Chick Willis Uk £3.25

Total Page:16

File Type:pdf, Size:1020Kb

Chick Willis Uk £3.25 ISSUE 163 WINTER 2020 CHICK WILLIS UK £3.25 Photo by Merlin Daleman CONTENTS Photo by CHRISTMAS STOCKING FILLERS Merlin Daleman CHICK WILLIS pictured at the Birmingham Jazz Festival. Chick makes an appearance in a new feature for Jazz BIG BEAR RECORDS CD OFFER Rag. We link up with Henry’s Blueshouse in Birmingham to EXCLUSIVELY FOR READERS OF THE JAZZ RAG present Henry’s Bluesletter (pages 32-33) ALL CDS £8 EACH OR THREE FOR £16 INCLUDING P&P 4 FESTIVAL IN TIME OF PLAGUE Birmingham, Sandwell and Westside Jazz Festival goes ahead 5 THE VIRUS IN NUMBERS JAZZ CITY UK VOLUME 2: THE JAM SESSIONS 6 ‘A TRUE NEW ORLEANS CHARACTER’ Coroner/trumpeter Frank Minyard Howard McCrary Various Artists Various Artists Lady Sings Potato Head 7 I GET A KICK OUT OF… Moments Like This Jazz City UK Volume 2 Jazz City UK Volume 1 The Blues Jazz Band Promoter John Billett Laughing at Life Stompin’ Around 8 COMPETITION: LOUIS ARMSTRONG 9 GOODBYE TO A STAR Roger Cotterrell on Peter King 11 BBC YOUNG JAZZ MUSICIAN OF THE YEAR 12 SUPERBLY SWINGING Alan Barnes remembers Dick Morrissey Remi Harris Trio Tipitina King Pleasure & Nomy Rosenberg Django’s Castle 14 FRENCH BOOGIE STAR Ninick Taking Care of The Biscuit Boys Nomy Rosenberg Trio with Bruce Adams Ron Simpson profiles Ben Toury Business Live At Last Swing Hotel du Vin 16 50 BY LOUIS Scott Yanow’s choice FIND US ON FACEBOOK 18 ROY WILLIAMS IN PICS The Jazz Rag now has its own Facebook page. For news of upcoming festivals, gigs and releases, 20 REFLECTING DREAMS Marilyn Mazur interviewed by Ron Simpson features from the archives, competitions and who knows what else, be sure to ‘like’ us. To find the 22 CD REVIEWS page, simply enter ‘The Jazz Rag’ in the search bar 34 BOOK REVIEWS The Whiskey Tipitina King Pleasure & Alan Barnes’ King Pleasure & at the top when logged into Facebook. Brothers I Wish I Was In New The Biscuit Boys Marbella All Stars The Biscuit Boys Bottle Up And Go Orleans Hey Puerto Rico! The Marbella Jazz Smack Dab In The Suite Middle THE JAZZ RAG PO BOX 944, Birmingham, B16 8UT, England UPFRONT Tel: 0121454 7020 REASONS TO BE CHEERFUL Fax: 0121 454 9996 Email: [email protected] In a time of gloom, characterised by cancellations, postponements and ingenious attempts to preserve something like live jazz, there are reasons to be cheerful: Web: www.jazzrag.com perhaps there are hints now of soon-to-return near-normality. But for many of us the best news came in the recent Honours List, not a place where jazz lovers Publisher / editor: Jim Simpson regularly find much to delight in. News / features: Ron Simpson Reviews editor: Nick Hart This year anyone who loves jazz must have been delighted at the award of the Bruce Adams/Alan Bill Allred’s Good Bruce Adams/Alan Duncan Swift Bruce Adams International editor: Yue Yang MBE to Roy Williams. From Eric Batty’s Jazz Aces via lengthy spells with the Barnes Quintet Time Jazz Band Barnes Quintet The Broadwood Quartet Commercial Director: Tim Jennings great Alex Welsh and Humphrey Lyttelton Bands to an internationally acclaimed Let’s Face The Music Swing That Music! Side Steppin’ Concert One Foot In The Subscriptions & accounts: Nick Hart freelance career, Roy was for many years beyond doubt the nonpareil of British Gutter Designed by Nerys James jazz trombonists. Printed by Warwick Printing In Jazz Rag 159 Digby Fairweather profiled Roy at length, referring to him as www.warwickprinting.co.uk To order send a cheque payable to Big Bear Music to PO Box 944, Birmingham B16 8UT ‘simply the most perfect trombone-player I have ever had the privilege to play with.’ The British Empire is lucky to have him as a Member! To pay by card phone 0121 454 7020 or visit www.bigbearmusic.com/cds and enter the code © 2020 THE JAZZ RAG. All original material including advertising artwork remains the sole copyright of the JRLOCKDOWN8 to purchase one CD for £8 or JRLOCKDOWN16 to purchase three for £16 Publisher and may not be reproduced without permission Roy Williams in Pictures: pages 18-19 2 THE JAZZ RAG THE JAZZ RAG 3 A FESTIVAL IN TIME OF PLAGUE THE VIRUS IN NUMBERS A FESTIVAL IN TIME OF PLAGUE THE VIRUS IN NUMBERS How does the jazz world • Remember everything is before, might come under from their long lay-off from live The International Jazz Musician that 61% of jazz musicians said Some of the figures looking The most cheering part of a respond to the overwhelming provisional. In a sense this special measures and that the performance, were outstanding Survey by Jazzfuel.com paints that their 2020 income would forward are particularly relevant. generally depressing survey is presence of COVID-19? There is true of all festivals – a Government might impose a and on the previous evening a vivid picture of the effects of be at least 50% lower than 2019 Perhaps the most horrifying the element of positivity in many are any number of responses singer may lose her voice or national circuit breaker lockdown the Bruce Adams/Dave Newton the coronavirus on the world of (30% at least 75% less) will is that, by mid-October, 55% of the individual comments, possible on the scale from musicians may miss a flight – during Festival week. Quartet was in fine form in West jazz as of October 13th. The full astonish no one. In fact, reading of jazz musicians had no live revealing the resilience of the hunkering down till it’s over to but it’s an essential of plague- Bromwich Central Library. survey of 266 musicians (59% in between the lines, that figure performances scheduled for typical jazz musician. Whether trying to carry on as near-normal time planning. As it happened, neither came to The audiences for the Adams/ Europe, including 22.5% in UK, is more startling when taken 2021 – with the figure as high honing admin skills, reassessing as possible. The experience pass. Instead Italy, up to that point Newton gig, however, were 35% North America, including together with the actual scale as 73% in the United States. their musical direction or of the Birmingham Sandwell • Be light on your feet. Smart stable in infection figures, suffered nowhere near the Library, but 28% in USA) makes fascinating of financial loss: the average lost However, the survey also reveals improving their playing, musicians and Westside Jazz Festival instant responses to crises a spike and a day or so before in two pubs in Birmingham, reading, with some extremely income from cancelled shows the flexibility of jazz musicians, found advantages in the time of is instructive, confusing and have to be like London buses – the Festival the UK Government four retirement villages and revealing results alongside some was £9,378 (£13,315 in the USA 62% claiming that the events of COVID and a respondent from ultimately rather inspiring. another one along in a minute. imposed quarantine restrictions their own homes, watching on we could all have predicted. and £7,093 in Europe). Of course this year have changed their plans the USA summed up the implied on arrivals from Italy. Since the YouTube. In the time of COVID the lost income is based on for releasing music. In particular dedication of many: To start with a bit of background. • Remain charitable. Musicians Festival’s sole European band was the live stream has come into It is hardly surprising that on shows that were never arranged livestream concerts are here to The original July dates were and venues will inevitably have the Jim Dandies from Bassano del its own. Another set from a a scale of 1-10 the average as well as those cancelled, but the stay, with 49% performing at least ‘More than ever I can’t imagine clearly impossible, though a to go back on their word. Grappa, with seven shows from Sandwell Library (Wednesbury) musician’s optimism for the jazz figures are hardly suggestive of one and 27% extremely likely to doing anything else with my life virtual jazz festival kept the Smile nicely and say, ‘How Wednesday onwards, action was teamed saxophonists of different scene is as low as 4.2 – in fact, a financially rewarding life at the carry on doing so. that would be as meaningful.’ name alive. So there was a about next year, then?’ In clearly required: generations (Alan Barnes and it’s quite impressive that it’s even best of times. https://jazzfuel.com/covid-jazz-survey/ choice between cancellation and Birmingham’s case an original Alex Clarke) to terrific effect as high as that. Similarly the fact postponement. Cancellation was schedule of 74 events (still Thursday: Try to switch flights and two bands, Shufflepack and unthinkable given the number of much lower than the 200-plus to Saturday before quarantine Tipitina, were so disappointed committed stakeholders in the of July festivals) was whittled introduced. at missing the festival that Guy Barker Derek Nash Festival, so the next question down to about 30, but that’s Friday 0658: Call from Italy – they live streamed sets into was the date. By working on still a sizeable festival. this is not possible. Birmingham pubs. the principle that the later the Friday 0859: Alternative date, the more chance of being • Remember that the Festival strategy: replace the Jim Dandies Printing the programme was virus-free, the Festival organisers Director is not the only boss. with the re-formed blues and delayed as late as possible to showed they had no more idea If Festival organisers have to Americana super-group Wang reduce changes, but 75 per cent of the likely progress of COVID jump through hoops to get Dang Doodle, assembled for of the events in it had to be than did our government.
Recommended publications
  • The Historic Recordings of the Song Desafinado: Bossa Nova Development and Change in the International Scene1
    The historic recordings of the song Desafinado: Bossa Nova development and change in the international scene1 Liliana Harb Bollos Universidade Federal de Goiás, Brasil [email protected] Fernando A. de A. Corrêa Faculdade Santa Marcelina, Brasil [email protected] Carlos Henrique Costa Universidade Federal de Goiás, Brasil [email protected] 1. Introduction Considered the “turning point” (Medaglia, 1960, p. 79) in modern popular Brazi- lian music due to the representativeness and importance it reached in the Brazi- lian music scene in the subsequent years, João Gilberto’s LP, Chega de saudade (1959, Odeon, 3073), was released in 1959 and after only a short time received critical and public acclaim. The musicologist Brasil Rocha Brito published an im- portant study on Bossa Nova in 1960 affirming that “never before had a happe- ning in the scope of our popular music scene brought about such an incitement of controversy and polemic” (Brito, 1993, p. 17). Before the Chega de Saudade recording, however, in February of 1958, João Gilberto participated on the LP Can- ção do Amor Demais (Festa, FT 1801), featuring the singer Elizete Cardoso. The recording was considered a sort of presentation recording for Bossa Nova (Bollos, 2010), featuring pieces by Vinicius de Moraes and Antônio Carlos Jobim, including arrangements by Jobim. On the recording, João Gilberto interpreted two tracks on guitar: “Chega de Saudade” (Jobim/Moraes) and “Outra vez” (Jobim). The groove that would symbolize Bossa Nova was recorded for the first time on this LP with ¹ The first version of this article was published in the Anais do V Simpósio Internacional de Musicologia (Bollos, 2015), in which two versions of “Desafinado” were discussed.
    [Show full text]
  • 2020 May June Newsletter
    MAY / JUNE NEWSLETTER CLUB COMMITTEE 2020 CONTENT President Karl Herman 2304946 President Report - 1 Secretary Clare Atkinson 2159441 Photos - 2 Treasurer Nicola Fleming 2304604 Club Notices - 3 Tuitions Cheryl Cross 0275120144 Jokes - 3-4 Pub Relations Wendy Butler 0273797227 Fundraising - 4 Hall Mgr James Phillipson 021929916 Demos - 5 Editor/Cleaner Jeanette Hope - Johnstone Birthdays - 5 0276233253 New Members - 5 Demo Co-Ord Izaak Sanders 0278943522 Member Profile - 6 Committee: Pauline Rodan, Brent Shirley & Evelyn Sooalo Rock n Roll Personalities History - 7-14 Sale and wanted - 15 THE PRESIDENTS BOOGIE WOOGIE Hi guys, it seems forever that I have seen you all in one way or another, 70 days to be exact!! Bit scary and I would say a number of you may have to go through beginner lessons again and also wear name tags lol. On the 9th of May the national association had their AGM with a number of clubs from throughout New Zealand that were involved. First time ever we had to run the meeting through zoom so talking to 40 odd people from around the country was quite weird but it worked. A number of remits were discussed and voted on with a collection of changes mostly good but a few I didn’t agree with but you all can see it all on the association website if you are interested in looking . Also senior and junior nationals were voted on where they should be hosted and that is also advertised on their website. Juniors next year will be in Porirua and Seniors will be in Wanganui.
    [Show full text]
  • Finding Aid for the Sheldon Harris Collection (MUM00682)
    University of Mississippi eGrove Archives & Special Collections: Finding Aids Library November 2020 Finding Aid for the Sheldon Harris Collection (MUM00682) Follow this and additional works at: https://egrove.olemiss.edu/finding_aids Recommended Citation Sheldon Harris Collection, Archives and Special Collections, J.D. Williams Library, The University of Mississippi This Finding Aid is brought to you for free and open access by the Library at eGrove. It has been accepted for inclusion in Archives & Special Collections: Finding Aids by an authorized administrator of eGrove. For more information, please contact [email protected]. University of Mississippi Libraries Finding aid for the Sheldon Harris Collection MUM00682 TABLE OF CONTENTS SUMMARY INFORMATION Summary Information Repository University of Mississippi Libraries Biographical Note Creator Scope and Content Note Harris, Sheldon Arrangement Title Administrative Information Sheldon Harris Collection Related Materials Date [inclusive] Controlled Access Headings circa 1834-1998 Collection Inventory Extent Series I. 78s 49.21 Linear feet Series II. Sheet Music General Physical Description note Series III. Photographs 71 boxes (49.21 linear feet) Series IV. Research Files Location: Blues Mixed materials [Boxes] 1-71 Abstract: Collection of recordings, sheet music, photographs and research materials gathered through Sheldon Harris' person collecting and research. Prefered Citation Sheldon Harris Collection, Archives and Special Collections, J.D. Williams Library, The University of Mississippi Return to Table of Contents » BIOGRAPHICAL NOTE Born in Cleveland, Ohio, Sheldon Harris was raised and educated in New York City. His interest in jazz and blues began as a record collector in the 1930s. As an after-hours interest, he attended extended jazz and blues history and appreciation classes during the late 1940s at New York University and the New School for Social Research, New York, under the direction of the late Dr.
    [Show full text]
  • JAZZ in London F E B R U a R Y 2015
    JAZZ in London www.jazzinlondon.net F E B R U A R Y 2015 RONNIE SCOTT’S PizzaExpress Jazz Club 47 Frith St. Soho, London W1D 4HT 10 Dean St. London W1 reservations: 020 7439 0747 Reservations: 08456 027 017 www.ronniescotts.co.uk www.PizzaExpresslive.com F E B R U A R Y Sun 1 (lunch) MATTHEW VanKAN with Phil Robson 1 BIG BAND METHENY (eve) JACQUI DANKWORTH 2 - 4 RUBY TURNER - sold out Mon 2 sings Billie Holiday 5 - 7 PEE WEE ELLIS FUNK ASSEMBLY EDANA MINGHELLA with special guest Huey Morgan on 6 & 7 Tue 3/Wed 4 RENATO D’AIELLO plays Horace Silver 8 CHARLIE WOOD BAND Thur 5 TAMMY WEIS with the Tom Cawley Trio with special guest Guy Barker Fri 6 CLARK TRACEY QUINTET 9 AMINA FIGAROVA featuring Chris Maddock & Henry Armburg-Jennings & ISHAR SARABSKI Sat 7 THE MOTOWN REVUE with Patrick Alan 9 Ronnie Scott’s JAZZ ORCHESTRA 10 PETER EDWARDS TRIO/ Sun 8 (lunch) LOUISE BALKWILL (eve) HENRY SPENCER’S JUNCTURE / SOWETO KINCH BAND WORLD SERVICE PROJECT Mon 9 WILDFLOWER SEXTET 11- 13 KENNY GARRETT QUINTET Tue 10 BETH ROWLEY 14 STILGOE/ WILLIAMS - sold out Wed 11 PETE OXLEY/ NICOLAS MEIER 15 - Soul Family NATALIE WILLIAMS Thur 12 ALEX MENDHAM ORCHESTRA 16-17 CHRIS POTTER’S UNDERGROUND Fri 13 18 ZHENYA STRIGALEV’S KANSAS SMITTY’S HOUSE BAND SMILING ORGANIZM Sat 14 Valentine’s special with TINA MAY 19-21 ARTURO SANDOVAL - sold out & GUILLERMO ROZENTHULLER 22 Ronnie Scott’s BLUES EXPLOSION Sun 15 (lunch) DURHAM UNI BIG BAND 23-28 BILLY COBHAM (eve) ROBERTO ANGRISANI Mon 16/ Tue17 ANT LAW BAND Wed 18 JONATHAN KREISBERG Royal College of Music with Will Vinson, Rick Rosato, Colin Stranahan (Britten Theatre) Prince Consort Rd.
    [Show full text]
  • Windward Passenger
    MAY 2018—ISSUE 193 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM DAVE BURRELL WINDWARD PASSENGER PHEEROAN NICKI DOM HASAAN akLAFF PARROTT SALVADOR IBN ALI Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East MAY 2018—ISSUE 193 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 NEw York@Night 4 Laurence Donohue-Greene: Interview : PHEEROAN aklaff 6 by anders griffen [email protected] Andrey Henkin: [email protected] Artist Feature : nicki parrott 7 by jim motavalli General Inquiries: [email protected] ON The Cover : dave burrell 8 by john sharpe Advertising: [email protected] Encore : dom salvador by laurel gross Calendar: 10 [email protected] VOXNews: Lest We Forget : HASAAN IBN ALI 10 by eric wendell [email protected] LAbel Spotlight : space time by ken dryden US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or VOXNEwS 11 by suzanne lorge money order to the address above or email [email protected] obituaries by andrey henkin Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Stuart Broomer, FESTIVAL REPORT Robert Bush, Thomas Conrad, 13 Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, CD ReviewS 14 Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Mark Keresman, Marilyn Lester, Miscellany 43 Suzanne Lorge, Marc Medwin, Russ Musto, John Pietaro, Joel Roberts, John Sharpe, Elliott Simon, Event Calendar 44 Andrew Vélez, Scott Yanow Contributing Writers Kevin Canfield, Marco Cangiano, Pierre Crépon George Grella, Laurel Gross, Jim Motavalli, Greg Packham, Eric Wendell Contributing Photographers In jazz parlance, the “rhythm section” is shorthand for piano, bass and drums.
    [Show full text]
  • Hermann NAEHRING: Wlodzimierz NAHORNY: NAIMA: Mari
    This discography is automatically generated by The JazzOmat Database System written by Thomas Wagner For private use only! ------------------------------------------ Hermann NAEHRING: "Großstadtkinder" Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; Stefan Dohanetz -d; Henry Osterloh -tymp; recorded 1985 in Berlin 24817 SCHLAGZEILEN 6.37 Amiga 856138 Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; Stefan Dohanetz -d; recorded 1985 in Berlin 24818 SOUJA 7.02 --- Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; Volker Schlott -fl; recorded 1985 in Berlin A) Orangenflip B) Pink-Punk Frosch ist krank C) Crash 24819 GROSSSTADTKINDER ((Orangenflip / Pink-Punk, Frosch ist krank / Crash)) 11.34 --- Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; recorded 1985 in Berlin 24820 PHRYGIA 7.35 --- 24821 RIMBANA 4.05 --- 24822 CLIFFORD 2.53 --- ------------------------------------------ Wlodzimierz NAHORNY: "Heart" Wlodzimierz Nahorny -as,p; Jacek Ostaszewski -b; Sergiusz Perkowski -d; recorded November 1967 in Warsaw 34847 BALLAD OF TWO HEARTS 2.45 Muza XL-0452 34848 A MONTH OF GOODWILL 7.03 --- 34849 MUNIAK'S HEART 5.48 --- 34850 LEAKS 4.30 --- 34851 AT THE CASHIER 4.55 --- 34852 IT DEPENDS FOR WHOM 4.57 --- 34853 A PEDANT'S LETTER 5.00 --- 34854 ON A HIGH PEAK
    [Show full text]
  • Louis Jordan Let the Good Times Roll
    08 Somebody Done Changed The Lock On My Door 23 Don’t Worry ‘Bout That Mule (Wild Bill Davis, 02 Saturday Night Fish Fry (Louis Jordan, Ellis Walsh) 5:24 LOUIS JORDAN (Casey Bill Weldon) 3:13 Duke Groaner, Fleecy Moore, Charlie Stewart) 2:06 09 Hungry Man (Bobby Troup) 3:05 11 What’s The Use Of Gettin’ Sober (Busby Meyers) 2:46 New York, 18 luglio 1945 New York, 9 agosto 1949 LET THE GOOD TIMES ROLL 12 I’m Gonna Leave You On The Outskirts Of Town Aaron Izenhall (tr.), Louis Jordan (alto, voc.), Josh Jackson (ten.), Aaron Izenhall, Bob Mitchell, Harold Mitchell (tr.), Louis Jordan (alto, (Louis Jordan) 2:53 Wild Bill Davis (p., arr.), Carl Hogan (chit.), Jesse «Po» Simpkins voc.), Josh Jackson (ten.), Bill Doggett (p.), James «Ham» Jackson 13 Five Guys Named Moe (Jerry Bresler, Larry Wynn) 2:56 (cb.), Eddie Byrd (batt.). (chit.), Billy Hadnott (cb.), Christopher Columbus (batt.). 21 It’s A Low-Down Dirty Shame (Ollie Shepard) 2:46 Chicago, 21 luglio 1942 16 Ain’t That Just Like A Woman (Claude Demetrius, 17 Fat Sam From Birmingham (Robert E. Dade, Eddie Roane (tr., voc.), Louis Jordan (alto, ten. voc.), Arnold Thomas Fleecy Moore) 2:50 George Williams) 2:58 (p.), Dallas Bartley (cb.), Walter Martin (batt.). 25 Beware (Dick Adams, Morry Lasco, Fleecy Moore) 2.49 New York, 5 giugno 1951 26 Choo Choo Ch’Boogie (Denver Darling, Milt Gabler, Aaron Izenhall, Emmett Perry, Bob Mitchell (tr.), Leon Comegys, Bob 01 Deacon Jones (Hy Heath, Johnny Lange, Richard Loring) 2:55 Vaughn Horton) 2:42 Burgess (trne), Louis Jordan (alto, voc.), Oliver Nelson (alto), Josh 03 Is You Is Or Is You Ain’t My Baby? (Bill Austin, New York, 23 gennaio 1946 Jackson, Reuben Phillips (ten.), Marty Flax (bar.), Jimmy Peterson Louis Jordan) 2:45 Aaron Izenhall (tr.), Louis Jordan (alto, voc.), Josh Jackson (ten.), (p.), Bill Jennings (chit.), Wild Bill Davis (org.), Bob Bushnell (cb.), Los Angeles, 4 ottobre 1943 Wild Bill Davis (p., arr.), Carl Hogan (chit.), Jesse «Po» Simpkins Christopher Columbus (batt.).
    [Show full text]
  • LATV Press Release
    Press Release Mick Foster is a saxophonist and composer who is known as one of the UK's foremost exponents of the baritone saxophone. 'Live at The Vortex' is an album of melodic original pieces composed by Mick. It was recorded at The Vortex Jazz Club, London, in 2018 and captures the intimacy and excitement of this venue. Mick plays baritone, alto and soprano saxophones and is joined by the engaging, versatile trio of Dominic Ashworth on guitars, Tom Farmer on bass and Tristan Mailliot on drums. The album is available in both digital format and as a physical CD, and will be released on Hainault Records (HNT 0015) on Oct 14 2020, via Bandcamp, Mick's own website and streaming sites. Biographies Mick Foster is a saxophonist and composer who is known as one of the UK's foremost exponents of the baritone saxophone. He has worked extensively in the fields of jazz, commercial and classical music as a saxophonist and composer. He has appeared with many ensembles which include the big bands of John Dankworth, Stan Sulzmann and Mike Garrick, the Back to Basie Orchestra, The Humphrey Lyttelton Band, Ginger Baker’s Air Force, Laura Jurd’s Human Spirit, The London Jazz Orchestra, The London Philharmonic Orchestra and English National Opera. As a composer Mick has written for many ensembles and his music has been played around the world and broadcast on BBC Radio 3. He has recorded three albums under his own name and runs his own record label, Hainault Records. Mick's other releases under his own name are Changing Fortunes (Black Box, 2000), October Dances (Hainault, 2011) and Four Views (Hainault 2012).
    [Show full text]
  • Newsletter 9-2 June 2011Ajohn
    1 Volume 9, Issue 2 - June 2011 The Newsletter of Fetcham University of the Third Age PageFetcham1 U3A FetchamPage U3A 1 In This Issue Page 2-3. Chairman’s Column 4-6. Japanese Earthquake 6. Family History 2 7. Ballroom Dancing Chairman’s Quiz 8. Music Appreciation 1 9-10. How Big is London? 10. IAUTA 11. Thursday Morning Walking 12 Cookery 1 Industrial Heritage 13. Wine Appreciation 1 Limericks1 14. Antiques and Collectables Limericks 15. Art - Mixed Media 1 Answers to Chairman’s Quiz 16. Jazz Appreciation 17. Aviation and Technology 18. Cruise the River Seine from Paris to Honfleur 19 Art Appreciation Limericks 20. Vegetable Gardening 21. Limericks 22. Committee Members and Support Services Cover photographs by Christine (Digital Photography Group) Cover design by John Editor this Issue - Judy Page 2 Fetcham U3A 2 Chairman’s Column and social events. This year, for the first time, Graham gave a demon- Once a year stration of the equipment Fetcham at about this U3A has bought over the years that time, we is available to the members for use invite all of within their groups. Graham and our Group Tony R have been working very Leaders and hard during this past year on the main help- website, and I would ask all mem- ers to a buf- bers to log in, have a look at the fet lunch website and familiarise themselves with wine (not too much if they are with what is available. For Associ- driving) at St Mary’s Hall. This year ate members and Full members 64 members were able to attend.
    [Show full text]
  • P Ychology Dept. and J..'L'ijiitlldt• \\Lllf'll UC'c'cjill )Wilil•D Th ·
    • The 'Ill•' l 'uh 'I I ol Po •! \til' '1 ~~~ Jlot lilt .111 II\ o'lloutkt d Ill tilt' d i • I ttiiJIIII•,n n l "'·''•·l'ill tru111 tlw I l·'t ''"' h · tr.d11 d·• It J!, ., 11111111. ,lfl(t'" \t I 11,\ I It IH It I Jltll'.l t 1d ltl( ,dl(to> • clltn ' ·'. 'I'IH• ,, •rf t • \\111 IJP pl.u ••d on d t pl.t\ " tilt• l ' 11 \ 't> l II\' Ll· brat·.\ (. 11;1 ht I'll olltcl\ o• ttf I he: l't'rl· odtt·al Hoo1111 "" I· 1 ula~. !o't ht'\1· a1y l Th1• gift . II H'hld t• lhrt•t• tnalltt• . l'l'i pt . IH·o~tltllull.' hound c-opltos o lltc• l-: 11 ·.\ Ill' artlSflt• \\ cll'k.·, a hi Inn of 1-'1 .trH't' In a \ t'I'.Y llnlllt•!l I'd II Jon, (\\() Sltl,tll fl':lllll·d p;tllltlll '· · lllll I c·,d :-.con., :-II\' •t• I'Uill, <tliH'I'Ilt d P•IIH'I' llll'lt 111 .r :111rl c·t·rl tin ln.·ig-nla of thl' Jt,. ...,, ·wm ,. furc·t> , TIP II\ 1 r· sit,\ of th1• do11ors 1 . tl'ikln~. anum~ IIJlll) olll' \it) l!I\J \\)'iff ' ( 0 artt (I c·on1po t 1'. • t'lwl;u.. puhll lrt•r. a tradP lllllon. llt' ft',tl'lllt\ of till' l lli\1'1 tl\ of l'oltll•t ,·, th~· dt•)wty­ llltl,\ or o f \ 1 1 .... tlllc· ·, a C'tlllllll:tlltlc•r· :tt lht• (;lollld ('h.tlH \'llt•t') II lhl' Lt,l!loll ol I I IIIlO I', t h1 • < It\' h.tll of .\1.11 .
    [Show full text]
  • 88-Page Mega Version 2016 2015 2014 2013 2012 2011 2010
    The Gift Guide YEAR-LONG, ALL OCCCASION GIFT IDEAS! 88-PAGE MEGA VERSION 2017 2016 2015 2014 2013 2012 2011 2010 COMBINED jazz & blues report jazz-blues.com The Gift Guide YEAR-LONG, ALL OCCCASION GIFT IDEAS! INDEX 2017 Gift Guide •••••• 3 2016 Gift Guide •••••• 9 2015 Gift Guide •••••• 25 2014 Gift Guide •••••• 44 2013 Gift Guide •••••• 54 2012 Gift Guide •••••• 60 2011 Gift Guide •••••• 68 2010 Gift Guide •••••• 83 jazz &blues report jazz & blues report jazz-blues.com 2017 Gift Guide While our annual Gift Guide appears every year at this time, the gift ideas covered are in no way just to be thought of as holiday gifts only. Obviously, these items would be a good gift idea for any occasion year-round, as well as a gift for yourself! We do not include many, if any at all, single CDs in the guide. Most everything contained will be multiple CD sets, DVDs, CD/DVD sets, books and the like. Of course, you can always look though our back issues to see what came out in 2017 (and prior years), but none of us would want to attempt to decide which CDs would be a fitting ad- dition to this guide. As with 2016, the year 2017 was a bit on the lean side as far as reviews go of box sets, books and DVDs - it appears tht the days of mass quantities of boxed sets are over - but we do have some to check out. These are in no particular order in terms of importance or release dates.
    [Show full text]
  • Hertsjazz.Pdf
    JaHezrtzs Club Sundays7.45pm Download edition Sept to Dec A jazz musician is a juggler ‘who uses harmonies instead of oranges. Benny Green ’ Herts Jazz has a long and rich history, stretching back to the late 1960s when regular presentations began at the legendary pub, The Bell, in Codicote. Distinguished local saxophonist Jimmy Skidmore’s quartet took up residence and were soon joined by a whole host of celebrated guest artists and groups, including Stan Tracey, Tubby Hayes and Ronnie Scott, each delivering the best of British jazz. As the club expanded from its simple beginnings, its reputation and guest list became Hawthorne Theatre and Studio is international, attracting American star guests ranging from Jimmy Witherspoon to Sonny Stitt. unique as a jazz venue offering: With its ever- burgeoning status, it was no surprise that the club • Performances in a comfortable, intimate space eventually outgrew its pub-jazz origins and up until 2009 it moved • Fully licensed bar with a range of alcohol from venue to venue whilst continuing to thrive. Matching this, the including real ales music presented was a similarly fluid mix of modern jazz styles, both imported and home-grown. The club also prided itself in giving early • Humphrey’s Coffee Shop serving an exposure to young British jazz musicians who would eventually grow assortment of Starbucks’ tea and coffee, and a to become some of the leading jazz lights of their generation, variety of snacks including Alan Barnes, Dave Newton, Gerard Presencer and Clark Tracey. Beloved by musicians and with a faithful, knowledgeable and • Ample free car parking next to the venue attentive audience, Herts Jazz became one of the best known gigs on the circuit, a fact that made its sudden and ironic end – in its 40th • Full disabled access year – all the more lamentable.
    [Show full text]