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Congress in the Mass Media: How the West Wing and Traditional Journalism Frame Congressional Power ______
CONGRESS IN THE MASS MEDIA: HOW THE WEST WING AND TRADITIONAL JOURNALISM FRAME CONGRESSIONAL POWER _______________________________________________________ A Thesis presented to the Faculty of the Graduate School University of Missouri – Columbia _______________________________________________________ In Partial Fulfillment Of the Requirement for the Degree Master of Arts _______________________________________________________ by CASSANDRA BELEK Dr. Lee Wilkins, Thesis Supervisor MAY 2010 1 The undersigned, appointed by the dean of the Graduate School, have examined the thesis entitled CONGRESS IN THE MASS MEDIA: HOW THE WEST WING AND TRADITIONAL JOURNALISM FRAME CONGRESSIONAL POWER presented by Cassandra Belek, a candidate for the degree of master of journalism, and hereby certify that, in their opinion, it is worthy of acceptance. ____________________________________________________ Professor Lee Wilkins ____________________________________________________ Professor Jennifer Rowe ____________________________________________________ Professor Sandra Davidson ____________________________________________________ Professor Marvin Overby DEDICATION To everyone who has given me an education. To my parents, Joe and Katie, who sacrificed so much to ensure that my brother and I had the best educations possible. They taught me more than I can fit on this page. To my big brother Joey, who taught me about sports and ’90s rap music. To my Belek and Lankas extended families, who taught me where I come from and support me in where I am going. To all my teachers and professors—the good, the bad, and the awesome—at Holy Spirit Catholic School, St. Thomas Aquinas High School, the University of Notre Dame, and the University of Missouri. To Professor Christine Becker of the University of Notre Dame, who taught me it is okay to love television and whose mentorship continued even after I left the Dome. -
Section 3.7 Development of Uk Strategy and Options, 1
SECTION 3.7 DEVELOPMENT OF UK STRATEGY AND OPTIONS, 1 FEBRUARY TO 7 MARCH 2003 Contents Introduction and key findings ....................................................................................... 179 1 to 13 February 2003 .................................................................................................. 181 Parliamentary debates on Iraq, 3 February 2003 .................................................. 181 3 and 4 February 2003 .......................................................................................... 185 Secretary Powell’s presentation to the Security Council, 5 February 2003 ........... 188 Cabinet, 6 February 2003 ...................................................................................... 196 Meetings with Dr Blix and Dr ElBaradei, 6 February 2003 .................................... 199 President Bush’s statement, 6 February 2003 ....................................................... 204 Mr Blair’s interview on Newsnight, 6 February 2003 ............................................. 205 The UK’s position, 7 February 2003 ................................................................ 208 Mr Annan’s speech, 8 February 2003 .................................................................... 209 The impact of military action on the terrorist threat to the UK ................................ 211 JIC Assessments, 10 and 19 February 2003 .................................................. 212 UK consideration of the timing and tactics for a second resolution ...................... -
An Analysis of Hegemonic Social Structures in "Friends"
"I'LL BE THERE FOR YOU" IF YOU ARE JUST LIKE ME: AN ANALYSIS OF HEGEMONIC SOCIAL STRUCTURES IN "FRIENDS" Lisa Marie Marshall A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2007 Committee: Katherine A. Bradshaw, Advisor Audrey E. Ellenwood Graduate Faculty Representative James C. Foust Lynda Dee Dixon © 2007 Lisa Marshall All Rights Reserved iii ABSTRACT Katherine A. Bradshaw, Advisor The purpose of this dissertation is to analyze the dominant ideologies and hegemonic social constructs the television series Friends communicates in regard to friendship practices, gender roles, racial representations, and social class in order to suggest relationships between the series and social patterns in the broader culture. This dissertation describes the importance of studying television content and its relationship to media culture and social influence. The analysis included a quantitative content analysis of friendship maintenance, and a qualitative textual analysis of alternative families, gender, race, and class representations. The analysis found the characters displayed actions of selectivity, only accepting a small group of friends in their social circle based on friendship, gender, race, and social class distinctions as the six characters formed a culture that no one else was allowed to enter. iv ACKNOWLEDGMENTS This project stems from countless years of watching and appreciating television. When I was in college, a good friend told me about a series that featured six young people who discussed their lives over countless cups of coffee. Even though the series was in its seventh year at the time, I did not start to watch the show until that season. -
DARPA Program Manager
The Role of DARPA in Seeding and Encouraging Technology Trajectories: Pre- and Post- Tony Tether in the New Innovation Ecosystem Erica R.H. Fuchs Assistant Professor Department of Engineering and Public Policy Carnegie Mellon University [email protected] 1 PlatoPlato’’ss Cave:Cave: ItIt’’ss notnot aboutabout thethe funding.funding. “Are you familiar with the allegory of the Cave?” (Plato, The Republic) “… It’s the same thing with (trying to deduce technology directions from) funding. The technology direction is a separate thing.” (Lead Technologist) 2 Background:Background: InnovationInnovation andand thethe ((U.S.)U.S.) StateState • Unlike other countries, whom have open and explicit developmental policies (Chalmers 1982; Wade 1990; Amsden 1989, 1994, 2001, 2003; Breznitz 2007, Block 2007) • Strong prevalence of free-market thinking in U.S. (Harcourt 1980) • Despite extensive historical documentation of the importance of federal agencies in technology development • Developmental state largely “hidden” (Hughes 2005, Block 2007) Little research unpacking the underlying processes by which the U.S. state influences technology trajectories. 3 DARPA:DARPA: PioneerPioneer • Founded 1958 (ARPA), Sputnik – Prevent technological surprises – Overcome inter-service rivalry • Pioneer of U.S. “Developmental Network State” • Since its inception – Hailed: Internet, PC, Laser… The West Wing – Criticized: Lazowski/Patterson 2005, 90s, 80s, 70s… – Copied: • 1998: ARDA/DTO (Intelligence Community) • 1999: 'In-Q-Tel (CIA) • 2002: HSARPA (Homeland Security) -
30 Rock: Complexity, Metareferentiality and the Contemporary Quality Sitcom
30 Rock: Complexity, Metareferentiality and the Contemporary Quality Sitcom Katrin Horn When the sitcom 30 Rock first aired in 2006 on NBC, the odds were against a renewal for a second season. Not only was it pitched against another new show with the same “behind the scenes”-idea, namely the drama series Studio 60 on the Sunset Strip. 30 Rock’s often absurd storylines, obscure references, quick- witted dialogues, and fast-paced punch lines furthermore did not make for easy consumption, and thus the show failed to attract a sizeable amount of viewers. While Studio 60 on the Sunset Strip did not become an instant success either, it still did comparatively well in the Nielson ratings and had the additional advantage of being a drama series produced by a household name, Aaron Sorkin1 of The West Wing (NBC, 1999-2006) fame, at a time when high-quality prime-time drama shows were dominating fan and critical debates about TV. Still, in a rather surprising programming decision NBC cancelled the drama series, renewed the comedy instead and later incorporated 30 Rock into its Thursday night line-up2 called “Comedy Night Done Right.”3 Here the show has been aired between other single-camera-comedy shows which, like 30 Rock, 1 | Aaron Sorkin has aEntwurf short cameo in “Plan B” (S5E18), in which he meets Liz Lemon as they both apply for the same writing job: Liz: Do I know you? Aaron: You know my work. Walk with me. I’m Aaron Sorkin. The West Wing, A Few Good Men, The Social Network. -
Television Dramas Have Increasingly Reinforced a Picture of British Politics As ‘Sleazy’
Television dramas have increasingly reinforced a picture of British politics as ‘sleazy’ blogs.lse.ac.uk/politicsandpolicy/new-labour-sleaze-and-tv-drama/ 4/22/2014 There were 24 TV dramas produced about New Labour and all made a unique contribution to public perceptions of politics. These dramas increasingly reinforced a picture of British politics as ‘sleazy’ and were apt to be believed by many already cynical viewers as representing the truth. Steven Fielding argues that political scientists need to look more closely at how culture is shaping the public’s view of party politics. On the evening of 28th February 2007, 4.5 million ITV viewers saw Deputy Prime Minister John Prescott receive a blowjob. Thankfully, they did not see the real Prescott on the screen but instead actor John Henshaw who played him in Confessions of a Diary Secretary. Moreover, the scene was executed with some discretion: shot from behind a sofa all viewers saw was the back of the Deputy Prime Minister’s head. Prescott’s two-year adulterous affair with civil servant Tracey Temple had been splashed across the tabloids the year before and ITV had seen fit to turn this private matter into a broad comedy, one which mixed known fact with dramatic invention. Confessions of a Diary Secretary is just one of twenty-four television dramas produced about New Labour which I discuss in my new article in the British Journal of Politics and International Relations. Some of these dramas were based on real events, others elliptically referenced the government and its personnel; but all made, I argue, a unique contribution to public perceptions of politics. -
Cultural Studies Association of Australasia Conference
Cultural Studies Association of Australasia Conference Provocations Activism | Catastrophe | Exposure Flesh | Harm | Secrets 2 - 5 December 2014 University of Wollongong lha.uow.edu.au/hsi/csaa2014 Conference hosted by: Faculty of Law, Humanities and the Arts, University of Wollongong and Cultural Studies Association of Australasia TABLE OF CONTENTS WELCOME ........................................................................................................................ 3 YOUR HOST ...................................................................................................................... 5 UOW CONFERENCE TEAM ................................................................................................. 6 ACKNOWLEDGMENTS ....................................................................................................... 7 SPONSORS ........................................................................................................................ 7 BOOK LAUNCHES .............................................................................................................. 8 GENERAL INFORMATION ................................................................................................ 10 CONFERENCE VENUE ...................................................................................................... 12 WOLLONGONG CAMPUS MAP ........................................................................................ 13 PROGRAM OVERVIEW ................................................................................................... -
2058 ABC Festival Program 16Pp Final.Indd
abc.net.au/tv: abc.net.au/iview: For more information on Choose what to watch, when to what’s on ABC TV. watch and where to watch on our ABC free internet tv service, ABC iView. abc.net.au/tv/newsletter: To subscribe to ABC TV // Switched On, your weekly guide to the best of ABC TV. 16NOV08-27JAN09 PROGRAM CALENDAR CHECK OUT YOUR CALENDAR IN THE BACK 22058_ABC_Festival058_ABC_Festival PProgram_16pp_F2-3rogram_16pp_F2-3 22-3-3 110/10/080/10/08 88:50:07:50:07 PPMM CHECK OUT YOUR CALENDAR IN THE BACK As 2008 draws to a close A hand-picked selection of new and We’ve also crafted a special season of the In closing, I’d like to pay tribute to the acclaimed programs from Australia and crème of our award-winning Australian wonderful actors, producers, writers, and the celebratory beyond, I hope it will both entertain and dramas and documentaries including; directors, fi lmmakers, comedians, season nears, here at stimulate you over the summer months. the Constructing Australia series, researchers, and other content creators ABC TV we’ve saved ABC’s schedule is always diverse, Bastard Boys, The Sounds of Aus, with whom we have worked over the and this festival is no exception. From Crude, The Floating Brothel and past few years. Their body of work, some of our best for last, the political intrigue and treachery Rain Shadow. which you see represented here in and I am delighted to uncovered in The Howard Years, to On ABC2, relive the classic Brideshead our Festival of TV, shows how vibrant the pure entertainment of Adam Hills Revisited series, indulge in a musical and exciting the Australian creative be able to present to captured live during one of his comedy feast with the World Music Awards community is and ABC TV is delighted you our Festival of TV, shows on the road, our Festival of TV has and enjoy the premiere of Zoo Day to be the leading partner for bringing their stories and voices to the screen. -
The Report of the Iraq Inquiry: Executive Summary
Return to an Address of the Honourable the House of Commons dated 6 July 2016 for The Report of the Iraq Inquiry Executive Summary Report of a Committee of Privy Counsellors Ordered by the House of Commons to be printed on 6 July 2016 HC 264 46561_00b Viking_Executive Summary Title Page.indd 1 23/06/2016 14:22 © Crown copyright 2016 This publication is licensed under the terms of the Open Government Licence v3.0 except where otherwise stated. To view this licence, visit nationalarchives.gov.uk/doc/open-government-licence/ version/3 or write to the Information Policy Team, The National Archives, Kew, London TW9 4DU, or email: [email protected]. Where we have identifi ed any third party copyright information you will need to obtain permission from the copyright holders concerned. This publication is available at www.gov.uk/government/publications Any enquiries regarding this publication should be sent to us at [email protected] Print ISBN 9781474133319 Web ISBN 9781474133326 ID 23051602 46561 07/16 Printed on paper containing 75% recycled fi bre content minimum Printed in the UK by the Williams Lea Group on behalf of the Controller of Her Majesty’s Stationery Offi ce 46561_00b Viking_Executive Summary Title Page.indd 2 23/06/2016 14:22 46561_00c Viking_Executive Summary.indd 1 23/06/2016 15:04 46561_00c Viking_Executive Summary.indd 2 23/06/2016 14:17 EXECUTIVE SUMMARY Contents Introduction ...................................................................................................................... 4 Pre‑conflict strategy and planning .................................................................................... 5 The UK decision to support US military action ................................................................. 6 UK policy before 9/11 ................................................................................................ -
Consumer Motivation, Spectatorship Experience and the Degree of Overlap Between Traditional Sport and Esport.”
COMPETITIVE SPORT IN WEB 2.0: CONSUMER MOTIVATION, SPECTATORSHIP EXPERIENCE, AND THE DEGREE OF OVERLAP BETWEEN TRADITIONAL SPORT AND ESPORT by JUE HOU ANDREW C. BILLINGS, COMMITTEE CHAIR CORY L. ARMSTRONG KENON A. BROWN JAMES D. LEEPER BRETT I. SHERRICK A DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Journalism and Creative Media in the Graduate School of The University of Alabama TUSCALOOSA, ALABAMA 2019 Copyright Jue Hou 2019 ALL RIGHTS RESERVED ABSTRACT In the 21st Century, eSport has gradually come into public sight as a new form of competitive spectator event. This type of modern competitive video gaming resembles the field of traditional sport in multiple ways, including players, leagues, tournaments and corporate sponsorship, etc. Nevertheless, academic discussion regarding the current treatment, benefit, and risk of eSport are still ongoing. This research project examined the status quo of the rising eSport field. Based on a detailed introduction of competitive video gaming history as well as an in-depth analysis of factors that constitute a sport, this study redefined eSport as a unique form of video game competition. From the theoretical perspective of uses and gratifications, this project focused on how eSport is similar to, or different from, traditional sports in terms of spectator motivations. The current study incorporated a number of previously validated-scales in sport literature and generated two surveys, and got 536 and 530 respondents respectively. This study then utilized the data and constructed the motivation scale for eSport spectatorship consumption (MSESC) through structural equation modeling. -
Wordsearch - Q Christmas TV Specials a Seek out the TV Seasonal Offerings in the Grid
Wordsearch - q Christmas TV specials a Seek out the TV seasonal offerings in the grid. Words go up down, diagonally – and forwards and backwards T P B N D S S G I B S L Q U A L E Q L N E M S S R A G D R I D M H T N L S G O T L C M G D E H L U E R A E D C N W B B S O M K C J J H C T L P U X O V U O S H U L L N Q A A J R N E A V E E T V O M M E C G I A W H G D Z X W I M G O D M H Q R T C U E F I A I D W I P B I T T Z A W A T A P T A V B G O S W Q B H D K L J O J B J G I H Y K R T S W I H S H C D E W Y t S H H E O S E E T S G C H E F A B I R D I N T H E H A N D O F T S W T D C T P D E Y A O S T R E A L R E R H H I Y Q H S Z Q U S U F I Q T N C L F P W R H A O I O E Y J Y P B N N S U P E D X R S S F M E R T G B A Z N Z H F W F Z D R K W L X E E M O T O P R M O S X M K A N I Z C U M E T I L O D H R D B L T U G U K B Y G I K S X S E W T F U G S E L I S Y E E M N G Z J D S B V W R I R E C A W B L J L C E S C F Y K C H K A E S U B F S V Z S A O R G T O R J K G K T D E E P E F A T P T O D C D G U J Z G O S X N D E I S Y O A E T O M O R D S O E R U I S S B I N E E S S D E R U Z A K K R W G Q S R J D U K R C L N M S H M T V Y I I j L P C Q N K G P I N E K A C G D I E V I H J G D Z J A M G T T C H H L O T A E E S L C R R L S F Z R R O V T N N L O C H N O U T Z Y N J F Z M S Z P C Y H C R I S S H O N I K H T H A H M B W E M I M J M E U F E R I N Q S G Q K K V C M Z Y J F R E I S A I O F B R F R R C B P A P G G V D C P E E R Y M I I D K A I Z Y H B Y Q M R T R I H S E E R H F E H L I A A D S F M J A M H C E Y M N L N Y N S D E Y N J I X L A V F K E -
Has TV Eaten Itself? RTS STUDENT TELEVISION AWARDS 2014 5 JUNE 1:00Pm BFI Southbank, London SE1 8XT
May 2015 Has TV eaten itself? RTS STUDENT TELEVISION AWARDS 2014 5 JUNE 1:00pm BFI Southbank, London SE1 8XT Hosted by Romesh Ranganathan. Nominated films and highlights of the awards ceremony will be broadcast by Sky www.rts.org.uk Journal of The Royal Television Society May 2015 l Volume 52/5 From the CEO The general election are 16-18 September. I am very proud I’d like to thank everyone who has dominated the to say that we have assembled a made the recent, sold-out RTS Futures national news agenda world-class line-up of speakers. evening, “I made it in… digital”, such a for much of the year. They include: Michael Lombardo, success. A full report starts on page 23. This month, the RTS President of Programming at HBO; Are you a fan of Episodes, Googlebox hosts a debate in Sharon White, CEO of Ofcom; David or W1A? Well, who isn’t? This month’s which two of televi- Abraham, CEO at Channel 4; Viacom cover story by Stefan Stern takes a sion’s most experienced anchor men President and CEO Philippe Dauman; perceptive look at how television give an insider’s view of what really Josh Sapan, President and CEO of can’t stop making TV about TV. It’s happened in the political arena. AMC Networks; and David Zaslav, a must-read. Jeremy Paxman and Alastair Stew- President and CEO of Discovery So, too, is Richard Sambrook’s TV art are in conversation with Steve Communications. Diary, which provides some incisive Hewlett at a not-to-be missed Leg- Next month sees the 20th RTS and timely analysis of the election ends’ Lunch on 19 May.