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Wavelength (December 1981) University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 12-1981 Wavelength (December 1981) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (December 1981) 14 https://scholarworks.uno.edu/wavelength/14 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. ML I .~jq Lc. Coli. Easy Christmas Shopping Send a year's worth of New Orleans music. to your friends. Send $10 for each subscription to Wavelength, P.O. Box 15667, New Orleans, LA 10115 ·--------------------------------------------------r-----------------------------------------------------· Name ___ Name Address Address City, State, Zip ___ City, State, Zip ----­ Gift From Gift From ISSUE NO. 14 • DECEMBER 1981 SONYA JBL "I'm not sure, but I'm almost positive, that all music came from New Orleans. " meets West to bring you the Ernie K-Doe, 1979 East best in high-fideUty reproduction. Features What's Old? What's New ..... 12 Vinyl Junkie . ............... 13 Inflation In Music Business ..... 14 Reggae .............. .. ...... 15 New New Orleans Releases ..... 17 Jed Palmer .................. 2 3 A Night At Jed's ............. 25 Mr. Google Eyes . ............. 26 Toots . ..................... 35 AFO ....................... 37 Wavelength Band Guide . ...... 39 Columns Letters ............. ....... .. 7 Top20 ....................... 9 December ................ ... 11 Books ...................... 47 Rare Record ........... ...... 48 Jazz ....... .... ............. 49 Reviews ..................... 51 Classifieds ................... 61 Last Page ................... 62 Cover illustration by Skip Bolen. Publlsller, Patrick Berry. Editor, Connie Atkinson. AJOodale Editor, SONY. Tim Lyman. Adnrllolaa Sala, Steve Girrord, Ellen Johnson. Art Dlrtetor, Skip Bolen. Co•lrlb•tlaa Artlats, Kathleen Perry, Rick Spain. Dlstrlb•tlo•, Gene Scaramuzzo, Sw Irvine. Co•lrlblton, Steve Alleman, Carlos Boll, BiU Cat, Tanya Coyle, John Desplu, Zeke FiJhhead, Steve Graves, Brad Palmer, Kalamu Ya Salaam, Shepard Samuels, Gene Scaramuzzo, Hammond Scott, Jim • Scheurich, Almost SUm, Rhodes Spedale, Keith Twitchell, Nancy Weldon. Imagine the Sony TA-F55 power at your fingertips, cool Wavtltngth is published monthly in New Orleans. Telephone (S04) 895·2342. Mail subscriptions, address chanaes to Wavtltngth, Box and clean. The STJ -55 has already been rated one of the U667, New Orleans, LA 7017S. Subscription rate, $10 per year. Fore.ian, SIS per year. The entire contents of Wawl~ngth are finest FM tuners in the world, regardless of price. The copyriaht CH981 Wavtltngth. beauty of these two come through in the Sony TC-K77R Auto-reverse cassette deck - the perfect way to record and BY THE RIVER listen. But you're almost there. The dynamic sound and Where does the past go beauty of the JBL-L220 truly brings the East and West Into the keys of James Booker's piano together. Come in and listen. Last night he played "my song" (you never would System price $2,625.00 say "ours", much as I wished you would), "Sunny Side of the Street." Or does the past go into the moist ~round like a flagpole TULAtJE STEilEO Iii Fl CO. Can you say that isn't the banner of one 1909 TULANE AVE 524-2343 lost lovely night of ours Convenient Storeside Parking three Julys ago still Open Daily 9·5- Ciosed Sunday fluttering in the darkness Long·term Financing Available through GECC & CIT -Free Delivery Spanish Plaza over Everette Maddox VISA - MASTER CARD - MR BOL WAVELENGTH/DECEMBER 1981 5 How to Improve Your Component System For $33 The smallest, and usually most overlooked com­ With the two magnets, one for each channel, are ponent in the stereo component system is the phono two separate coil structures. Lower moving mass, pickup cartridge. But this component, being a trans­ separate coils, and extreme manufacturing care result in ducer (like speakers are) has the very hard job of con­ very linear and flat frequency response curves, excellent verting the mechanical undulations in the ·record groove stereo separation over the audio range. and excellent into an electrical voltage the amplifier can intensify. transient response. The tiny needle, more properly known as the stylus. We at Alterman Audio have compared Audio­ must follow all the little variations of the groove wall. technica cartridges to other cartridges, sometimes Forces as high as 10.000 pounds per square inch occur several times the cost of the Audio-technica model, on the stylus tip. Tremendous velocities are achieved. and found the Audio-technica to have a more natural And any movement of the stylus not directly caused sound, with less harshness, yet excellent detail in the by the groove walls is distortion. highs, and solid, rich bass. Audio-technica has been a leader in transducer In many of our component systems we recommend technology in Japan since about the early 1960 s. the AUDIO-TECHNICA AT HOE. This is about Many leading Japanese manufacturers of electronic the middle of the Audio-technica line of cartridges, and components call on Audio-technica to manufacture we think it merits itself in systems costing even $1000. cartridges for them. And in the last several years, The nationally advertised value of the AT llOE is more and more American audiophiles are coming to $65, but at Alterman Audio, everyday, you can buy it know Audio-technica for their excellence. for $33. 00. And considering the quality of many car­ Audio-technica cartridges include a new patented tridges a lot of stereo dealers put in stereo systems technology. Instead of one large. and somewhat heavy costing lots of money, we think you might find a very magnet, Audio-technica incorporates two tiny magnets definite sonic improvement, by changing to this car­ which the stylus and cantilever have to push against. tridge. And just think, it sells for less than you This results in lower moving mass (less inertia) and probably will pay for a replacement stylus for the car­ thus the stylus can move easier and more quickly tridge you already own (which should be replaced following the groove walls. every year anyway). 7323 Freret Street Uptown near Broadway 866-3579 10-7 Mon-Thurs, 10-6 Fri & Sat LETTERS Wavelength: Wavelength has certainly been the most im­ pressive music magazine in these States since its first issue - or even better, since its incep­ tion/conception as a locally-focused publica­ tion in the cradle of American music. But the new issue (#12) tops everything! I can't begin to describe the intense pleasure rhis issue has brought me. The incredible range and depth of the coverage of New Orleans musics, and the intense quality of the writing is simply beyond praise. Thanks! "Jazz Awareness Month" and the accelera­ ting activities of the Louisiana Jazz Federation, as reported in #12, are especially inspirational to those of us engaged in the same effort here in Detroit. I didn't want this issue to go by without sen­ ding along my thanks and appreciation for the magazine. For serious addicts of the musics of New Orleans, Wavelength is an utter necessity ... as you addicts damn well know. Highest personjil regards as well, John Sinclair Executive Director Detroit Jazz Center Wavelength: I want to take this time out to commend you for the June article {"Huey Piano Smith - So You Want To Be A Rock and Roll Star") inas­ much as this article displays truly the manifesta­ tions of a true journalist. Huey Piano Smith Wavelength: Since I have become acquainted with your publication I find it a great source for informa­ tion about our local New Orleans artists and use it as a reference guide quite often on my show. Duke Dugas The Duke of Paduka wwoz Wavelength: A note of thanks to you, the staff of Wavelength, and especially to Almost Slim for the feature story on me in your current issue. For a change, my quotes were correct and the details exactly as they were supposed to be. So many times I have been quoted out of context... but this time Almost Slim did a super job and it's really appreciated. Only one small error: I did not do my Army basic training at Fort Leavenworth {which is a federal prison!) but at Fort Leonard Wood, Missouri. My manager, Ken Keene, brought that to my attention. Otherwise the article was great and we really appreciate it. Thanks. Frankie Ford Address letters to Wavelength, P .0. Box 15667, New Orleans, Louisiana, 70175. All letters become the property of Wavelength. Back issues may be obtained by sending four dollars to Back Issues, 4020 Magazine St., New Orleans, Louisiana, 7011 5. WAVELENGTH/DECEMBER 1981 7 1 2 3 4 5 COPAS SPECIAL THE UPTOWN BROTHERS ATTRACTION RADIATORS ALLSTARS 75' HEINEKIN 6 7 8 9 10 FOLK COMEDY MUSIC l.OOCOVER COPAS 5PMTO l AM Donna Thompson BROTHERS NO COVER Renee Dodge 75' 25' HEINEKIN SALAD BAR Ray Perrone W/ DRINJC plus Comedy Amateurs -w v 13 14 15 16 18 19 FOLK COMEDY MUSIC l.OOCOVER KURT COPAS THE 5PMTO lAM \ LI'L \ Donn'a Thompson KASSON BROTHERS RADIATORS QUEENIE NO COVER 75' 25' Renee Dod e & THE SALAD BAR Rar Perrone Percolators W/DRINK plus l Comedy Amateurs ./ ~ ¥ 20 21 22 23 24 25 26 COMEDY l.OOCOVER BLUEGRASS COPAS SPECIAL SPECIAL Donna .:I'hompson $1.00 BROTHERS ATTRACTION ATTRACTION Renee Dodge COVER 75' Ray Perrone t~lus ~ Comedy Amateurs ~ w --v:.J ~9 27 ~ 28 29 30 31 1 COMEDY l.OOCOVER COPAS SPECIAL Donna Thompson BROTHERS ATTRACTION llenee Dodge 75' Ray Perrone HEINEKIN Ius Comedy Amateurs TOP 20 ,c ~ \' E I~ I: 1 l .\ T PBESIBIIT Sat., Dec. 5 IVY Weds., Dec. 9 SPECIAL ATTRACTION Georfl.e ThorOfl.OOd, openinfl.
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