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Cambridge University Press 978-1-107-03746-5 - The Cambridge Companion to Hip-Hop Edited by Justin A.Williams Index More information Index ?uestlove, 67 Baba Israel Boom Bap Meditations,92 2 Live Crew, 212, 265 Bach, J. S., 215, 217 2Pac, 1, 75, 78, 94, 186, 272, 277, 317 (aka Tupac Brandenburg Concerto No. 3, 213 Shakur) Bad Boy Records, 141, 212 “Black Jesuz,” 78 Baddd Spellah, 227 “Dear Mama,” 1 Badu, Erykah, 18 “Killuminati,” 317 Bain, Bryonn 4th 25 Lyrics from Lockdown,90 “Live from Iraq,” 197 Baller Blockin, 172 8Mile, 168, 170, 175, 176 Bambaataa, Afrika, 1, 25, 57, 58, 59, 60, 62, 64, 9th Wonder, 1, 67, 152 65, 66, 73, 135, 238, 281, 310 50 Cent, 198, 272, 315 “Planet Rock,” 65, 305 “Patiently Waiting,” 210, 216 Banks, Azalea, 188 Baraka, Amiri, 11, 12, 13, 17, 18, 87, Abdoh, Reza 229 Hip-hop Waltz of Eurydice,89 Base,Primera,265 Abrams, Abiola, and Antoy Grant Basil, Toni, 23 Goddess City,90 Basquiat, Jean-Michel, 35 Absolute Beginner Bass, Holly, 91 “Hammerhart,” 107 Moneymaker,91 Abstract Rude, 13, 18 Bautista, Kilusan Advanced Chemistry, 294, 295, 297 Universal Self,92 “Fremd im eigenen Land,” 295 B-Boys of Wolverhampton, 27 Linguist, 295 Bubbles (aka Hanifa Queen), 27 Afrika Baby Bam, see Jungle Brothers Beastie Boys, 1, 105, 207, 223 Ahern, Charlie, 64 Beat Street, 26, 33, 169, 177, 294 Aiello, Danny, 237 Beatles Akon, 7, 274 “Tomorrow Never Knows,” 212 Akuryo,¯ 247, 248, 250 beat-making, 1, 4 Albee, Edward, 87 Beats, Evis, 246 ALE, 34 Beatty, Paul, 12 Alexander, Robert Beck, 44 A Preface to the Alien Garden,93 Beefy, 223 Alexander, Zakiyyah “Dork Date,” 226 Blurring Shine,93 “Game Store Girl,” 226 Ali G, 232 Beiderbecke, Bix, 229 ALIF, 273, 275 Berio, Luciano, 208 allosonic quotation, 208, 209, 215 Berry, Fred “The Penguin,” 23 Amenaza, 265, 266 BET, 168 Amoeba Music, 152 Beyonce,´ 202, 316 Amoeba Records, 153 Big Boi, 186 Anarchy, 243, 247 Big Daddy Kane, 14, 304 Rob the World, 246 Long Live the Kane, 305 Andre 3000, 186 Big Youth, 256 Aqua Teen Hunger Force, 224 BIO, 36 Asociacion´ Hermanos Saiz, 265 Bionic, 256 ATS, 247, 250 Bird Man, 187 autosonic quotation, 208, 209, 215 Black and White, 170, 177 Awadi, Didier, 273 Black August Hip-Hop Collective, 265 [341] AZ, 73, 74 Black Twang, 256, 258 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-03746-5 - The Cambridge Companion to Hip-Hop Edited by Justin A.Williams Index More information 342 Index Blackalicious CB4, 170, 173, 174, 175, 176, 178 “Blazing Arrow,” 107 Chamillionaire Blackmon, Toni, 87 “Ridin’,” 197, 227 Blaze, R. Kain, 18 Charles, Ray, 146 Blige, Mary J., 141 Chase, Charlie, 43 “Don’t Go,” 149 Chehon, 251 “I’m Going Down,” 148 Chestnut, Morris, 232 “I Never Wanna Live Without You,” 141, 144, Chief Rocker Busy Bee, 61 147, 148 Chillin’ Villian Empire, 19 My Life, 4, 135, 136, 141, 142 choreopoetry, 3, 89 “Real Love,” 142 Chuck D, 18, 109, 237, 304, 307; see Public What’s the 411?, 142 Enemy Blow, Kurtis, 13, 64, 76, 105, 186, 294 Clarence 13X, 73, 74 “The Breaks,” 105 Class Act, 178 Bomb Squad, The, 207, 210, 306 Clemente, Steffan “Mr. Wiggles,” 85 Boogie Down Productions, 310 Clinton, George, 72, 212 By All Means Necessary, 307 Clockers, 232 Criminal Minded, 307 Cobain, Kurt, 314 “Stop the Violence,” 308 COCO 144, 34 Bored Stiff, 159 Coke La Rock, 13, 14 Bose and Ani, 247 Cold Crush Brothers, The, 61 Boss, 245 Collins, Lyn, 305 Bovell, Denis, 256 Colon, Richard “Crazy Legs,” 26 Bowie, David, 137 Colony, The, 261 Boyz N the Hood, 5, 170, 172, 232, 233, 235, 238, Colors, 170 239, 240 COMET, 34 Brand Nubian, 73 Common, 66, 198, 201, 265, 315, 316 Breakin’, 26, 169, 170, 171, 177 “I Am Music,” 102 Breakin’ 2: Electric Boogaloo,26 Compagnie Kafig¨ ,89 Breakin’ Convention, 7 “Boxe-Boxe,” 89 Bridgeport Music Inc. v. Dimension Films, Connell, Steve, and Sekou Andrews 212 Word Begins,90 Brother Ali, 199 Consejo, Anonimo Brother D and the Collective Effort “No More War!,” 268 “How We Gonna Make the Black Nation Cookie Crew, 256 Rise?,” 59 Cool as Ice, 169, 175 Brown, Foxy, 189 Cornelius, Don, 23; see also Soul Train Brown, James, 11, 72, 306 Corte, Al, 265 “Funky Drummer,” 229 Craig Mack feat. the Notorious B.I.G. Brown Sugar, 173, 174, 178 “Flava In Ya Ear,” 103 Buddha Brand, 244 CRASH, 35, 36 Buena Vista Social Club, 266 Crazy Legs, 1, 61 Bullins, Ed, 87 Crazy-A, 244 Bulworth, 170, 175, 177 Cross Movement, 80 Bun-B, 67 Burroughs, William S., 12 Da Crime Posse, 296 Byrd, Bobby, 305 Daara J, 273 Darthreider, 252 C64, 227 “Safe is Dangerous,” 247 Campbell, Clive, see DJ Kool Herc DASH 167, 36 Campbell, Don “Campbellock,” 23 Davis, Eisa, 91 Campbell v. Acuff-Rose Music, 212 Angela’s Mixtape,94 Cappo, 258, 262 Day in the Life, A, 171 Carlos, Wendy/Walter, 217 Day One Open Mic, 152, 154 Switched on Bach, 213, 216 DC Talk, 80 Cartel, 296, 297 De La Soul, 66, 137, 211, 281, 310 Cash Money, 303 “Say No Go,” 119 Castro, Fidel, 267 3 Feet High and Rising, 1, 119, 211 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-03746-5 - The Cambridge Companion to Hip-Hop Edited by Justin A.Williams Index More information 343 Index dead prez, 199, 265, 322 DMX, 75 “I Have a Dream Too,” 197 Do the Right Thing, 5, 169, 175, 232, 236, 238, M-1, 67 240 Deal Real (Records), 257, 258, 259, 260, 261 Dollar, Creflo, 76 Death of a Dynasty, 171 Don’t be a Menace to South Central While Death Row Records, 173 Drinking Your Juice in the Hood, 170 Dee, Ruby, 240 Dowd, Tom, 138 Def Jam, 302 DOZE (aka Doze Green), 36, 38, 39, 40 Def Jam Records, 307 Dr. Dre, 1, 56, 109, 199, 209, 211, 213, Def Poetry (also known as Def Poetry Jam), 18, 308 315 “Let me Ride,” 213 Del the Funky Homosapien, 153 “Nuthin but a ‘G’ Thang,” 213 Delay, Jan, 108 “The Chronic,” 115 Deli, 247 Chronic 2001, 213 Dengaryu,¯ 243, 248 Dual Core, 227 Dengaryu¯ and Stillichimiya Dubois,W.E.B.,87,154 “Yabee ikioi de sugee moriagaru,” 248 Durden, Moncell “Ill Kosby,” 22 Denyo, 107, 108, 109 DURO, 33 Diam’s, 276 Dust Brothers, The, 207 Diaz, Kristoffer Dynamic Rockers, 27 Welcome To Arroyo,94 Dynamic Twins, 80 Digable Planets Dyypride, 248 “It’s Good to Be Here,” 127 Digital Underground E-40, 158 “Nuttin’ Nis Funky,” 129 East End x Yuri Dire Straits, 137 “Dayone,” 244 Disco Mix Club (D.M.C.), 44 “Maicca,” 244 discursive repetition, 209 Eazy-E, 186, 302, 309; see N.W.A. Disorda, 258 ECD, 244, 247, 250 DJ Adalberto, 265 “Baby Cart and Placard,” 248 DJ Akakabe, 246 “Straight Outta 138,” 248 DJ Ariel Fernandez,´ 269 ECD and Illreme DJ Coma, 246 “The Bridge Anti-Racist Remix,” 250 DJ David, 50 EGREM, 267 DJ Disco Wiz, 43 El Bee, 63 DJ Dove, 80 Electric Boogaloos, 24 DJ Eddie Cheeba, 13 EMI, 212, 266, 269 DJ Hollywood, 13 Eminem, 112, 113, 123, 168 DJ Honda, 247 “Lose Yourself,” 317 DJ Izoh, 246 “Mosh,” 197 DJ Jazzy Jeff and the Fresh Prince, 137, 302, 303, “Stan,” 101 311 “’Till I Collapse,” 109 He’s the DJ, I’m the Rapper, 302 Eno, Brian, 288 “Parents Just Don’t Understand,” 302 EPMD DJ Kentaro,¯ 246 “D.J.K LaBoss,” 303 DJ Khaled Strictly Business, 302, 305 “All I Do Is Win,” 317 “You Gots to Chill,” 306 DJ Kool Herc, 1, 13, 14, 25, 43, 61, 62 EPROM, 285 DJ Krush, 244, 245 Erci E, 296 “Kiro,” 245 Eric B and Rakim, 46, 303 DJ Premier, 107, 281 “Eric B Never Scared,” 303 DJ QBert, 282 “Microphone Fiend,” 304 DJ Shadow, 210, 281, 282 Paid in Full, 305 DJ Shinco, 247 Esposito, Giancarlo, 237 DJ Steve Dee, 46 Esquire, Buddy, 62 DJ Yella, see N.W.A. Esu-Elegbara, 38 D.M.C. World Championships, 44, 50, 52, 246, Excalibah, 258, 261 305 EZO, 36 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-03746-5 - The Cambridge Companion to Hip-Hop Edited by Justin A.Williams Index More information 344 Index Fab5Freddy,1 Glasper, Robert, 15 Fabio, Sarah Webster, 11 Glover, Savion, and George C. Wolfe Fafadi, 274 Bring in Da Noise, Bring in Da Funk,88 Fairey, Shepard, 7, 316 Godess, Rha Falco Low,90 “RockmeAmadeus,”294 Gokh-Bi System, 274 Falcon,´ Bruno “Pop N Taco,” 24 Gooding, Cuba, Jr., 232, 233 Fallacy, 258 Good Life Cafe,´ The, 18, 19 Fantastic Four Double Dutch Girls, 26 Gospel Gangstaz, 80 Die Fantastischen Vier, 296 GOTAL, 276 Farrakhan, Louis, 64 gothic choral aesthetic, 217 Fat Boys Gould, Glenn, 146 Kool Rock-ski, 64 Grae, Jean, 198, 199, 229 Fear of a Black Hat, 170, 176 Graffiti Rock,26 Fernandez,´ Ariel, 267 Grand Upright Music, Ltd. v. Warner Bros. Fiasco, Lupe, 186, 198, 323 Records, Inc., 211 “Kids with Guns,” 198 Grand Wizzard Theodore, 25 Food and Liquor, 323 Grandmaster Caz, 43 The Cool, 323 Grandmaster Flash, 1, 14, 43, 61, 281 Fishburne, Laurence, 233 “The Adventures of Grandmaster Flash on the Fitzgerald, Ella, 147 Wheels of Steel,” 43 Five Percent Nations, 3, 64, 73, 74, 76, 78, Grandmaster Flash and the Furious Five, 1, 81, 82 294 Flashdance, 26, 244 “The Message,” 1, 101, 198 Fler, 297, 298 Grandmixer D.ST, 44 Flying Lotus, 7, 280, 282 Grasso, Francis, 24 Forbes, Kamilah, 91 Green, Al, 72 Rhyme Deferred,93 Grupo Uno, 265, 268 Foxx, Jamie, 18 G-Unit Records, 217 Franklin, Aretha, 306 Guru, 73 Freestyle Fellowship, 18 Aceyalone, 19 Hall, B., 18 Myka 9, 19 Haring, 35 P.E.A.C.E., 19 Harlem Renaissance, 17 Self Jupiter, 19 Hancock, Herbie, 44 Fresh Prince, The, 311 Harris, Rennie, 88 Frois, Pee, 273 Haruo, Chikada, 244 Frosty Freeze, 26 “Hoo! Ei! Ho!,” 251 Fugees,The,272 Hayes, Isaac, 56 Funkadelic Heller, Jerry, 302 “Get Off Your Ass and Jam,” 212 Hendrix, Jimi, 11 Funky Four Plus One, 310 Hernandez-Kolski, Joe, 87 FUZZ 1, 34 You Wanna Piece of Me?,85 Herrera, Pablo, 267
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    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2006 Empowerment and Enslavement: Rap in the Context of African-American Cultural Memory Levern G. Rollins-Haynes Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES EMPOWERMENT AND ENSLAVEMENT: RAP IN THE CONTEXT OF AFRICAN-AMERICAN CULTURAL MEMORY By LEVERN G. ROLLINS-HAYNES A Dissertation submitted to the Interdisciplinary Program in the Humanities (IPH) in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Summer Semester, 2006 The members of the Committee approve the Dissertation of Levern G. Rollins- Haynes defended on June 16, 2006 _____________________________________ Charles Brewer Professor Directing Dissertation _____________________________________ Xiuwen Liu Outside Committee Member _____________________________________ Maricarmen Martinez Committee Member _____________________________________ Frank Gunderson Committee Member Approved: __________________________________________ David Johnson, Chair, Humanities Department __________________________________________ Joseph Travis, Dean, College of Arts and Sciences The Office of Graduate Studies has verified and approved the above named committee members. ii This dissertation is dedicated to my husband, Keith; my mother, Richardine; and my belated sister, Deloris. iii ACKNOWLEDGEMENTS Very special thanks and love to
  • Experimental Sound & Radio

    Experimental Sound & Radio

    ,!7IA2G2-hdbdaa!:t;K;k;K;k Art weiss, making and criticism have focused experimental mainly on the visual media. This book, which orig- inally appeared as a special issue of TDR/The Drama Review, explores the myriad aesthetic, cultural, and experi- editor mental possibilities of radiophony and sound art. Taking the approach that there is no single entity that constitutes “radio,” but rather a multitude of radios, the essays explore various aspects of its apparatus, practice, forms, and utopias. The approaches include historical, 0-262-73130-4 Jean Wilcox jacket design by political, popular cultural, archeological, semiotic, and feminist. Topics include the formal properties of radiophony, the disembodiment of the radiophonic voice, aesthetic implications of psychopathology, gender differences in broad- experimental sound and radio cast musical voices and in narrative radio, erotic fantasy, and radio as an http://mitpress.mit.edu Cambridge, Massachusetts 02142 Massachusetts Institute of Technology The MIT Press electronic memento mori. The book includes new pieces by Allen S. Weiss and on the origins of sound recording, by Brandon LaBelle on contemporary Japanese noise music, and by Fred Moten on the ideology and aesthetics of jazz. Allen S. Weiss is a member of the Performance Studies and Cinema Studies Faculties at New York University’s Tisch School of the Arts. TDR Books Richard Schechner, series editor experimental edited by allen s. weiss #583606 5/17/01 and edited edited by allen s. weiss Experimental Sound & Radio TDR Books Richard Schechner, series editor Puppets, Masks, and Performing Objects, edited by John Bell Experimental Sound & Radio, edited by Allen S.