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Home , Al Grey, Benny Powell, Bob Curnow, Brian Bromberg, Charlie Smith (drummer), Concord Jazz

dF Universitycrldaho LIoNEL HmPToN/CHEVRoN JnzzFrsrr\Al 1993 February 24, 25, 26 & 27, 1993

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DR. LYNN J. SKtNNER, Festival Executive Director VtcKt KtNc, Program Coordinator BRTNoR CAtN, Program Coordinator J ¡i SusnN EHRSTINE, Assistant Coordinator ltl ñ 2 o o = Concert Producer: I É , J F assisted by Bill Titone and Dr. Lynn J. Skinner tr t_9!Ð3 ü

This project is supported in part by a grant from the National Endowment for the Arts We Dedicate this 1993 Lionel Hømpton/Chevron Jøzz Festivül to Lionel's 65 Years of Devotion to the World of Juzz

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6 9 ll t3 r3 t4 l3 37 Collcgc/Univcrsity Compctition Schcdulc - Thursday, Feh. 25, 1993 43 Vocal Enserrrbles & Vocal Conrbos...... Harnpton Music Bldg. Recital Hall ...... 44 45 46 47 Vocal Compctition Schcrlulc - Fridav, Fcli. 2ó, 1993 AA"AA/AA/Middle School Ensenrbles ..... Adrrrin. Auditoriunr 5l Idaho Is OurTenitory. 52 Horizon Air has more flights to more Northwest cities A/Jr. High/.Ir. Secondary Ensenrbles ...... Hampton Music Blclg. Recital Hall ...... ,...... 53 than any other airline. 54 From our Boise hub, we serve the Idaho cities of Sun 55 56 Valley, Idaho Falls, Lewiston, MoscowÆullman, Pocatello and AA/A/B/JHS/MIDS/JR.SEC. Soloists ...... North Carnpus Cenrer ll ...... 57 Twin Falls. And there's frequent direct service to Portland, lnstrurncntal Corupctilion'Schcrlulc - Saturday, Fcll. 27, 1993 Salt Lake City, Spokane and Seattle as well. We also offer 6l low-cost Sun Valley winter 8,{. {ÀtûåRY 62 and summer vacation vt('8a*" å.t. 63 packages, including fOFT 64 airfare and lodging. 65 So if you're bound for 66 Idaho or anywhere in the Jr. Secortclary Ensernbles & Jr. Higlr/Middle School Cornbos LDS Institute 67 Northwest, fly there on 68

Horizon Air. We know &1rСûn0 69 rwil fÂus the territory. For reserya- ,Ârls 10 tions, see your Travel Agent 7l or call 1-800-547-9308. 72 73 75

89 9t CONCERT SCHEDULE

We Dedicøte this Festivøl to I ionel Hømpton The Møn ünd Hís Music-Jøzz

***

THE TWENTY.SIXTH LIONEL HAMPTON/CHEVRON JAZZ FESTIVAL

CELBBRATING HAMP'S 65 YEARS OF DEVOTION TO THE \ryORLD OF JAZZ

Wednesday, Febru ary 24, 1993 PEPSf TNTERNATTONAL WORLD IAZZ CONCERT

Kibbie Dome. 7:00 P.M.

Lionel Hampton and the Lionel Hampton Quartet featuring: Lionel Hanrpton, vibes o" uJ;;;,iil,fflrring:

Benny Creen, , drums Quartet I'eaturing: Gene Harris, piano Ron Eschete, , drums Luther Hughes, bass Claudio Roditi, , (Brazil) Brian Bromberg, bass Andrei Kitaev, piano, (Russia) lgor Bufnran, tenor , (Russia) Dee Daniels, r,ocals , dlums

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Please remember that NO flash cameras, recording devices, or video equipment will be allowed in the Kibbie Dome.

-) C()NCERT SCHEDULE CONCERT SCHEDULE

Friday, February 26,, 1993 DELrA ArR å'ü'Ë3i coNcERr 'illËË3iiä'îï ALL-STAR CONCERT Dome. 7:00 Kibbie P.M. Kibbie Dome, 8:00 P.M. Hampton and the Lionel Hampton f'eaturing: Lionel Quartet, Lio¡rel Hampton, vibes Lionel Hampton, vibes , vocals Marian McPartland, piano , trumpet , guitar Harry "Sweets" Edison, trumpet , trumpet Jimnry Heath, , vocals , .Brian Bromberg, bass , trombone Brian Blade, clrums Benny Porvell, trombone Straight Ahead, featuring: Herb Fllis, guitar Cynthia Dewberry, vocals & flute , bass Regina Carter, violin &vocals , piano Eileen Orr, piano/synthsr& r,ocals , drums Marion Haydên-Banfield, bass & vocals Gayelynn McKinney, drums & vocals , Saturday, February 27,1993 Friday, February 26, 1993 INSTRU M E NTAL \^/I NN ERS CONCE RT VOCALWINNERS CONCERT Kibbie Dome, 4:45 P.M. Kibbie Dome. 4:45 P.M. Lionel Hampton School of Music Jazz Band I ' Robert McCurdy, Director Lionel Hampton School of Music Jazz Choir, Daniel Bukvich, Director Guest Artist - TBA featuring Vocal Quartet Class A (ll) Instrumental Jazz Ensemble Hamptones" "The Class AA Instrumental Jazz Ensemble Class AAA (l) Instrurnental Jazz Ensemble Class AAA (ll)lnstrumenTal Jazz Ensemble Class AAA Vocal .lazz Ensemble Junior High Instrumental J¿tzz Ensemble Junior High/Jr.Sec Vocal Jazz Ensemble Junior Secondary Instlumental Jazz Ensemble Class A Vocal Jazz Ensemble Middle School Instrumental Jazz Ensemble Middle School Vocal Jazz Ensemble Class B lnstrumental Jazz Ensemble Class AA Vocal Jazz Ensemble Class A (l) lnstrumental Jazz Ensemble Class Non-Mixed Vocal Jazz Ensemble Class AAAA Instrumental Jazz Ensemble Class AAAA Vocal Jazz Ensemble

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Winning peíorming groups are chosen from competition during the day. These groups are judged on balance, intonation, phrasing, dynamics, tempo, interpretation, precision, jazz excitement, fresh ideas, programming, and stage etiquette. Each group is chosen as being the best ensemble in its size classification.

4 5 CONCERT SCHEDULE LTONEL HAMPTON SCHOOL OF MUSIC |AZZ ENSEMBLES

Saturday, February 27, 1993 JAZZCH?TRSI&rr: Dan Bukvich, Director Kibbie Dome, 7:30 P.M. SOPRANOS Rebecca Taylor Enrily Ketl¡ler* TENORS Will Han Jeaneane Batty Jill Terhaar* .lacqueline Kiefer Richard Cole R. Eric Jolurson* Clristina Carlsou Malin Thorsenr Jenifèr Kqoiman* Collin Harer Robert Jones Hampton Trombone Factory Beth Cllansse Marcy Trost* Cincla Leçter Kennedy* Russ Kaake Lionel Hampton School of Music and Friends Sarah Crawford Erin Walker* Lewis Dawn Markovich* Lloyd B. Ituight Jinr Christensen, Director Pani Crow Allison Lindholnr Lee Nau Mike Le¡nieux Jill Deccio ALTOS Jenrìifer McFarlarrd Chris Rhoads* Michael Millhanr Colleen Eva¡rs* Arny Anderson Rakael Pope Michael Sonrnreset Emest Palmer* Heather Graff Ilse Apestegui Carey Powell Rr.rss Younger Joel Pals* Saturday, February 27, 1993 Layla Hallgq Beverlee Atrvood Mary Ryan Chad Parsons GTANTS OF CONCERT Anry Matsuoka K:¡rin Berg Heather States-Platt* BASSES Graham Pinard crE IAZZ Perrny lvfcClure Stacey Borger Lisa Steckel* Casey Blood Matt Riggs Jennifer Moore LaDene Edrvardsx Kelly Strange Josh Bryant* Webb Smitlr Kibbie Dome. 8:00 P.M. Karolyrt Nearing Jodi FitzSinrnrons Chlistian Tlronrpson David Cogbunr David Snyder Paige Nelson Gretchen Grarvet Slrannon Wade* Ethan Ehrstine George Strange Christi Petty Michele Grinrnrett Daelynn Walker Rick "Skippy" Ferrton Greg Tate Lionel Hanrpton and his New.York Margaret Rice Tanya Hayclen Jamie Wamer John Fricke* Stuart Welsh+ with Special Giantstofr Jazz Steplranie Sant Lacie Heclahl* Cirrdy Watson Alan Gatlin Matt Whitesides Theresa Snlith Mariarìrra .lohann* Julie Woods Dayid Hanrnlond Jarnes Zeigler JAZZ BAIVD I Robert McCurdy, Director TROMBONES RHYTHM FLUTE Ron Gerharclstein+ Ancly Ray Clrris Rhoacls Chris Loran, guitar Marnie Gazdik+ Lionel Høm ton ünd His l{ew York Bi Band Bobbi Thompson John Fricke Tiffàny Tiley Mike Lemieux, piano Pat Shook Roger Evans Brent Purvis Dave Cavett, b¿¡ss Rob Lewis Jason Mosser Tony Rizzo Nick Rizzo, drunls Lacie Heclahl Todd Sprague, drunrs LIONEL HAMPTON,VIBES TRUMPETS TROMBONES Pat Rickman Charles Stephens J4ZZ FAwq,n Bill Titone, Manager Gerald Brazel Jeff Nelson Robert McCurdy, Direcfor Bill Bergacs, Road Manager Barry Reis SAxoPH9NES TRUMPETS TROMBONES RHYTHF Ruben Cox, Valet John Pendenza JefTTerada Jason Mosser Brent Pulvis Ethan Ehrstine, guitar "Cappy" Titone, Secretary Patrick Jones Roger Evans Jay Laes Suzy Watts, piano Rob Lewis Scott Winks Jillian Knutsorr Robb Rizzo, bass Geoff Crimnrins Dawn Markovich Shawn Hairserman Bill Schwartz, drums Vanessa H4sbrook Larry Pittnran Keith Shew, drurns SAXOPHONES RHYTHM Andres Boiarsky, tenor KLrni Mikami, BAIVD ITI Cleave Criyton, ¿ìlto Leon Dorsey, bass Al Cenrberling, Director Marshall McDonald, baritone Bobby Durham, dfums I SAXOPHONES TRUMPETS TROMBONES RHYTHM FLUTE Edward Pazant, ¿ilto Gabriel Machado, congas Kelly Evans Brian Chirr David Conclitt Ted Paradise, guitar Kelly Strange Lance Bryant, tenor Taylor Jessorr Aidan Donohue Aaron Johnson Karin Berg, piano Randy Paddock Roger Eclnristorr Lrsa.lolley Tyler Willianrs, bass Joel Pals Kirk Kludt Tiffany Tiley Jr¡stin Bretz, dn¡rns Heicli Toornbs Sam Wooclbury +Graduate Studeuts

6 7 \^/ELCOME TO THE UNIVERSITY OF IDAHO Treqty Grounds v rt ,K

J Brew Pub President's CSSA r It I to evron Moæows First Brewpub & Restattrætt I I Thank you for joining us for the 26th Annual Lionel Hampton/Chevron Jazz Festival to "become the music" . 5 Speciolty beers on tcrp along with Lionel Hampton. This year rve will enjoy celebrating Lionel Hampton's recent honor. In December ¡ Over 80 Menu ltems BREW PUB he leceived the Kennedy Center award in the Performing Arts, the most prestigious award of its kind in this nation. r Ðqily Speciols under $S,OO Celebrating its 26th year, the Jazz Festival is proud to present jazz artists who are legends around the world r Delicious Hot Scrrdwiches & Gourmet Hcrnbr:rgers and who come to Moscorv by special invitation to share America's unique music form with us. r Soups, Sotads, Snqcks, Dinners crrd much morel During the four days of the festival some trvelve thousand young musicians come to the university to learn ¡ "Houd to serye Kids Menu from the worlcl's finest jazz artists, who offer master classes by day and pelformances by night, Each evening ¡ Beer Scrnpler $3.50 the Best Beer Brewed" concert is an experience in jazz at. its best. ¡ Domestlc Beer Wine TheJazz Festival vividly illustrates the University of ldaho's fulfillment of its mission to educate aspiring . Happy Hor¡ 4-ó crrd 10-llpm daily musicians and to open the arts to all students and the community, not just in Feblr.rary, but throughout the year. . Moose Night every Ilrusdcry ô12pm !+ In Front of Music is the voice of the soul; all who participate - musicians, learners and listeners - will be uplifted by the music of the 26th Annual Lionel Hampton/Chevron . Sporbcndclc¡ssicRock & Rolt the Pqlouse Empire MalI Jazz Festival. . Fun for oll oges 882-3807 z"M . Outdoor Dining an¡oitcrble Open I l:00cun Daily

Elisabeth A. Zinser, President University of Idaho

- Gem Stote From tlte Provost to Festívul Psrtícínants

Crystols, lnc. Welcome to the 26th Annual Lionel Hampton/Chevron Jazz Festival! We are delighted you are able to Precious gemstones of the world attencl this extraordinaly event. The Univelsity of Idaho is proud of its legacy of providing a rvell-balanced education enriched by visiting performers, lecturers, and our own outstanding faculty. Again this year we present performances by the world's greatest jazz artists. Student participants have a unique opportunity to display their musical talents in competi- tions and enhance their knowledge in workshops conducted by Lionel Hampton, recently honored by the úhe NOBBY INN Kennedy Center as "One of the Five Living Legends of the World," and other renowned guest artists and Restaurant [t Lounge clitics. Moscow's finest foods and oDiomonds . Gemstones ¡ Flne Jewelry We hope visiting students will consider attending the University of ldaho and becoming a part this rich beverages since 1936. We serve of . Cr,¡stom Jewelry ¡ 'ln Shop' Repoks our chef specialties daily and tradition of excel lence. . Approlsols o Rore Minerolþeclmers & Fosslls nightly, featurlng home style preparation of desserts, soups, ldoho Gornet ond Opol Jewelry and entrees. a. 404 S, Moin, Moscow Mon. - thr¡¡s. - 6 a.m. to 12 p.m Thomas'O. Bell, Provost Fri. -Sat. - 6a.m. to 1 a.m. 883-0939 University of Idaho Mon-Sot Sun. - 6 a.m. to l0 p.m. l0 om- 5:30 pm 5th and Main in Moscow - AA2-2O32

8 9 LtoN EL HAMPTON/CHEVROÎÑ| TAZZ FESTTVAL NORTFWËST SHO\^/CASE (eENEY $nos. BAND INSTRUMENT CENTER NORT'{ IDAHO'S UN'QUE CRAFTED We're working foryou. Clinics Guest Artists G'FT'{AND STORE -

Wednesday Fine crafts and "one of a kind" art wort

Potteryo Handwoven Baskets oStained Glass o Thursday Area Photo Prints o Teddy Bears o Soaps & Cremes o Jewelry o Sheepskin Slippers ¡ Fine Marian McPartlarrd. piano l2;00- l :00 prrr Harnpton Music Bldg. Recital Hall Wood Works o Copper Roses Herb Ellis, guitar l2:00- l:00 prn Adnrin. Bldg. Auditorium Claudio Roditi, trurìrpet 3:00- 4:00 prn SUB Borah Theatre Vanessa Rubin, vocals I l:00- l2:00 pnr Hampton Music Bldg. Recital Hall When you buy an instrument Brian Brornberg, bass l2:00- l :00 prn SUB Borah Theatre II{ STORE UPS SERVICE from Keeney Bros. you're backed Anclrei Kitaev, piano & Igor Butrrran, fenor sax 9:15-10:l5anr SUB Borah Tlìeâtre VISA & MASTBRCARD by people who do the job right... Straiglrt Ahead fèaturing: Cynthia Dewberry, vocals l: 15- 2: l5 prn LDS Lrstitute & flr¡te; Regina Carter, violin & vocals; Eileelt Orr, piarro/synths & vocals; Mario¡r Hayclen-Banfìeld, bass & vocals; Gayelynn McKinney, drullrs & r,ocals you Over 40 IDAHO'SPECIALTY FOODS &W NES: So can play. .lohn Stowell, guitar 4:00- 5:00 pnr SUB Borah Theatre

MOSCOWS HUCKLEBERRY HONEY \^/INE Friday Gift Baskets o HucldeberrTJams & Chocolates o Lou Rawls, vocals l2:00- l:00 pnr SUB Ballroon-r Gourmet Honey o Coffee o Bread & Scone Herb Ellis, guitar & Briarr Bromberg, bass l2:00- l:00 pnr Ad¡nin. Blclg. Auditorium o o Mixes Soups Smoked Salmon & Trout Arturo Sancloval, trunrpet l2:00- l:00 prn Hampton Music Bldg. Recital Hall Dee Darriels, vocals I I :00- l2:00 prn SUB Borah Theatre Urìited States Air Force Jazz Ensenlble - trunlpets l2:00- l:00 pnr Hampton Music Bldg. 216 Unitecl St¿ites Air Force Jazz Ensenlble - tlonrbones l2:00- l:00 pnr Hanrpton Music Bldg. I l6 "Shop itt Moscotuts ntost contþrtablc Urrited States Air Force lazz Ensemble - saxophones l2:00- l:00 prrr LDS hlstitute store þr tltut speciul memory." Unitecl States Air Force Jazz Elrsemble - rhytlrrn section l2:00- l:00 pm SUB Borah Theatre Saturday

Clark Ten'y, trunlpet; Harry "Srveets" Eclison, truntpet l2:00- l:00 pm Hanrpton Music Bldg. Recital Hall Jirnnry Heath, tenor saxo¡tlrolte 520 S. Main St. 9:00-I0:00 am Hanrpton Music Bldg. I l6 Al Grey, trornbone; Slicle Harnptotì, tronlbone; ll:30-12:30 prn SUB Ballroorn (next to the NuArt Theatre) Benrry Powell, trolnbone Hours: Tues-Sat l0-5 Milt Hintoll, bass; .lunior Mance. piano; l2:00- l:00 pnr Admin. Blclg. Auditoriurn PH: 208/883-lI28 Owned E Operated by Craftsmen Gracly Tate, drunrs Brian Bromberg, bass l2:00- l:00 pm LDS Institute and Professional Musicians LeottarclFeather,lifè & history of Dizzy Gilles¡lie I prn PRIVATE AFTER HOI]RS SHOPPING l:00- l2:00 SUB Borah Theatre AVAILABLE BY APPOINTMENT 208-88 2-1751 12gE.TH!RD, MOSCOW USA 83843 10 ll Musicland welcomes the Lionel ÀW Hampton/Chevron Jazz Festiva I elcome All À A special tltønks to our dear fríend, Þ ) I Líonel Humpton, lazzA f tîÎ \- -. Jbr devoting 65 yeørs of yourself ønd t.. music, estival \ your Jazz' to tlte world, .F [heck out uur I JAZZ -J' We at tlte Lionel Hantpton School of Musíc A,,A AND ¿ Participants NEWAGE titles. are proud tltat you are P da tlte most irnportant pørt of oru, lives. & Enthusiasts We've got thousands Vl/e are ølso ltonored to have yorl with us in stock. þr this 6Sth Anníversury Celebration.

PALOUST TMPIRE r¡+ Th e litcu lt¡t, stuff' an d students oJ' MALL the Líoncl Humptort School of Music I ì zll WE GOT WHAT'S}IOT MALL H0URST Mon.- Fri.10-9, sun.12-5 Palouse Empire Mall BB2 5295

Bus drivers bring in your group ond receive o free meol! WE EXTEND A SPECIALTHANKS Cheuron TO THE CHEVRON COMPANIES Slú,"{. Clúaåçn.'fuF,' 1fu FORTHEIR SPONSORSHIP OFTHE IVEICOMES ALL TO THE 1993 JMIFESTIVAI. AND TO ENJOY LIONEL HAM PTON/CHEVRON FEsTtvAL. OtJR txzz I All-You-Con-Eot FreshtostiksSoup I Complete childs menu. WE ALSO & Solod Bor FREE with every meol I All meols cooked to order & @ I Worm Breod Pudding or Cobbler served piping hot. APPRECIATE OUR or Coke PLUS soft serve Dessert I Doily noon speciols trTE EVENING CONCERT Bor FREE with oll meols. Mon.-Fri. om-4pm ìl SPONSORS: I FREE Refills on oll Pop & Coffee PEPSI. DELTAAIR LINES, 'FREE BANSUET ROOM AVAILABLE - 882.I33ó AND GTE. l7l0 W Pullmon Ræd (ocross fom UniversiTy lnn WeIne'bFbAn¿hJtoux: ond in frcrnt of Polouse Empire Moll)

t2 l3 LIONEL HAMPTON LIONEL HAMPTON

Lioneljams, circa 1942, with (L-R, First Row): , Lionel, , Les Paul. ß!' # (L-R, Back Row): lllionis Jacquet, * Tommy Dorsey, , on drums, bass \r t unknown. . \ \.t-.- ¡t U v I t: 'i'r r l--' È ¡.( rl - rtrrt- F.'.' February 28, 1987 The University of ldaho names its Schod of Music the "Lionel TIÍ|NET HAMPTfIil Hampton School of Music," the first *hæl He's been honored by presidents and kings. Hailed by Armstrong called on Hampton to join in a recording of Music" the first superstar musicians and the man on the street. Lionized by session with him and, during a break, Hamp wandered over School of Music nations and adopted by the people. vibraharp to a in the corner of the studio. Until that time, the named after a jazz ln December, 1992, President and Mrs. George Bush primarily "pretty vibraharp was used for the sounds" it musician. presented Lionel Hampton with the prestigious Kennedy created, not as a solo instrument. Hampton's performance of Center Honors, for contributions to the cultural life of the Eubie Blake's "Memories of Vou" became a classic and it nation. He is one of only five jazz musicians ever to receive wasn't long before Hampton was known as the "King of the the honor. Vibes.' Long ago, his grandmother gave Hamp what she thought ln 1936, Hamp joined in his legendary was a dose of good advice when she said, "Boy quit beatin' quartet - with and . lt was the on those glasses and dishes with those spoons and go dry beginning of the "' and a musical assemblage of them right! Put that silliness out of your head." great social significance. The Benny Goodman Ouartet The five-year-old drummer told his grandmother, marked the first time blacks and white played together in a "MammA I might be able to put drumm¡n'out of my head, major musical group. but I just can't seem to put it out of my heartl" Hampton's numerous honors range from receiving a What his grandmother didn't know was that Lionel statehood award in lsrael to being made a Goodwill Ambas- Hampton, a man who would help break the color barrier in " sador by the U.S. State Department. American music, would someday be known as "Master of the Lionel Hampton continues to amaze people with his Drums" and "King of the Vibes," enthusiasm and his concern for all people - raising millions Soon after starting his professional career, Hampton of dollars for charities, giving young musicians their first began playing for a new band organized by , and break, nurturing stars of the future in his Big Band. p]3yed backup to in Los Angetes' Cotton Luckily, for his many fans worldwide, Hampton never did ölub, put managd to drumming out of his head- or out of his heart. 15 t4 LIONEL HAMPTON LIONEL HAMPTON

Moore, Louis Armstrong and Lionel Hampton, and Lionet Harnptor|, Phil Kennedy Center Honoree, in a other band members rehearsing, early Danny Kaye, 19& film ls Bom, 1948 scene from the A þrtg

ltE TI()YY 4**tsrRor\G i&,

Lionel Hampton (second from left) and the Louis Armstrong Orchestra, with Louis Armstrong, Frank Sebastion and Les Hite, .r Seþasfønb , Culver City, Califomia, 19fi

LionelHampton with the Benny Gædman Sextet, late 19fi's

Lionel Hampton and band members rehearsing, 1940's

Lionel Hampton at the Paramount Theatre, New York, 1937

t7 t6 f LIONEL HAMPTON F[t[[ lil[[

Lionel Hampton in at the beginning of his bandleading career, c. 1935

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LionelHampton, 19fl's 18 19 -r

GUEST ARTIST BIOGRAPHIES GUEST ARTIST BIOGRAPHIES

BAY BRÍIW]I TRIfl

It's been said the four most common words spoken oniazzradio programs in America today are probably hese: "on bass, .' Brown received his first formal training on piano at he age of eight. tfIU BAWTS Later, he discovered a whole new world opening up for him when he learned to play bass by ear. After graduating from high school, Brown "on Legendary vocalist Lou Rawls mixes the went the road" with a number of groups. His reputation as an accom- more than demanding traditions of gospel, and jazz, plished musician preceded his arrival in New York and, after no following using the song as a means of self-expression. four hours, Brown was invited by to drop by for the for the next two While his 1962 debut Stormy Mondaywas day's rehearsal, He'was hired and remained with Gillespie . well-received, the definitive Lou Rawls album years, playing with legends , , and with Hank came with his sixlh release, Livel The album Brown formed his own trio after departing Gillespie's band, Norman sold halÊa-million copies and was one of the Jones on piano and Charlie Smith on drums, Soon discovered by 15'year most atmospheric and soulful live ever Granz, Brown was introduced to , resulting in a recorded. Recorded in an intimate club setting, liaison of brilliant music, warm friendship, musical understanding, and 1963 for the album introduced Rawls'trademark spoken respect. Winner of innumerable awards, including a Grammy in (with in dialogue which set the stage for the cunent rap Best Original Jazz Composition "Gravy Waltz" Steve Allan) and Oscar trend. ln 1967, Rawls received his first Grammy 1990 and 1991 for Best Jazz lnstrumental Performance wih the motion for Best Solo Vocal Perfor- Peterson Trio, Brown has made hundreds of recordings, scored pictures, performed The Ray Brown mance tor Dead End Street His continued and on maior television s!'tows. cunent young piano sensation success led to a 1971 Best R&B Vocal Perfor- Trio consists of veteran drummer Jeff Hamilton and mance Grammy'for A NaturalManand another . for the 1977 album . ln 1992, Capilol Jazz released The Legendary Lou Rawls, a 17-song collection of hits spanning his 30 years in the recording industry. JEFF HAITIITTÍI]I

A midwesterner who got his musical start playing in a drum and bugle corps, drummer Jeff Hamilton is now one of the most indemand percus- sionists on the West Coast. His studio credits run the gamut from sessions with ' and Laurindo Almeida to work with on her Grammy- winning album, tJnforgettable. He's toured the nation and the world, including appearances with B.B. King and as a member of the Philip Monis Superband.

BEIIIIY GREE]I

Pianist Benny Green, aT28 aveteran member of iazz's youth corps, is a New York native rapidly becoming known as one of the most precocious players around. Before launching his career as a small group leader and keyboardist with the Ray Brown Trio, Green played with both and the redoubtable , with whom he worked from 1987 to 1989. Green's three albums for Blue Note include Greens, Lineage, and Testifyin'! Live At The (Blue Note 98171).

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GUEST ARTIST BIOGRAPHIES GUEST ARTIST BIOGRAPHIES f,Ø

MttT Hll{T0ll MARIAil TIcPARTI.A]III

F,ondly called "The Judge', þassist Milt Hinton represents the sidemen, Each performance of internationally ac- those often overlæked performers who make up the guts of iæz' Dulng claimed pianist Marian Mcpariland differs from his gix-decade career, Hinton has backed such famed musicians as Billie the last, demonstrating her impulsive trademark Holiday, , , Count Basie, and Paul McCartney style. Her award-winning radio ,,piano show, and played 10 yeøs with 's band. His acclaimed book, Eass Jazz", recently entered its 20th seâson and has Line: The Stories and Photographs of Milt Hintpn, documents the behind- featured such jazz festival veterans as Gene th$scenes life oJ iazz musicians, The oldest member of last yea/s Hanis and Lionel Hampton himself. Winner of Grammy-nominated Lionel Hampton and fre Golden Men of Jazz, he has such prestigious honors peabody æ the Award been honored by the Smithsonian's National Museum of American History and the ASCAP-Deems Taytor Broadcast Award, '1989, he received a as one of the "Living National Treasures of Jazzl ln the show features talented jazz professionals Satchmo from tlre JÀ72 Clubof Sarasota, awarded to an individual who has side-by-side with McParfland in an hour of solos, made æ innovative and enduring contribution loiazz. He was inducted collaborations, shared reminiscences jazz and into the Tri-C JazzFest Hall of Fame and honored by the Capital City Jæz piano technique. ln addition to her radio show, Festival. she has served as moderator for the cable : television series, "Womenin Jazz," and is the ¡ ¡a author of All in Good Time, acollection of articles about musicians she admires. Her composilion "Ambiance" was nominated for a Grammy.

JIMIUIY IIEAIH

said, "lf you know , you GTARK TERRY The legendary Count Basie once know bop.' One of the most articulate and skillful reed players iniæz' Heath first played the alto sax but established his reputation on the tenor great One of the contemporary individualists sax, soprano sax and flute. Born in Philadelphia Heath led his own big in jazz, player trumpet and flugelhorn Clark Terry band at the age of 20 with side men and , He "beyond is, in the words of Duke Ellington, later recorded and performed with his own all-star groups, as well æ with category." A source of inspiration to other artists, Dizzy Gillespie, , , Clark Terry, , and including Miles Davis and , Terry maniy others-. Since 1975, he has most often performed and recorded with " began his own career on a coiled-up length of the Heath Brothers, featuring Stanley Cowel along with Healh'S brothers water hose as a young boy in St. Louis. Fasci- Percy and AIþ.ed. More than 50 of his compositions have been recorded nated by the trumpet, he began playing the Ray by dozens oÏ ¡azz artists including Miles Davis, Cannonball Adderly' instrument in his high school band. ln 1942, he Charles, , and Milt Jackson, Over the years, Heath has been volunteered for the Navy and went into its a mainstay of New York's celebrated proiect, performing and excellent band at the Great Lakes Training sharing his experience with the thousands of studenb who have partici- personalcommenda- Center. Terry received the pated in this jazz learning workshop. ln addition, he organized the tion of Louis Armstrong as a member of George Jazzmobile Flute Ensemble and hæ released two volumes of his musical Hudson's joined '1950's band and later the bands of compositions, dating from the early to today. Heath last performed Charlie Barnet, Charlie Ventura and Eddie at the Lionel Hampton/Chevron Jazz Festival in 1988 with the late Dizzy Vinson. joining He became widely known after Gillespie. Count Basie in 1948, but it was as a featured soloist for eight years with Duke Ellington's orchestra that he became internationally famous. ln addition, Terry is a member of last yea/s Grammy-nominated Lionel Hampton and the Golden Men of Jazz,

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GUEST ARTIST BIOGRAPHIES GUEST ARTIST BIOGRAPHIES

GEI{E HARRIS OUARTET ARTURÍ| SA]{DÍIUAI

protégé jazz Arturo I Boise pianist Gene Harris brings his reunited Gene Hanis euartet, A of legendary master Dizzy Gillespie, Sandoval guardians t consisting of the original members of Hanis' Los Angeles-based group of has emerged as one of the world's most acknowledged of iazz artist, began twenty years ago, to this year's Lionel Hampton/Chevron Jazz Festival. ln trumpet and flugelhorn. Also a renowned classical Sandoval 12 later performed with the Cuban previous years, he performed with the Ray Brown Trio. First touching a studying the trumpèt at tìe age of and London the piano at the age of four, Hanis was playing professionally at age seven Orchestra of Modem Music, the BBC Symphony in and founding and had his own radio show by the time he was 12. ln 1989, he em- Leningrad Symphony in he former Soviet Union. He was a barked on three years of world tours billed as Gene Hanis and The philip member of the Grammy-winning group lrakere, whose explosive mixture Morris Superband. ln addition, he has performed with famed musicians of iazz, classical, rock and traditional Cuban music caused a sensation Stanley Tunentine, , Ray Charles, Lou Rawls, and Aretha throughout the entertalnment world. ln 1981, he formed his own band y garnered praise from and Franklin. ln 1991, Live at theApoilo, on which Hanis played with B.B. Arturo Grupo, which enthusiastic critics was a featured King' won a Grammy for best traditional blues album. The Gene Harris All audiences all over Europe and Latin America. Sandoval Nation Orchestra for several Star Big Band Tribute to Count Basie was nominated for a Grammy in artist in the acclaimed Dizzy Gillespie United years performed , Faddis and 1989, awarded Japan's Gold Disc by Swing Journal, and was one of and has with Jon performed for movies "Ha- Billboard's Top 25 Jazz Albums of 1988. ln 1gBZ, Hanis'atbum, The among others. He has on soundtracks the plus "Mambo /nto Light. Gene Harris Trio One; was awarded the Grand prix du Disque de vana" and Kings' and on Gloria Estefan's album the Jazz, the French equivalent of the Grammy. Sandovai was granted political asylum from his native Cuba in 1990 and ln addition to Hanis on piano, memberé of the Gene Harris euaftetåre has since settled with his family in Miami, Florida. Sandoval is nominated year, including in the category Jazz Ron Eschete on guitar, Luther Hughes on bass, and paul Humphrey on for four Grammy Awards this one album, drums, Since getting back together, the quartet has recorded two lnstrumental Performance- lndividual orGroup for his second U.S. (GRP). albums on the label, including Black and Blue, which won I Remember Aifford the German equivalent to the Grammy in 1gg2. A third album is set to be released this spring.

HERB EttIS The Gene Harris Quartet consists of the original members of Harris' Los Angeles-based group of twenty years ago. ln addition to Hanis on piano, Guitarist Herb Ellis creates a fully original members are Ron Eschete on guitar, Luther Hughes on bass, and playing with sensitivity and Paul llumphrey on drums. style, melody phræes with a horn-like conception. Given his Guitarist Ron Eschete teaches at the Guitar first guitar at the age of four, Ellis has since lnstitute of Technology in Hollywood and is the graced the contributions of , Ella author of several books on guitar methods, ln Fitzgeraid, Julie London, Oscar Peterson and addition to Hanis, he has performed with Ray Charlie He won a Grammy in 1990 aS a Brown, Dizzy Gillespie, and Milt Jackson, Byrd, member of thè Oscar Peterson Trio in the Hanis moved Luther Hughes and his category of Best Jazz lnstrumental Perfor- PaulHumphrey family from Ohio to California 2.years ago to work critic Leonard Feather dèscribed in the quartet. Since that time, Hughes has mance. Jazz the guitar duo of Ellis and in the 70's performed with , , "unabdshêd advocates of swinging improvi- Carmen McRae, and Jack Jones. When not as sation, their teamwork has a relaxed living room performing with Harris, he plays locally in Los precision.' Angeles. feeling rather than a concert hall Ellis an -Pro guitar of his own design, An extremely talented and well-respected uses known as the Herb Ellis Model, which boæts a drummer inthe iazz community, Paul Humphrey special neck that makes it technically easier to has recorded and performed with Harris off and play. He explores his instrument with Luther Hughes n for years. He also has played with other jazz cunently "Great with Barney greats including Les McCann and Freddy Hubbard the ,' as a duo Kessel featured artist in jæz concerts Since reuniting last year, the quartet has recorded two albums on the and as a Concord Jazz label, including Black and Blue which won the German and night clubs, equivalent to the Grammy in 1992. A third album is set to be released in the spring of 1993.

Ron Eschete 25 24 -r

GUEST ARTIST BIOGRAPHIES GUEST ARTIST BIOGRAPHIES

SLIDE HAMPTÍ|]I BE]IIIY POWEtt

Trombonist Slide Hampton's skills as a Trombonist is one of the most soloist, ensemble player, teacher, , versatile and imaginative artists on the contem- arranger and conductor have earned him the porary music scene, combining firm roots in the respect of lhe jazz commun¡ty. He first per- jazz lradilion with a driving creativity to expand formed in a family band ted by his father and in the horizons of modern music. Establishing the bands of such artists as Dizzy Gillespie and himself on the national music scene with the before forming his own band in 1951, Powell has in 1962. Since hen, he has accepted the since worked with such legendary artists as directorships of the Collective Btack Artists Dizzy Gillespie, Slide Hampton, and Frank Ensemble and the plaza Jazz Sinatra. His Broadway crediß include an OrchestrA providing Òriginal extended engagement with Sammy Davis Jr. in compositions and . He considers "Golden Boy.' During the 1970's, Powell the organization of "Slide Hampton and His performed with the Merv Griffin Show band and World of Trombones," an ensemble consisting founded the Los Angeles Committee on Jazz, a of nine trombones and a rhythm section, as one non-profit jazz society. During this time, he also of the major achievements of his career. served on the National Endowment for the Arts { music panel with and Benny T Carter.

¡ ¡¡¡*- -,

At GRET

The slightly-built pixie of a man whose stage trademark is a classy hat, may be just a trombone player to some people - but to the legendary GLAUDIfI RÍIDITI Count Basie and tliè musicians in his band, At Grey was always "Mr. Fabulous.' Recognized ln demand as a leader, studio musician and sideman, trumpeter/ internationally premier aS a trombonist, Grey is flugelhornist Claudio Roditi integrates post-bop elements and Brazilian known as master of the plunger mute, a technique rhythmic concepts into a versatile palette of rich, distinctive tones, he invented backing blues singer Sonny Parker in Beginning his musical studies at the tender age of five, he was a finalist in Lionel Hampton's While in band. high school,. the lnternational Jazz Competition in Vienna at the age of 20. Cunently, Grey was chosen with along othèr national muSid he leads his own band and frequently traveled as a member of the late competition winners to play urider the baton of the Dizzy Gillespie's popular United Nation Orchestra. His most recent great conductor, Leopold Stokowski, After album, Milestones (Candid), was named 1992 Jazz CD of the Year by CD embarking on a touring career, he took a chaii in Review and represents both his first live recording as a leader as well as the leading big bands, including those of CorJnt the first time he doesn't intermix Brazilian music with iazz. lttfeatures Basie, Lionel Hampton, Dizzy Gillespie, Jimmy long-time friend and saxophonist Paquito D'Rivera, pianist , Lunceford and Benny Carter. Grey was cñoSen bassist Ray Drummond and drummer , by Quincy Jones b perform on the soundtrack for the movie "The Color Purple' and has appeared on more than 1,000 other recordings, backiñg such greats as , Tony Bennett, Sarah Vaughn and . A member of lâst yea/s Grammy-nominated Lionel Hampton and the Golden Men of Jazz, he has also received the Playboy "Jazz Trombonist of the Yeaf awæd, France's prestigious "Le Hot Jazz" plaque and England's "Melody Maker Award.' 26 27 GUEST ARTIST BIOGRAPHIES GUEST ARTIST BIOGRAPHIES

JUI{IÍIR MAIICE HARRY "SWEETS'' EDISf!I{ With over 25 solo albums and numerous Name a decade in the modern jazz era. recordings made with ofiet iazz musicians, Trumpeter Harry "Sweets" Edison is sure to have been there. pianist Junior Mance presents a meaningful Call up the 1940s and he's recording with the legendary Les Paut. ln performance bom of the simple pleasure of lhe 50's, it's lracks with , Louis Bellson, Maynard Ferguson, creativity, Mance began playing professionally Benny Carter, Count Basie, "Flyin' Stan Getz and Lionel's original Home' at the tender age of 13 and at 19, had already sax soloist - Jean Baptiste "lllinois' Jacquet. ln the 40's and SO's, you'll begun his recording career with the Gene find his name as a featured soloist on the marquee of 's immortal Ammons Band. ln 195'1, he was drafted by the Apollo Theater. i ,! U,S. Army, serving in the 36th Army Band with Fast fonryard to the gO's, "Sweets" 80's and and is with . After his discharge, he Gene Harris and Philip Monis kicking +r I he Superband, oÍl a2l city world q became part of the house rhythm section at tour in what was the longest such journey ever undertakenby ajazz ' ¿.;' 's "Bee Hive' iazz club and later orchestra. :.-ir ï recorded with jazz greats Dinah , A member of last year's Grammy-nominated Lionel Hampton and the , Clark Terry, Maynard Ferguson, Golden Men of Jazz, Edison is known for his precise pointed and trumpet and others, After a three year stint with Dizzy playing. Both a leader and a sideman, he played with the legendary,". Gillespie, he formed his own trio, The author of Count Basie band and also on the classic /Nelson Riddlþ " How ta Play Blues Piano, Mance also teaches recordings. courses on the subject in the Jazz and contem- Gene Hanis said it best one night in New "There's York, only one. porary Music Program at the New School of Harry "Sweets' Edison," Social Research.

GRADY TATE BÍIBBY IIURHAM A former English and speech teacher wlro's range of musicianship has been called "truly phenomenal,' by the likes of composer/ananger/ Drummer Bobby Durham hails from one of musician Quincy Jones, drummer Grady Tate has long been in demand. the hotbeds of American contemporary music, Tate is known for creating music rich with bluesy undertones. For the South Philadelphia. A child prodigy as a singer past three decades, his crisp, riveting patterns have graced hundredsof and dancer, he turned professional at age 16. records - from instrumental dates with such artists as Stan GeE, Benny Long associated with the great Ella Goodman and to sessions with vocalists Ella Fitzgerald, Fitzgerald, he has worked with most of the and Tony Bennett. While drumming is his primary outstanding modern lazz bands, including: occupation - Tate was he youngest member of last yea/s Grammy- Lionel Hampton, the Duke Ellington Orchestra, nominated Lionel Hampton and the Golden Men of Jazz session album - Count Basie and . singing is his lifelong passion. His vocal albums have been released on a Well known in jazz circles, playing with such half dozen labels, including several in Japan. His latest effort, INf artists as Oscar Peterson, Frank Sinatra, Tommy (Milestone), came out in early 1992. The album features Tate's rich Flanagan and "Sweets'Edison, Durham has baritone mixing harmoniously with the sounds of pianisflananger Mike been known to cross over to the pop, soul and Renzi, bassist , drummer Dennis Mackrel and reed player Bill gospel music scenes, sitting in with such acts Easley. as the Revue, Clara Ward and the Ward Singers, and the Fifth Dimension.

28 29 GUEST ARTIST BIOGRAPHIES GUEST ARTIST BIOGRAPHIES

- a- BRIAil BRflilIBERG t

a Much has been written about gifted musician and composer Brian IIEE DAilIELS Bromberg, but one word used most often by his fans and critics seems to summarize it well - phenomenal. Bromberg continually reaches unprec- To embody a song, one must have the right equipment. edented melodic and technical heights with a variety of acoustic and Vocalist Dee Daniels proves that she does with a natural affinity electric basses. His favorite vehicle is the piccolo bass, tuned an octave towards improVisation, a distinctive style, and an amazing four higher than the typical electric or acoustic bass for more expressive octâve range. ln the last ten years, Daniels has performed in soloing. Beginning his classical training on he bass at age fourteen, concert with many legend ary jazz artists including Johnny Bromberg was known as one of the most respected musicians in the Griffin, , , , and James business only a few years later. By age 1g, he was touring the world with Moody. This will be her second appearance at the Licinel Stan Getz and had performed at . Since then, Bromberg has Hampton/Chevron Jazz Fêstival. Her recent recording, Let's played and recorded with jazz greats Horace Silver, , Dizzy Talk Business (Capri), features pianist Larry Fuller, bassist John Gillespie, , Joe Farrell, Lee Ritenour and . He Clayton, sa,rophonist Jeff Cla¡on and drummer Jeff Hamilton, recorded the bass tracks for the soundtrack of the movie "The Fabulou$ who will also be appearing with the Ray Brown Trio. Baker Boys" in 1989. ln April of that year, he was honored by the Maym's" office with a recognition and appreciation award for his musical talent and contribution to his hometown of Tucson, . fl

STRAIGHT AHEAII

UAIIESSA RUBIil Detroit's worst kept secret, the all-female quintet Straight Ahead successfully blends solid instrumentaliim with innovative arrangements. Vocalist Vanessa Rubin's uncanny ability to Known as one of the finest improvisers on her interact with, even float atop, horn lines has instrument in contemporary music, violinist marked her as one of today's top jazz artists. Regina Carter uses a rhythmic continuum of Honing her craft with the big bands of Mercer " modes in every performance. Lead vocalist Ellington and Lionel Hampton, Rubin has and flutist Cynthia Dewberry brings her tæteful, emerged as a musical stofieller, expressing refined voice to each performance as an herself with effortless fluidity and faultless diction instrument unto itself, On contrabæs, Marion Count Basie Orchestra leader , with Hayden-Banfield superimposes rhflnmic, metric whom Rubin studied vocal improvisation, hails and harmonic ideæ into one space. With her "warmth, feeling and intelligent harmonic hypnotic variations grounded in style and approach.' She has performed as a guest grace, Eileen On distinguishes herself as a top- vocalist on recordings by Dewey Jeffries, the notch keyboardist. Drummer Gayelynn Cleveland Jazz All-Stars and the Naosuke McKinney rounds out the group with rhythmic Miyamoto Trio. Her debut album Soul Eyes Ílexibility and super funk reminiscent of Tony ((Novus/RCA) aptly showcases her three-octave Williams and Dennis Chambers. Straight range and reached number one on lhe Black Ahead's long-awaited debut album, Look Radio Exchange jazz charl. Straight Ahead (Atlantic) demonstrates the same innovative energy and sound found in their live performances. -- 30 3l GUEST ARTIST BIOGRAPHIES GUEST ARTIST BIOGRAPHIES

J0Hil ST0WEu,

IûflR BUTMAil Guitarist John Stowell calls Porüand, Oregon home but he's also at home on stages and in Francisco to Berlin Saxophonist lgor Butman's tust jazz teacher was the Voice of America. studios from Seattle and San Each night between 11:15 and midnight, what was often more static than and Leningrad. playing, jazz critic jazzlloaled over the lron Curtain by short-wave radio. Already known in the Of Stowell's noted Nat "make guitar Soviet Union as the nation's best tenor saxophonist, he emigrated to the Hentoff says he can, an elecÍic United States in 1987 to pursue his dream of becoming a world-class jazz sound like a singing voice.' musician.Butman's group was one of only four officially recognized jazz He has teamed wih noted bassist David bands in Moscow and repeatedly ptaced first in the Soviet Critics' poll. Friesen for six albums, including ThroughThe While in Russia, he played with touring American musicians including Looking G/ass, which wæ nanpd one of the ten Læ Grover Washington Jr., who took him under his wing. Since his emigration, best iæz recordings of the decade by the Butman's career has moved straight ahead as a featured soloist with the Angetes Examiner. Quartet, the Walter Davis Jr. Quartet, the When not in the studio or ¿ppearing witt such Quintet, and actor/musician Michael Moriarty's Quintet. He is also featured artists as Milt Jackson,. and Bill on Washington's album "Then and Now" (Sony). Watrous, Stowell spends muph of the year doing clinics and workshops at colleges and universities. He is an adjunct faculty member at Portland's Marylhurst College.

ATIDFEI ¡flTAEU LEÍI]IARD FEATHER Seduced by the sounds of great jazz on the Voice of America radio network, pianist Andrei Leonard Feather is the author of twelve books jazz, Kitaev made the long journey from Moscow, on the most recent of which is The Jazz å Russia to pursue he creative freedom of the Years- Earwitness to an Era, a personal å music he loved.A gifted chitd, he was admitted memoir. He is a composer of some 225 works, to the Gnessen School of Music, Moscow's many of which have been recorded by Louis equivalent of New York's Julliard, at the age of Armstrong, Duke Ellington, George Shearing, six. Due in part to the classical training he Ella Fltzgerald and numerous others. Born in t- received in his native country, Kitaev was London, Feather lived in New York for many offered a recording contract by Reference years before moving to California. Since 1965 his Records almost immediately after setiling in the byline has appeared in the Los Angeles Times in San Francisco Bay Area.His first album Frst a weekly column syndicated worldwide. ln 1964 Iakes debuted in 1978, but it wasn't until 11 he received a Grammy award for his album yeârs later, after moving to poriland, Oregon, notes for "The Ellington Era". ln 1983 he won that his second dbum yesterdays was re. Downbeat magazine's prest¡gious Lifetime '!99¿ leased.A member of the Oregon Arts Achievement Award and in was awarded Commission's "Oregon on Touf program, he an honorary Doctorate in Music by the Berklee ,'pDX: was featured in an hour long segment of College of Music in Boston, Jazz Summit,' an eight part television series produced and aired by Oregon pubtic Broad- casting.ln 1990, he was named "Most Outstand- i f ing New Artist" by the Porüand Music Associa- tion, winning one of the first',Crystal Awards" ever presented.

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I O fUDGES BTOGRAPHIES I llL Gharles Argersingel James Ghilstensen Washington State Universv Walt Disney Company Pullman, Washington Villa Puk, California

I Dr. Argersinger is the lnternational with the Walt Jim has been associated \1,7,il Chairperson for jazz composition and Disney Company for 25 years and also arranging for |.A,J,E, (The lnternational worls in the Los Angeles area as a fre+ Association of Jazz Educators). He is lance composer, arranger and conductor. and that b..-, currently the Coordinator of Composition His catalog of 250 publications is h and Theory at Washington State Univer- performed world wide. I sity, and Cochair of the Pacific North- west region of the Society of Composers, Itlel Glayton lnc. Seattle, Washington

Steue Bael Mel Clayton has been a teacher and pæt years T Columbia Basin College music administrator for the 23 is presently Pasco, Washington in the Northwest, He the Music Supervisor for the Northshore Steve Baer has been vocal director at School District in Seattle, His jazz groups Columbia Basin College since 1984, Prior have consistently received top ratings. He to that he taught in the Kennewick Public is cunently president of the Washington Schools for 16 years. He has performed Music Educators Association, in dance bands and vocal quartets in North and South America, and is active Petel Glawfolü as a soloist and conductor in the Tri- College of Southern ldaho Cities and as an adjudicator and guest |} Twin Falls, ldaho TI conductor throughout the Northwest. f"T Pete Crawford is an assistant professor of Gery Bouma \. music at the College of Southern ldaho Westmont College l' where he is instructor of low brass, music Santa Barbara, California theory, concert band andiazz / improvization, Pete is kept busy through- l¡rl ll Gerry is currently chair of the Music out the year as an adjudicator and soloigt. Department at Westmont College and DINE-IN . CARRYOUT . FREE DELIVERY,} conductor þf the Westmont College fiobeil Gumow Choir. He has served as director of both Sierra Music Publications President Moscow Pullman instrumental and vocal lazz ensembles at Liberty Lake, Washington 1429 S. Blaine 1255 N. Grand the college level. Robert Curnow has served |,A.J,E. (the 882-0444 334-5161 Steue Gall lnternational Association ol Jazz Educa- tors) as an Executive Board member for r . . . . Brigham Young University Lewiston Clarkston Coeur d'Alene Post Falls Sandpoint Spokane years. was Provo, Utah fourteen Curnorrv a trombonist with the Orchestra, Director l- -I Steve Call teaches tuba, euphonium and of Bands and Jaz¿ Studies at California $30.0 sPoorr jazzpiano at Brigham Young University. State University in Los Angeles, and is orr Along with directing the BYU Jaz currently the Director of the New Jzz A.y Large Pizza Ary Medium Pizza Ensemble and Jazz Legacy Dixieland Repertory Ensemble of Spokane. For Dine-In. Carryout o FREE Delivery* Band, he teaches jazz improvization and eight years he served as the Director of Moscow Pullman coordinates lhe jazz combo program. He the McDonald's All-American High School 1429 S, Blaine 125F N. Grand has performed on many movie Jazz Band, He is the OwnelPresident of 882-M44 334-516i soundtracks and has composed/ Siena Music Publications, gæd at any Plä Huf ln ldaho, Eastem Washingtm and Eastem Oregon. ananged numerous T,V, and radio commericals for the Utah advertising -Ë market,

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37 fUDGES BTOCRAPHIES fUDGES BTOGRAPHIES

James Gutlel Rogel Gad Jelf Haskell l(euen Johansen Jamco Music Pacific Lutheran University University of Arizona UniversiU of Utah Belleuve, Washington Washington Seattle, Tucson, Arizona salt Lake au, utah Jim earned his degree in jazz composi- Roger is the founder and cunent director Jeff is currently the Asistant Director, Keven Johansen has been an artist and tion in 1986 from the University of Utah. of the Jazz Program at Pacffic Luthean Coordinator of Jazz Studies, and Director educator for the past twenty years. He has He plays the saxophone, ffute, and Univenity, where he has been employed of the Recording Studio at the University directed ensembles, instÌucled classes, clarinet, and cunenfly teaches, per- for 19 years. Roger is a cornposer, of Arizona Schoolof Music. Mr. Haskell is and taught privately for the University of forms, and offers workshops in the arranger, director, performer, Mr. and a pianist, composer, and ananger with Utah during the past eight years. He has Seattle area. Gard plays læd in Puget tombone the sfong interests in recording studio had the privilege of working wrl\ iazz principle Sound Jazz Band and is production. He has worked profesionally talents such as Jan Konopasek, lgor trornbonist in the Tacoma 0r. K ilewell llayley Sympleny with people from many ends of the mus¡c Butman, Leonid Vintskevich, Lembit Orchestra. Roger freelances on Brigham Young Univedfy trombone business, such as the late Diza Gillespie, Saarsalu, John Stowell, Pete Chrjstlieb, andiazz piano in the Seattle/lacoma aræ. Provo, Utah , Buck Owens, Ed t/cMahon, and Groler Washington, Jr, Phyllis Diller, Don Rader, Billy Taylor, Bill Dr. Dayley was Director oÍ Jazz Studies Alan Gembeiling Watrous, , and Abby Lane. IlL llan l(eÞeile at Brigham Young University for fourteen University of ldaho years, He worked Whitworth Cottege extensively as a Moscow, ldaho John HaÊaugh trumpet player and studio ananger Spokane, Washington before becoming Depart- professor University of Alaska chair of the As an assistant of music at the For the past five years, Dan Keberle has ment of Music at BYU years Fairbanks, Alaska eleven ago. Lionel Hampton Schoolof Music, Alan been Director of Jazz Studies and directs the Vandal Marching Band, John toured with the Buddy Rich big Trumpet Professor at Whitworth College in Concert Band, Basketball Band, Leo llodd Jazz band, Paul Anka, and Tom Jones. He was Spokane, WA. This year the Whítworth Band lll, and teaches trombone. He is Bettevue Community Cottege a sludio musician in Los Angeles, Jazz Ensemble was honored by being act¡ve throughout the Northwe$ as an Bellevue, Washington Nashville, and lndianapolis, He has been selected to perform at the MENC All adjudicator/clinician for both concert and recorded on four albums with Ashley Northwest Convention in Portland, and is jazz He professional For twenty three years Leo Dodd bands. has been a Alexander/Frank Mantooth Big Band. touring Rome ltaly, fom Januâry 1327 al directed the award winning JazzBand musician on lrombone and sfing bass the invitation of the American University of performs jazz program at lnterlake High School in since 1978, and regularly in Randy lluhbs Rome. Bellevue, WA. He is a past president of bands and as a featured soloist through- the Washington Unit of the lnternational out the area. Columbia Basin College llacy l(nooD Association of Jazz Educators and is Pasco, Washington Instructor and Perforrrer presently the director of lnstrumental Byron Gierde Private Mr. Hubbs is an instructor of music and Jazz al Bellevue Community College, Tacoma, Washington Columbia Basin Community College director of instrumental ensembles at Pasco, Washington Columbia Basin College. He holds the Tracy attended Berklee College of Music William 0rury Bachelor of Arts in Education and Master until 1984, Since then he has travelled Byron Gjerde is the former jazz director at Wh¡tworth College of Music in Composition Degrees from extensively with the Tommy Dorsey Columbia Basin Community College and Spokane, Washington Central Washington University. Prior to Orchestra playing lead alto saxophone. current Dean ln of Students. 1983 the accepting his current position in 1987, He has performed with such artists as Basin William Drury has made his tiving Columbia College Jaz.Cho¡tr Mr. Hubbs enjoyed nine very successful Buddy Rich, Mel Torme, and Jack Jones. his playing music for the last fifteen years. under direction was chosen to years building an award-winning, Presently he resides in the Seattlellacoma perform He has performed with such artists as at the NA.JE National Convention comprehensive instrumental music atea. in Kansas Natalie Cole, Gene Harris, Frank Foster, City. program at Pasco High School, Pasco and Slide Hampton. Previous to his Washington. Frank lleiliero appointment to Whitworth College, llauid Glenn William directed jazz Edmonds School District bands with the US Whitman College Ilauid Janis Air Force and Eastern Washington Edmonds, Washington Walla Walla, Washington University, A graduate of washington state univers¡ty Gonzaga Frank DeMiero, noted music educator, University, Mr, Drury will attending Pullman, Washington be David is currently Director of Jaz Studies clinician, ccltnposer, arranger and guest Nav England Conservatory to study in at Mitman College Walla Walla, Dave is the Director of Percussion conduclor is presently the Music Program with Mr, Frank Battisti, Washington. David has earned a Ma$e/s StudieVAssistant Director oÍ Jazz Studies Manager for the Edmonds School Di$rict. from degree the University of Northern at Washington State University and has Founder and director of the Frank DeMiero Colorado and a Bachelo/s degree fom performed internationally in both classical JauCamp, DeMiero also is recognized North 11 $ate University. He spent and jæz arenas. Mr. Jarvis specializes in internationally for his innovations in all argas years as a trombonist in , literature written for percussion and of music education. DeMiero was the where he was member a of the Gerry electron¡c sound and has performed solo director of the Soundsation Jæz Choir, Mulligan Concert Jazz Band and Bill concerts around the country. director of choral activit¡es, and head of the Watrous's Manhattan Wildlife Refuge. music department at Ednmonds Commu- nity College in Lynnuood, Washington, form 1974 to 1985. 38 39 \--

,UDGES BIO(,lI¡u'tllES fuDcts BIoGRAPHIES

Greg ltlcKeluey PeR Peters Ray Smih JêrrI ll. Uefig Portl and Comm u n ity Coltgge U,S.Army(Retired) Brigham Young U niversity Boise Pubtic Schoots Portland,Oregon saltLakecity, utah Provo, Utah Boise,ldaho

Greg McKelvey teaches music at Wilson Pep retired from the U.S. Anny regular Dr. Smith is the Director ol Jazz Studies at Jerry has been involved in Boise Public High School and at Poriland Community officers Corp in 1975. He has since Brigham Young University where he School System for 19 years. He taught College. He is a renowned jazz pursued a lifetime objective in the study directs the topiæz ensemble called music at Fairmont Junior High from 1964 improvization teacher in the public and performance of jazz music and the "Synthesis'. 'Synthesis" has won mâny 1967, and at Capital High School 1967- schools, alto saxophone. awards including performances at the 1983. Jerry has been Coordinator of present. Montreax Jazz Festival, and Music EducTtion from 1983 to John llloawad ßichad Bees here at lhe Jazz Festival in Moscow. Dr. Jerry has bden involved with the Univer- Smith is also an active performer, clinician sity of ldaho Jazz Festival in sorne C entr al Washi n gton U nive rsity lmperials Music and and recording musician. capacity since its incePtion. Ell e ns bu rg, Washi n gto n YouthOrganization Seattle,Washington John is head of Central Washington Robeil SRittal Juüge tlyron Wahls University's widely respecled jæz studies Mr. Rees graduated from the University Gonzaga University Michig an Court of ApPeals and percussions program, He has been of ldaho Lionel Hampton School of Music Michigan ja¿ Spokane, Washington Detroit, a most successful educator of vocal in 1989. He cunently teaches low brass as and instrumental ensembles since 1959 - for the lmperials Music and Youth Robert Spittal is Director of lnstrumental The Honorable Írrlyron H. Wahls sits groups his have received many awards Organization and the Northshore School Mus¡c at Gonzaga University, whéré he Chief Judge in the Michigan Court of and accolades his leadership. Appeals in Detroit. Judge Wahls also under He f+ District. Mr. Rees is a vetefan of the U.S. conducts the wind ensemble, directs the has professional part{ime at the Wayne Statê been a drummer for 42 I Air Force Bands and is a clinician for the iazz workshop, and teaches courses in teaches years. performs G. LeBlanc Corporation. jazz history and music education. He University School of Law and holds degrees from Ohio State University ocassionally as aiazz pianist. Listening to Steue 0wen Gleg Schroedel and Baylor University and is currently a jazzand playing iazzas a pianist has candidate for the Doctor of Music Arts been part of his life for many years. Universityof Oregon ParkJr. Canyon High School from College. Eugene,Oregon degree the Cincinnati Seattle,Washington Conservatory. Mr. Spittal is active as a [on lilillrinson guest conductor, flutist, saxophonist, Steve Oren is an Asgociate Professor of Greg is a jazz trombonist in the Seattle Anheuser Busch, lnc. Music and Director of the award winning clinician and adjudicator. ¡' '.lazz area. He is director of bands at Canyon St Louis, Missouri Studies Program at the University óf Park Junior High School. Greg's former Oregon. A composer, arranger, saxo- (Horizon Junior High School) band won Rogel Stemen Ron Wilkinson is a vocalist and sonQ phonist, 'lst he has and educator of national place here at the Jazz Festival 3 writer. He spends any free time prominence, Pacifr c Lutheran U nive rsU Owen's works have been years in a row. Greg plays professionally motivating young people to care for life, commissioned, performed, Olympic,College importance and recorded with his own group and freelances in each other and knowing the Tacoma, Washington by the nation's finest professional and Seattle. { of a good education. collegiate jazz I ensembles, including the Mr. Stemen is district manager for the G, University of'North Texas' One O'Clock IlL Lary Smiür Leblanc Corporation and iS a YanâEisawa llr. lonaine P. Wilson Lab Band, Northern Colorado's JazzLab clinician. He acts as an adjudicator of Pennsytvanta Band I, and the Airmen Note Utah State University lndiana lJ niiersity of of the throughout the Northwest, Alaska and U.S, Air Force. Logan, lndiana, Pehnsylvutia Utah Hawaii and teaches in private studio in the Larry has taught jazz ensemble, theory Seaülellacoma area. Retired from the Alr Dr. Wilson served æ Supervisor of Music program Bill Perconti and anangement at Utah State University Force Band in 1990, Roger was for Ner¡v Orleans Public Schools, 1978' player presently Lewi s- C I a rk St. C ol I e g e lor 27 years. He plays tenor and alto leader and lead alto of big bands 1989. She is serving as Lewiston,ldaho saxophone, flute and piano, He has throughout the U.S. and abroad, Associate Professor of Music Education, piano written many arrangements for USU jazz, teaching methods courses, class Bill Perconti heads up the mus¡c marching, and symphonic band and for Bob Summers and supervising student teacheß at the department at Lewis-Clark State Cgilege, indiana University of Pennsylvania where orchestra and choruses as well, Composer, Arranger, Retred Te*her where he directs the LCSC Jazz Band. she also coordinates a summer jazz Bill Perconti holds a doctorate in Soda Springs, ldaho program. saxophone from the University of lowa, Bob has been a professional mugician where his teacher was '1941 Ronald Tyree, Dr. since and an anangêr slrrce 1945. He Perconti has performed extensively in the directed the 748th Air Force Band Jæz U.S. as well as Canada and Japan, and Ensemble in Korea in '1g52, Bob was also a is a published arranger of saxophone music teacher in the public school system music Roncorp. by for over thirty years (195ô1990). Bob is now enjoying retirement by writing a "book" of original compositions and arrangemênts - over 100 at preænt. His inspiration came from attending this festival, 40 4t fUDGES BtOcRAPH|ES COLLEGE DI\Y . COMPETITION SCHEDULE

James ll. Wilson, Rpn. Ann tlariè Tasinitslrt Co nque st H eal th Serui ces Washi n g to n State tJ n ive rsity fnsfuumentøI Ensembles lndiana, Pennsylvania Pullman, Washington

James D, Wilson is a pharmacy consult- Ann Marie YaSinitsky is lnstructor of Flute ant and health management consultant. at Washingon State University. A 25, 1993 He is presently Thursday, February serving as a lay member recipient of a 'dee bee' award Írom panel, of the Music Advisory Jazz Down Beat Magazine, she has beên Programs for the Natiónal Endowment for featured an jazz rêcordings along with the Arts. Ballroom Tom Hanell, Art Lande and others, and SUB she has toured with Gunther Schullþ/S llenry C Woilring New England Ragtime Ensemble. She is Adjudicators: Jim Christensen, Frank DeMiero, Roger Stemen, Henry Wolking University of utah also well known as a classical flutist. Ms. Yasinitsl

Foi'infonnation about JBL Sound Systerns call JBL Professio¡al at: 818/893-g4l I

42 43 COLLEGE DAY . COMPETITION SCHEDULE COLLEGE DAY - COMPETITION SCHEDULE

Vocal Ensembles & Vocal Combos fnsfi,umentøl Combos

Thursday, February 25, 1993 Thu rsday, Februa ry 25, 1993 - Lionel Hampton Music Bldg. Recital Hall Administration Bldg. Auditorium

Adjudicators: Dr. K. Newell Dayley, Byron Gjerde, Jeff Haskell, Judge Myron Wahls Adjudicators: Gerry Bouma, John Harbaugh, John Moawad, Dr. Lorraine Wílson

warm-up Room: Room I 19 Evaruation Room: Room 216 Warnr-up Room: Basement Evah¡ation Room: Dressing Room

8:30 am University of Idaho Dan Bukvich Combo II Moscow, ID 8:00 am Covill/.lensen Combo .loe Covill Combo-Open Moscow, ID 9:00 am University of ldaho Dan Bukvich Combo III Moscow, ID 8:30 am University of ldaho Robert Miller Combo I Moscow, ID 9:30 am Selkirk College Cheryl Hodge Choir Nelson, BC 9:00 am University of lclaho Robert Miller Combo ll Moscow, lD 10:00 am Lewis Clalk State College Paula ZerklË' Critique Lewiston, ID 9:30 am Anderson/Covill Duo Jon Anderson Combo-Open Moscow, lD l0:30 am Whitworth College David Teal Choir Spokane, WA l0:00 am Brigham Yor.rng University Steve Call Combo I Provo, UT l1:00 am CLINIC - Vanessa Rubin, vocals l0:30 am Univelsity of Oregon Stei,e Owen Combo III Eugene, OR I l:00 am University of Utah Scott Hagen Combo II Salt Lake City, UT 12:00 pm CLINIC - Marian McPartland I l:30 am University of'Utrh Scott Hagen Combo lll Salt Lake City, UT l2:00 pm CLINIC - l{erb Ellis, guitar l:00 pm Easterg" Washington Un i versi ty Michael Elliott Choir II Cheney, WA l:30 pm University of ldaho Dan Bukvich Choir II Moscow, ID l:00 pm University of Utah Scott Hagen Combo I Salt Lake City, UT 2:00 pm University of Idaho Dan Bukvich Choir I Moscow, ID l:30 pm Iclaho State University Patrick Brool