Jimmy Giuffre

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Late Night Jazz – Jimmy Giuffre Samstag, 27. April 2019 22.05 – 24.00 SRF 2 Kultur Sein feiner «Chamber Jazz» brachte eine andere Farbe in die freie Improvisation. Mit seinen ungewöhnlich besetzten Trios entwickelte hat Jimmy Giuffre neue, freiere Formen für Zusammenspiel und Klangbewusstsein entwickelt. Neben dem innovativen Klarinettisten und Saxophonisten wird auch der Komponist und Arrangeur Jimmy Giuffre gewürdigt in den zwei Dutzend Aufnahmen der Sendung. Redaktion und Moderation: Andreas Müller-Crepon The Four Brothers - Together Again! Label: RCA Track 06: Four Brothers The Modern Jazz Quartet & Jimmy Giuffre – Complete Recordings Label: Lone Hill Jazz Track 07: In A Mellotone Herb Ellis Meets Jimmy Giuffre Label: Verve Track 01: Goose Grease Herb Ellis - Meets Label: Lone Hill Jazz Track 07: Blues for Janet Jazz on A Summer's Day Label: The Soundtrack Factory Track 01: The Jimmy Giuffre Trio: Train and the River Jimmy Giuffre - Western Suite Label: Atlantic Track 02: Western Suite II: Apaches Track 03: Western Suite III: Saturday Night Dance Jimmy Giuffre Three - 1961 Label: ECM Records CD 01/Track 08: Afternoon Paul Bley - Blues for Red (Piano solo) Label: Red Record Track 03: Into the Night Susanne Abbuehl - Princess Label: Vision Fugitive Track 07: Mosquito Dance The Complete Capitol & Atlantic Recordings of Jimmy Giuffre Label: Mosaic Records CD 06/Track 04: I Gotta Right to Sing the Blues Paul Bley - Early Trios Label: Fresh Sound Records Track 11: There Will Never Been Another You Herb Ellis - Arrival Label: Concord Records CD 02/Track 02: Seven Come Eleven Anita O'Day Sings the Winners Label: Verve Track 06: Four Brothers Jim Hall - Concierto Label: Sony Track 01: You'd Be So Nice to Come Home To Shelly Manne & His Men – Volume 1 The West Coast Sound Label: Original Jazz Classics Track 02: La Mucura Jimmy Giuffre & Jim Hall Featuring Ralph Peña – The Original Trio Label: Gambit Records Track 03: The Song Is You Jim Hall & Bill Frisell - Hemispheres Label: Artist Share CD 02/Track 01: I'll Remember April Helen Merrill - A Shade of Difference Label: Emarcy Records (Universal Music) Track 08: My Funny Valentine An Evening with Ron Carter & Richard Galliano – Live at the Theaterstübchen, Kassel Label: In + Out Records Track 07: Blues for D.P. (Live) Bob Brookmeyer Quintet - Traditionalism Revisited Label: Pacific Jazz Track 05: Sweet Like This Anita O'Day - Pick yourself Up Label: Verve Track 01: Don't Be That Way Jimmy Giuffre - Western Suite Label: Atlantic Track 01: Western Suite I: Pony Express Track 05: Topsy Blossom Dearie - Give Him the Ooh-La-La Label: Verve Track 01: Just One of Those Things .

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SOMEWHERE ELSE: WEST SIDE STORY SONGS Album Notes Ted Nash - tenor sax, clarinet Steve Cardenas - guitar Ben Allison - bass 1) Jet Song - 5:36 2) A Boy Like That - 4:47 3) Maria - 4:04 4) One Hand, One Heart - 4:00 5) Tonight - 4:00 6) America - 5:19 7) I Have a Love - 3:19 8) Something’s Coming - 6:10 9) Cool - 4:17 10) Somewhere - 5:21 11) Somewhere (Reprise) - 2:56 All songs by Leonard Bernstein Arrangements by Ted Nash, Steve Cardenas and Ben Allison Recorded December 17 & 18, 2018 Recording engineer - Marc Urselli 2nd engineer - Duﬀ Harris Recorded at East Side Sound, NYC Mixed by Ben Allison Mastered by Doug Schwartz, Mulholland Music Produced by Ted Nash Cover Illustration by Mary Elizabeth Huber Graphic design by Exponent Collaborative Thank you: Ben and Steve for your incredible musicianship; Doug, Marc, Ben and Duﬀ for creating such a beautiful sound; D’lynne and great team at Exponent Collaborative for everything visual; Mike and Eric for your guidance; Cathy for your talent in connecting people and making things happen; and Kristen for your creativity, insight, honesty, vision and mostly for your love. Ted Nash uses D’Addario reeds and Beechler mouthpieces. Visit www.tednash.com Label - Plastic Sax Records Catalog number - PSR-5 Recording © 2019 ———————————————- There was a moment backstage when I wiped a bead of sweat from my temple and glanced over at Steve and Ben. We shook our heads and laughed. It was the only way to express the gratitude and sheer joy we felt about the interplay and trust we just experienced during the past hour on stage at the Havana Jazz Festival.
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Instead Draws Upon a Much More Generic Sort of Free-Jazz Tenor
1 Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. BILL HOLMAN NEA Jazz Master (2010) Interviewee: Bill Holman (May 21, 1927 - ) Interviewer: Anthony Brown with recording engineer Ken Kimery Date: February 18-19, 2010 Repository: Archives Center, National Museum of American History, Smithsonian Institution Description: Transcript, 84 pp. Brown: Today is Thursday, February 18th, 2010, and this is the Smithsonian Institution National Endowment for the Arts Jazz Masters Oral History Program interview with Bill Holman in his house in Los Angeles, California. Good afternoon, Bill, accompanied by his wife, Nancy. This interview is conducted by Anthony Brown with Ken Kimery. Bill, if we could start with you stating your full name, your birth date, and where you were born. Holman: My full name is Willis Leonard Holman. I was born in Olive, California, May 21st, 1927. Brown: Where exactly is Olive, California? Holman: Strange you should ask [laughs]. Now it‟s a part of Orange, California. You may not know where Orange is either. Orange is near Santa Ana, which is the county seat of Orange County, California. I don‟t know if Olive was a part of Orange at the time, or whether Orange has just grown up around it, or what. But it‟s located in the city of Orange, although I think it‟s a separate municipality. Anyway, it was a really small town. I always say there was a couple of orange-packing houses and a railroad spur. Probably more than that, but not a whole lot.
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The Jimmy Giuffre Quartet in Person Mp3, Flac, Wma
The Jimmy Giuffre Quartet In Person mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: In Person Country: US Released: 1960 Style: Cool Jazz MP3 version RAR size: 1684 mb FLAC version RAR size: 1555 mb WMA version RAR size: 1144 mb Rating: 4.9 Votes: 171 Other Formats: ADX VOX DMF AAC AHX AC3 FLAC Tracklist A1 The Quiet Time A2 The Crab A3 My Funny Valentine B1 Wee See B2 What´s New B3 Two For Timbuctu Companies, etc. Recorded At – Five Spot Café Credits Bass – Buell Neidlinger Clarinet, Tenor Saxophone – Jimmy Giuffre Drums – Billy Osborne Guitar – Jim Hall Notes Recorded New York, August 1960 at the Five Spot Cafe. Other versions Category Artist Title (Format) Label Category Country Year The Jimmy In Person (LP, Verve 2304 492 2304 492 France Unknown Giuffre Quartet* Album, RE) Records The Jimmy In Person (LP, Verve MGVS-68387 MGVS-68387 US 1960 Giuffre Quartet* Album) Records Jimmy Giuffre Live In 1960 (CD, 503 Jazz Beat 503 Europe 2007 Quartet* Album, RE) Jimmy Giuffre Live In 1960 (CD, Phoenix 131536 131536 Europe 2011 Quartet* Album, RE) Records The Jimmy In Person (LP, Verve MGVS-8387 MGVS-8387 US 1960 Giuffre Quartet* Album) Records Related Music albums to In Person by The Jimmy Giuffre Quartet The Jimmy Giuffre 3 - The Easy Way The Jimmy Giuffre 3 - The Jimmy Giuffre 3 (Vol. 3) Various · Shorty Rogers · Don Fagerquist · Art Pepper · Jimmy Giuffre · Bud Shank · Lighthouse All Stars - West Coast Jazz The Modern Jazz Quartet Guest Artist: Jimmy Giuffre - The Modern Jazz Quartet At Music Inn Jimmy Giuffre - Four Brothers Lee Konitz Meets Jimmy Giuffre - Lee Konitz Meets Jimmy Giuffre The Jimmy Giuffre 3 - Trav'lin' Light The Jimmy Giuffre 3 - Hollywood Live Sessions 1957-58 Jimmy Giuffre, Bob Cooper, Harry Klee, Bob Enevoldsen With The Marty Paich Octet - Tenors West Jimmy Giuffre Trio With Paul Bley & Steve Swallow - Carla.
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Deutsche Nationalbibliografie 2018 T 11
Deutsche Nationalbibliografie Reihe T Musiktonträgerverzeichnis Monatliches Verzeichnis Jahrgang: 2018 T 11 Stand: 07. November 2018 Deutsche Nationalbibliothek (Leipzig, Frankfurt am Main) 2018 ISSN 1613-8945 urn:nbn:de:101-201711171918 2 Hinweise Die Deutsche Nationalbibliografie erfasst eingesandte Pflichtexemplare in Deutschland veröffentlichter Medienwerke, aber auch im Ausland veröffentlichte deutschsprachige Medienwerke, Übersetzungen deutschsprachiger Medienwerke in andere Sprachen und fremdsprachige Medienwerke über Deutschland im Original. Grundlage für die Anzeige ist das Gesetz über die Deutsche Nationalbibliothek (DNBG) vom 22. Juni 2006 (BGBl. I, S. 1338). Monografien und Periodika (Zeitschriften, zeitschriftenartige Reihen und Loseblattausgaben) werden in ihren unterschiedlichen Erscheinungsformen (z.B. Papierausgabe, Mikroform, Diaserie, AV-Medium, elektronische Offline-Publikationen, Arbeitstransparentsammlung oder Tonträger) angezeigt. Alle verzeichneten Titel enthalten einen Link zur Anzeige im Portalkatalog der Deutschen Nationalbibliothek und alle vorhandenen URLs z.B. von Inhaltsverzeichnissen sind als Link hinterlegt. Die Titelanzeigen der Musiktonträger in Reihe T sind, wie sche Katalogisierung von Ausgaben musikalischer Wer- auf der Sachgruppenübersicht angegeben, entsprechend ke (RAK-Musik)“ unter Einbeziehung der „International der Dewey-Dezimalklassifikation (DDC) gegliedert, wo- Standard Bibliographic Description for Printed Music – bei tiefere Ebenen mit bis zu sechs Stellen berücksichtigt ISBD (PM)“ zugrunde.
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The Art of Lyric Improvisation
THE ART OF LYRIC IMPROVISATION A Comparative Study of Two Renowned Jazz Singers ______________________________________________ A thesis in partial fulfilment of the Requirements for the Degree of Masters of Music in the University of Canterbury by S. J. de Jong University of Canterbury 2008 _________________________________________ de Jong i Table of Contents THE ART OF LYRIC IMPROVISATION ........................................................................................................ i Table of Contents ........................................................................................................................................... i Abstract .................................................................................................................................................... iii Introduction ................................................................................................................................................... 1 Chapter 1: Historical and Biographical Overviews ....................................................................................... 5 1.1: Jazz Historical Background ................................................................................................................ 5 1.2: “Sometimes I’m Happy” .................................................................................................................... 6 1.3: Sarah Vaughan ..................................................................................................................................
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Full Speed Ahead for DVD Sales by JILL KIPNIS Increase Another 49% in 2003
$6.95 (U.S.), $8.95 (CAN.), £5.50 (U.K.), 8.95 (EUROPE), Y2,500 (JAPAN) II.L.II..I.JJL.1I.1I.II.LJII I ILIi #BXNCCVR ******* ************** 3 -DIGIT 908 #908070EE374EM002# * BLBD 880 A06 B0105 001 MAR 04 2 MONTY GREENLY 3740 ELM AVE # A LONG BEACH CA 90807 -3402 THE INTERNATIONAL NEWSWEEKLY OF MUSIC, VIDEO, AND HOME ENTERTAINMENT APRIL 5, 2003 Patriotism Lifts Pro -War Songs; Chicks Suffer A Billboard and Airplay Moni- Last week, the Chicks' "Travelin' tor staff report Soldier," a record that many thought With the war in Iraq now more would become an anthem for the than a week old and displays of sup- troops in the event of war, instead port for the war increasing, went 1 -3 on the Billboard Linkin Park Enjoys Meteoric Opening radio responded on several Some Acts Nix Hot Country Singles & fronts. The biggest victims International Tracks chart in the wake BY LARRY FLICK Show by Eminem, which sold 1.3 million copies in of the patriotic surge have Tours In Light of singer Natalie Maims' NEW YORK -Based on first -day sales activity for its its first full week of sales for the week ending June been Dixie Chicks, whose Of War: anti -war/anti -President new album, Meteora, Linkin Park could enjoy the 2, 2002, according to Nielsen SoundScan. Seven - tracks suffered major air- See Page 7 Bush comments (Bill- first 1 million -selling week of 2003. Early estimates day sales of more than 900,000 units would score play losses at their host for- board, March 29).
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De Jaren Vijftig
De jazz heeft altijd een ambivalente verhouding gehad met strijkinstrumenten. With trings (2) Jazzgroepen uitgebreid met strijkers lokken altijd felle reacties vóór en tegen uit. Joep van Leeuwen bekijkt in een aantal afleveringen de achtergrond van deze gemengde ensembles. De jaren vijftig Charlie Parker zelf geeft in 1949 het startschot voor de combinatie van moderne jazz en strijkers. Hoewel Just Friends goed klinkt, maken de resterende opnamen duidelijk dat be- perkte ruimte om te improviseren en het ontbreken van eigen composities problematisch zijn. Wat blijkt is dat With Strings pas succesvol is als de twee groepen binnen dit ensemble – de strijkers en de jazzers – stilistisch met elkaar in balans zijn. Joep van Leeuwen Kenton ven het orkest een nieuw gezicht. Stan Kenton beluisteren en ervaren maar biedt weinig diep- is daar een voorbeeld van samen met bijvoor- gang. Deze inhoudelijke zwakte gecombineerd e jaren vijftig beginnen qua With Strings beeld Claude Thornhill, Boyd Raeburn en com- met de instrumentaal technische perfectie is D– bijna letterlijk – met een klap als Stan ponist John Handy. Ze maken de bigband los muzikaal funest. Het technische niveau van een Kenton 16 strijkers aan zijn orkest toevoegt. Het van het swingidioom door het compositorische uitvoering is natuurlijk zeer belangrijk maar totaal aan musici komt hiermee op 40. Innova- element te verhogen. Uitgangspunt hiervoor als het meer de nadruk krijgt dan de inhoud tions in Music Orchestra heet het en bestaat is de laat 19de, vroeg 20ste eeuwse gecompo- gaat het fout. Dit verklaart ook het bombasti- van 1950 tot 1952 als Kenton het – naar eigen neerde muziek.
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Romantic Sketches for Orchestra Capitol H-501 Georges Tzipine Released May, 1954
Capitol Albums, 501 to 600 and Series Labels Romantic Sketches for Orchestra Capitol H-501 Georges Tzipine Released May, 1954. A Man and his Music Capitol L-502 Skitch Henderson Released May, 1954. Unreleased/unknown Capitol 503 Ray Anthony Plays for Dancing Capitol EAP-1-504 Ray Anthony Released June, 1954. Unreleased/unknown Capitol 505 I Get So Lonely Capitol EAP-1-506 The Four Knights Released June, 1954. Dixieland Capitol EAP-1-507 Pee Wee Hunt Released May, 1954. Stan Kenton Plays the Compositions of Pete Rugolo Capitol EAP-1-508 Stan Kenton Released June, 1954. Music, Martinis, and Memories Capitol EAP 1 through 4-509 = W-509 Jackie Gleason Released August, 1954. Later pressed as two double-EP’s, EBF-1-509 and EBF-2-509. Later pressed as two ten-inch LP’s, H1-509 and H2-509. Young at Heart Capitol EAP-1-510 Frank Sinatra Released March, 1954. And Awaaay We Go! Capitol H-511 Jackie Gleason Released May, 1954. No Reservations Capitol H-512 Frances Faye Released July, 1954. Barrelhouse, Boogie and the Blues Capitol H-513 Ella Mae Morse Released 1954. Nat King Cole 10th Anniversary Album Capitol W-514 Nat King Cole Released May, 1954. White label with purple print. Although Jackie Gleason’s Music, Martinis, and Memories has a lower catalog number, this LP was the first album in the W- series. At the time this was an experimental and novel idea. The records contained sixteen songs – twice what one found on a ten-inch LP. However, the album cost less than two ten- inch albums, making it more economical to buy the W- series album in the larger size.
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Remembering William Alwyn Rubies! Celebrating 40 Years of Artistry and Vision Drive and Inspiration: an Interview with Jihoon Shin Annie Wu, Beatbox Flutist
VOLUMEXXXVII , NO . 4 S UMMER 2 0 1 2 THE lut i st QUARTERLY Remembering William Alwyn Rubies! Celebrating 40 Years of Artistry and Vision Drive and Inspiration: An Interview with Jihoon Shin Annie Wu, Beatbox Flutist THEOFFICIALMAGAZINEOFTHENATIONALFLUTEASSOCIATION, INC Table of CONTENTSTHE FLUTIST QUARTERLY VOLUME XXXVII, NO. 4 SUMMER 2012 DEPARTMENTS 13 From the Chair 74 Honor Roll of Donors to the NFA 17 From the Editor 77 Notes from Around the World 20 High Notes 79 Passing Tones 26 Where Are They Now? 82 New Products 65 Across the Miles 84 Reviews 94 NFA Office, Coordinators, 68 The Inner Flute Committee Chairs 71 NFA News 95 From the 2013 Program Chair 72 Student Spotlight: Annie Wu 97 Index of Advertisers FEATURES 22 22 Remembering William Alwyn by Francesca Arnone Despite leaving behind a swath of admired works and film scores, the flutist and composer William Alwyn never enjoyed the public recognition he sought during his lifetime. Yet nearly three decades after his death, Alwyn continues to command high esteem, inspiring ongoing concerts, lectures, and even a week-long William Alwyn festival held in the fall of 2011. 30 The Next Decade: Robert Willoughby by Aralee Dorough June 6, 2011, the 90th birthday of flutist and pedagogue Robert Willoughby, sprouted nationwide parties and concerts. One year later, a close friend and former student reflects on the grand celebration of Willoughby’s life and loves, and on her teacher’s still-vibrant journey forward. 36 A Passion of Historic Proportions: Nancy Toff by Beth Chandler Nancy Toff, the NFA’s 2012 National Service Award recipient, seeks to make history “lively and interest- ing and intriguing,” whether she is addressing fifth-graders or the elder statesmen she first documented as up-and-comers.
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Legends of West Brochure
JAZZ AID P U.S. POSTAGE presents WEST NONPROFIT ORG. PERMIT NO. 1260 LONG BEACH, CA. COAST 3 LEGENDS OF THE WEST 17 Concerts 8 Panel Discussions A Four Day 5 Film Showings Jazz Festival September 29 ~ October 2, 2005 8-0038 Four Points Sheraton-LAX NG BEACH, CA 9080 CA BEACH, NG .O. BOX 8038.O. BOX LO THE ANGELES LOS JAZZ INSTITUTE P WAY OUT WEST 1957 BY WILLIAM CLAXTON lajazzinstitute.org Bud Shank | Johnny Mandel | Chico Hamilton Quintet | Paul Horn BONUS EVENT Frank Morgan | Buddy Collette | Med Flory | Howard Rumsey In our continuing effort to pay tribute to the Lennie Niehaus | Jack Costanzo | Dave Pell Octet | Herb Geller brilliant artists who have Allyn Ferguson’s Chamber Jazz Sextet | Anthony Ortega | Bill Trujillo been significant figures of the Los Angeles Jazz Scene, FEATURING Claude Williamson | Chuck Flores | John Pisano | Fred Katz we are pleased to announce Jazz West Coast 3- ABOUT THE Legends of the West. Festival Los Angeles Legends of the West is a musical celebration of Facts Jazz Institute both the musicians and The Los Angeles Jazz Institute houses the behind the scenes people Dates and maintains one of the largest whose innovative explorations SEPTEMBER 29-OCTOBER 2, 2005 jazz archives in the world.All styles created a unique jazz scene and eras are represented with a here on the west coast. Place special emphasis on the preservation The Four Points Sheraton at LAX and documentation of jazz in southern In addition to 17 concerts, 9750 Airport Blvd., California. Many artists personal there will also be film showings, Los Angeles, CA 90045 collections are being preserved at panel discussions, photo exhibits The special convention rate is the Institute including the archives and special presentations where $82 and $92 per night.
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Los Angeles: Recorded Magic (1945-1960)
Los Angeles: Recorded Magic (1945-1960) Essential Questions How did advances in technology impact jazz? How did Los Angeles (LA) become a segregated city? How did Los Angeles (LA) become a city of recorded jazz? What is West Coast bop? How does it reflect the black jazz scene in segregated LA? What is West Coast jazz? How is it a product of postwar Southern California? How does the music and literature of Los Angeles reflect its history and culture? How do you listen to jazz? The importance of listening Obtaining a jazz vocabulary Understanding and appreciating major movements in jazz Understanding and appreciating the life and sounds of jazz innovators Historical context of jazz Objectives: 1. Determine how advances in technology impacted jazz and the recording industry. 2. Rank the local, state and federal policies that contributed to the segregation of Los Angeles. 3. Explain how the music and of Los Angeles reflected its segregated population. 4. Analyze West Coast jazz and bop in historical context. Historical Context: Postwar Los Angeles (Marcie Hutchinson) Based on Why Jazz Happened by Marc Myers (social history of jazz) Introduction Profound impact of technology on the history of jazz Radio, records, the phonograph, the jukebox, film Music more accessible, more convenient, pleasing to the ear Postwar Period Jazz transformed from dance music to a sociopolitical movement Major jazz styles: bebop, jazz-classical, cool, West Coast jazz, hard bop, jazz-gospel, spiritual jazz, jazz- pop, avant-garde jazz and jazz-rock fusion Jazz reshaped from 1945-1972 Grip of 3 major record companies (Victor, Columbia, Decca) weakened by labor actions Increased competition from new labels Jazz musicians gain greater creative independence due to competition.
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Record World Salutes
DEDICATED TO THE i\IEEDS OF THE MUSIC/RECORD INDUSTRY JANUARY 26, 1974 WHO IN THE WORLD: SEALS & CROFTS Seals & Crofts Fans Eagerly Await The Warner Bros. Duo's Next Album And Single, 'Unborn Child.' Meanwhile, Their 'Diamond Girl' Is In Its 38th Week On The Album Charts. Its Predecessor, 'Summer Breeze,' Is Second In Chart Longevity Only To 'Tapestry' With Its 54 -Week Ride. See Story On Page 70. HITS OF THE WEEK t" ELVISPRESLEY, "I'VE GOT A THINGtr) GENEREDDING, "THIS HEART" (prod. by BOB DYLAN, "PLANET WAVES." Dylan ABOUT YOU BABY" (Swamp w Dennis LambertandBrian and The Band . a perfect match disc - 0 Fox, WhiteHaven, ASCAP).w Potter)(ABC / Dunhill,BMI). wise. In this long-awaited album, ship- z The Kingisback withthisw The first on Lambert and Pot- pinggold,the"NashvilleSkyline" uptempotuneshowinghis ter's label holds untold possi- sound has grown up and Dylan fluctu- ability to get as as the bilities as a charttopper. atesbetweenthisand best of them. Tight and tasty, Redding's voice comes across "gritty" vocalizing. Cuts with particular it should find the number one splendidly; nifty back-up and dazzle are "On A Night Like This," spot waiting with open arms. rhythmworkcompletethe "Forever Young" and "You Angel You." RCA APB0-0196. coup! Haven 7000 (Capitol). Elektra/Asylum 7E-1003 (6.98). THEJ.GEILS BAND, "DID YOU NO JOHNNY WINTER, "STONE COUNTY" JONI MITCHELL, "COURT AND SPARK." WRONG" (prod. by Bill Szym- (prod. by Rick Derringer) Ms. Mitchell's musical dynamics have APC59czyk).(JukeJoint,Walden, (Goshen Road, BMI). From his upsurged to the point where they are - )ASCAP).
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