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Spår Albumartist Titel Insp.datum Komp./text Album 1 Dodo Marmarosa Trio Bopmatism 1947-12-03 Dodo Marmarosa Dodo Marmarosa Trio - Complete Studio Recordings 2 Harry Babasin Quintet Babo-Ling 1954-04-18 Harry Babasin The Complete Nocturne Recordings 3 Laurindo Almeida Quartet Nonô 1954-04-15-22 R. Peixoto Brazilliance, Vol.1 4 Herb Ellis Quintet Pickley Wickley 1960-06-01 Herb Ellis Thank you, Charlie Christian 5 Herb Ellis Tin Roof Blues 1957-10-11 Pollack-Brunies-Roppolo-Stitzel-Mares-Mel Nothing But The Blues 6 Herb Ellis Sweetheart Blues 1955-12-28 Herb Ellis Ellis In Wonderland 7 Jimmy Giuffre I Only Have Eyes For You 1954-02-19 H. Warren - A. Dubin Jimmy Giuffre [Capitol T-549] 8 Jimmy Giuffre A Ring-Tail Monkey 1955-01-31 Jimmy Giuffre Jimmy Giuffre [Capitol T-549] 9 Jimmy Knepper Gee Baby, Ain't I Good To Yo 1957-sept Redman-Razaf Idol Of The Flies 10 Stan Kenton Night At The Gold Nugget 1961-12-13 Gene Roland Adventures In Blues Spår Albumartist Medverkande Förlag Anm 1 Dodo Marmarosa Trio Marmarosa (p), Harry Babasin (cel), Jackie Mills (dr) 2 Harry Babasin Quintet Harry Babasin (cel), Jimmy Rowles (p), Larry Bunker (vib), Roy Harte (dr9, Bob Enevoldsen? (b) 3 Laurindo Almeida Quartet Laurindo Almeida (g), Bud Shank (as), Harry Babasin (b), Roy Harte (dr) 4 Herb Ellis Quintet Herb Ellis (g), Harry Babasin (cel), Frank Strazzeri (p), Chuck Berghofer (b), Kenny Hume (dr) 5 Herb Ellis Herb Ellis (g), Roy Eldridge (t), Stan Getz (ts), Ray Brown (b), Stan Levey (dr) 6 Herb Ellis Herb Ellis (g), Sweets Edison (t), Jimmy Giuffre (ts), Oscar Peterson (p), Ray Brown (b), Alvin Stoller (dr) 7 Jimmy Giuffre Jimmy Giuffre (bar), Jack Sheldon (t), Russ Freeman (p), Curtis Counce (b), Shelly Manne (dr) 8 Jimmy Giuffre Jimmy Giuffre (ts), Jack Sheldon (t), Ralph Peña (b), Artie Anton (dr) 9 Jimmy Knepper Gene Roland (voc, t), Jimmy Knepper (tb), Bob Hammer (p), Teddy Kotick (b), Dannie Richmond (dr) 10 Stan Kenton Stan Kenton Orchestra, soloist: Gene Roland (sop+eu[phonium]) Spår Albumartist Speltid 1 Dodo Marmarosa Trio 02:58 2 Harry Babasin Quintet 03:17 3 Laurindo Almeida Quartet 03:03 4 Herb Ellis Quintet 03:21 5 Herb Ellis 03:04 6 Herb Ellis 04:48 7 Jimmy Giuffre 06:18 8 Jimmy Giuffre 02:32 9 Jimmy Knepper 04:45 10 Stan Kenton 05:42.

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Jimmy Raney Thesis: Blurring the Barlines By: Zachary Streeter
Jimmy Raney Thesis: Blurring the Barlines By: Zachary Streeter A Thesis submitted to the Graduate School-Newark Rutgers, The State University of New Jersey In partial fulfillment of the requirements for the degree of Master of Jazz History and Research Graduate Program in Arts written under the direction of Dr. Lewis Porter and Dr. Henry Martin And approved by Newark, New Jersey May 2016 ©2016 Zachary Streeter ALL RIGHT RESERVED ABSTRACT Jimmy Raney Thesis: Blurring the Barlines By: Zach Streeter Thesis Director: Dr. Lewis Porter Despite the institutionalization of jazz music, and the large output of academic activity surrounding the music’s history, one is hard pressed to discover any information on the late jazz guitarist Jimmy Raney or the legacy Jimmy Raney left on the instrument. Guitar, often times, in the history of jazz has been regulated to the role of the rhythm section, if the guitar is involved at all. While the scope of the guitar throughout the history of jazz is not the subject matter of this thesis, the aim is to present, or bring to light Jimmy Raney, a jazz guitarist who I believe, while not the first, may have been among the first to pioneer and challenge these conventions. I have researched Jimmy Raney’s background, and interviewed two people who knew Jimmy Raney: his son, Jon Raney, and record producer Don Schlitten. These two individuals provide a beneficial contrast as one knew Jimmy Raney quite personally, and the other knew Jimmy Raney from a business perspective, creating a greater frame of reference when attempting to piece together Jimmy Raney.
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Instead Draws Upon a Much More Generic Sort of Free-Jazz Tenor
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1993 February 24, 25, 26 & 27, 1993
dF Universitycrldaho LIoNEL HmPToN/CHEVRoN JnzzFrsrr\Al 1993 February 24, 25, 26 & 27, 1993 t./¡ /ìl DR. LYNN J. SKtNNER, Jazz Festival Executive Director VtcKt KtNc, Program Coordinator BRTNoR CAtN, Program Coordinator J ¡i SusnN EHRSTINE, Assistant Coordinator ltl ñ 2 o o = Concert Producer: I É Lionel Hampton, J F assisted by Bill Titone and Dr. Lynn J. Skinner tr t_9!Ð3 ü This project is supported in part by a grant from the National Endowment for the Arts We Dedicate this 1993 Lionel Hømpton/Chevron Jøzz Festivül to Lionel's 65 Years of Devotion to the World of Juzz Page 2 6 9 ll t3 r3 t4 l3 37 Collcgc/Univcrsity Compctition Schcdulc - Thursday, Feh. 25, 1993 43 Vocal Enserrrbles & Vocal Conrbos................ Harnpton Music Bldg. Recital Hall ...................... 44 45 46 47 Vocal Compctition Schcrlulc - Fridav, Fcli. 2ó, 1993 AA"AA/AA/Middle School Ensenrbles ..... Adrrrin. Auditoriunr 5l Idaho Is OurTenitory. 52 Horizon Air has more flights to more Northwest cities A/Jr. High/.Ir. Secondary Ensenrbles ........ Hampton Music Blclg. Recital Hall ...............,...... 53 than any other airline. 54 From our Boise hub, we serve the Idaho cities of Sun 55 56 Valley, Idaho Falls, Lewiston, MoscowÆullman, Pocatello and AA/A/B/JHS/MIDS/JR.SEC. Soloists ....... North Carnpus Cenrer ll ................. 57 Twin Falls. And there's frequent direct service to Portland, lnstrurncntal Corupctilion'Schcrlulc - Saturday, Fcll. 27, 1993 Salt Lake City, Spokane and Seattle as well. We also offer 6l low-cost Sun Valley winter 8,{. {ÀtûåRY 62 and summer vacation vt('8a*" å.t. 63 packages, including fOFT 64 airfare and lodging.
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CELEBRATING OSCAR PETERSON Posted on February 16, 2021
BLACK HISTORY MONTH | CELEBRATING OSCAR PETERSON Posted on February 16, 2021 Category: News Oscar Emmanuel Peterson (1925–2007) | Agent of Change | Remembered as a virtuoso jazz pianist and composer of Hymn to Freedom, an international anthem to civil rights. The son of immigrants from the West Indies, Oscar Peterson was born in Montréal, Québec and grew up in Little Burgundy, a predominantly Black neighbourhood of the city where he was immersed in the culture of jazz. He was five years old when he began taking music lessons from his father. He also studied classical piano with his sister, Daisy Peterson Sweeney, who went on to teach other renowned jazz artists. Peterson later attended the Conservatoire de musique du Québec è Montrèal and studied classical piano with Paul de Marky, but with a deep interest in jazz, he also played boogie-woogie and ragtime. At only 14 years old, Peterson won the national Canadian Broadcasting Corporation music competition, after which he dropped out of high school and joined a band with jazz trumpeter and classmate Maynard Ferguson. While still a teenager, Peterson played professionally at hotels and at a weekly radio show. He also joined the Jonny Holmes Orchestra as its only Black musician. From 1945 to 1949, Peterson recorded 32 songs with RCA Victor. Beginning in the 1950s, he released several albums each year while appearing on over 200 albums by other artists including Billie Holiday, Louis Armstrong, Count Basie, Ella Fitzgerald, and Dizzy Gillespie. In 1949, jazz impresario Norman Ganz was on his way to the airport in Montréal, when hearing Peterson playing live on radio, asked the cab driver to take him to the club where the concert was being aired.
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Olivet Nazarene University Digital Commons @ Olivet School of Music: Performance Programs Music 1969 Department of Music Programs 1968 - 1969 Department of Music Olivet Nazarene University Follow this and additional works at: https://digitalcommons.olivet.edu/musi_prog Part of the Fine Arts Commons, and the Music Performance Commons Recommended Citation Department of Music, "Department of Music Programs 1968 - 1969" (1969). School of Music: Performance Programs. 1. https://digitalcommons.olivet.edu/musi_prog/1 This Book is brought to you for free and open access by the Music at Digital Commons @ Olivet. It has been accepted for inclusion in School of Music: Performance Programs by an authorized administrator of Digital Commons @ Olivet. For more information, please contact [email protected]. 7 8 0 . 7 3 9 O M p 1 9 6 8 - 6 9 PROGRAMS 1968-69 7 $ e . DEPARTMENT OF MUSIC i u M a OLIVET NAZARENE COLLEGE DEPARTMENT OF MUSIC presents SENIOR RECITAL GEORGENE FISH PIANO AND CALBERT HOLSTE I N TENOR PHYLLIS HOLSTEIN/ ACCOMPANIST Lasciatemi morire, "Ariana"0oe.....0Claudio Monteverdi Dove sei, amato bene?, "Rodelinda".0o.George F 0 Handel If With All Your Hearts, "Elijah"....Felix Mendelssohn Prelude and Fugue, No. 3.0o...o..Johann Sebastian Bach Fantasia in D minor 0 D 0«».,«5.«.Wolfgang Amadeus Mozart Viens Aurore..ooooooooooooooooooooooooooo.c.o Arro A o L . F el d e m s a m k e i t oooooooo..o.o.oooo..oo.. odohannes Brahms Du bist wie Eine BlumeDo,...t.t....o««Anton Rubenstein M*appari tut" amor, "Martha".....Friedrich von Flowtow Mouvements Perpetuels for Piano........Francis Poulenc I.
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The Recordings
Appendix: The Recordings These are the URLs of the original locations where I found the recordings used in this book. Those without a URL came from a cassette tape, LP or CD in my personal collection, or from now-defunct YouTube or Grooveshark web pages. I had many of the other recordings in my collection already, but searched for online sources to allow the reader to hear what I heard when writing the book. Naturally, these posted “videos” will disappear over time, although most of them then re- appear six months or a year later with a new URL. If you can’t find an alternate location, send me an e-mail and let me know. In the meantime, I have provided low-level mp3 files of the tracks that are not available or that I have modified in pitch or speed in private listening vaults where they can be heard. This way, the entire book can be verified by listening to the same re- cordings and works that I heard. For locations of these private sound vaults, please e-mail me and I will send you the links. They are not to be shared or downloaded, and the selections therein are only identified by their numbers from the complete list given below. Chapter I: 0001. Maple Leaf Rag (Joplin)/Scott Joplin, piano roll (1916) listen at: http://www.youtube.com/watch?v=9E5iehuiYdQ 0002. Charleston Rag (a.k.a. Echoes of Africa)(Blake)/Eubie Blake, piano (1969) listen at: https://www.youtube.com/watch?v=R7oQfRGUOnU 0003. Stars and Stripes Forever (John Philip Sousa, arr.
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