Wavelength (July 1984)

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Wavelength (July 1984) University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 7-1984 Wavelength (July 1984) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (July 1984) 45 https://scholarworks.uno.edu/wavelength/45 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. 0 ·.::.: •• :·: :· :· .:·•• . .. .. :-:::: ... ~ ·: ~--~~\:§;;~ ....... :~ ......·.: .:::"" .: : :.;. ·~ ·• :;~~ .. : ... , ·:.·.. ~ . .: ... ::.: ~·\::~:}~ ·.. :: .. :. ::.-::·.:~~:~':: .: . • •• :·,; :·;:;;t .... .•: .... ·:_.::··.~::::~~l : .. ::: FRANKIE FORD .......... .: ·•· . • 0 .;·.. ~~ . ::. ~ . • . : .-:s ·.· :::·.~.... .. ..... .... , · . .. ..... 'SN11 3l~O 1d30 SNOiliSinOJ~ ..... A~~~ 9I l ~NOl ~ 1~~ 3 :. · : . SN~~l~O M3N ~0 A1ISM3AINn . .·. .... .·. .... 66/66/66 ;o~ o .···. :::/. .-:::.:'.':·::.:::: =:· :·:;.. :: '\?@?·1<·;·::.:.::• • • • ••• •• • • • • • • • • • • • • ::~=:·~• •• • • • • · • ••• 0. 0 • • • • •• • • • • • • • • • • • •••••·: • ••• • • • • •• • . • . • • • ••• : • • • • • • ... • • • : • 0 0 • • • • • • • • • • • • • • •• • • • • • • • • • • •• ... NEW ORLEANS M u s I c MAGAZINE __ UJauelenalh For ISSUE NO. 45 e .JULY 1984 ISSN 07 41 · 2460 New "''m not sure, but I'm almost positive, that all music came from New Orleans. " Orleanians - Ernie K-Doe, 1979 FEATURES who New Orleans Goes to Hollywood by Bill Bentley ................ 16 Ed Volker love by Tad Jones .. ... .... .. ..... 19 • The ReBirth Jazz Band by Jerry Brock ................ 21 mUSLC Robert Jr. Lockwood by B. Matthews and H. Scott. ... 22 COLUMNS July News ....................... 4 Golden Moments by Almost Slim ................. 6 Letters .......................... 6 Rockabilly BINDING FOR BAPTISM: Holy Faith Spiritual Church by rico ....... ................ 8 New Bands SPJRJT W Q RLD: Pattern in the Expressive Folk Culture of Afro-American by Allison Brandin ... ........ 9 New Orleans. Spiritual Churches, Mardi Gras Indians, Social & Pleasure Clubs.. .a unique Rock 'n' Roll chronical of Afro-American folklife and music in "modern" New Orleans. by Les White .................. 10 Caribbean by Gene Scaramuzzo ........... 12 "New Orleans is very lucky to have Mike Smith as a resident artist and creative scholar. His photographs are unique in their time, certainly to be put in the same class as those of Flip City the great FSA series in the period of the New Deal." -Alan Lomax by Carol Gunyadi ........ ... ... 13 Rare Records 160 photographs and journal by Michael P. Smith. A publication funded by the Louisiana by Almost Slim ......... ... ... 14 Committee for the Humanities, the state affiliate of the National Endowment for the Review ... ........... .......... 14 Humnaities, benefitting the New Orleans Urban Folklife Society-a non-profit foundation Listings ........................ 24 supporting indiginous folklife and music of New Orleans. Classifleds . ........· ........... 29 Last Page .......... ... .... ..... 30 . Member of .........•••.•.•.•.•.••......•.........•...................•.••••........~ ~~--····..... Network YES, enter my subscription to WAVELENGTH, New Orleans Publisher, Nauman S Scott. Editor, Conn it Alk.in"on Senior Editor, Bunny \latlhews Office Manager, DianA Ro~enbf.rtt. Editorial A8si1lant, Atlif'On Music Magazine, at the special rate of 12 issues for only $12. Rrandm. Production, Studio G Adverti1ing Sates Manage r, Rhon Fabian Distribution, JtW Tort"zon. Contributor•: Atlitoon Rmndin. Bob Cataliolti. Mail your check to WAVELENGTH SUBSCRIPTIONS, P.O. Box 15667, 7Akr Fi~hhf'ad. Jon foo"~e. C"arol G\lnvRdi. Tan .lone-.. Jo n ~e-wlin, RiC' Olivitr. O.ana Ro11 e n~rg , Kalamu va Sah1anl. Shrpard SArnu.. t"~. ('.rf'nt> SC'aramuu:o. New Orleans LA 70175 or CALL US-(504) 895·2342 and charge it! Hammond S<'oll. Almo~itl Slim. Keith Twitrhf'11. Nam'\' W~ldon. l.f"' Whiff'. 0 one year foreign) 0 two years foreign) 0 three years foreign) W1lliam 0 Whitf' $12 ($20 $20 ($30 $28 ($40 0 renewal 0 payment enclosed charge to: 0 MasterCard 0 VISA Wavtlm~th i• puhlo<h• d monlhly tn New Orl•on. TelephoiW' (504) 895-2342 Mail auh11icription11i. eddrelli~ rhRnJi:eft lo Wtti"PIPtrJ!Ih , P.O. Box 15667. New Orltana, LA. 70175_Subsrnption rate ift $12 peryear. Foreign$20 per year. First tlu~ suOM"riptiona, $28 per vear(domelltir & Canada). AO aimutil rate ar $40 per name )Ur (oversea~) . The entil'f' rontf'ntft of Wat'f'll'nplh are ropyrighted c 1984 Wm•e/m~lh addres s Back i~sue ~ are available bv writing to 8 8<'k lsftuelt. P.O. Box 1!;667. New Orltanft, LA 70 17fi . Becau~te ofa limited Rupply. bark iR1lue~tare evailable for $4 tl<'h. Plf.ase allow a few weekfl for pmceftsinR and dehvery of ord er11. New Sub~ Clly slate ZIP wiheN.· Ple&Re allow up to six week!\ for rereipt of fir~lt isflue due to our amaH. non·romputeriud I'Uhflcriptinn department. phone exp11ation date Signature Foreign cu8tomers may pay by I.M.O. or check drawn on a U.S. bank. Because of uorbitant bank processing chargea, we cannot accept checks in Canadian dollaJ't' allow 4-6 weeks for your llrst copy to arnve or other foreign currency, or check8 drawn on a fortign bank. SPIRIT WORLD- $12 plus $2 postage & SubKriberR must notify us immediately o r any change of address. If notification handling to Wavelength. iJ not re<'eived. magezinu sent to inrorreC't old addreSAe& will not be replaced. U.S. <'ufltomerfl mut~t include zip code. Wavelength/July 1984 3 july news scarface Splits. But He'll Be Back If you've been wondering what happened to Tom "Scarface" Clif­ ford and his band of mighty frat rockers, The Mistreaters, Tom had to take a summer break to support his education habit. "My dad called from D.C.," explained Big Tom, "and said, 'Son, are you coming home for the summer?' and I said, 'Well, dad, I'd really like to stay down here and play music.' And he said, 'Can you make enough money to stay in school playing music?' and I said 'Well, dad, we don't play every night, it's more like once a week, y'know?' and he said 'Well you better come home for the summer and get a decent paying job.' and I said 'Yeah, dad, I guess I'd better." But don't fear, fellow Mistreat­ ees, Tom and his brothers will be back on the boards this fall ... and back in the books. -rico Bluesrockers copies in two weeks from the its Spanish mood from Ruffner's Willie Cole comprise Ruffner's bandstand," Ruffner explains, slide tuning and melody: "That polished rhythm section. Bandstand "and the instrumental side was one was recorded live with two The single is the first record to Bourbon written and developed right on the guitar overdubs," he continued, come out of Blue Streak Studio's bandstand." "one guitar is tuned to an open D 8-track facility and was self-pro­ Street "Red Hot Lover" is a funky Slim tuning and the scale I used for the duced by the group. "We sell a lot Harpo-style dance cut thick with melody is not normally used for the of 'em on Bourbon Street," Ruf­ Mason Ruffner and the Blues­ shuffling ninth chords and blues; it's your standard 1-2-3-4-5 fner smiles, "People around town rocker's new single is what you Mason's two bluesy Strat solos. progression ar.d the dropdown have been waiting for us to come might call a "bandstand record." The flip side, "Sunset Serenade," tuning gives it an ~nusual sound." out with a record. One guy bought "We've already sold about 200 is a flowing instrumental that gets Bluesrockers Mike Stockton and seventeen copies." -rico Foster's: Quick Relief for Claustrophobic Pickers About a year ago I was discus­ sing the options available to a local guitarist in need of quality repair work for his or her guitar with a friend and we both agreed on one thing: Foster's repairs on Banks Street does the best work in New Orleans but their showroom is en­ tirely too cramped. Well, local pickerswill be happy to Jearn that a trip to Foster's Custom Finishes and Repair will no longer mean squeezing themselves and their axe into a closet-sized showroom. Jimmy and Vernon and Gene have recently added a new, spacious showroom with room for over a hundred guitars to their shop and they can still lay claim to having the best, and only, sales and repair shop in town devoted exclusively to guitarists and their beloved in­ struments. -rico 4 Wavelength/July 1984 EGYPTIAN DAY at the world's Fair is July 23. Louisiana world I've Known Rivers. Sun. 1: Profiles, 2 pm: Sof-Sheen, 4 Exposition pm: New World Ensemble Music Schedule with Moses Hogan. 7 pm: Black Chorale. Mon. 2: 12: American Showcase Tent Shawn Henderson. 8 pm: Spir­ Gust outside the Italian Vil­ it. Tues. 3: 4 pm: Trudie lage): Call 566-2300 for list­ School of Dance. Wed. 4: 4 ings. pm: Family Circle Gospel En­ semble. 8 pm: Lyle Bove. Amphitheatre. Fri. 6: Lou Thurs. 5: 12, 4 and 8 pm: Lec­ Rawls, Ray Charles. Sat. 7: ture with Morris F.X. Jeff, Jr. Laura Branigan. Wed. 11: Fri. 6: 12: Tuskee Dancers. 8 Wayne Newton. Thurs. 12: pm: The 10:30 Band. Sat. 7 7: Jimmy Buffett, Coral Reef 12: Tuskee Dancers. 4 pm: Band. Fri. 13: Patty LaBelle Mark Taylor, 7 pm Tuskee and Bobby Womack. Tues. 17 Dancers. Sun. 8: 12: Tuskee and Wed. 18: Julio Iglesias. Dancers, 4 pm Bethany Thurs. 19: Go-Go's/INXS. Fri. United Methodist Choir. 7 20: Johnny Mathis. Sat. 21: pm: Shirley Chatters Bloom. Everly Bros. Sun. 22 (free) Mon. 9/ 12 noon: Lee Bates, Egypt's Aswan Dance Troup. Carl Marshall & S.D. 4 pm: Mon. 23: (free) Egyptian Na­ Children's Art Festival. 8 pm: tional Day Ceremony. Wed. 25 Hale Smith Amistad. Tues. 19 and Thurs. 26: Washington and Wed. 11:4pm Children's National Symphony. Fri. 27: Art Festival.
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