, G. DePaul*, P. Johnston* Vaya Hombre Vaya 2-5 3:23 Arranged By – Bill HolmanComposed By – B. Holman* I Love You 2-6 5:49 Arranged By – Bill HolmanComposed By – C.