Has TV Eaten Itself? RTS STUDENT TELEVISION AWARDS 2014 5 JUNE 1:00Pm BFI Southbank, London SE1 8XT
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NOMINATIONS with WINNERS *HIGHLIGHTED 10 May 2015 FELLOWSHIP JON SNOW
NOMINATIONS WITH WINNERS *HIGHLIGHTED 10 May 2015 FELLOWSHIP JON SNOW SPECIAL AWARD JEFF POPE LEADING ACTOR BENEDICT CUMBERBATCH Sherlock – BBC One TOBY JONES Marvellous – BBC Two JAMES NESBITT The Missing – BBC One *JASON WATKINS The Lost Honour of Christopher Jefferies - ITV LEADING ACTRESS *GEORGINA CAMPBELL Murdered by My Boyfriend – BBC Three KEELEY HAWES Line of Duty – BBC Two SARAH LANCASHIRE Happy Valley – BBC One SHERIDAN SMITH Cilla - ITV SUPPORTING ACTOR ADEEL AKHTAR Utopia – Channel 4 JAMES NORTON Happy Valley – BBC One *STEPHEN REA The Honourable Woman – BBC Two KEN STOTT The Missing – BBC One SUPPORTING ACTRESS *GEMMA JONES Marvellous – BBC Two VICKY MCCLURE Line of Duty – BBC Two AMANDA REDMAN Tommy Cooper: Not like That, Like This - ITV CHARLOTTE SPENCER Glue – E4 ENTERTAINMENT PERFORMANCE *ANT AND DEC Ant and Dec’s Saturday Night Takeaway – ITV LEIGH FRANCIS Celebrity Juice – ITV2 GRAHAM NORTON The Graham Norton Show – BBC One CLAUDIA WINKLEMAN Strictly Come Dancing – BBC One FEMALE PERFORMANCE IN A COMEDY PROGRAMME OLIVIA COLMAN Rev. – BBC Two TAMSIN GREIG Episodes – BBC Two *JESSICA HYNES W1A – BBC Two CATHERINE TATE Catherine Tate’s Nan – BBC One MALE PERFORMANCE IN A COMEDY PROGRAMME *MATT BERRY Toast of London – Channel 4 HUGH BONNEVILLE W1A – BBC Two TOM HOLLANDER Rev. – BBC Two BRENDAN O’CARROLL Mrs Brown’s Boys – Christmas Special – BBC One SINGLE DRAMA A POET IN NEW YORK Aisling Walsh, Ruth Caleb, Andrew Davies, Griff Rhys Jones - Modern Television/BBC Two COMMON Jimmy McGovern, David Blair, Colin McKeown, Donna -
Scotland's 'Forgotten' Contribution to the History of the Prime-Time BBC1 Contemporary Single TV Play Slot Cook, John R
'A view from north of the border': Scotland's 'forgotten' contribution to the history of the prime-time BBC1 contemporary single TV play slot Cook, John R. Published in: Visual Culture in Britain DOI: 10.1080/14714787.2017.1396913 Publication date: 2018 Document Version Author accepted manuscript Link to publication in ResearchOnline Citation for published version (Harvard): Cook, JR 2018, ''A view from north of the border': Scotland's 'forgotten' contribution to the history of the prime- time BBC1 contemporary single TV play slot', Visual Culture in Britain, vol. 18, no. 3, pp. 325-341. https://doi.org/10.1080/14714787.2017.1396913 General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. Take down policy If you believe that this document breaches copyright please view our takedown policy at https://edshare.gcu.ac.uk/id/eprint/5179 for details of how to contact us. Download date: 26. Sep. 2021 1 Cover page Prof. John R. Cook Professor of Media Department of Social Sciences, Media and Journalism Glasgow Caledonian University 70 Cowcaddens Road Glasgow Scotland, United Kingdom G4 0BA Tel.: (00 44) 141 331 3845 Email: [email protected] Biographical note John R. Cook is Professor of Media at Glasgow Caledonian University, Scotland. He has researched and published extensively in the field of British television drama with specialisms in the works of Dennis Potter, Peter Watkins, British TV science fiction and The Wednesday Play. -
How Democratic Is Jazz?
Accepted Manuscript Version Version of Record Published in Finding Democracy in Music, ed. Robert Adlington and Esteban Buch (New York: Routledge, 2021), 58–79 How Democratic Is Jazz? BENJAMIN GIVAN uring his 2016 election campaign and early months in office, U.S. President Donald J. Trump was occasionally compared to a jazz musician. 1 His Dnotorious tendency to act without forethought reminded some press commentators of the celebrated African American art form’s characteristic spontaneity.2 This was more than a little odd. Trump? Could this corrupt, capricious, megalomaniacal racist really be the Coltrane of contemporary American politics?3 True, the leader of the free world, if no jazz lover himself, fully appreciated music’s enormous global appeal,4 and had even been known in his youth to express his musical opinions in a manner redolent of great jazz musicians such as Charles Mingus and Miles Davis—with his fists. 5 But didn’t his reckless administration I owe many thanks to Robert Adlington, Ben Bierman, and Dana Gooley for their advice, and to the staffs of the National Museum of American History’s Smithsonian Archives Center and the New York Public Library’s Schomburg Center for Research in Black Culture. Copyright © 2020 by Benjamin Givan. 1 David Hajdu, “Trump the Improviser? This Candidate Operates in a Jazz-Like Fashion, But All He Makes is Unexpected Noise,” The Nation, January 21, 2016 (https://www.thenation.com/article/tr ump-the-improviser/ [accessed May 14, 2019]). 2 Lawrence Rosenthal, “Trump: The Roots of Improvisation,” Huffington Post, September 9, 2016 (https://www.huffpost.com/entry/trump-the-roots-of-improv_b_11739016 [accessed May 14, 2019]); Michael D. -
How the TV Debates Were Organised in #GE2015 and Their Impact: the Full Story
How the TV debates were organised in #GE2015 and their impact: the full story blogs.lse.ac.uk/polis/2017/04/19/how-were-the-tv-debates-organised-in-ge2015-and-what-was-their-impact- the-full-story/ 2017-4-19 I wrote the chapter on broadcasting for the Cowley/Kavanagh Election 2015 book. Here is the section on the negotiations that led to the TV ‘debates’ and their impact – for the full chapter and the authoritative record of all aspects of that campaign, get the book here! By Charlie Beckett, Professor in the Department of Media and Communications, LSE and director of Polis, the LSE’s journalism think-tank. @CharlieBeckett In this election broadcasting tried to reflect a changing political landscape. Television in particular was challenged to adjust to the impact of the smaller parties such as the Greens, UKIP and the SNP. Editorially, broadcasters had to cover a diverse range of issues of varying degrees of scale, importance and relevance to different audiences. All journalists, but most obviously broadcasters, found themselves limited in scope by the unprecedented levels of party stage-management. There were the usual concerns about delivering impartiality and information but perhaps the hardest task for the broadcast journalists was to fulfil their key democratic functions at election time: to engage the public and to hold politicians to account. The strategic reluctance of the main parties to conduct more open campaigns meant that the desire for dramatic broadcasting to match the significance of the stakes was frustrated. Like all journalists, broadcasters were also misled by erroneous polling to construct a false narrative around the relative success of the two main parties. -
BFI CELEBRATES BRITISH FILM at CANNES British Entry for Cannes 2011 Official Competition We’Ve Got to Talk About Kevin Dir
London May 10 2011: For immediate release BFI CELEBRATES BRITISH FILM AT CANNES British entry for Cannes 2011 Official Competition We’ve Got to Talk About Kevin dir. Lynne Ramsay UK Film Centre supports delegates with packed events programme 320 British films for sale in the market A Clockwork Orange in Cannes Classics The UK film industry comes to Cannes celebrating the selection of Lynne Ramsay’s We Need to Talk About Kevin for the official competition line-up at this year’s festival, Duane Hopkins’s short film, Cigarette at Night, in the Directors’ Fortnight and the restoration of Stanley Kubrick’s A Clockwork Orange, restored by Warner Bros; in Cannes Classics. Lynne Ramsay’s We Need To Talk About Kevin starring Tilda Swinton was co-funded by the UK Film Council, whose film funding activities have now transferred to the BFI. Duane Hopkins is a director who was supported by the UK Film Council with his short Love Me and Leave Me Alone and his first feature Better Things. Actor Malcolm McDowell will be present for the screening of A Clockwork Orange. ITV Studios’ restoration of A Night to Remember will be screened in the Cinema on the Beach, complete with deckchairs. British acting talent will be seen in many films across the festival including Carey Mulligan in competition film Drive, and Tom Hiddleston & Michael Sheen in Woody Allen's opening night Midnight in Paris The UK Film Centre offers a unique range of opportunities for film professionals, with events that include Tilda Swinton, Lynne Ramsay and Luc Roeg discussing We Need to Talk About Kevin, The King’s Speech producers Iain Canning and Gareth Unwin discussing the secrets of the film’s success, BBC Film’s Christine Langan In the Spotlight and directors Nicolas Winding Refn and Shekhar Kapur in conversation. -
Festival at a Glance
FESTIVAL AT A GLANCE WEDNESDAY 22 10:00-11:00 BREAK 11:30-12:30 BREAK 14:00-15:00 BREAK 15:45-16:45 BREAK 17:45-18:30 18:30-21:00 P Masterclass: 11:00-11:30 P Meet the Controllers: 12:30-14:00 F Gamechanger: 15:00-15:45 P Edinburgh Does 16:45-17:45 L MacTaggart Lecture: Free coaches to The FH Screening: Love Island T Channel 4 Charlotte Moore, L It’s all about me... SA Music from Nancy Daniels, T How to Cash In Catchphrase with B Branded Michaela Coel Museum of Scotland Vanity Fair, ITV. S Meet the Controller: Random Acts Live Pitch BBC One on TV: Joanna Lumley Hannah Haynes, Discovery on the Streaming Roy Walker Entertainment Network depart from the EICC Exclusive Preview Damian Kavanagh, 11:00 - 12:00 F Tomorrow’s World with Clive Tulloh Harpist and Composer S Meet the Controller: Goldrush S Meet the Cocktail Reception 18:30 - 19:15 of Episode One with BBC Three SA Music from of TV 12:45 - 13:45 Zai Bennett, Sky UK 15:10 -15:40 Controllers: Richard 16:45 - 17:35 Cast & Crew Q&A 19:00 - 20:30 MK Too Posh Hannah Haynes, S The Insider’s Guide T Meet the Canadians: MK Commissioner LF Lightning Talk: Watsham, Hilary Rosen BT Pre-MacTaggart & Steve North, UKTV to Produce? Harpist and Composer to Building Your Opportunities for Interview: Luke Hyams, How to make a Lecture Drinks A+E Networks Opening UK Producers Green Production 16:45 - 17:35 P5 Speed Meetings: Audience on YouTube Head of Originals, MK Introductory Night Reception: The 12:45 - 13:30 15:10 - 15:40 10:00 - 16:00 MK Lessons from YouTube EMEA Address: SA Join us for a Museum of -
BBC Wales, Management Review, 2009/10
WALES MANAGEMENT REVIEW 2009/10 a INTRODUCTION FROM DIRECTOR, BBC CYMRU WALES IN A YEAR WHEN DIGITAL SWITCHOVER SWEPT ACROSS THE COUNTRY, THE ROLE OF WALES’ nATIONAL BROADCASTER HAS NEVER BEEN CLEARER. Some said that digital switchover would change everything. By beaming countless additional channels into every home across Wales, some warned it would accelerate the fragmentation of viewing, weakening the social and civic ties that bind us together. And yet take a look at what actually happened. In 2009/10, almost a million viewers – the highest figures for at least five years – tuned into BBC Cymru Wales programming each and every week. On top of this success, our network output continued to attract worldwide attention, including Torchwood’s stunning debut on BBC One and BBC Two’s captivating Last Chance to See. That success is of course a tribute to the skills and resilience of our talented production teams – both in-house and across the independent sector – and many of their achievements are rightly “ THIS YEAR’S SUCCESS IS A POWERFUL REMINDER OF captured in this review. OUR AUDIENCE’S DEMAND FOR HIGH QUALITY AND Our success this year is a powerful reminder that in an age of apparent digital plenty – with all its countless distractions – our audience’s demand for high quality and distinctive national programming DISTINCTIVE NATIONAL PROGRAMMING.” is as strong and robust as ever. MENNA RICHARDS, It is, needless to say, a challenge and responsibility we relish. DIRECTOR, BBC CYMRU WALES Menna Richards COVER IMAGE Director, BBC Cymru Wales Presenter Eddie Butler tells the story of a 5th or early 6th century carved sandstone, part of a trail of historical objects inspired by our History of the World project, and which can be seen at the National Museum Wales in Cardiff. -
Introduction Chapter 1
Notes Introduction 1. For The Economistt perpetuating the Patent Office myth, see April 13, 1991, page 83. 2. See Sass. 3. Book publication in 1906. 4.Swirski (2006). 5. For more on eliterary critiques and nobrow artertainment, see Swirski (2005). 6. Carlin, et al., online. 7. Reagan’s first inaugural, January 20, 1981. 8. For background and analysis, see Hess; also excellent study by Lamb. 9. This and following quote in Conason, 78. 10. BBC News, “Obama: Mitt Romney wrong.” 11. NYC cabbies in Bryson and McKay, 24; on regulated economy, Goldin and Libecap; on welfare for Big Business, Schlosser, 72, 102. 12. For an informed critique from the perspective of a Wall Street trader, see Taleb; for a frontal assault on the neoliberal programs of economic austerity and political repression, see Klein; Collins and Yeskel; documentary Walmart. 13. In Kohut, 28. 14. Orwell, 318. 15. Storey, 5; McCabe, 6; Altschull, 424. 16. Kelly, 19. 17. “From falsehood, anything follows.” 18. Calder; also Swirski (2010), Introduction. 19. In The Economist, February 19, 2011: 79. 20. Prominently Gianos; Giglio. 21. The Economistt (2011). 22. For more examples, see Swirski (2010); Tavakoli-Far. My thanks to Alice Tse for her help with the images. Chapter 1 1. In Powers, 137; parts of this research are based on Swirski (2009). 2. Haynes, 19. 168 NOTES 3. In Moyers, 279. 4. Ruderman, 10. 5. In Krassner, 276–77. 6. Green, 57; bottom of paragraph, Ruderman, 179. 7. In Zagorin, 28; next quote 30; Shakespeare did not spare the Trojan War in Troilus and Cressida. -
BBC Cymru Wales Apprenticeship Role: Sound Apprentice Location: Roath Lock Studios, Cardiff
Sound Apprentice - Drama Company: BBC Cymru Wales Apprenticeship Role: Sound Apprentice Location: Roath Lock Studios, Cardiff About the Organisation BBC Cymru Wales is the nation's broadcaster, providing a wide range of English and Welsh language content for audiences across Wales on television, radio and on our websites Roath Lock, is the BBC's state of the art centre of excellence for Drama, a place brimming with new energy and talent. When the first productions moved into Roath Lock in September 2011, they fulfilled a BBC commitment to create a centre of excellence for Drama in Cardiff. Located in Porth Teigr, Cardiff Bay, the 170,000 square foot facility, including nine studios and equivalent in length to three football pitches, is now the permanent, purpose-built home of four flagship BBC dramas - Casualty, Pobol y Cwm, Doctor Who - as well as new productions in the future. Job Description Sound Assistants are a member of the Production Sound Crew and provide general back up and support to the Production Sound Mixer and the Boom Operator. They are responsible for checking all stock, microphones and batteries and making sure that the sound department runs as smoothly as possible. Although the work is physically demanding, the hours are long and are sometimes performed on location in extreme terrain and/or severe weather the work can be very rewarding. Sound Assistants usually begin work early arriving on set half at least an hour before call time, with the rest of the Sound Crew. They help to unload the sound van, and working with the Boom Operator, check that all equipment is prepared and fully operational. -
Praesens-Film AG Präsentiert PRODUCTION NOTES
Praesens-Film AG präsentiert X + Y PRODUCTION NOTES Ab 9. April im Kino Dauer: 111 Minutes Pressekontakt: Filmbüro, Valerio Bonadei, [email protected], +41 79 653 65 03 1 CAST Asa Butterfield……………………………..……………………….... Nathan Ellis Rafe Spall………………………………………….……………Martin Humphreys Sally Hawkins…………………………………………………………………Julie Ellis Eddie Marsan……………………………………………………….Richard Grieve Jo Yang……………………………………………………………………….Zhang Mei Martin McCann……………………………………………………….Michael Ellis Jake Davies…………………………………………..…………………Luke Shelton Alex Lawther…………………………………………………………..Isaac Cooper Alexa Davies…………………………………….……………………Rebecca Dunn Orion Lee…………………………………………………………………Deng Laoshi Percelle Ascott………………………………………………………….Ben Morgan Suraj Rattu……………………………..…………………………………Pav Kamdar Edward Baker-Close…….………………………………Nathan (9 years old) 2 X+Y Synopsis A young maths genius sees logic thwarted by one truly baffling equation: love. Teenage maths prodigy Nathan (Asa Butterfield) struggles when it comes to building relationships with other people, not least with his mother, Julie (Sally Hawkins). In a world difficult to comprehend, he finds comfort in numbers. And when Nathan is taken under the wing of unconventional and anarchic teacher, Mr. Humphreys (Rafe Spall), the pair forge an unusual friendship. Eventually, Nathan’s talents win him a place on the UK National team at the International Mathematics Olympiad (IMO) and the team travel to a training camp in Taiwan, under the supervision of squad leader Richard (Eddie Marsan). In unfamiliar surroundings, Nathan is confronted by a series of unexpected challenges — not least the unfamiliar feelings he begins to experience for his Chinese counterpart, the beautiful Zhang Mei (Jo Yang), feelings that develop when the young mathematicians return to England for the IMO, held at Trinity College, Cambridge. From suburban England to bustling Taipei and back again, this original and heart-warming film tracks the funny and complex relationships that Nathan builds, as he is confronted by the irrational nature of love. -
11 October 2019 Page 1 of 15 SATURDAY 05 OCTOBER 2019 Fans Helps Explain the Current State of Politics
Radio 4 Listings for 5 – 11 October 2019 Page 1 of 15 SATURDAY 05 OCTOBER 2019 fans helps explain the current state of politics. Editor: Eleanor Garland SAT 00:00 Midnight News (m0008y9h) Penny is an academic and a serial fan - covering everything National and international news from BBC Radio 4 from David Bowie to Ed Balls. And in this energetic and witty SAT 10:30 The Kitchen Cabinet (m00092tc) talk Penny argues that many of the characteristics of fandom Series 26 elsewhere - a rich interest, a wish to protect the sanctity of the SAT 00:30 Margaret Thatcher: Herself Alone (m0008y7r) fandom, and a refusal to tolerate criticism - also mark politics Isle of Wight Episode 5 and political fans, whatever side they're on. And that understanding politics in this way may help us understand it Jay Rayner and his panel are on the Isle of Wight. Polly Russell, How did Margaret Thatcher both change and divide Britain? better. Tim Hayward, Paula McIntyre and Tim Anderson answer the How did her model of combative female leadership help shape culinary questions from the audience. the way we live now? How did the woman who won the Cold Producer: Giles Edwards War and three general elections in succession find herself This week the panellists offer ideas for blackberries, suggest a pushed out by her own MPs? foolproof way to flip an omelette and discuss cheese soufflé. SAT 06:00 News and Papers (m00092t1) Charles Moore’s full account, based on unique access to The latest news headlines. Including the weather and a look at David Redup of Grace's bakery joins the panel with Bird's Margaret Thatcher herself, her papers, and her closest the papers. -
The Problem with Borat
Taboo: The Journal of Culture and Education Volume 11 | Issue 1 Article 9 December 2007 The rP oblem with Borat Ghada Chehade Follow this and additional works at: https://digitalcommons.lsu.edu/taboo Recommended Citation Chehade, G. (2017). The rP oblem with Borat. Taboo: The Journal of Culture and Education, 11 (1). https://doi.org/10.31390/ taboo.11.1.09 Taboo, Spring-Summer-Fall-WinterGhada Chehade 2007 63 The Problem with Borat Ghada Chehade There is just something about Borat, Sacha Baron Cohen’s barbaric alter-ego who The Observer’s Oliver Marre (2006) aptly describes as “…homophobic, rac- ist, and misogynist as well as anti-Semitic.” While on the surface, Cohen’s Borat may seem to offend all races equally—the one group he offends the most is the very group he portrays as homophobic, racist, misogynist, and anti-Semitic. Or in other words, the real parties vilified by Cohen are not Borat’s victims but Borat himself. The humour is ultimately directed at this uncivilized buffoon-Borat. He is the butt of every joke. He is the one we laugh at, and are intended to laugh at, the most inasmuch as he is more vulgar, savage, ignorant, barbaric, and racist than any of the bigoted Americans “exposed” in the 2006 film Borat: Cultural Learn- ings of America for Make Benefit Glorious Nation of Kazakhstan. This would not be quite as problematic if the fictional Borat did not come from a very real place and did not so obviously (mis)represent Muslims. While the 2006 film has received coverage and praise for revealing the racism of Americans, very few people are asking whether Cohen’s caricature of a savage, homophobic, misogynist, racist, and hard core Jew-hating Muslim is not actually a form of anti-Muslim racism.