Kulinarisches Kino

Total Page:16

File Type:pdf, Size:1020Kb

Kulinarisches Kino Filme des Kulinarischen Kinos 2019 Aruna & Lidahnya (Aruna & Her Palate) von Edwin mit Dian Sastrowardoyo, Oka Antara, Hannah Al Rashid, Nicholas Saputra. Produktion: Palari Films, Jakarta. Weltvertrieb: CJ Entertainment, Seoul. Originalsprache: Indonesisch. Untertitel: Englisch The Biggest Little Farm von John Chester. Produktion: FarmLore Films, Moorpark. Weltvertrieb: NEON, New York. Deutscher Verleih: Prokino Filmverleih, München. Originalsprache: Englisch Chef’s Table: Asma Khan von Zia Mandviwalla. Produktion: Boardwalk Pictures, Los Angeles; Supper Club, Los Angeles; Finch Company, Sydney. Weltvertrieb: Netflix, Beverly Hills. Originalsprache: Englisch, Hindi. Untertitel: Deutsch Chef’s Table: Mashama Bailey von Abigail Fuller. Produktion: Boardwalk Pictures, Los Angeles; Supper Club, Los Angeles; Finch Company, Sydney. Weltvertrieb: Netflix, Beverly Hills. Originalsprache: Englisch. Untertitel: Deutsch Complicity von Kei Chikaura mit Lu Yulai, Tatsuya Fuji, Sayo Akasaka. Produktion: Creatps Inc., Tokyo; Mystigri Pictures, Beijing. Weltvertrieb: MPM Premium, Paris. Originalsprache: Japanisch, Mandarin. Untertitel: Englisch Delband (Beloved) von Yaser Talebi. Produktion: Documentary and Experimental Film Center, Teheran; ELI Image, Teheran. Weltvertrieb: ELI Image, Teheran. Originalsprache: Persisch. Untertitel: Englisch Ghost Fleet von Shannon Service, Jeffrey Waldron. Produktion: Seahorse Production, Sausalito; Vulcan Productions, Seattle. Weltvertrieb: Endeavor Content, Los Angeles. Originalsprache: Englisch, Burmesisch, Thai, Khmer. Untertitel: Englisch The Heat: A Kitchen (R)evolution von Maya Gallus. Produktion: Red Queen Productions, Toronto; MetFilm Sales, London. Weltvertrieb: MetFilm Sales, London. Originalsprache: Englisch La herencia del viento (Wind Heritage) von Alejandra Retana, César Camacho, César Hernández. Produktion: Universidad de Guadalajara, Guadalajara. Originalsprache: Spanisch. Untertitel: Englisch Sembradoras de vida (Mothers of the Land) von Álvaro Sarmiento, Diego Sarmiento. Produktion: HDPeru, Lima. Weltvertrieb: HDPeru, Lima. Originalsprache: Spanisch, Quechua. Untertitel: Englisch When Tomatoes Met Wagner von Marianna Economou. Produktion: Anemon Productions, Athen; Stefi & Lynx productions, Athen. Weltvertrieb: Rise and Shine World Sales, Berlin. Originalsprache: Englisch, Griechisch, Französisch. Untertitel: Englisch Y en cada lenteja un dios (A God in Each Lentil) von Miguel Ángel Jiménez. Produktion: Kinoskopik Film Produktion, Vitoria. Weltvertrieb: Feelsales, Madrid. Originalsprache: Spanisch, Katalanisch. Untertitel: Englisch .
Recommended publications
  • Semiotika Makna Arti Kasih Ibu Dalam Film Semesta Mendukung
    SEMIOTIKA MAKNA ARTI KASIH IBU DALAM FILM SEMESTA MENDUKUNG Skripsi DiajukanKepadaFakultasIlmuDakwahdanIlmuKomunikasiUntukMemenuhi PersyaratanMemperolehGelarSarjanaIlmu Komunikasi Islam (S.Kom.I) Oleh: ANIA FEBRIANI FASYA NIM :108051000143 KOMUNIKASI PENYIARAN ISLAM FAKULTAS ILMU DAKWAH DAN ILMU KOMUNIKASI UNIVERSITAS ISLAM NEGERI SYARIF HIDAYATULLAH JAKARTA 1434 H/2013 M SEMIOTIKA ARTI KAStrI IBU DALAM FILM SEMESTA MENDIIKT}NG Skripsi Diajukan Kepada Fakultas Ilmu Dakwah dan Ilmu Komunikasi Untuk Memenuhi Persyaratan Memperoleh Gelar Sarjana Komunikasi Islam (S.Kom.t) Oleh Ania Febriani Fasva NIM: 108051000143 Di bawah bimbingan, 182C08011008 JURUS$I KOMUNIKASI PENYIARAN ISLAM FAKULTAS ILMU DAKWAH DAN ILMU KOMT]NIKASI UNTVERSITAS ISLAM NEGERT rUin SYARIF HIDAYATULLAH JAKAR'TA 1433 H./ 2013 M. PENGESAHAN PANTI IA UJIAN Skripsi yang berjudul "Semiotika Makna Arti Kasih Ibu Pada Film Semesta Mendukung", telah drqikan dalam sidang munaqosah Fakultas Ilmu Dakwah dan Ilmu Komunikasi UIN Syarif Hidayatullah Jakarta pada Selasa,29 Januari 2013. Skripsi ini telah diterima sebagai salah satu syarat untuk memperoleh gelar Sarjana Program Straia I (Sl) pada Jurusan Komunikasi Penyiaran Islam. Jakarta, 4 Februari 2013 SIDANG MTJNAQOSAII Ketua Merangkap Anggota Sekretaris Merangkap Anggota Drs. .Tumroni- M Si NIP. 19630515 199203 1 006 NIP.19710816 Anggota Penguji I Dr.ffi Armawati Arbi. M.Si Ade Masturi. MA NIP. 19650207 199103 2 002 NrP. 197s 06062007t01 001 Pembimbing Rr,lli Nasrullah. M. Si t9750318 200801 1 008 ABSTRAK Ania Febriani Fasya Semiotika Arti Kasih Ibu dalam Film Semesta Mendukung Film merupakan salah satu bentuk media komunikasi massa dari berbagai teknologi dan berbagai unsur-unsur kesenian. Sebagai seni ketujuh, film sangat berbeda dengan seni sastra, teater, seni rupa, seni suara, musik, dan arsitektur yang muncul sebelumnya.
    [Show full text]
  • Daftar Mahasiswa Baru Universitas Singaperbangsa Karawang Angkatan 2020
    Daftar Mahasiswa Baru Universitas Singaperbangsa Karawang Angkatan 2020 NOMOR NAMA LENGKAP PROGRAM STUDI NPM PESERTA 22001528 ALMAIDA RAHMAWATI D3 AKUNTANSI 2010630110001 22000079 ANATASYA DIAN LESTARI D3 AKUNTANSI 2010630110002 22001099 ASSYIFA USSAADAH D3 AKUNTANSI 2010630110003 22001428 DEFIRSTTA RAHMADHANI D3 AKUNTANSI 2010630110004 22000145 DINDA AYU LESTARI D3 AKUNTANSI 2010630110005 22002198 ELSA ERVIANA SYAFA ALEXANDRA D3 AKUNTANSI 2010630110006 22000189 ENJANG MUHAMAD IDRIS D3 AKUNTANSI 2010630110007 22002585 FIRZATULLAH RAMADHANI D3 AKUNTANSI 2010630110008 22001993 INTAN IGA PRATIWI FITRI HANISWATI D3 AKUNTANSI 2010630110009 22000710 JOSHUA KEVIN PANDJAITAN D3 AKUNTANSI 2010630110010 22001578 JUSTICE LORENSIUS D3 AKUNTANSI 2010630110011 KHOFIFAH TIORIA AZIZAH 22000049 D3 AKUNTANSI 2010630110012 MARPAUNG 22000128 MOHAMMAD SAMSUL MU'ARIF D3 AKUNTANSI 2010630110013 22001297 MUHAMMAD RONALD FAREL D3 AKUNTANSI 2010630110014 22001568 NADYA PRANSISCA PANJAITAN D3 AKUNTANSI 2010630110015 22001856 NATALIA NABABAN D3 AKUNTANSI 2010630110016 22002014 NURIN NURAINI D3 AKUNTANSI 2010630110017 22000789 RAHMAWATI MATONDANG D3 AKUNTANSI 2010630110018 22000218 TIARA SYAIFITRI D3 AKUNTANSI 2010630110019 22000635 ZIDDAN ALFANI D3 AKUNTANSI 2010630110020 22001928 ADI IRWAN D3 AKUNTANSI 2010630110021 22001938 ALIFAH MAULIDA D3 AKUNTANSI 2010630110022 22001702 ANNISA PERMATA HATI D3 AKUNTANSI 2010630110023 22000714 BELLA FAHIRA D3 AKUNTANSI 2010630110024 22002074 DINA AGUS SEPTIANA D3 AKUNTANSI 2010630110025 22001939 FITRI APRILIA D3 AKUNTANSI 2010630110026
    [Show full text]
  • Aruna Dan Lidahnya' Tells You to Savor the Little Things
    FOLLOW PREMIUM SUBSCRIPTION LOG IN / REGISTER LIFESTYLE ENTERTAINMENTARTS & TECHNOLOGY PEOPLE CULTURE HEALTH PARENTS FOOD BOOKS VIDEO Food and conversation in 'Aruna and Her Palate' ENTERTAINMENT 'Aruna dan Lidahnya' tells you to savor the little things WENING GITOMARTOYO THE JAKARTA POST Jakarta / Fri, September 21, 2018 / 02:46 pm > 62 SHARES The movie Aruna dan Lidahnya (Aruna and Her Palate), based on the namesake book by Laksmi Pamuntjak (English title: The Birdwoman’s Palate), deals with the friendship of four people. This is the second film of Palari Films, whose debut last year, Posesif (Possessive), went on to clinch awards at the 2017 Indonesian Film Festival ( 2017 ). Aruna dan Lidahnya is directed by Edwin, while Titien Wattimena wrote the screenplay. Food lover Aruna (Dian Sastrowardoyo) is assigned to investigate bird flu cases in several places of Indonesia. Her friends, chef Bono (Nicholas Saputra) and food writer Nad (Hannah Al Rashid), join her on a mission of their own: culinary delights. In the first city, Surabaya, they run into Farish (Oka Antara), Aruna’s former colleague and crush, who says he is also working on the bird flu cases. Thus, work then takes them to Madura’s Pamekasan as well as Kalimantan’s Pontianak and Singkawang. Along the way, Aruna senses something suspicious in the investigation and is forced to face her doubts along with her unresolved feelings toward Farish. The movie takes its time to introduce each character’s personality: the simple Aruna, the adventurous Nad, the easygoing Bono and the apprehensive Farish. Their traits are slowly revealed through a lot of conversations and small talk over food.
    [Show full text]
  • 29Th Tokyo International Film Festival Announces Lineup for CROSSCUT
    PRESS RELEASE September 21, 2016 29th Tokyo International Film Festival Announces Lineup for CROSSCUT ASIA #03: Colorful Indonesia Lovely Man Cado Cado: Doctor 101 About a Woman Three Sassy Sisters Fiction. Someone’s Wife in The Boat of Someone’s Husband Something in the Way Filosofi Kopi Following Diana Emma’ (Mother) After the Curfew The 29th Tokyo International Film Festival (TIFF) is just around the corner! We are pleased to announce the lineup for CROSSCUT ASIA #03: Colorful Indonesia. The third chapter of the CROSSCUT ASIA series, launched by the Japan Foundation Asia Center and TIFF in 2014 to showcase Asian films, now turns its attention to recent cinema from Indonesia. Known as a nation of “tolerant Islam,” Indonesia is made up of more than 10,000 islands and has regional cultural differences that make it the ultimate land of diversity. TIFF has been presenting outstanding Indonesian films, reflecting the nation’s diverse culture, since the 80’s. In this year’s focus, we will showcase 11 films, from the latest works by veterans to the unique, ambitious work of up-and-coming directors. In the showcase, we will highlight three films by Teddy Soeriaatmadja, whose provocative and powerful work is internationally acclaimed. Along with Soeriaatmadja’s so-called Trilogy About Intimacy, the lineup also includes such rising female directors as Nia Dinata, a pioneer in LGBT films, and Kamila Andini of the Mirror Never Lies. Please see the following pages for the full lineup. During the festival, guests from the films will attend the Q&A sessions and symposium.
    [Show full text]
  • WIKA Tower Cerita Menara Edisi 02/2016 Wijaya Karya Ceo Menyapa // Wikamagz Edisi 02 2016
    WIKAmagzwww.wika.co.id WIKA TOWER CERITA MENARA EDISI 02/2016 WIJAYA KARYA CEO MENYAPA // WIKAMAGZ EDISI 02 2016 WIKA TOWER, A PRIDE OF OUR HISTORY — una memenuhi tuntutan kebutuhan pertumbuhan ekonomi dan pembangunan sosial yang BINTANG PERBOWO G berkelanjutan, kami tergerak untuk meremajakan kawasan, dimana kami dapat beraktivitas dan berinteraksi secara efektif. Inisiatif peremajaan kawasan itu harus Direktur Utama (CEO) PT Wijaya Karya (Persero) Tbk. dapat berjalan beriringan memadukan antara tata guna lahan berwawasan lingkungan yang cerdas dan [email protected] pengembangan jaringan informasi, komunikasi, dan transportasi yang lebih tertata, tanpa mengurangi sedikit pun identitas WIKA. Oleh karena itulah, hadir WIKA Tower sebagai wujud optimisme kami mengisi masa depan. Bangunan kebanggaan WIKA, WIKA Tower merupakan simbol akulturasi bangunan ramah lingkungan (green building), bangunan yang mengimplementasikan teknologi pintar (smart building) dan teknologi peredam gempa. Kami meyakini bahwa keselarasan bangunan dengan lingkungan, teknologi pintar, dan kekinian adalah salah satu modal utama menciptakan harmoni dalam kehidupan. Bukan berkesan ingin menggurui, tetapi falsafah sebuah bangunan yang terdiri dari berbagai macam material yang saling mendukung sehingga dapat berdiri dengan indah dan kuat mengajarkan bagaimana nilai-nilai persatuan dari keanekaragaman adalah penting adanya. Apalah artinya marmer Italia, jika tidak ada semen Jawa Timur yang mampu merekatkan? Demikian pula sebaliknya. WIKA Magz edisi ini merangkum secara ringkas perjalanan penting WIKA Tower sebagai episentrum seluruh insan WIKA. Satu hal yang menjadi catatan saya kemudian adalah REDAKSI bahwa WIKA Tower dengan semangat inovasinya adalah legacy pengetahuan yang melayani dan memberikan Dewan Pembina : Direksi Pimpinan Redaksi : Suradi kontribusi sehingga dapat diwariskan pada generasi WIKA Editor : Fajar Firman Arif Reporter : Firlan, Fekum, Heni mendatang.
    [Show full text]
  • Capturing Masculinity in Online News About Election Selfie
    Jurnal ASPIKOM, Vol. 5, No. 1, January 2020, pp 27-35 P-ISSN: 2087-0442, E-ISSN: 2548-8309 DOI: http://dx.doi.org/10.24329/aspikom.v5i1.440 n 27 Democracy and New Media: Capturing Masculinity in Online News About Election Selfie Demokrasi dan Media Baru: Memotret Maskulinitas dalam Pemberitaan Online Tentang Selfie Pemilu Monika Sri Yuliarti Universitas Sebelas Maret, Jl. Ir. Sutami 36A Surakarta e-mail: [email protected] Abstract Election selfie has been a quite phenomenon since the 2014 election in Indonesia. In the last election, 2019, there was a famous actor, Nicholas Saputra, who posted his inked finger selfie in his Instagram account as one of his campaign efforts for the youth to be involved in the election, and surprisingly, it became a bombshell in the online world. This study examined the representation of masculinity in the online new relates to the election selfie by Nicholas Saputra. This research involved five (5) online news articles from a reputable online news portal in Indonesia using a critical discourse analysis perspective that was adopted from the Sara Mills model. It was found that traditional masculinity was represented in research objects, which were the strengths and the practical way of life. Moreover, it was also found that in terms of subject- object position, there was no balance in the opportunity to speak between the subject and object. Finally, as to the writer-reader position, the writer also held a more significant privilege to decide the position of the reader. Keywords: Election Selfie; Instagram; Masculinity; Sara Mills Abstrak Selfie Pemilu telah menjadi fenomena yang cukup populer sejak pemilihan umum tahun 2014 di Indonesia.
    [Show full text]
  • Adi Darda CV Port Vert 201903 HR
    ABOUT ME ADI DARDA GAUDIAMO (62) 819-3287-3898 Objective Working as Graphic Designer, Illustrator, Character Designer, creative concept Achievements - Published Book– Time Flyz -Graphic Novel, Zondervan (Harper Collins Publishing Co.) USA - Published Book – ‘Petualangan Tiro Mandawa’- Penerbit Tiga Serangkai (the comic was being made into a movie, ‘Ekspedisi Madewa’) - Published artwork – Sampoerna Hijau Corporate Wall Branding illustrations (3 stories tall) - Visual concept, Comic illustration & Interactive CD – Serial Ramba – Abba Production - Assistant Director - ‘Bawang Merah-Bawang Putih musical’ - Platinum Entertainment - starring Nicholas Saputra and Dian Sastrowardoyo - Creative Design - 'Silet (TV show) - Creative Indigo Production Employment History July 2017 - Now Cellihealth.com - Creative Designer Providing concept and producing the gamied version of Cellihealth app, providing promotional video and graphic design contents for Cellihealth merchants and internal graphic design needs. January 2016 - July 2017 Ralali.com - Creative Head Chiey responsible for creating conventional and digital marketing concept for product campaigns. Leading a group of graphic designers to produce video, motion graphic, animation and graphic design contents for clients and internal multimedia purposes. May 2009 – 2015 X-Team.com / Flywire PTY LTD, Australia (remote) - Designer and Illustrator Solely responsible for all illustration and graphic design works. Developing online game concepts, storyboard and UI graphics. Select clients included FOX Entertainment, FOX Cable Network, Twitter, Threadless, Come2Play.com May 2009 – 2014 Bedrock Brands Asia (Part time) - Art Director Developing below the line concept and artworks mainly brand identities, packaging designs and POS materials. Select clients included OT group, Kalbe Farma, Batiqa Hotel . July 2005 – April 2009 LOWE Indonesia (LOWE Design) - Graphic Design Manager Chiey responsible for design of retail, POS, nal art, commercial illustration.
    [Show full text]
  • PDF) 978-1-61451-643-9 E-ISBN (EPUB) 978-1-5015-0070-1 ISSN 1861-0676
    Dwi Noverini Djenar, Michael C. Ewing, Howard Manns Style and Intersubjectivity in Youth Interaction Contributions to the Sociology of Language Edited by Ofelia García Francis M. Hult Founding editor Joshua A. Fishman Volume 108 Dwi Noverini Djenar, Michael C. Ewing, Howard Manns Style and Intersubjectivity in Youth Interaction This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivs 4.0 License, as of February 20, 2018. For details go to http://creativecommons.org/licenses/by-nc-nd/4.0/. An electronic version of this book is freely available, thanks to the support of libra- ries working with Knowledge Unlatched. KU is a collaborative initiative designed to make high quality books Open Access. More information about the initiative can be found at www.knowledgeunlatched.org ISBN 978-1-61451-755-9 e-ISBN (PDF) 978-1-61451-643-9 e-ISBN (EPUB) 978-1-5015-0070-1 ISSN 1861-0676 Library of Congress Cataloging-in-Publication Data A CIP catalog record for this book has been applied for at the Library of Congress. Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. © 2018 Walter de Gruyter Inc., Boston/Berlin Typesetting: Integra Software Services Pvt. Ltd. Printing and binding: CPI books GmbH, Leck Cover image: sculpies/shutterstock ♾ Printed on acid-free paper Printed in Germany www.degruyter.com We dedicate this book to our parents: Widjanarko Djenar and Puji Yuanasari Kusumawardhani Paul and Barbara Ewing Howard Manns Sr. and Christina Myers Acknowledgments This book is the product of a collective intellectual exploration and a shared inter- est in the language practices of young people in Indonesia.
    [Show full text]
  • Consuming Gender and Disability in Indonesian Film
    CONSUMING GENDER AND DISABILITY IN INDONESIAN FILM Novi Kurnia Departemen Ilmu Komunikasi Fisipol Universitas Gadjah Mada, Jalan Sosio Yusticia Bulaksumur Yogyakarta 55281, No. Hp. +628169413961, Email: [email protected] Abstract This study aims to examine the film audience reception on gender and disabilities representation towards What We Don’t Talk About When We Talk About Love (Yang Tidak Dibicarakan Ketika Membicarakan Cinta, 2013). This film directed by a prominent Indonesian woman film director, Mouly Surya, and produced in 2013. Such audience study is very important in the scholarship of women and Indonesian films dominated by studies on women representation in the film and women filmmakers. Employing reception analysis based on Stuart Hall’s work, this study involves six Indonesian students as informant of a series of in-depth interviews. The study finds that the personal experiences and knowledge of informants, as well as their film habits, but not their gender, influences their interpretation toward the issue of gender and disabilities in the film. Keywords: gender, disability, film audience, reception, women director Abstrak Penelitian ini bertujuan untuk mengetahui pemaknaan penonton film terhadap representasi gender dan kaum difabel yang terdapat dalam film What We Don’t Talk About When They Talk About Love (Yang Tidak Dibicarakan Ketika Membicarakan Cinta, 2013). Film ini disutradarai oleh salah satu sutradara perempuan terkemuka Indonesia, Mouly Surya, dan diproduksi pada tahun 2013. Penelitian mengenai penonton film ini sangat penting dalam kajian perempuan dan film Indonesia yang didominasi oleh beragam penelitian mengenai representasi perempuan di film dan pekerja film perempuan. Dengan menggunakan analisis resepsi hasil karya Stuart Hall, penelitian ini melibatkan enam informan dari serangkaian wawancara mendalam.
    [Show full text]
  • CAT-2020-Web.Pdf
    1 3 Índice PRESENTACIÓN.................................................................................. 11 COMITÉ DE DIRECCIÓN Y DE SELECCIÓN DE CORTOS....................... 12 INSTITUCIONES COLABORADORAS.................................................... 13 7 ORGANIZACIÓN................................................................................. 15 JURADO JOVEN.................................................................................. 19 ACTIVIDADES PARALELAS.................................................................. 25 LARGOMETRAJES A CONCURSO........................................................ 28 2067.................................................................................................... 29 Alone.................................................................................................. 30 Archive................................................................................................ 31 Come True............................................................................................ 32 Mandibules.......................................................................................... 33 Post Mortem........................................................................................ 34 Rent-A-Pal........................................................................................... 35 Scare Me............................................................................................. 36 The Wave............................................................................................
    [Show full text]
  • Hallo BUKU MATERI POKOK PBIS4427/3Sks/MODU
    Hallo Good morning Thank you Your welcome I hope you enjoy it Nice to How meet you are you? SpeakingPenerbit: Universitas Terbuka 2018 BUKU MATERI POKOK PBIS4427/3sks/MODUL 1-6 Speaking 1 SpeakingMODUL 1-6 Penulis: Ika Tri Yunianika, S.Pd., M.Pd. Didin Nuruddin Hidayat, MA. TESOL., Ph.D. Valentina K. Widiyanto, S.Pd., MA. TESOL. Tria Zulviana, S.Pd., MA. TESOL Rina Astuti Purnamaningwulan, S.Pd., M.Hum. Rido Imam Ashadi, M.Ed., M.Hum. Desain dan Layout: Citra Ayu Maulidia, S.Kom. Penerbit: Universitas Terbuka 2018 BUKU MATERI POKOK PBIS4427/3sks/MODUL 1-6 2 Speaking Table of Content MODULE 1: PERSONAL AND FAMILY INTRODUCTION 4 Unit 1: Self Introduction …………………....................................... 7 Summary ………………………............................................. 18 Formative Test ……………................................................ 19 Unit 2: Introducing others ………………….................................... 21 Summary ………………………............................................. 29 Formative Test ……………................................................ 30 Unit 3: Family Introduction ..................................................... 33 Summary ………………………............................................. 53 Formative Test ……………................................................ 55 SAMPLE ANSWERS OF MODULE 1 60 MODULE 2: IN THE PUBLIC Area 80 Unit 1: At The Market .............................................................. 82 Summary ………………………............................................. 93 Formative Test ……………...............................................
    [Show full text]
  • Digital Gender Gaps and Opportunities
    DIGITAL GENDER GAPS AND OPPORTUNITIES FOSTERING EQUAL PARTICIPATION AND ENDING VIOLENCE AGAINST WOMEN IN A CONNECTED AGE A CSW65 high-level side event organised by the German Presidency of the Council of Europe Committee of Ministers, the Council of Europe and the National Council of German women’s organisations Date/time: 17/03/2021, 9 am EST (USA time) – 2 pm CET (France time) Duration: 1 h 30 Platform: ► BlueJeans via Council of Europe Registration via: ► Istanbul Convention Website Words of Welcome: ► Juliane Seifert, State Secretary, Federal Ministry of Family Affairs, Senior Citizens, Women and Youth, Germany ► Mona Küppers, President of the National Council of German Women‘s Organizations Keynote speaker: ► Seyi Akiwowo, Women’s Rights Advocate and Founder of GLITCH, a non-profit cam- paigning organisation to end online abuse, United Kingdom/Nigeria Panellists: ► Emily Yiolitis, Minister of Justice and Public Order, Cyprus ► Helena Dalli, Commissioner for Equality, European Union [tbc] ► Dr. Marceline Naudi, President of the Council of Europe’s Group of experts on Action against Violence against Women and Domestic Violence (GREVIO) ► Dr. Aysel Yollu-Tok, Chair Expert of the Commission of the Third Gender Equality Report, Germany ► Anne-Birgitte Albrectsen, Chief Executive Officer at Plan International, United Kingdom ► Hannah Al Rashid, Actress and United Nations Sustainable Development Goals Mover for Gender Equality, Indonesia [tbc] Moderator: ► tbc ■ In many parts of the world, the digital transformation is generating new opportunities for women’s empowerment through access to knowledge and resources. At the same time, the digital gender divide and discrimination against women are exacerbating. Discriminatory factors range from unequal access to digital technologies, lack of training or education to bar- riers for women in digital technology industries.
    [Show full text]