Music Teature with The
Total Page:16
File Type:pdf, Size:1020Kb

Load more
Recommended publications
-
AVAILABLE from DESCRIPTORS Fifty-One Percent Minority. Connecticut Conference on the Articles Presented in This Document Stem Fr
DOCUMENT RESUME ED 074 958 HE 003 935 TITLE Fifty-One Percent Minority. Connecticut Conference on the Status of Women. INSTITUTION Connecticut Education Association, Storrs. SPONS AGENCY National Education Association, Washington, D.C.; Office of Education (DHEW), Washington, D.C. PUL DATE Aug 72 NOTE 72p. AVAILABLE FROMNational E.' :cation Association, 1201 Sixteenth Street, r ., Washington, D.C. 20036 EDRS PRICE MF-$0.65 HC Not Available from EDRS., DESCRIPTORS *Feminism; *Higher Education; Sex Discrimination; *Womens Education; *Womens Studies; *Women Teachers; Working Women ABSTRACT The articles presented in this document stem from taped presentations or post summations of speeches presented at a conference on the status of women held in the spring of 1972 by the Connecticut Education Association. The book can serve as a guide to .three major problems: (1) sexual stereotypes; (2) the legal and economic status of women; and (3)the educational needs of women. Articles presented include: (1) Why Women Fail; 2) The Case for Womens Studies; (3) Sex Role Stereotypes in the Classroom;(4) Sex Role Socialization;(5) Masculinity and Femininity; (9) Teacher Maternity Provisions in Connecticut;(10) Growing Up as a Female Reader;(11) Women in Education; and (12) Sexual Politics in the Classroom. (HS) FILMED FROM BEST AVAILABLE COPY 51% minor ty "PERMISSION TO REPRODUCE THIS COPY. RIGHTED MATERIAL BY MICROFICHE ONLY HAS BEEN GRANTED BY TO ERIC AND ORGANIZATIONS OPERATING UNDER AGREEMENTS WITH THE U S OFFICE OF EDUCATION FURTHER REPRODUCTION OUTSIDE THE ERIC SYSTEM REQUIRES PER- MISSION OF THE COPYRIGHT OWNER CONNECTICUT CONFERENCE ON THE STATUS OF WOMEN NATIONAL EDUCATION ASSOCIATION/USOE-0-72-2507 U.S UEPAR TIMENT OF HEALTH, EDUCATION WELFARE OFFICE OF EDUCATION THIS DOCUMENT HAS BEEN REPRO DUCED EXACTLY AS RECEIVED FROM THE PERSON OR ORGANIZATION ORIG- INATING IT POINTS OF VIEW OROPIN- ' TONS STATED DO NOTNECESSARILY REPRESENT OFFICIAL OFFICE OF EDU- CATION POSITION OR POLICY 51% minority CONNECTICUT CONFERENCE ON THE STATUS OFWOMEN. -
Wavelength (December 1981)
University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 12-1981 Wavelength (December 1981) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (December 1981) 14 https://scholarworks.uno.edu/wavelength/14 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. ML I .~jq Lc. Coli. Easy Christmas Shopping Send a year's worth of New Orleans music. to your friends. Send $10 for each subscription to Wavelength, P.O. Box 15667, New Orleans, LA 10115 ·--------------------------------------------------r-----------------------------------------------------· Name ___ Name Address Address City, State, Zip ___ City, State, Zip ---- Gift From Gift From ISSUE NO. 14 • DECEMBER 1981 SONYA JBL "I'm not sure, but I'm almost positive, that all music came from New Orleans. " meets West to bring you the Ernie K-Doe, 1979 East best in high-fideUty reproduction. Features What's Old? What's New ..... 12 Vinyl Junkie . ............... 13 Inflation In Music Business ..... 14 Reggae .............. .. ...... 15 New New Orleans Releases ..... 17 Jed Palmer .................. 2 3 A Night At Jed's ............. 25 Mr. Google Eyes . ............. 26 Toots . ..................... 35 AFO ....................... 37 Wavelength Band Guide . ...... 39 Columns Letters ............. ....... .. 7 Top20 ....................... 9 December ................ ... 11 Books ...................... 47 Rare Record ........... ...... 48 Jazz ....... .... ............. 49 Reviews ..................... 51 Classifieds ................... 61 Last Page ................... 62 Cover illustration by Skip Bolen. Publlsller, Patrick Berry. Editor, Connie Atkinson. -
&Blues GUITAR SHORTY
september/october 2006 issue 286 free jazz now in our 32nd year &blues report www.jazz-blues.com GUITAR SHORTY INTERVIEWED PLAYING HOUSE OF BLUES ARMED WITH NEW ALLIGATOR CD INSIDE: 2006 Gift Guide: Pt.1 GUITAR SHORTY INTERVIEWED Published by Martin Wahl By Dave Sunde Communications geles on a rare off day from the road. Editor & Founder Bill Wahl “I would come home from school and sneak in to my uncle Willie’s bedroom Layout & Design Bill Wahl and try my best to imitate him playing the guitar. I couldn’t hardly get my Operations Jim Martin arms over the guitar, so I would fall Pilar Martin down on the floor and throw tantrums Contributors because I couldn’t do what I wanted. Michael Braxton, Mark Cole, Grandma finally had enough of all that Dewey Forward, Steve Homick, and one morning she told my Uncle Chris Hovan, Nancy Ann Lee, Willie point blank, I want you to teach Peanuts, Mark Smith, Dave this boy how to ‘really’ play the guitar Sunde, Duane Verh and Ron before I kill him,” said Shorty Weinstock. Photos of Guitar Shorty Fast forward through years of late courtesy of Alligator Records night static filled AM broadcasts crackling the southbound airwaves out of Cincinnati that helped further de- Check out our costantly updated website. Now you can search for CD velop David’s appreciative musical ear. Reviews by artists, Titles, Record T. Bone Walker, B.B. King and Gospel Labels, keyword or JBR Writers. 15 innovator Sister Rosetta Tharpe were years of reviews are up and we’ll be the late night companions who spent going all the way back to 1974. -
Steve Katz of Blood, Sweat & Tears and the Blues
Catskill Mountain Region July 2015 GUIDEwww.catskillregionguide.com STEVE KATZ OF BLOOD, SWEAT & TEARS AND THE BLUES PROJECT COMES TO TANNERSVILLE THIS JULY! TABLE OF CONTENTS TABLE On the cover: Singer/songwriter Steve Katz, of The Blues Project and Blood, Sweat & Tears, will perform an acoustic evening of story and song at the Catskill www.catskillregionguide.com Mountain Foundation Annual Benefit this July. Greg Dayton will be a special guest. For more VOLUME 30, NUMBER 7 July 2015 information about Steve, read the interview on page 16 and PUBLISHERS the book review on page 19. Peter Finn, Chairman, Catskill Mountain Foundation Sarah Finn, President, Catskill Mountain Foundation EDITORIAL DIRECTOR, CATSKILL MOUNTAIN FOUNDATION Sarah Taft ADVERTISING SALES Rita Adami Steve Friedman Albert Verdesca CONTRIBUTING WRITERS Heather Magnan Jeff Senterman Sarah Taft Maggie Uhalde ADMINISTRATION & FINANCE Candy McKee Cara Dantzig PRINTING Catskill Mountain Printing Services DISTRIBUTION 2 THE ARTS Catskill Mountain Foundation EDITORIAL DEADLINE FOR NEXT ISSUE: July 6 10 DO NOT GO GENTLE: The Catskill Mountain Region Guide is published 12 times a year THE LAST DAYS OF DYLAN THOMAS by the Catskill Mountain Foundation, Inc., Main Street, PO Box By Sarah Taft 924, Hunter, NY 12442. If you have events or programs that you would like to have covered, please send them by e-mail to tafts@ catskillmtn.org. Please be sure to furnish a contact name and in- clude your address, telephone, fax, and e-mail information on all 16 AN INTERVIEW WITH STEVE KATZ correspondence. For editorial and photo submission guidelines Interview by Margaret Uhalde send a request via e-mail to [email protected]. -
HA-Bio New 2010
Howard Alden- Jazz Guitarist “He may be the best of his generation,” writes Owen Cordle in JAZZ TIMES. George Kanzler of the NEWARK STAR LEDGER proclaims that he is “the most impressive and creative member of a new generation of jazz guitarists.” And Chip Deffaa of the NEW YORK POST observes that he is “ ...one of the very finest young guitarists working today.” It seems that the only thing regarding Howard Alden on which the critics have debate is whether the remarkable jazz guitarist is one of the best or simply the best. Born in Newport Beach, California, in 1958, Howard began playing at age ten, inspired by recordings of Louis Armstrong, Count Basie and Benny Goodman, as well as those by guitarists Barney Kessel, Charlie Christian, Django Reinhardt and George Van Eps. Soon he was working professionally around Los Angeles playing in groups ranging from traditional to mainstream to modern jazz. In 1979, Alden went east, for a summer in Atlantic City with vibraphone legend Red Norvo, and continued to perform with him frequently for several years. Upon moving to New York City in 1982, Aldenʼs skills, both as soloist and accompanist, were quickly recognized and sought-out for appearances and recordings with such artists as Joe Bushkin, Ruby Braff, Joe Williams, Warren Vache` and Woody Herman. He has continued to win accolades from critics and musicians alike, adding Benny Carter, Flip Phillips, Mel Powell, Bud Freeman, Kenny Davern, Clark Terry, Dizzy Gillespie and George Van Eps, as well as notable contemporaries such as Scott Hamilton and Ken Peplowski to his list of impressive credits. -
1993 February 24, 25, 26 & 27, 1993
dF Universitycrldaho LIoNEL HmPToN/CHEVRoN JnzzFrsrr\Al 1993 February 24, 25, 26 & 27, 1993 t./¡ /ìl DR. LYNN J. SKtNNER, Jazz Festival Executive Director VtcKt KtNc, Program Coordinator BRTNoR CAtN, Program Coordinator J ¡i SusnN EHRSTINE, Assistant Coordinator ltl ñ 2 o o = Concert Producer: I É Lionel Hampton, J F assisted by Bill Titone and Dr. Lynn J. Skinner tr t_9!Ð3 ü This project is supported in part by a grant from the National Endowment for the Arts We Dedicate this 1993 Lionel Hømpton/Chevron Jøzz Festivül to Lionel's 65 Years of Devotion to the World of Juzz Page 2 6 9 ll t3 r3 t4 l3 37 Collcgc/Univcrsity Compctition Schcdulc - Thursday, Feh. 25, 1993 43 Vocal Enserrrbles & Vocal Conrbos................ Harnpton Music Bldg. Recital Hall ...................... 44 45 46 47 Vocal Compctition Schcrlulc - Fridav, Fcli. 2ó, 1993 AA"AA/AA/Middle School Ensenrbles ..... Adrrrin. Auditoriunr 5l Idaho Is OurTenitory. 52 Horizon Air has more flights to more Northwest cities A/Jr. High/.Ir. Secondary Ensenrbles ........ Hampton Music Blclg. Recital Hall ...............,...... 53 than any other airline. 54 From our Boise hub, we serve the Idaho cities of Sun 55 56 Valley, Idaho Falls, Lewiston, MoscowÆullman, Pocatello and AA/A/B/JHS/MIDS/JR.SEC. Soloists ....... North Carnpus Cenrer ll ................. 57 Twin Falls. And there's frequent direct service to Portland, lnstrurncntal Corupctilion'Schcrlulc - Saturday, Fcll. 27, 1993 Salt Lake City, Spokane and Seattle as well. We also offer 6l low-cost Sun Valley winter 8,{. {ÀtûåRY 62 and summer vacation vt('8a*" å.t. 63 packages, including fOFT 64 airfare and lodging. -
If the Stones Were the Bohemian Bad Boys of the British R&B Scene, The
anEHEl s If the Stones were the bohemian bad boys of the British R&B scene, the Animals were its working-class heroes. rom the somber opening chords of the than many of his English R&B contemporaries. The Animals’ first big hit “House of the Rising Animals’ best records had such great resonance because Sun,” the world could tell that this band Burdon drew not only on his enthusiasm, respect and was up to something different than their empathy for the blues and the people who created it, but British Invasion peers. When the record also on his own English working class sensibilities. hitP #1 in England and America in the summer and fall of If the Stones were the decadent, bohemian bad boys 1964, the Beatles and their Mersey-beat fellow travellers of the British R&B scene, the Animals were its working- dominated the charts with songs like “I Want to Hold Your class heroes. “We Gotta Get Out of This Place” and “It’s My Hand” and “Glad All Over.” “House of the Rising Sun,” a tra Life,” two Brill Building-penned hits for the band, were ditional folk song then recently recorded by Bob Dylan on informed as much by working-class anger as by Burdons his debut album, was a tale of the hard life of prostitution, blues influences, and the bands anthemic background poverty and despair in New Orleans. In the Animals’ vocals underscored the point. recording it became a full-scale rock & roll drama, During the two-year period that the original scored by keyboardist Alan Price’s rumbling organ play Animals recorded together, their electrified reworkings of ing and narrated by Eric Burdons vocals, which, as on folk songs undoubtedly influenced the rise of folk-rock, many of the Animals’ best records, built from a foreboding and Burdons gritty vocals inspired a crop of British and bluesy lament to a frenetic howl of pain and protest. -
To Elektra EKL-264 Mono / EKS-7264 Stereo "The BLUES Project"
DAVE RAY: Dave "Snaker" Ray, whose ambition is to be a doctor, started playing guitar while a sophomore in high school. He origin ally began with blues (Leadbelly) to keep his fingers nimble fo r what he thought would be a classical-flamenco guitarist career. "After an adagio by Sor and a hacked-up Farruca, I began playing Led better's stuff exclusively, " Dave reports. He began playing the 12-string guitar when a senior in high school, and lists as early influences, Elvis' Sun label recordings, Bo Diddley, Muddy Waters, early Chicago, and, of course, Leadbelly. " I sing the blues because it's a medium not as demanding as literatu re or serious music, and free enough to permit a total statement of personality and. self, " Dave states. "I play blues because 1 feel it's important to me to express myself and because I feel it's a significant form of music which hasn't had enough dispersement. As far as white men playing blues, that's all who do play blues. the new Negroes are too busy (doing other things). " Discography: Blues, Rags and Hollers (Elektra EKL 240). Dave Ray may soon be heard, with John Koerner and Tony Glover, on Elektra EKL 267. ERIC VON SCHMIDT: E ric w rites: "B orn 1931; began singing in 1948; first influences were Leadbelly, Josh White and Jelly Roll Morton — then Library of Congress material and field recordings. Worked as magazine illustrator, then painter until 1952... two years in the army, and then to Florida, where I worked as a frame-maker and built a 27-foot ketch which was almost called the 'John Hurt'. -
Het Verhaal Van De 340 Songs Inhoud
Philippe Margotin en Jean-Michel Guesdon Rollingthe Stones compleet HET VERHAAL VAN DE 340 SONGS INHOUD 6 _ Voorwoord 8 _ De geboorte van een band 13 _ Ian Stewart, de zesde Stone 14 _ Come On / I Want To Be Loved 18 _ Andrew Loog Oldham, uitvinder van The Rolling Stones 20 _ I Wanna Be Your Man / Stoned EP DATUM UITGEBRACHT ALBUM Verenigd Koninkrijk : Down The Road Apiece ALBUM DATUM UITGEBRACHT 10 januari 1964 EP Everybody Needs Somebody To Love Under The Boardwalk DATUM UITGEBRACHT Verenigd Koninkrijk : (er zijn ook andere data, zoals DATUM UITGEBRACHT Verenigd Koninkrijk : 17 april 1964 16, 17 of 18 januari genoemd Verenigd Koninkrijk : Down Home Girl I Can’t Be Satisfi ed 15 januari 1965 Label Decca als datum van uitbrengen) 14 augustus 1964 You Can’t Catch Me Pain In My Heart Label Decca REF : LK 4605 Label Decca Label Decca Time Is On My Side Off The Hook REF : LK 4661 12 weken op nummer 1 REF : DFE 8560 REF : DFE 8590 10 weken op nummer 1 What A Shame Susie Q Grown Up Wrong TH TH TH ROING (Get Your Kicks On) Route 66 FIVE I Just Want To Make Love To You Honest I Do ROING ROING I Need You Baby (Mona) Now I’ve Got A Witness (Like Uncle Phil And Uncle Gene) Little By Little H ROLLIN TONS NOW VRNIGD TATEN EBRUARI 965) I’m A King Bee Everybody Needs Somebody To Love / Down Home Girl / You Can’t Catch Me / Heart Of Stone / What A Shame / I Need You Baby (Mona) / Down The Road Carol Apiece / Off The Hook / Pain In My Heart / Oh Baby (We Got A Good Thing SONS Tell Me (You’re Coming Back) If You Need Me Goin’) / Little Red Rooster / Surprise, Surprise. -
Punk Aesthetics in Independent "New Folk", 1990-2008
PUNK AESTHETICS IN INDEPENDENT "NEW FOLK", 1990-2008 John Encarnacao Student No. 10388041 Master of Arts in Humanities and Social Sciences University of Technology, Sydney 2009 ii Acknowledgements I would like to thank my supervisor Tony Mitchell for his suggestions for reading towards this thesis (particularly for pointing me towards Webb) and for his reading of, and feedback on, various drafts and nascent versions presented at conferences. Collin Chua was also very helpful during a period when Tony was on leave; thank you, Collin. Tony Mitchell and Kim Poole read the final draft of the thesis and provided some valuable and timely feedback. Cheers. Ian Collinson, Michelle Phillipov and Diana Springford each recommended readings; Zac Dadic sent some hard to find recordings to me from interstate; Andrew Khedoori offered me a show at 2SER-FM, where I learnt about some of the artists in this study, and where I had the good fortune to interview Dawn McCarthy; and Brendan Smyly and Diana Blom are valued colleagues of mine at University of Western Sydney who have consistently been up for robust discussions of research matters. Many thanks to you all. My friend Stephen Creswell’s amazing record collection has been readily available to me and has proved an invaluable resource. A hearty thanks! And most significant has been the support of my partner Zoë. Thanks and love to you for the many ways you helped to create a space where this research might take place. John Encarnacao 18 March 2009 iii Table of Contents Abstract vi I: Introduction 1 Frames -
Vintage Uke Music Revised 2020.Xlsx
9/20/2020 Title Folder 12 street rag !no covers a fool such as i (now and then there's) A A Lady Loves ‐ 1952 L A Man Never Marries A Wife ‐ 1951 M A Nickel Ain't Worth A Cent Today ‐ 1951 N A Picnic In The Park ‐ 1951 P A Sleepin' Bee ‐ 1954 S a very precious love !no covers a woman in love !no covers A Woman In Love ‐ 1955 W a you're adorable A abdul the bulbul ameer A Abie's Irish Nose ‐ 1925 A About A Quarter To Nine A absence makes heart grow fonder A accent on youth A ac‐cent‐tchu‐ate the positive A Across The Breakfast Table ‐ 1929 A Adam's Apple A Adelaide ‐ 1955 A Adios A Adorable ‐ 1933 A After a million dreams A after all it's you A After All You're All I'm After ‐ 1930 A After All You're All I'm After ‐ 1933 A After Business Hours ‐ 1929 A after i say i'm sorry A after i've called you sweetheart A After My Laughter Came Tears A After Tea ‐ 1925 A after you A After You Get What You Want A After You Get What You Want You Don't Want It ‐ 1920A After You've Gone A after_my_laughter_came_tears A ah but is it love A Ah But It Is Love ‐1933 A ah sweet mystery of life A Ah Wants To Die From Eatin' Possum Pie ‐ 1925 A Ah! The Moon Is Here ‐ 1933 A ah‐ha A ain't gonna rain new verses A Ain't Got A Dime To My Name ‐ 1942 A ain't it cold !no covers ain't misbehavin' A aint misbehavin vintage !no covers aint no flies on auntie A Ain't No Flies On Aunty A ain't no land like dixie A aint she sweet A Ain't That a Grand and Glorious Feeling ‐ 1927 A Ain't we carryin' on A Ain't We Got Fun A Ain't You Baby A ain't_misbehavin' A Ain't‐cha A alabama -
The Blues Project Easy Lady Mp3, Flac, Wma
The Blues Project Easy Lady mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Blues Album: Easy Lady Country: France Released: 1972 Style: Electric Blues MP3 version RAR size: 1352 mb FLAC version RAR size: 1562 mb WMA version RAR size: 1140 mb Rating: 4.5 Votes: 143 Other Formats: AAC AHX APE FLAC AU ASF DMF Tracklist Hide Credits Easy Lady A 3:18 Written By – Gilbert Peltz Crazy Girl B 3:01 Written By – Danny Kalb Companies, etc. Distributed By – Phonogram Credits Producer – Gabriel Mekler Other versions Category Artist Title (Format) Label Category Country Year The Blues Easy Lady (7", Capitol P-3374 P-3374 US 1972 Project Single, Promo) Records Capitol Easy Lady (7", PRO 6549, The Blues Records, PRO 6549, Single, Mono, US 1972 P-3374 Project Capitol P-3374 Promo) Records The Blues Easy Lady (7", Capitol 1C 006-81287 1C 006-81287 Germany 1972 Project Single) Records The Blues Easy Lady (7", 6061 426 Philips 6061 426 France 1972 Project Single, Promo) Comments about Easy Lady - The Blues Project Sorryyy It's all about the b-side here! I’d call it a rare-groove ballad somewhere between the leftfield late sixties stuff by David Bowie, Donovan, etc. … Really original and hard to describe! Related Music albums to Easy Lady by The Blues Project Ice & Cream vs. Spagna - Easy Lady 2004 Electronic Spagna - Easy Lady Electronic blues project - Other Peter Nero - Lady Sings The Blues Pop / Stage & Screen Diana Ross - Diana Ross Sings The Songs From "The Lady Sings The Blues" Jazz / Blues / Stage & Screen Cher - Foxy Lady Pop Tanya Tucker - If It Don't Come Easy Folk, World, & Country The Chargers - You Gotta Be A Lady (Stereo) / You Gotta Be A Lady (Mono) Funk / Soul / Blues The Blues Project - Al Kooper, Roy Blumenfeld, Danny Kalb, Tommy Flanders, Steve Katz, Andy Kulberg Of The Blues Project Rock / Blues Cootie Williams And His Orchestra - I May Be Easy, But I'm No Fool / Ain't Got No Blues To Day Jazz.