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Primoz Bioeng
Guitar player Primož Graši č was born in 1968 in Kranj, Slovenia. After high school in Kranj he went abroad and studied guitar at the Klagenfurt Conservatirium. Very soon jazz bands and orchestras became aware of the young but very talented musician and so after his studies he imediately became a member of the “Greentown Jazz Band”.' He was then cooperating with the “Dixieland” band from Kranj. His music career flurished after this and we can only share his biggest achievements with you. In the years 1991 – 93 he was a member of the “Ugrin-Divjak Quintet” and has regularly been cooperating with the “Big Band of RTVS (Radio Television Slovenia)” since 1992 he is also a member of “Boško Petrovi č's All Stars Band”, of “Ratko Divjak's Ensemble ”, the “Dominik Kranj čan Quartet”, “SLO Jazz Project” and has been cooperating as a studio musician at many recordings of such bands as the “Big Band RTVS”, the “Big Orchestra” and the “Symphonic Orchestra of RTVS”, the “New Swing Quartet”, “Vocal Art”, “Alenka Godec”, “Darja Švajger”, “Janez Bon čina”, “Marta Zore”… Since April 1998 he has been a full-time member of “Big Band RTV Slovenija” and the “Big Orchestra of RTV Slovenija”. In cooperation with Janez Bon čina-Ben č he has received two awards for his arrangements from International Professional Juries. In 1995 he was nominated for the musical award “Zlati petelin” (Golden Rooster) for the best arrangement of a foreign song. He was then cooperating with the “Jože Privšek Orchestra” at concerts in Portorož and in Ljubljana’s “Cankarjev Dom ” and also as a studio musician at their recordings of more than sixty albums.In July 1993 he was performing at one of the biggest jazz festivals in Europe, in Perrugia,Italy. -
Guide to Ella Fitzgerald Papers
Guide to Ella Fitzgerald Papers NMAH.AC.0584 Reuben Jackson and Wendy Shay 2015 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 3 Biographical / Historical.................................................................................................... 2 Scope and Contents........................................................................................................ 3 Names and Subjects ...................................................................................................... 4 Container Listing ............................................................................................................. 5 Series 1: Music Manuscripts and Sheet Music, 1919 - 1973................................... 5 Series 2: Photographs, 1939-1990........................................................................ 21 Series 3: Scripts, 1957-1981.................................................................................. 64 Series 4: Correspondence, 1960-1996................................................................. -
Wavelength (December 1981)
University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 12-1981 Wavelength (December 1981) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (December 1981) 14 https://scholarworks.uno.edu/wavelength/14 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. ML I .~jq Lc. Coli. Easy Christmas Shopping Send a year's worth of New Orleans music. to your friends. Send $10 for each subscription to Wavelength, P.O. Box 15667, New Orleans, LA 10115 ·--------------------------------------------------r-----------------------------------------------------· Name ___ Name Address Address City, State, Zip ___ City, State, Zip ---- Gift From Gift From ISSUE NO. 14 • DECEMBER 1981 SONYA JBL "I'm not sure, but I'm almost positive, that all music came from New Orleans. " meets West to bring you the Ernie K-Doe, 1979 East best in high-fideUty reproduction. Features What's Old? What's New ..... 12 Vinyl Junkie . ............... 13 Inflation In Music Business ..... 14 Reggae .............. .. ...... 15 New New Orleans Releases ..... 17 Jed Palmer .................. 2 3 A Night At Jed's ............. 25 Mr. Google Eyes . ............. 26 Toots . ..................... 35 AFO ....................... 37 Wavelength Band Guide . ...... 39 Columns Letters ............. ....... .. 7 Top20 ....................... 9 December ................ ... 11 Books ...................... 47 Rare Record ........... ...... 48 Jazz ....... .... ............. 49 Reviews ..................... 51 Classifieds ................... 61 Last Page ................... 62 Cover illustration by Skip Bolen. Publlsller, Patrick Berry. Editor, Connie Atkinson. -
Selected Observations from the Harlem Jazz Scene By
SELECTED OBSERVATIONS FROM THE HARLEM JAZZ SCENE BY JONAH JONATHAN A dissertation submitted to the Graduate School-Newark Rutgers, the State University of New Jersey in partial fulfillment of the requirements for the degree of Master of Arts Graduate Program in Jazz History and Research Written under the direction of Dr. Lewis Porter and approved by ______________________ ______________________ Newark, NJ May 2015 2 Table of Contents Acknowledgements Page 3 Abstract Page 4 Preface Page 5 Chapter 1. A Brief History and Overview of Jazz in Harlem Page 6 Chapter 2. The Harlem Race Riots of 1935 and 1943 and their relationship to Jazz Page 11 Chapter 3. The Harlem Scene with Radam Schwartz Page 30 Chapter 4. Alex Layne's Life as a Harlem Jazz Musician Page 34 Chapter 5. Some Music from Harlem, 1941 Page 50 Chapter 6. The Decline of Jazz in Harlem Page 54 Appendix A historic list of Harlem night clubs Page 56 Works Cited Page 89 Bibliography Page 91 Discography Page 98 3 Acknowledgements This thesis is dedicated to all of my teachers and mentors throughout my life who helped me learn and grow in the world of jazz and jazz history. I'd like to thank these special people from before my enrollment at Rutgers: Andy Jaffe, Dave Demsey, Mulgrew Miller, Ron Carter, and Phil Schaap. I am grateful to Alex Layne and Radam Schwartz for their friendship and their willingness to share their interviews in this thesis. I would like to thank my family and loved ones including Victoria Holmberg, my son Lucas Jonathan, my parents Darius Jonathan and Carrie Bail, and my sisters Geneva Jonathan and Orelia Jonathan. -
The History and Development of Jazz Piano : a New Perspective for Educators
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-1975 The history and development of jazz piano : a new perspective for educators. Billy Taylor University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Taylor, Billy, "The history and development of jazz piano : a new perspective for educators." (1975). Doctoral Dissertations 1896 - February 2014. 3017. https://scholarworks.umass.edu/dissertations_1/3017 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. / DATE DUE .1111 i UNIVERSITY OF MASSACHUSETTS LIBRARY LD 3234 ^/'267 1975 T247 THE HISTORY AND DEVELOPMENT OF JAZZ PIANO A NEW PERSPECTIVE FOR EDUCATORS A Dissertation Presented By William E. Taylor Submitted to the Graduate School of the University of Massachusetts in partial fulfil Iment of the requirements for the degree DOCTOR OF EDUCATION August 1975 Education in the Arts and Humanities (c) wnii aJ' THE HISTORY AND DEVELOPMENT OF JAZZ PIANO: A NEW PERSPECTIVE FOR EDUCATORS A Dissertation By William E. Taylor Approved as to style and content by: Dr. Mary H. Beaven, Chairperson of Committee Dr, Frederick Till is. Member Dr. Roland Wiggins, Member Dr. Louis Fischer, Acting Dean School of Education August 1975 . ABSTRACT OF DISSERTATION THE HISTORY AND DEVELOPMENT OF JAZZ PIANO; A NEW PERSPECTIVE FOR EDUCATORS (AUGUST 1975) William E. Taylor, B.S. Virginia State College Directed by: Dr. -
Comes to Life in ELLA, a Highly-Acclaimed Musical Starring Tina Fabrique Limited Engagement
February 23, 2011 Jazz’s “First Lady of Song” comes to life in ELLA, a highly-acclaimed musical starring Tina Fabrique Limited engagement – March 22 – 27, 2011 Show features two dozen of the famed songstresses’ greatest hits (Philadelphia, February 23, 2011) — Celebrate the “First Lady of Song” Ella Fitzgerald when ELLA, the highly-acclaimed musical about legendary singer Ella Fitzgerald, comes to Philadelphia for a limited engagement, March 22-27, 2011, at the Annenberg Center for the Performing Arts. Featuring more than two-dozen hit songs, ELLA combines myth, memory and music into a stylish and sophisticated journey through the life of one of the greatest jazz singers of the 20th century. Broadway veteran Tina Fabrique, under the direction of Rob Ruggiero (Broadway: Looped starring Valerie Harper, upcoming High starring Kathleen Turner), captures the spirit and exuberance of the famed singer, performing such memorable tunes as “A-Tisket, A-Tasket,” “That Old Black Magic,” “They Can’t Take That Away from Me” and “It Don’t Mean A Thing (If It Ain’t Got That Swing).” ELLA marks the first time the Annenberg Center has presented a musical as part of its theatre series. Said Annenberg Center Managing Director Michael J. Rose, “ELLA will speak to a wide variety of audiences including Fitzgerald loyalists, musical theatre enthusiasts and jazz novices. We are pleased to have the opportunity to present this truly unique production featuring the incredible vocals of Tina Fabrique to Philadelphia audiences.” Performances of ELLA take place on Tuesday, March 22 at 7:30 PM; Thursday, March 24 at 7:30 PM; Friday, March 25 at 8:00 PM; Saturday, March 26 at 2:00 PM & 8:00 PM; and Sunday, March 27 at 2:00 PM. -
MUNI 20121022 – Piano 5 - Youtube 1 Teddy Wilson Trio: Honeysuckle Rose 5:49 Jimmy Atwood-B; Jo Jones-Dr
MUNI 20121022 – piano 5 - youtube http://www.youtube.com/watch?v=R5NqUoM-WZo 1 Teddy Wilson Trio: Honeysuckle Rose 5:49 Jimmy Atwood-b; Jo Jones-dr. Civic Opera House, Chicago, 1963 – hosted by Willis Conover http://www.youtube.com/watch?v=X2oDW1cTydA 2 Jess Stacy – Complainin’ Bob Cats 1951 2:44 Billy Butterfield trumpet, Matty Matlock clarinet, Eddie Miller tenor sax, Warren smith trombone, Jess Stacy piano, Nappy Lamare guitar, Bob Haggart bass and Ray Bauduc drums http://www.youtube.com/watch?v=qYcZGPLAnHA http://www.youtube.com/watch?v=MNp-ldlnf5s 3 Art Tatum: Humoresque 2:46 http://www.youtube.com/watch?v=D9Cs_zb4q14 4 Art Tatum: Yesterdays 2:01 http://www.youtube.com/watch?v=mVuE0ywwBO0 film Fabulous Dorseys (1947) – Art’s Blues 3:00 Ziggy Elman-tp; Tommy Dorsey-tb; Jimmy Dorsey-cl; Charlie Barnet-ts; Art Tatum-p; George Van Eps-g; Stuart Foster-b; Ray Bauduc-dr. http://www.youtube.com/watch?v=dCYApJtsyd0 5 Nat King Cole Quartet: Route 66 3:07 http://www.youtube.com/watch?v=cIkQNti8_EU 6 Oscar Peterson solo: I Can’t Get Started 4:58 http://www.youtube.com/watch?v=Q4Ht4Rm-qo4 Oscar Peterson Trio Live at Newport Jazz Festival 8:27 Ray Brown-; Ed Thigpen-dr. …….. 7 od 2:33 Yours Is My Heart Alone http://www.youtube.com/watch?v=xdd5pn1xs7M&feature=related 8 Peterson-Kessel-Pedersen: Boogie Blues Etude at Ronnie Scott’s 1974 8:04 http://www.youtube.com/watch?v=-rpdxSMgtUc&feature=related 9 Peterson-Pass-Pedersen: Sweet Georgia Brown, Italy 1985 8:40 Live at the Bussoladomani, Lido di Camaiore http://www.youtube.com/watch?v=XIs1vcoPQbw&feature=related 10 Oscar Peterson-Count Basie: Jumpin‘ at the Woodside 3:05 Niels Henning Ørsted-Pedersen, Martin Drew http://www.youtube.com/watch?v=5-mIHk2rM0Q 11 Oscar Peterson Quartet: Hymn to Freedom 5:58 Ulf Wakenius-g; NHØP-b; Martin Drew-b. -
HA-Bio New 2010
Howard Alden- Jazz Guitarist “He may be the best of his generation,” writes Owen Cordle in JAZZ TIMES. George Kanzler of the NEWARK STAR LEDGER proclaims that he is “the most impressive and creative member of a new generation of jazz guitarists.” And Chip Deffaa of the NEW YORK POST observes that he is “ ...one of the very finest young guitarists working today.” It seems that the only thing regarding Howard Alden on which the critics have debate is whether the remarkable jazz guitarist is one of the best or simply the best. Born in Newport Beach, California, in 1958, Howard began playing at age ten, inspired by recordings of Louis Armstrong, Count Basie and Benny Goodman, as well as those by guitarists Barney Kessel, Charlie Christian, Django Reinhardt and George Van Eps. Soon he was working professionally around Los Angeles playing in groups ranging from traditional to mainstream to modern jazz. In 1979, Alden went east, for a summer in Atlantic City with vibraphone legend Red Norvo, and continued to perform with him frequently for several years. Upon moving to New York City in 1982, Aldenʼs skills, both as soloist and accompanist, were quickly recognized and sought-out for appearances and recordings with such artists as Joe Bushkin, Ruby Braff, Joe Williams, Warren Vache` and Woody Herman. He has continued to win accolades from critics and musicians alike, adding Benny Carter, Flip Phillips, Mel Powell, Bud Freeman, Kenny Davern, Clark Terry, Dizzy Gillespie and George Van Eps, as well as notable contemporaries such as Scott Hamilton and Ken Peplowski to his list of impressive credits. -
Various BP Club - Jazz Gala Mp3, Flac, Wma
Various BP Club - Jazz Gala mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: BP Club - Jazz Gala Country: Croatia Released: 2005 MP3 version RAR size: 1181 mb FLAC version RAR size: 1768 mb WMA version RAR size: 1547 mb Rating: 4.8 Votes: 424 Other Formats: MMF AA APE WAV DMF AUD ADX Tracklist Hide Credits Swingin'g The Blues 1 –Oscar Klein Quartet* 2:41 Written-By – C. Basie* 2 –Boško Petrović Najava 0:27 There Will Never Be Another You 3 –Joe Pass 5:45 Written-By – H. Warren* Manha De Carnival 4 –Chevapchichi Trio 5:18 Written-By – L. Bonfa* Bernie's Tune 5 –Chevapchichi Trio 7:07 Written-By – B. Miller* My Shining Hour 6 –Kenny Drew Trio* 13:57 Written-By – H. Arlen* D.D. Blues 7 –Clark Terry & B.P. Club All Stars 2:46 Written-By – B. Petrović* Aqua De Beber 8 –Jasna Bilušić 3:52 Written-By – A.C. Jobim* Linha De Passe 9 –Katia & Boys From Brasil 5:36 Written-By – J. Bosco* Night & Day 10 –Scott Hamilton & B.P. Club All Stars 8:12 Written-By – C. Porter* Blue & Sentimental 11 –Bodil Niska & B.P. Club All Stars 5:18 Written-By – C. Basie* It's You Or No One 12 –Gianni Basso Quartet 6:35 Written-By – J. Styne* All The Things You Are 13 –Peter King & Johnny Griffin & B.P. Club All Stars 14:10 Written-By – J. Kern* Guys & Dolls 14 –Martin Drew & New Jazz Couriers 8:40 Written-By – F. Loesser* Take Five 15 –David Gazarov 6:57 Written-By – P. -
1993 February 24, 25, 26 & 27, 1993
dF Universitycrldaho LIoNEL HmPToN/CHEVRoN JnzzFrsrr\Al 1993 February 24, 25, 26 & 27, 1993 t./¡ /ìl DR. LYNN J. SKtNNER, Jazz Festival Executive Director VtcKt KtNc, Program Coordinator BRTNoR CAtN, Program Coordinator J ¡i SusnN EHRSTINE, Assistant Coordinator ltl ñ 2 o o = Concert Producer: I É Lionel Hampton, J F assisted by Bill Titone and Dr. Lynn J. Skinner tr t_9!Ð3 ü This project is supported in part by a grant from the National Endowment for the Arts We Dedicate this 1993 Lionel Hømpton/Chevron Jøzz Festivül to Lionel's 65 Years of Devotion to the World of Juzz Page 2 6 9 ll t3 r3 t4 l3 37 Collcgc/Univcrsity Compctition Schcdulc - Thursday, Feh. 25, 1993 43 Vocal Enserrrbles & Vocal Conrbos................ Harnpton Music Bldg. Recital Hall ...................... 44 45 46 47 Vocal Compctition Schcrlulc - Fridav, Fcli. 2ó, 1993 AA"AA/AA/Middle School Ensenrbles ..... Adrrrin. Auditoriunr 5l Idaho Is OurTenitory. 52 Horizon Air has more flights to more Northwest cities A/Jr. High/.Ir. Secondary Ensenrbles ........ Hampton Music Blclg. Recital Hall ...............,...... 53 than any other airline. 54 From our Boise hub, we serve the Idaho cities of Sun 55 56 Valley, Idaho Falls, Lewiston, MoscowÆullman, Pocatello and AA/A/B/JHS/MIDS/JR.SEC. Soloists ....... North Carnpus Cenrer ll ................. 57 Twin Falls. And there's frequent direct service to Portland, lnstrurncntal Corupctilion'Schcrlulc - Saturday, Fcll. 27, 1993 Salt Lake City, Spokane and Seattle as well. We also offer 6l low-cost Sun Valley winter 8,{. {ÀtûåRY 62 and summer vacation vt('8a*" å.t. 63 packages, including fOFT 64 airfare and lodging. -
Wavelength (October 1981)
University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 10-1981 Wavelength (October 1981) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (October 1981) 12 https://scholarworks.uno.edu/wavelength/12 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. Pipes of Pan Presents ... A best seller. versus the best. icro-Acoustics Bose 301 FRM-3dx *33QOOper patr. *34900per pair Compare these two speakers, and you'd probably expect the one on the left - with the lower price - to be the better seller. You'd be right ... but is it the better value? Before you aecide, it pays to consider how much more a little more money will bu~: Comfare bass. The new FRM-3dx uses a twin-ducted enclosure with thicker cabine panels and larger cubic volume for rich, full bass. Compare highs. The new FRM-3dx1s unique Vari-AxiSTM control system, damped isolated tweeter suspension and rim-damped cone give lifelike h1ghs. Compare warranties. The new FRM-3dx is warrantied twice as long. The Micro-Acoustics new FRM-3dx. When you compare, there's really no com parison. Quality worth a 10-year warranty Micro-Acoustics Reg. $349.00 Bose 301" FRM·3dx Tweeter One, fixed. One, rotatable, rim·damped. Tweeter Attached Isolated from SALE NOW directly to baffle. -
Neil Bridge Seven + with Karen Lee Annual Potluck Picnic with Your Father's Mustache Band
Volume 62, Number 1 July/August 2017 Denver Jazz Club in operation for 62 continuous years Established 1954 Neil Bridge Seven + with Karen Lee Sunday, July 16 Neil Bridge is a classic American jazz musician, who has accompanied Mel Tormé, Anita O'Day, Nancy Wilson, Dakota Staton, Johnny Smith, the Mills Brothers, Clark Terry, Sonny Stitt and many more. He was a pianist with the Denver Symphony and performed with Henry Mancini, Richard Hayman, Steve Allen, Rich Little and Nelson Riddle. This seven piece band consists of Neil Bridge , piano; Ron Bland , bass; Larry “LT” Thompson , drums; Dr. Walter Barr , trumpet; Al Hermann , trombone; Chuck Schneider , reeds, and vocalist Karen Lee . All the musical arrangements for The Neil Bridge 7+ were written • Admission is $8 for members of any jazz club, $10 for by Neil himself. He has always been well-received at his anyone who isn’t a jazz club member, free for age 12 Denver Jazz Club performances. and younger. Where, when, how much: Amenities: • Denver Jazz Club, 2:00–5:00 PM Sunday, July 16 • Cabaret-style seating, dance floor, cash bar, and food. • Westminster Elks Club, 3850 Elk Drive • Denver Jazz Club Youth All-Stars play at 3:50 PM Annual Potluck Picnic with Your Father’s Mustache Band Sunday, August 20 Where, when, how much: It’s the annual Denver Jazz Club Potluck Picnic, at the • Denver Jazz Club, 1:30-5:00 Sunday, August 20 home of Decker and Ann Westerberg in Littleton. The • The Westerberg’s home, 310 Shadycroft Drive, Denver Jazz Club furnishes brats, burgers, hot dogs and Littleton drinks.