Aaron SACHS: Frank SACKENHEIM: Fats SADI: Eddie SAFRANSKI
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Vut 20140303 – Big Bands
JAMU 20140305 – BIG BANDS (2) 10. Chicago Serenade (Eddie Harris) 3:55 Lalo Schifrin Orchestra: Ernie Royal, Bernie Glow, Jimmy Maxwell, Marky Markowitz, Snooky Young, Thad Jones-tp; Billy Byers, Jimmy Cleveland, Urbie Green-tb; Tony Studd-btb; Ray Alonge, Jim Buffington, Earl Chapin, Bill Correa-h; Don Butterfield-tu; Jimmy Smith-org; Kenny Burrell-g; George Duvivier-b; Grady Tate-dr; Phil Kraus-perc; Lalo Schifrin-arr,cond. Englewood Cliffs, NJ, April 27/29, 1964. Verve V6-8587. 11. A Genuine Tong Funeral – The Opening (Carla Bley) 2:14 Gary Burton Quartet with Orchestra: Gary Burton-vib; Larry Coryell-g; Steve Swallow-b; Bobby Moses-dr; Mike Mantler-tp; Jimmy Knepper-tb,btb; Howard Johnson-tu,bs; Leandro “Gato” Barbieri-ts; Steve Lacy-ss; Carla Bley-p,org,cond. New York, July 1967. RCA Victor LSP 3901. 12. Escalator Over the Hill (Carla Bley) 4:57 Michael Mantler-tp; Sam Burtis, Jimmy Knepper, Roswell Rudd-tb; Jack Jeffers-btb; Bob Carlisle, Sharon Freeman-h; John Buckingham-tu; Jimmy Lyons-as; Gato Barbieri-ts; Chris Woods-bs; Perry Robinson-cl; Nancy Newton-vla; Charlie Haden-b; Paul Motian-dr; Tod Papageorge, Bob Stewart, Rosalind Hupp, Karen Mantler, Jack Jeffers, Howard Johnson, Timothy Marquand, Jane Blackstone, Sheila Jordan, Phyllis Schneider, Pat Stewart-voc; Bill Leonard, Don Preston, Viva, Carla Bley- narrators. November 1968-June 1971, various places. JCOA 839310-2. 13. Adventures in Time – 3x3x2x2x2=72 (Johnny Richards) 4:29 Stan Kenton Orchestra: Dalton Smith, Bob Behrendt, Marvin Stamm, Keith Lamotte, Gary Slavo- tp; Bob Fitzpatrick, Bud Parker, Tom Ringo-tb; Jim Amlotte-btb; Ray Starlihg, Dwight Carver, Lou Gasca, Joe Burnett-mell; Dave Wheeler-tu,btb; Gabe Baltazar-as, Don Menza, Ray Florian-ts; Allan Beutler-bs; Joel Kaye-bass,bs; Stan Kenton-p; Bucky Calabrese-b; Dee Barton-dr; Steve Dweck- tympani,perc. -
Vindicating Karma: Jazz and the Black Arts Movement
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-2007 Vindicating karma: jazz and the Black Arts movement/ W. S. Tkweme University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Tkweme, W. S., "Vindicating karma: jazz and the Black Arts movement/" (2007). Doctoral Dissertations 1896 - February 2014. 924. https://scholarworks.umass.edu/dissertations_1/924 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. University of Massachusetts Amherst Library Digitized by the Internet Archive in 2014 https://archive.org/details/vindicatingkarmaOOtkwe This is an authorized facsimile, made from the microfilm master copy of the original dissertation or master thesis published by UMI. The bibliographic information for this thesis is contained in UMTs Dissertation Abstracts database, the only central source for accessing almost every doctoral dissertation accepted in North America since 1861. Dissertation UMI Services From:Pro£vuest COMPANY 300 North Zeeb Road P.O. Box 1346 Ann Arbor, Michigan 48106-1346 USA 800.521.0600 734.761.4700 web www.il.proquest.com Printed in 2007 by digital xerographic process on acid-free paper V INDICATING KARMA: JAZZ AND THE BLACK ARTS MOVEMENT A Dissertation Presented by W.S. TKWEME Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 W.E.B. -
Gerry Mulligan Discography
GERRY MULLIGAN DISCOGRAPHY GERRY MULLIGAN RECORDINGS, CONCERTS AND WHEREABOUTS by Gérard Dugelay, France and Kenneth Hallqvist, Sweden January 2011 Gerry Mulligan DISCOGRAPHY - Recordings, Concerts and Whereabouts by Gérard Dugelay & Kenneth Hallqvist - page No. 1 PREFACE BY GERARD DUGELAY I fell in love when I was younger I was a young jazz fan, when I discovered the music of Gerry Mulligan through a birthday gift from my father. This album was “Gerry Mulligan & Astor Piazzolla”. But it was through “Song for Strayhorn” (Carnegie Hall concert CTI album) I fell in love with the music of Gerry Mulligan. My impressions were: “How great this man is to be able to compose so nicely!, to improvise so marvellously! and to give us such feelings!” Step by step my interest for the music increased I bought regularly his albums and I became crazy from the Concert Jazz Band LPs. Then I appreciated the pianoless Quartets with Bob Brookmeyer (The Pleyel Concerts, which are easily available in France) and with Chet Baker. Just married with Danielle, I spent some days of our honey moon at Antwerp (Belgium) and I had the chance to see the Gerry Mulligan Orchestra in concert. After the concert my wife said: “During some songs I had lost you, you were with the music of Gerry Mulligan!!!” During these 30 years of travel in the music of Jeru, I bought many bootleg albums. One was very important, because it gave me a new direction in my passion: the discographical part. This was the album “Gerry Mulligan – Vol. 2, Live in Stockholm, May 1957”. -
Wuthering Heights"
Breaking the Taboo: Slavery and Dehumanization in Adaptations of Emily Brontë's "Wuthering Heights" Periš, Lucija Master's thesis / Diplomski rad 2017 Degree Grantor / Ustanova koja je dodijelila akademski / stručni stupanj: Josip Juraj Strossmayer University of Osijek, Faculty of Humanities and Social Sciences / Sveučilište Josipa Jurja Strossmayera u Osijeku, Filozofski fakultet Permanent link / Trajna poveznica: https://urn.nsk.hr/urn:nbn:hr:142:193603 Rights / Prava: In copyright Download date / Datum preuzimanja: 2021-10-01 Repository / Repozitorij: FFOS-repository - Repository of the Faculty of Humanities and Social Sciences Osijek Sveučilište J. J. Strossmayera u Osijeku Filozofski fakultet Osijek Dvopredmetni sveučilišni diplomski studij engleskog jezika i književnosti - prevoditeljski smjer i hrvatskog jezika i književnosti – nastavnički smjer Lucija Periš Problematika robovlasništva u filmskim adaptacijama Orkanskih visova Emily Brontë Diplomski rad doc. dr. sc. Ljubica Matek Osijek, 2017. Sveučilište J. J. Strossmayera u Osijeku Filozofski fakultet Osijek Odsjek za engleski jezik i književnost Dvopredmetni sveučilišni diplomski studij engleskog jezika i književnosti - prevoditeljski smjer i hrvatskog jezika i književnosti – nastavnički smjer Lucija Periš Problematika robovlasništva u filmskim adaptacijama Orkanskih visova Emily Brontë Diplomski rad Znanstveno područje: humanističke znanosti Znanstveno polje: filologija Znanstvena grana: anglistika doc. dr. sc. Ljubica Matek Osijek, 2017. J. J. Strossmayer University of Osijek -
Society of Environmental Journalists
Washington University School of Medicine Digital Commons@Becker Washington University Record Washington University Publications 10-24-1996 Washington University Record, October 24, 1996 Follow this and additional works at: http://digitalcommons.wustl.edu/record Recommended Citation "Washington University Record, October 24, 1996" (1996). Washington University Record. Book 738. http://digitalcommons.wustl.edu/record/738 This Article is brought to you for free and open access by the Washington University Publications at Digital Commons@Becker. It has been accepted for inclusion in Washington University Record by an authorized administrator of Digital Commons@Becker. For more information, please contact [email protected]. WASHINGTON UNIVERSITY IN ST. LOUIS fecord Vol. 21 No. 9 Oct. 24, 1996 Washington University plays host to Society of Environmental Journalists Barbara A. Schaal, Ph.D., professor and chair of the Department of Biology in Arts and Sciences, discusses the prairie ecosystem with award-winning author Richard Manning during a tour of the Shaw Arboretum of the Missouri Botanical Garden on Thursday, Oct. 17. Manning is the author of "Grassland." Nearly 400 members of the Society of of the Missouri Botanical Garden; Cahokia Environmental Journalists (SEJ) were Mounds near Collinsville, 111.; and dioxin-tainted treated to a helping of Midwestern hospital- Times Beach, Mo., among others. ity and a dose of Washington University faculty University faculty members played key roles in expertise last week. the conference. In addition to leading some of the The University played host to SEJ's Sixth An- tours, faculty members also conducted sessions in nual Conference from Oct. 17-20. Environmental their labs on the Hilltop and Medical campuses. -
Savoy and Regent Label Discography
Discography of the Savoy/Regent and Associated Labels Savoy was formed in Newark New Jersey in 1942 by Herman Lubinsky and Fred Mendelsohn. Lubinsky acquired Mendelsohn’s interest in June 1949. Mendelsohn continued as producer for years afterward. Savoy recorded jazz, R&B, blues, gospel and classical. The head of sales was Hy Siegel. Production was by Ralph Bass, Ozzie Cadena, Leroy Kirkland, Lee Magid, Fred Mendelsohn, Teddy Reig and Gus Statiras. The subsidiary Regent was extablished in 1948. Regent recorded the same types of music that Savoy did but later in its operation it became Savoy’s budget label. The Gospel label was formed in Newark NJ in 1958 and recorded and released gospel music. The Sharp label was formed in Newark NJ in 1959 and released R&B and gospel music. The Dee Gee label was started in Detroit Michigan in 1951 by Dizzy Gillespie and Divid Usher. Dee Gee recorded jazz, R&B, and popular music. The label was acquired by Savoy records in the late 1950’s and moved to Newark NJ. The Signal label was formed in 1956 by Jules Colomby, Harold Goldberg and Don Schlitten in New York City. The label recorded jazz and was acquired by Savoy in the late 1950’s. There were no releases on Signal after being bought by Savoy. The Savoy and associated label discography was compiled using our record collections, Schwann Catalogs from 1949 to 1982, a Phono-Log from 1963. Some album numbers and all unissued album information is from “The Savoy Label Discography” by Michel Ruppli. -
Fmqautumn 2016 3 FMQ :: Autumn 2016
Olavi Louhivuori Physical and Gender equality : : p. 6 cultural in music environments – unfinished of music business? : : p. 12–43 : : p. 44–53 Finnish Music Quarterly FMQAutumn 2016 Contents :: EditorialBY ANU AHOLA Autumn 2016 3 3 Editorial 4 News :: FMQ 6 Beyond genre BY Wif Stenger on Olavi Louhivuori Aural landscapes, sonic mindscapes AUTUMN 12 The voice of freedom BY Andrew Mellor on Outi Tarkiainen 2016 14 Collective resonance BY Merja Hottinen on Nathan Riki Thomson The foundation of every culture consists of the natural environment and the customs and beliefs of the community living in it. These basic elements 18 Spaces and pigeonholes BY Hanna Isolammi shape each other constantly, sometimes in surprising ways. In this issue Jussi Puikkonen on Susanna Mälkki we explore the relationship between music and environment, both natural and cultural. What traces, influences and meanings of the environment do 20 The North in music BY Andrew Mellor the people who create, consume and study music find in it today? 24 Natural born preachers BY Janne Flinkkilä This question prompted further questions: How does a language envi- on Radiopuhelimet ronment manifest itself in music? Why does performing a concert in the natural environment seem to enhance the experience? And what about 26 10 Finnish songs about and inspired by nature BY Matti Nives the evolution of music: is music essential for human beings, biologically speaking? 28 Taking Note: Naturally good music BY Juha Torvinen Although definitive answers cannot be found for all these questions, 30 Nature’s concert halls BY Heidi Horila it is obvious that creating and experiencing music are always affected by on the force of nature in Finnish music events nature, by nurture and by the culture we live in. -
Jazz & World Music New Releases
JAZZ & WORLD MUSIC NEW RELEASES RELEASE DATE 2nd JUNE + 16th JUNE 2014 CALL OFF: 23rd MAY + 6th JUNE 2014 HARMONIA MUNDI LABELS WORLD VILLAGE, JAZZ VILLAGE, LE CHANT DU MONDE, DISCOGRAPH DISTRIBUTED LABELS ACCORDS CROISÉS, AIRMAIL, ACT, AMARRASS, AMERICAN JAZZ CLASSICS, ANZIC, ARCHIEBALL, ASPHALT TANGO, AUM FIDELITY, BEE JAZZ, BLACK SAINT, BLUES BEACON, BONSAI, CADILLAC, CAMJAZZ, CAMOCI, CASEQUARTER, CONTRE JOUR, CRISTAL, EAST MEETS WEST, EDITION, ELLIPSIS ARTS, EMANEM, ENJA, EVIDENCE, FOGHORN, HATOLOGY, HI 4 HEAD, HIGHNOTE, HIGH TWO, HOWE, INNACOR, INSTITUT DU MONDE ARABE, IRIS MUSIC, ITM, JARO MEDIEN, JAZZ DOOR, JAZZ WAX, JAZZWERKSTATT, JELLYMOULD, KAMIYAD, KONIMUSIC, LONG DISTANCE, MAIK MAIER, MI’STER, MORGENLAND, NAÏVE, NO FORMAT, OCORA RADIO FRANCE, OGUN, PI RECORDINGS, PLUS LOIN, POLL WINNERS, PSI, Q-RIOUS, RARE MUSIC, REGARDLESS, RITI, SAVANT, SOULBEATS, SOUL NOTE, SUNNYSIDE, TIPTOE, TOTOLO, UNITED ARCHIVES, WERGO, MESHELL NDEGEOCELLO WINTER & WINTER, YELLOWBIRD contact: [email protected] / 020 8709 9500 [email protected] 020 8709 9500 RELEASE DATE 2ND JUNE 2014 Comet, Come To Me MESHELL NDEGEOCELLO Mercurial and masterful, Meshell Ndegeocello has survived the best and worst of what a career in music has to offer. She has eschewed genre for originality, celebrity for longevity, and musicals trends for musical truths. She has lived through the boom and bust of the industry and emerged just as she entered - unequivocally herself. Fans have come to expect the unexpected from Meshell, and faithfully followed her on sojourns into soul, spoken word, R&B, jazz, hip-hop, rock, all bound by a lyrical, spiritual search for love, justice, respect, resolution, and happiness. Groove driven, infectiously melodic and lyrically meditative, Meshell’s latest album, Comet, Come To Me, finds her returning to the same well of creativity that launched her career. -
Page | 1 Funding for the Smithsonian Jazz Oral History Program NEA
Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. WAYNE SHORTER NEA Jazz Master (1998) Interviewee: Wayne Shorter (August 25, 1933-) Interviewer: Larry Appelbaum and audio engineer Ken Kimery Dates: September 24, 2012 Depository: Archives Center, National Music of American History, Smithsonian Institution. Description: Transcript. 26 pp. Shorter: ...his first three months’ royalty on “Sunny”... It was something... He didn’t have to play the bass. He said, “I’m not playing the bass...” He played in this club, at a restaurant... They’d shot a long scene in there, and did the...well, the thing that was...the Billy Strayhorn thing...you know, that Duke Ellington recorded... “Something in Paris.” [SINGS REFRAIN] Appelbaum: From An American In Paris? Shorter: [CONTINUES TO SING REFRAIN] That song that a lot of singers find hard to sing. Appelbaum: “Lush Life.” Shorter: “Lush Life.” There was some stuff in there. And Shawna(?—0:54) was playing the piano... She was between takes and everything. She was playing...she’s... Appelbaum: She can play. Shorter: Yeah. And tap dancing and all that. But she was like sand-dancing, and waiting for things and all that. I said, “Hey, why don’t you put her in...” Appelbaum: Did Ben Tucker co-write “I’m Comin’ Home, Baby”? Shorter: Ok. He wrote it. For additional information contact the Archives Center at 202.633.3270 or [email protected] Page | 1 Appelbaum: Oh, yeah? Shorter: Do you remember the mechanicals, “Notice Of Use” thing... There was something about that. -
JELLY ROLL MORTON's
1 The TENORSAX of WARDELL GRAY Solographers: Jan Evensmo & James Accardi Last update: June 8, 2014 2 Born: Oklahoma City, Oklahoma, Feb. 13, 1921 Died: Las Vegas, Nevada, May 25, 1955 Introduction: Wardell Gray was the natural candidate to transfer Lester Young’s tenorsax playing to the bebop era. His elegant artistry lasted only a few years, but he was one of the greatest! History: First musical studies on clarinet in Detroit where he attended Cass Tech. First engagements with Jimmy Raschel and Benny Carew. Joined Earl Hines in 1943 and stayed over two years with the band before settling on the West Coast. Came into prominence through his performances and recordings with the concert promoter Gene Norman and his playing in jam sessions with Dexter Gordon.; his famous recording with Gordon, “The Chase” (1947), resulted from these sessions as did an opportunity to record with Charlie Parker (1947). As a member of Benny Goodman’s small group WG was an important figure in Goodman’s first experiments with bop (1948). He moved to New York with Goodman and in 1948 worked at the Royal Roost, first with Count Basie, then with the resident band led by Tadd Dameron; he made recordings with both leaders. After playing with Goodman’s bigband (1948-49) and recording in Basie’s small group (1950-51), WG returned to freelance work on the West Coast and Las Vegas. He took part in many recorded jam sessions and also recorded with Louie Bellson in 1952-53). The circumstances around his untimely death (1955) is unclear (ref. -
DB Music Shop Must Arrive 2 Months Prior to DB Cover Date
05 5 $4.99 DownBeat.com 09281 01493 0 MAY 2010MAY U.K. £3.50 001_COVER.qxd 3/16/10 2:08 PM Page 1 DOWNBEAT MIGUEL ZENÓN // RAMSEY LEWIS & KIRK WHALUM // EVAN PARKER // SUMMER FESTIVAL GUIDE MAY 2010 002-025_FRONT.qxd 3/17/10 10:28 AM Page 2 002-025_FRONT.qxd 3/17/10 10:29 AM Page 3 002-025_FRONT.qxd 3/17/10 10:29 AM Page 4 May 2010 VOLUME 77 – NUMBER 5 President Kevin Maher Publisher Frank Alkyer Editor Ed Enright Associate Editor Aaron Cohen Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Kelly Grosser ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Sue Mahal 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 www.downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough, Howard Mandel Austin: Michael Point; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Robert Doerschuk; New Orleans: Erika Goldring, David Kunian; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. -
About Jazz New York
July 2010 | No. 99 Your FREE Monthly Guide to the New York Jazz Scene aaj-ny.com KARL BERGER FREEdom In dIscIpLInE JAZZ NEWHOMEGROWN YORK’S ONLY GAZETTE Rufus Reid • John Butcher • NoBusiness • Event Calendar Welcome to AllAboutJazz-New York. This may sound strange after 98 issues and over eight years but you can tell from our new logo that something is different. With this issue, one shy of our Centennial, we are announcing our formal New York@Night separation from the All About Jazz.com website. From now on, we are a 4 completely independent entity (check us out online at aaj-ny.com). What does this mean for you, our valued readers? Not to worry...we will continue to bring you Interview: Rufus Reid the best that New York City has to offer its jazz fans. AllAboutJazz-New York will 6 by Ken Dryden still have its award-nominated feature coverage, slew of timely CD reviews and an Event Calendar matched by no one. And this new arrangement will allow us to Artist Feature: John Butcher expand our mission and better serve the city’s jazz community, the thing that has 7 by Stuart Broomer kept us going for so long. To that end, this month’s issue - which also can be used to fan yourself during On The Cover: Karl Berger the balmy summer days - features articles on vibraphonist/pianist/organizer Karl 9 by Martin Longley Berger (On the Cover), who curates The Stone this month and appears with Encore: Lest We Forget: various groups; ubiquitous bassist extraordinaire Rufus Reid (Interview) who leads his own trio for a weekend at The Kitano and adventurous and experimental 10 Herb Jeffries Illinois Jacquet saxophonist John Butcher (Artist Feature), appearing as part of the Whitney by Marcia Hillman by Donald Elfman Museum’s Christian Marclay: Festival as well as a couple of forays into Brooklyn.