The Jimmy Giuffre Quartet in Person Mp3, Flac, Wma

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The Jimmy Giuffre Quartet In Person mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: In Person Country: US Released: 1960 Style: Cool Jazz MP3 version RAR size: 1684 mb FLAC version RAR size: 1555 mb WMA version RAR size: 1144 mb Rating: 4.9 Votes: 171 Other Formats: ADX VOX DMF AAC AHX AC3 FLAC Tracklist A1 The Quiet Time A2 The Crab A3 My Funny Valentine B1 Wee See B2 What´s New B3 Two For Timbuctu Companies, etc. Recorded At – Five Spot Café Credits Bass – Buell Neidlinger Clarinet, Tenor Saxophone – Jimmy Giuffre Drums – Billy Osborne Guitar – Jim Hall Notes Recorded New York, August 1960 at the Five Spot Cafe. Other versions Category Artist Title (Format) Label Category Country Year The Jimmy In Person (LP, Verve 2304 492 2304 492 France Unknown Giuffre Quartet* Album, RE) Records The Jimmy In Person (LP, Verve MGVS-68387 MGVS-68387 US 1960 Giuffre Quartet* Album) Records Jimmy Giuffre Live In 1960 (CD, 503 Jazz Beat 503 Europe 2007 Quartet* Album, RE) Jimmy Giuffre Live In 1960 (CD, Phoenix 131536 131536 Europe 2011 Quartet* Album, RE) Records The Jimmy In Person (LP, Verve MGVS-8387 MGVS-8387 US 1960 Giuffre Quartet* Album) Records Related Music albums to In Person by The Jimmy Giuffre Quartet The Jimmy Giuffre 3 - The Easy Way The Jimmy Giuffre 3 - The Jimmy Giuffre 3 (Vol. 3) Various · Shorty Rogers · Don Fagerquist · Art Pepper · Jimmy Giuffre · Bud Shank · Lighthouse All Stars - West Coast Jazz The Modern Jazz Quartet Guest Artist: Jimmy Giuffre - The Modern Jazz Quartet At Music Inn Jimmy Giuffre - Four Brothers Lee Konitz Meets Jimmy Giuffre - Lee Konitz Meets Jimmy Giuffre The Jimmy Giuffre 3 - Trav'lin' Light The Jimmy Giuffre 3 - Hollywood Live Sessions 1957-58 Jimmy Giuffre, Bob Cooper, Harry Klee, Bob Enevoldsen With The Marty Paich Octet - Tenors West Jimmy Giuffre Trio With Paul Bley & Steve Swallow - Carla.

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Record Store Day 2020 (GSA) - 18.04.2020 | (Stand: 05.03.2020)
Record Store Day 2020 (GSA) - 18.04.2020 | (Stand: 05.03.2020) Vertrieb Interpret Titel Info Format Inhalt Label Genre Artikelnummer UPC/EAN AT+CH (ja/nein/über wen?) Exclusive Record Store Day version pressed on 7" picture disc! Top song on Billboard's 375Media Ace Of Base The Sign 7" 1 !K7 Pop SI 174427 730003726071 D 1994 Year End Chart. [ENG]Pink heavyweight 180 gram audiophile double vinyl LP. Not previously released on vinyl. 'Nam Myo Ho Ren Ge Kyo' was first released on CD only in 2007 by Ace Fu SPACE AGE 375MEDIA ACID MOTHERS TEMPLE NAM MYO HO REN GE KYO (RSD PINK VINYL) LP 2 PSYDEL 139791 5023693106519 AT: 375 / CH: Irascible Records and now re-mastered by John Rivers at Woodbine Street Studio especially for RECORDINGS vinyl Out of print on vinyl since 1984, FIRST official vinyl reissue since 1984 -Chet Baker (1929 - 1988) was an American jazz trumpeter, actor and vocalist that needs little introduction. This reissue was remastered by Peter Brussee (Herman Brood) and is featuring the original album cover shot by Hans Harzheim (Pharoah Sanders, Coltrane & TIDAL WAVES 375MEDIA BAKER, CHET MR. B LP 1 JAZZ 139267 0752505992549 AT: 375 / CH: Irascible Sun Ra). Also included are the original liner notes from jazz writer Wim Van Eyle and MUSIC two bonus tracks that were not on the original vinyl release. This reissue comes as a deluxe 180g vinyl edition with obi strip_released exclusively for Record Store Day (UK & Europe) 2020. * Record Store Day 2020 Exclusive Release.* Features new artwork* LP pressed on pink vinyl & housed in a gatefold jacket Limited to 500 copies//Last Tango in Paris" is a 1972 film directed by Bernardo Bertolucci, saxplayer Gato Barbieri' did realize the soundtrack.
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Album Notes.Pages
SOMEWHERE ELSE: WEST SIDE STORY SONGS Album Notes Ted Nash - tenor sax, clarinet Steve Cardenas - guitar Ben Allison - bass 1) Jet Song - 5:36 2) A Boy Like That - 4:47 3) Maria - 4:04 4) One Hand, One Heart - 4:00 5) Tonight - 4:00 6) America - 5:19 7) I Have a Love - 3:19 8) Something’s Coming - 6:10 9) Cool - 4:17 10) Somewhere - 5:21 11) Somewhere (Reprise) - 2:56 All songs by Leonard Bernstein Arrangements by Ted Nash, Steve Cardenas and Ben Allison Recorded December 17 & 18, 2018 Recording engineer - Marc Urselli 2nd engineer - Duﬀ Harris Recorded at East Side Sound, NYC Mixed by Ben Allison Mastered by Doug Schwartz, Mulholland Music Produced by Ted Nash Cover Illustration by Mary Elizabeth Huber Graphic design by Exponent Collaborative Thank you: Ben and Steve for your incredible musicianship; Doug, Marc, Ben and Duﬀ for creating such a beautiful sound; D’lynne and great team at Exponent Collaborative for everything visual; Mike and Eric for your guidance; Cathy for your talent in connecting people and making things happen; and Kristen for your creativity, insight, honesty, vision and mostly for your love. Ted Nash uses D’Addario reeds and Beechler mouthpieces. Visit www.tednash.com Label - Plastic Sax Records Catalog number - PSR-5 Recording © 2019 ———————————————- There was a moment backstage when I wiped a bead of sweat from my temple and glanced over at Steve and Ben. We shook our heads and laughed. It was the only way to express the gratitude and sheer joy we felt about the interplay and trust we just experienced during the past hour on stage at the Havana Jazz Festival.
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Gerry Mulligan Discography
GERRY MULLIGAN DISCOGRAPHY GERRY MULLIGAN RECORDINGS, CONCERTS AND WHEREABOUTS by Gérard Dugelay, France and Kenneth Hallqvist, Sweden January 2011 Gerry Mulligan DISCOGRAPHY - Recordings, Concerts and Whereabouts by Gérard Dugelay & Kenneth Hallqvist - page No. 1 PREFACE BY GERARD DUGELAY I fell in love when I was younger I was a young jazz fan, when I discovered the music of Gerry Mulligan through a birthday gift from my father. This album was “Gerry Mulligan & Astor Piazzolla”. But it was through “Song for Strayhorn” (Carnegie Hall concert CTI album) I fell in love with the music of Gerry Mulligan. My impressions were: “How great this man is to be able to compose so nicely!, to improvise so marvellously! and to give us such feelings!” Step by step my interest for the music increased I bought regularly his albums and I became crazy from the Concert Jazz Band LPs. Then I appreciated the pianoless Quartets with Bob Brookmeyer (The Pleyel Concerts, which are easily available in France) and with Chet Baker. Just married with Danielle, I spent some days of our honey moon at Antwerp (Belgium) and I had the chance to see the Gerry Mulligan Orchestra in concert. After the concert my wife said: “During some songs I had lost you, you were with the music of Gerry Mulligan!!!” During these 30 years of travel in the music of Jeru, I bought many bootleg albums. One was very important, because it gave me a new direction in my passion: the discographical part. This was the album “Gerry Mulligan – Vol. 2, Live in Stockholm, May 1957”.
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Drums • Bobby Bradford - Trumpet • James Newton - Flute • David Murray - Tenor Sax • Roberto Miranda - Bass
1975 May 17 - Stanley Crouch Black Music Infinity Outdoors, afternoon, color snapshots. • Stanley Crouch - drums • Bobby Bradford - trumpet • James Newton - flute • David Murray - tenor sax • Roberto Miranda - bass June or July - John Carter Ensemble at Rudolph's Fine Arts Center (owner Rudolph Porter)Rudolph's Fine Art Center, 3320 West 50th Street (50th at Crenshaw) • John Carter — soprano sax & clarinet • Stanley Carter — bass • William Jeffrey — drums 1976 June 1 - John Fahey at The Lighthouse December 15 - WARNE MARSH PHOTO Shoot in his studio (a detached garage converted to a music studio) 1490 N. Mar Vista, Pasadena CA afternoon December 23 - Dexter Gordon at The Lighthouse 1976 June 21 – John Carter Ensemble at the Speakeasy, Santa Monica Blvd (just west of LaCienega) (first jazz photos with my new Fujica ST701 SLR camera) • John Carter — clarinet & soprano sax • Roberto Miranda — bass • Stanley Carter — bass • William Jeffrey — drums • Melba Joyce — vocals (Bobby Bradford's first wife) June 26 - Art Ensemble of Chicago Studio Z, on Slauson in South Central L.A. (in those days we called the area Watts) 2nd-floor artists studio. AEC + John Carter, clarinet sat in (I recorded this on cassette) Rassul Siddik, trumpet June 24 - AEC played 3 nights June 24-26 artist David Hammond's Studio Z shots of visitors (didn't play) Bobby Bradford, Tylon Barea (drummer, graphic artist), Rudolph Porter July 2 - Frank Lowe Quartet Century City Playhouse. • Frank Lowe — tenor sax • Butch Morris - drums; bass? • James Newton — cornet, violin; • Tylon Barea -- flute, sitting in (guest) July 7 - John Lee Hooker Calif State University Fullerton • w/Ron Thompson, guitar August 7 - James Newton Quartet w/guest John Carter Century City Playhouse September 5 - opening show at The Little Big Horn, 34 N.
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Instead Draws Upon a Much More Generic Sort of Free-Jazz Tenor
1 Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. BILL HOLMAN NEA Jazz Master (2010) Interviewee: Bill Holman (May 21, 1927 - ) Interviewer: Anthony Brown with recording engineer Ken Kimery Date: February 18-19, 2010 Repository: Archives Center, National Museum of American History, Smithsonian Institution Description: Transcript, 84 pp. Brown: Today is Thursday, February 18th, 2010, and this is the Smithsonian Institution National Endowment for the Arts Jazz Masters Oral History Program interview with Bill Holman in his house in Los Angeles, California. Good afternoon, Bill, accompanied by his wife, Nancy. This interview is conducted by Anthony Brown with Ken Kimery. Bill, if we could start with you stating your full name, your birth date, and where you were born. Holman: My full name is Willis Leonard Holman. I was born in Olive, California, May 21st, 1927. Brown: Where exactly is Olive, California? Holman: Strange you should ask [laughs]. Now it‟s a part of Orange, California. You may not know where Orange is either. Orange is near Santa Ana, which is the county seat of Orange County, California. I don‟t know if Olive was a part of Orange at the time, or whether Orange has just grown up around it, or what. But it‟s located in the city of Orange, although I think it‟s a separate municipality. Anyway, it was a really small town. I always say there was a couple of orange-packing houses and a railroad spur. Probably more than that, but not a whole lot.
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The Recordings
Appendix: The Recordings These are the URLs of the original locations where I found the recordings used in this book. Those without a URL came from a cassette tape, LP or CD in my personal collection, or from now-defunct YouTube or Grooveshark web pages. I had many of the other recordings in my collection already, but searched for online sources to allow the reader to hear what I heard when writing the book. Naturally, these posted “videos” will disappear over time, although most of them then re- appear six months or a year later with a new URL. If you can’t find an alternate location, send me an e-mail and let me know. In the meantime, I have provided low-level mp3 files of the tracks that are not available or that I have modified in pitch or speed in private listening vaults where they can be heard. This way, the entire book can be verified by listening to the same re- cordings and works that I heard. For locations of these private sound vaults, please e-mail me and I will send you the links. They are not to be shared or downloaded, and the selections therein are only identified by their numbers from the complete list given below. Chapter I: 0001. Maple Leaf Rag (Joplin)/Scott Joplin, piano roll (1916) listen at: http://www.youtube.com/watch?v=9E5iehuiYdQ 0002. Charleston Rag (a.k.a. Echoes of Africa)(Blake)/Eubie Blake, piano (1969) listen at: https://www.youtube.com/watch?v=R7oQfRGUOnU 0003. Stars and Stripes Forever (John Philip Sousa, arr.
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Gramofon, 1996 (1. Évfolyam, 1-5. Szám)
ELIN ELINTÉZI ÉS NINCS MUNKA! m««"' 0 2 ^ = ^ V A MONOFIX Kft. várja Önöket az EUN háztartási gépek I teljes választékával. ÜZLETEINK: Bemutatóterem Budapest XIX., Üllői út 202-204. Budapest III., Huszti u. 9-17. 11. lépcsőház Székesfehérvár, Mártírok útja 5. Nyitvatartás: hétfő-péntek: 10-18-ig szombat: 9-13-ig. Információs telefon: 282-9523 ▼ MONOF.X EXPORT-IMPORT AZ E L I N HÁZTARTÁSI GÉPEK KIZÁRÓLAGOS FORGALMAZÓJA Ezúton értesítjük kedves vásárlóinkat, hogy 1996. december 26-tól 1997. január 06-ig zárva tartunk. zerkesztőség G R A M O N The Hungarian CD Review ft Gramofon novemberi >by Mkfirrrin Tokody Ilona Retkes Attila ILONA hick Cofea _ Főszerkesztő TOKODY VERDI Bősze Adóm Chick Corea és Lapigazgató Bobby McFerrin Pataki Andrea Szerkesztő Ornette Coleman Human Telex Kft. Lapterv és tipográfia ■ffteve _ 'eatestHit: Steve Turre Aradi Varga István Aűvészeti igazgató Sim p ly Red ovák Gábor pográfia ivatok: jsze Adóm Retkes Attila interjú, Klasszikus, Tisztelt Olvasó! Pop-rock Tártál o m Zipernovszky Kornél Karácsonyhoz közeledve egyre nagyobb CD-kínálattal jelent- j I azz keznek a lemezkiadók. Nekünk, vásárlóknak sokszor nehéz el A hónap interjúja 2 Pataki Andrea döntenünk, melyik felvételen találunk igazán élvezetes produkci Presser Gábor Kiadói panoráma, Gramofon posta ót. A Gramofon legújabb számában az eddigieknél is markán- I sabb kritikákkal kívánunk különbséget tenni a kifejezetten piaco Kritika Szerkesztőség címe: rientált és az igényes felvételek között. 1025 Budapest Klasszikus 4 Mandula utca 31. A hónap interjúja rovatban ezúttal a magyar popzenei élet Takács Ágnes klasszikusának számító Presser Gábor nyilatkozik, számunkkal Jazz 14 asszisztens egy időben megjelenő új lemezéről. A klasszikus zenei rovat Tel: 06-30-418-016 A J Fax: 212-4782 hónap felvétele címet a komolyzenei élet talán legígéretesebb Pop - rock 24 tehetségének, Maxim Vengerov hegedűművésznek ítélte, aki Si Kiadja: belius és Nielsen hegedűversenyeit játszotta lemezre Daniel Ba a Budapesti Fesztiválzenekar Amfisz Kft.
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De Jaren Vijftig
De jazz heeft altijd een ambivalente verhouding gehad met strijkinstrumenten. With trings (2) Jazzgroepen uitgebreid met strijkers lokken altijd felle reacties vóór en tegen uit. Joep van Leeuwen bekijkt in een aantal afleveringen de achtergrond van deze gemengde ensembles. De jaren vijftig Charlie Parker zelf geeft in 1949 het startschot voor de combinatie van moderne jazz en strijkers. Hoewel Just Friends goed klinkt, maken de resterende opnamen duidelijk dat be- perkte ruimte om te improviseren en het ontbreken van eigen composities problematisch zijn. Wat blijkt is dat With Strings pas succesvol is als de twee groepen binnen dit ensemble – de strijkers en de jazzers – stilistisch met elkaar in balans zijn. Joep van Leeuwen Kenton ven het orkest een nieuw gezicht. Stan Kenton beluisteren en ervaren maar biedt weinig diep- is daar een voorbeeld van samen met bijvoor- gang. Deze inhoudelijke zwakte gecombineerd e jaren vijftig beginnen qua With Strings beeld Claude Thornhill, Boyd Raeburn en com- met de instrumentaal technische perfectie is D– bijna letterlijk – met een klap als Stan ponist John Handy. Ze maken de bigband los muzikaal funest. Het technische niveau van een Kenton 16 strijkers aan zijn orkest toevoegt. Het van het swingidioom door het compositorische uitvoering is natuurlijk zeer belangrijk maar totaal aan musici komt hiermee op 40. Innova- element te verhogen. Uitgangspunt hiervoor als het meer de nadruk krijgt dan de inhoud tions in Music Orchestra heet het en bestaat is de laat 19de, vroeg 20ste eeuwse gecompo- gaat het fout. Dit verklaart ook het bombasti- van 1950 tot 1952 als Kenton het – naar eigen neerde muziek.
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Jimmy Giuffre
Late Night Jazz – Jimmy Giuffre Samstag, 27. April 2019 22.05 – 24.00 SRF 2 Kultur Sein feiner «Chamber Jazz» brachte eine andere Farbe in die freie Improvisation. Mit seinen ungewöhnlich besetzten Trios entwickelte hat Jimmy Giuffre neue, freiere Formen für Zusammenspiel und Klangbewusstsein entwickelt. Neben dem innovativen Klarinettisten und Saxophonisten wird auch der Komponist und Arrangeur Jimmy Giuffre gewürdigt in den zwei Dutzend Aufnahmen der Sendung. Redaktion und Moderation: Andreas Müller-Crepon The Four Brothers - Together Again! Label: RCA Track 06: Four Brothers The Modern Jazz Quartet & Jimmy Giuffre – Complete Recordings Label: Lone Hill Jazz Track 07: In A Mellotone Herb Ellis Meets Jimmy Giuffre Label: Verve Track 01: Goose Grease Herb Ellis - Meets Label: Lone Hill Jazz Track 07: Blues for Janet Jazz on A Summer's Day Label: The Soundtrack Factory Track 01: The Jimmy Giuffre Trio: Train and the River Jimmy Giuffre - Western Suite Label: Atlantic Track 02: Western Suite II: Apaches Track 03: Western Suite III: Saturday Night Dance Jimmy Giuffre Three - 1961 Label: ECM Records CD 01/Track 08: Afternoon Paul Bley - Blues for Red (Piano solo) Label: Red Record Track 03: Into the Night Susanne Abbuehl - Princess Label: Vision Fugitive Track 07: Mosquito Dance The Complete Capitol & Atlantic Recordings of Jimmy Giuffre Label: Mosaic Records CD 06/Track 04: I Gotta Right to Sing the Blues Paul Bley - Early Trios Label: Fresh Sound Records Track 11: There Will Never Been Another You Herb Ellis - Arrival Label: Concord Records
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Recorded Jazz in the 20Th Century
Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana
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Romantic Sketches for Orchestra Capitol H-501 Georges Tzipine Released May, 1954
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Legends of West Brochure
JAZZ AID P U.S. POSTAGE presents WEST NONPROFIT ORG. PERMIT NO. 1260 LONG BEACH, CA. COAST 3 LEGENDS OF THE WEST 17 Concerts 8 Panel Discussions A Four Day 5 Film Showings Jazz Festival September 29 ~ October 2, 2005 8-0038 Four Points Sheraton-LAX NG BEACH, CA 9080 CA BEACH, NG .O. BOX 8038.O. BOX LO THE ANGELES LOS JAZZ INSTITUTE P WAY OUT WEST 1957 BY WILLIAM CLAXTON lajazzinstitute.org Bud Shank | Johnny Mandel | Chico Hamilton Quintet | Paul Horn BONUS EVENT Frank Morgan | Buddy Collette | Med Flory | Howard Rumsey In our continuing effort to pay tribute to the Lennie Niehaus | Jack Costanzo | Dave Pell Octet | Herb Geller brilliant artists who have Allyn Ferguson’s Chamber Jazz Sextet | Anthony Ortega | Bill Trujillo been significant figures of the Los Angeles Jazz Scene, FEATURING Claude Williamson | Chuck Flores | John Pisano | Fred Katz we are pleased to announce Jazz West Coast 3- ABOUT THE Legends of the West. Festival Los Angeles Legends of the West is a musical celebration of Facts Jazz Institute both the musicians and The Los Angeles Jazz Institute houses the behind the scenes people Dates and maintains one of the largest whose innovative explorations SEPTEMBER 29-OCTOBER 2, 2005 jazz archives in the world.All styles created a unique jazz scene and eras are represented with a here on the west coast. Place special emphasis on the preservation The Four Points Sheraton at LAX and documentation of jazz in southern In addition to 17 concerts, 9750 Airport Blvd., California. Many artists personal there will also be film showings, Los Angeles, CA 90045 collections are being preserved at panel discussions, photo exhibits The special convention rate is the Institute including the archives and special presentations where $82 and $92 per night.
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