DOCSLIB.ORG

Hallo BUKU MATERI POKOK PBIS4427/3Sks/MODU

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Hallo BUKU MATERI POKOK PBIS4427/3Sks/MODU Hallo Good morning Thank you Your welcome I hope you enjoy it Nice to How meet you are you? SpeakingPenerbit: Universitas Terbuka 2018 BUKU MATERI POKOK PBIS4427/3sks/MODUL 1-6 Speaking 1 SpeakingMODUL 1-6 Penulis: Ika Tri Yunianika, S.Pd., M.Pd. Didin Nuruddin Hidayat, MA. TESOL., Ph.D. Valentina K. Widiyanto, S.Pd., MA. TESOL. Tria Zulviana, S.Pd., MA. TESOL Rina Astuti Purnamaningwulan, S.Pd., M.Hum. Rido Imam Ashadi, M.Ed., M.Hum. Desain dan Layout: Citra Ayu Maulidia, S.Kom. Penerbit: Universitas Terbuka 2018 BUKU MATERI POKOK PBIS4427/3sks/MODUL 1-6 2 Speaking Table of Content MODULE 1: PERSONAL AND FAMILY INTRODUCTION 4 Unit 1: Self Introduction …………………....................................... 7 Summary ………………………............................................. 18 Formative Test ……………................................................ 19 Unit 2: Introducing others ………………….................................... 21 Summary ………………………............................................. 29 Formative Test ……………................................................ 30 Unit 3: Family Introduction ..................................................... 33 Summary ………………………............................................. 53 Formative Test ……………................................................ 55 SAMPLE ANSWERS OF MODULE 1 60 MODULE 2: IN THE PUBLIC Area 80 Unit 1: At The Market .............................................................. 82 Summary ………………………............................................. 93 Formative Test ……………................................................ 93 Unit 2: At The restaurant ......................................................... 97 Summary ………………………............................................. 112 Formative Test ……………................................................ 113 Unit 3: At The Bank .................................................................. 117 Summary ………………………............................................. 128 Formative Test ……………................................................ 128 SAMPLE ANSWERS OF MODULE 2 132 MODULE 3: LEISURE AND entertainment 137 Unit 1: Weekend Activities ...................................................... 139 Summary ………………………............................................. 160 Speaking 3 Formative Test …………….................................................. 160 Unit 2: Hobby ........................................................................... 164 Summary ………………………............................................. 181 Formative Test 2 ……………............................................... 182 Unit 3: Movie ........................................................................... 185 Summary ………………………............................................. 203 Formative Test 3 ……………............................................... 203 SAMPLE ANSWERS OF MODULE 3 208 MODULE 4: TRAVELLING 227 Unit 1: At the Travel Agent ........................................................ 230 Summary ………………………............................................. 244 Formative Test 1 ……………............................................... 246 Unit 2: At the Airport ............................................................... 249 Summary ………………………............................................. 265 Formative Test 2 …………................................................ 267 Unit 3: At the Tourist Places ..................................................... 269 Summary ………………………............................................. 286 Formative Test 3 …………….............................................. 289 SAMPLE ANSWERS OF MODULE 4 290 MODULE 5: HEALTH AND SPORT 305 Unit 1: Interacting about health Condition ............................... 306 Summary ………………………............................................. 320 Formative Test …....………............................................... 321 Unit 2: Making an Appointment ............................................... 325 Summary ………………………............................................. 340 Formative Test ……...……................................................ 341 Unit 3: let Us Do Sport! ............................................................ 345 Summary ………………………............................................. 358 4 Speaking Formative Test …..………….............................................. 358 MODULE 6: EDUCATION AND WORK 364 Unit 1: Talking About The Past ............................................... 367 Summary ………………………............................................. 381 Unit 2: Talking About Present (Job) .......................................... 385 Summary ………………………............................................. 399 Formative Test ……...……................................................ 401 Unit 3: Talking About Future (Education And Job) ................... 404 Summary ………………………............................................. 416 Formative Test …..………….............................................. 417 SAMPLE ANSWERS 419 REFERENCE SOURCES: 430 Speaking 5 Module 1 Personal and Family Introduction Introduction This module contains speaking material on personal and family introductions for novice (beginner) learners. It is divided into three lesson units; Unit 1 is about formal and informal self introduction Unit 2 is introducing others, and Unit 3 is about family introduction. Besides, material about greeting and leave taking will also be discussed. Every unit in this module starts with dialogues followed by discussion, tasks, summary, and formative tests. As in most of english speaking material, topic on personal and family introduction, as well as greeting and leave taking is on the top list as these topic enable people to begin conversation 6 Speaking or talk with anyone at any situations. As a result, it is very important to start learning speaking with these topics. The general objective of this module is that you are able to introduce yourself, introduce others, and talk about your family in English. More specifically, you should be able to speak about those three topics with 80% of accuracy and fluency. Guidelines The following is the instruction on how to study this module. Be familiar with the structure of this book. Do not jump to the lesson unit before you read the introduction part and the instruction and get a complete understanding of it. Every unit starts with dialogues. Read them as many times as you can and get the ideas. After dialogues, you will find discussion part which contains the material used in the previous dialogues. Study the discussion carefully and get a full understanding of it. The next part is tasks. Task is the part where you have to practise the material. Remember that practice makes perfect and it is impossible to have speaking skill unless you speak! Be disciplined and follow the instruction of each task. Be informed that answer keys or sampel answers are provided at the end of the module. You can see them ONLY AFTER you are done with the tasks. Speaking 7 After completing the tasks, read the summary in order to get better understanding. The last part is formative tests. Do the test as instructed. Answer keys or sampel answers are also provided at the end of the module but keep in mind that you can see them ONLY AFTER you are done with the tests. After taking the tests, do some evaluation. It is a self assessment system so you can do it on your own as long as you are being honest with yourself. 8 Speaking UNIT 1 Self Introduction Photo by Moxie Productions/Getty Images Goals Learning how to introduce yourself is an essential part of learning how to converse in English. Introductions are also an important part of making small talk at parties or other social events. In this unit, you are going to learn how to introduce yourself both in formal and informal ways. In general, after studying and practicing the material you are expected to be able to introduce yourself both in formal and infomal ways. Speaking 9 Conversation Practices FORMAL SITUATIONS Read the dialogues as many times as possible. Then find a partner and practise them. DIALOGUE 1 Two people greet each other politely in an airport’s boarding room. It sounds formal and friendly. Peter : Good afternoon. Jane : Good afternoon. Peter : My name is Peter. What›s your name? Jane : My name is Jane. Nice to meet you. Peter : It’s a pleasure. This is a great party! Jane : Yes, it is. Where are you from? Peter : I’m from Amsterdam. Where are you from? Jane : I’m from Spain. Peter : That’s very interesting. Spain is a beautiful country. Jane : Thank you. It is a wonderful place. 10 Speaking DIALOGUE 2 One Monday morning in a large hall of a hotel, two people started a conversation fomally. Similar to dialogue above, they introduce each other’s name before talking more. John : Good morning. Alan : Good morning. How are you? John : I’m very well, thank you. And you? Alan : I’m fine. Thank you for asking. John : I don’t believe we’ve met before, I’m John. Alan : Pleased to meet you. I’m Alan. John : Do you have a meeting this morning? Alan : Yes, I do. Do you have a meeting as well? John : Yes. It was a pleasure seeing you. Alan : Goodbye. John : Goodbye. DIALOGUE 3 A teacher wants to introduce herself in the first meeting of her class. She introduced herself before starting to get to know her students and before starting the lesson. Teacher : Good morning class. Students : Good morning, mam. Teacher : How are you today? Students : Very well, thank you. And you? Teacher : I am great, thanks. Let me introduce myself. My name is Jasmine and I am from Speaking 11 Informal Situations DialoGUE 4 This conversation
Load more

Recommended publications
  • Semiotika Makna Arti Kasih Ibu Dalam Film Semesta Mendukung
    SEMIOTIKA MAKNA ARTI KASIH IBU DALAM FILM SEMESTA MENDUKUNG Skripsi DiajukanKepadaFakultasIlmuDakwahdanIlmuKomunikasiUntukMemenuhi PersyaratanMemperolehGelarSarjanaIlmu Komunikasi Islam (S.Kom.I) Oleh: ANIA FEBRIANI FASYA NIM :108051000143 KOMUNIKASI PENYIARAN ISLAM FAKULTAS ILMU DAKWAH DAN ILMU KOMUNIKASI UNIVERSITAS ISLAM NEGERI SYARIF HIDAYATULLAH JAKARTA 1434 H/2013 M SEMIOTIKA ARTI KAStrI IBU DALAM FILM SEMESTA MENDIIKT}NG Skripsi Diajukan Kepada Fakultas Ilmu Dakwah dan Ilmu Komunikasi Untuk Memenuhi Persyaratan Memperoleh Gelar Sarjana Komunikasi Islam (S.Kom.t) Oleh Ania Febriani Fasva NIM: 108051000143 Di bawah bimbingan, 182C08011008 JURUS$I KOMUNIKASI PENYIARAN ISLAM FAKULTAS ILMU DAKWAH DAN ILMU KOMT]NIKASI UNTVERSITAS ISLAM NEGERT rUin SYARIF HIDAYATULLAH JAKAR'TA 1433 H./ 2013 M. PENGESAHAN PANTI IA UJIAN Skripsi yang berjudul "Semiotika Makna Arti Kasih Ibu Pada Film Semesta Mendukung", telah drqikan dalam sidang munaqosah Fakultas Ilmu Dakwah dan Ilmu Komunikasi UIN Syarif Hidayatullah Jakarta pada Selasa,29 Januari 2013. Skripsi ini telah diterima sebagai salah satu syarat untuk memperoleh gelar Sarjana Program Straia I (Sl) pada Jurusan Komunikasi Penyiaran Islam. Jakarta, 4 Februari 2013 SIDANG MTJNAQOSAII Ketua Merangkap Anggota Sekretaris Merangkap Anggota Drs. .Tumroni- M Si NIP. 19630515 199203 1 006 NIP.19710816 Anggota Penguji I Dr.ffi Armawati Arbi. M.Si Ade Masturi. MA NIP. 19650207 199103 2 002 NrP. 197s 06062007t01 001 Pembimbing Rr,lli Nasrullah. M. Si t9750318 200801 1 008 ABSTRAK Ania Febriani Fasya Semiotika Arti Kasih Ibu dalam Film Semesta Mendukung Film merupakan salah satu bentuk media komunikasi massa dari berbagai teknologi dan berbagai unsur-unsur kesenian. Sebagai seni ketujuh, film sangat berbeda dengan seni sastra, teater, seni rupa, seni suara, musik, dan arsitektur yang muncul sebelumnya.
    [Show full text]
  • Daftar Mahasiswa Baru Universitas Singaperbangsa Karawang Angkatan 2020
    Daftar Mahasiswa Baru Universitas Singaperbangsa Karawang Angkatan 2020 NOMOR NAMA LENGKAP PROGRAM STUDI NPM PESERTA 22001528 ALMAIDA RAHMAWATI D3 AKUNTANSI 2010630110001 22000079 ANATASYA DIAN LESTARI D3 AKUNTANSI 2010630110002 22001099 ASSYIFA USSAADAH D3 AKUNTANSI 2010630110003 22001428 DEFIRSTTA RAHMADHANI D3 AKUNTANSI 2010630110004 22000145 DINDA AYU LESTARI D3 AKUNTANSI 2010630110005 22002198 ELSA ERVIANA SYAFA ALEXANDRA D3 AKUNTANSI 2010630110006 22000189 ENJANG MUHAMAD IDRIS D3 AKUNTANSI 2010630110007 22002585 FIRZATULLAH RAMADHANI D3 AKUNTANSI 2010630110008 22001993 INTAN IGA PRATIWI FITRI HANISWATI D3 AKUNTANSI 2010630110009 22000710 JOSHUA KEVIN PANDJAITAN D3 AKUNTANSI 2010630110010 22001578 JUSTICE LORENSIUS D3 AKUNTANSI 2010630110011 KHOFIFAH TIORIA AZIZAH 22000049 D3 AKUNTANSI 2010630110012 MARPAUNG 22000128 MOHAMMAD SAMSUL MU'ARIF D3 AKUNTANSI 2010630110013 22001297 MUHAMMAD RONALD FAREL D3 AKUNTANSI 2010630110014 22001568 NADYA PRANSISCA PANJAITAN D3 AKUNTANSI 2010630110015 22001856 NATALIA NABABAN D3 AKUNTANSI 2010630110016 22002014 NURIN NURAINI D3 AKUNTANSI 2010630110017 22000789 RAHMAWATI MATONDANG D3 AKUNTANSI 2010630110018 22000218 TIARA SYAIFITRI D3 AKUNTANSI 2010630110019 22000635 ZIDDAN ALFANI D3 AKUNTANSI 2010630110020 22001928 ADI IRWAN D3 AKUNTANSI 2010630110021 22001938 ALIFAH MAULIDA D3 AKUNTANSI 2010630110022 22001702 ANNISA PERMATA HATI D3 AKUNTANSI 2010630110023 22000714 BELLA FAHIRA D3 AKUNTANSI 2010630110024 22002074 DINA AGUS SEPTIANA D3 AKUNTANSI 2010630110025 22001939 FITRI APRILIA D3 AKUNTANSI 2010630110026
    [Show full text]
  • 29Th Tokyo International Film Festival Announces Lineup for CROSSCUT
    PRESS RELEASE September 21, 2016 29th Tokyo International Film Festival Announces Lineup for CROSSCUT ASIA #03: Colorful Indonesia Lovely Man Cado Cado: Doctor 101 About a Woman Three Sassy Sisters Fiction. Someone’s Wife in The Boat of Someone’s Husband Something in the Way Filosofi Kopi Following Diana Emma’ (Mother) After the Curfew The 29th Tokyo International Film Festival (TIFF) is just around the corner! We are pleased to announce the lineup for CROSSCUT ASIA #03: Colorful Indonesia. The third chapter of the CROSSCUT ASIA series, launched by the Japan Foundation Asia Center and TIFF in 2014 to showcase Asian films, now turns its attention to recent cinema from Indonesia. Known as a nation of “tolerant Islam,” Indonesia is made up of more than 10,000 islands and has regional cultural differences that make it the ultimate land of diversity. TIFF has been presenting outstanding Indonesian films, reflecting the nation’s diverse culture, since the 80’s. In this year’s focus, we will showcase 11 films, from the latest works by veterans to the unique, ambitious work of up-and-coming directors. In the showcase, we will highlight three films by Teddy Soeriaatmadja, whose provocative and powerful work is internationally acclaimed. Along with Soeriaatmadja’s so-called Trilogy About Intimacy, the lineup also includes such rising female directors as Nia Dinata, a pioneer in LGBT films, and Kamila Andini of the Mirror Never Lies. Please see the following pages for the full lineup. During the festival, guests from the films will attend the Q&A sessions and symposium.
    [Show full text]
  • WIKA Tower Cerita Menara Edisi 02/2016 Wijaya Karya Ceo Menyapa // Wikamagz Edisi 02 2016
    WIKAmagzwww.wika.co.id WIKA TOWER CERITA MENARA EDISI 02/2016 WIJAYA KARYA CEO MENYAPA // WIKAMAGZ EDISI 02 2016 WIKA TOWER, A PRIDE OF OUR HISTORY — una memenuhi tuntutan kebutuhan pertumbuhan ekonomi dan pembangunan sosial yang BINTANG PERBOWO G berkelanjutan, kami tergerak untuk meremajakan kawasan, dimana kami dapat beraktivitas dan berinteraksi secara efektif. Inisiatif peremajaan kawasan itu harus Direktur Utama (CEO) PT Wijaya Karya (Persero) Tbk. dapat berjalan beriringan memadukan antara tata guna lahan berwawasan lingkungan yang cerdas dan [email protected] pengembangan jaringan informasi, komunikasi, dan transportasi yang lebih tertata, tanpa mengurangi sedikit pun identitas WIKA. Oleh karena itulah, hadir WIKA Tower sebagai wujud optimisme kami mengisi masa depan. Bangunan kebanggaan WIKA, WIKA Tower merupakan simbol akulturasi bangunan ramah lingkungan (green building), bangunan yang mengimplementasikan teknologi pintar (smart building) dan teknologi peredam gempa. Kami meyakini bahwa keselarasan bangunan dengan lingkungan, teknologi pintar, dan kekinian adalah salah satu modal utama menciptakan harmoni dalam kehidupan. Bukan berkesan ingin menggurui, tetapi falsafah sebuah bangunan yang terdiri dari berbagai macam material yang saling mendukung sehingga dapat berdiri dengan indah dan kuat mengajarkan bagaimana nilai-nilai persatuan dari keanekaragaman adalah penting adanya. Apalah artinya marmer Italia, jika tidak ada semen Jawa Timur yang mampu merekatkan? Demikian pula sebaliknya. WIKA Magz edisi ini merangkum secara ringkas perjalanan penting WIKA Tower sebagai episentrum seluruh insan WIKA. Satu hal yang menjadi catatan saya kemudian adalah REDAKSI bahwa WIKA Tower dengan semangat inovasinya adalah legacy pengetahuan yang melayani dan memberikan Dewan Pembina : Direksi Pimpinan Redaksi : Suradi kontribusi sehingga dapat diwariskan pada generasi WIKA Editor : Fajar Firman Arif Reporter : Firlan, Fekum, Heni mendatang.
    [Show full text]
  • Capturing Masculinity in Online News About Election Selfie
    Jurnal ASPIKOM, Vol. 5, No. 1, January 2020, pp 27-35 P-ISSN: 2087-0442, E-ISSN: 2548-8309 DOI: http://dx.doi.org/10.24329/aspikom.v5i1.440 n 27 Democracy and New Media: Capturing Masculinity in Online News About Election Selfie Demokrasi dan Media Baru: Memotret Maskulinitas dalam Pemberitaan Online Tentang Selfie Pemilu Monika Sri Yuliarti Universitas Sebelas Maret, Jl. Ir. Sutami 36A Surakarta e-mail: [email protected] Abstract Election selfie has been a quite phenomenon since the 2014 election in Indonesia. In the last election, 2019, there was a famous actor, Nicholas Saputra, who posted his inked finger selfie in his Instagram account as one of his campaign efforts for the youth to be involved in the election, and surprisingly, it became a bombshell in the online world. This study examined the representation of masculinity in the online new relates to the election selfie by Nicholas Saputra. This research involved five (5) online news articles from a reputable online news portal in Indonesia using a critical discourse analysis perspective that was adopted from the Sara Mills model. It was found that traditional masculinity was represented in research objects, which were the strengths and the practical way of life. Moreover, it was also found that in terms of subject- object position, there was no balance in the opportunity to speak between the subject and object. Finally, as to the writer-reader position, the writer also held a more significant privilege to decide the position of the reader. Keywords: Election Selfie; Instagram; Masculinity; Sara Mills Abstrak Selfie Pemilu telah menjadi fenomena yang cukup populer sejak pemilihan umum tahun 2014 di Indonesia.
    [Show full text]
  • Adi Darda CV Port Vert 201903 HR
    ABOUT ME ADI DARDA GAUDIAMO (62) 819-3287-3898 Objective Working as Graphic Designer, Illustrator, Character Designer, creative concept Achievements - Published Book– Time Flyz -Graphic Novel, Zondervan (Harper Collins Publishing Co.) USA - Published Book – ‘Petualangan Tiro Mandawa’- Penerbit Tiga Serangkai (the comic was being made into a movie, ‘Ekspedisi Madewa’) - Published artwork – Sampoerna Hijau Corporate Wall Branding illustrations (3 stories tall) - Visual concept, Comic illustration & Interactive CD – Serial Ramba – Abba Production - Assistant Director - ‘Bawang Merah-Bawang Putih musical’ - Platinum Entertainment - starring Nicholas Saputra and Dian Sastrowardoyo - Creative Design - 'Silet (TV show) - Creative Indigo Production Employment History July 2017 - Now Cellihealth.com - Creative Designer Providing concept and producing the gamied version of Cellihealth app, providing promotional video and graphic design contents for Cellihealth merchants and internal graphic design needs. January 2016 - July 2017 Ralali.com - Creative Head Chiey responsible for creating conventional and digital marketing concept for product campaigns. Leading a group of graphic designers to produce video, motion graphic, animation and graphic design contents for clients and internal multimedia purposes. May 2009 – 2015 X-Team.com / Flywire PTY LTD, Australia (remote) - Designer and Illustrator Solely responsible for all illustration and graphic design works. Developing online game concepts, storyboard and UI graphics. Select clients included FOX Entertainment, FOX Cable Network, Twitter, Threadless, Come2Play.com May 2009 – 2014 Bedrock Brands Asia (Part time) - Art Director Developing below the line concept and artworks mainly brand identities, packaging designs and POS materials. Select clients included OT group, Kalbe Farma, Batiqa Hotel . July 2005 – April 2009 LOWE Indonesia (LOWE Design) - Graphic Design Manager Chiey responsible for design of retail, POS, nal art, commercial illustration.
    [Show full text]
  • PDF) 978-1-61451-643-9 E-ISBN (EPUB) 978-1-5015-0070-1 ISSN 1861-0676
    Dwi Noverini Djenar, Michael C. Ewing, Howard Manns Style and Intersubjectivity in Youth Interaction Contributions to the Sociology of Language Edited by Ofelia García Francis M. Hult Founding editor Joshua A. Fishman Volume 108 Dwi Noverini Djenar, Michael C. Ewing, Howard Manns Style and Intersubjectivity in Youth Interaction This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivs 4.0 License, as of February 20, 2018. For details go to http://creativecommons.org/licenses/by-nc-nd/4.0/. An electronic version of this book is freely available, thanks to the support of libra- ries working with Knowledge Unlatched. KU is a collaborative initiative designed to make high quality books Open Access. More information about the initiative can be found at www.knowledgeunlatched.org ISBN 978-1-61451-755-9 e-ISBN (PDF) 978-1-61451-643-9 e-ISBN (EPUB) 978-1-5015-0070-1 ISSN 1861-0676 Library of Congress Cataloging-in-Publication Data A CIP catalog record for this book has been applied for at the Library of Congress. Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. © 2018 Walter de Gruyter Inc., Boston/Berlin Typesetting: Integra Software Services Pvt. Ltd. Printing and binding: CPI books GmbH, Leck Cover image: sculpies/shutterstock ♾ Printed on acid-free paper Printed in Germany www.degruyter.com We dedicate this book to our parents: Widjanarko Djenar and Puji Yuanasari Kusumawardhani Paul and Barbara Ewing Howard Manns Sr. and Christina Myers Acknowledgments This book is the product of a collective intellectual exploration and a shared inter- est in the language practices of young people in Indonesia.
    [Show full text]
  • Kulinarisches Kino
    Filme des Kulinarischen Kinos 2019 Aruna & Lidahnya (Aruna & Her Palate) von Edwin mit Dian Sastrowardoyo, Oka Antara, Hannah Al Rashid, Nicholas Saputra. Produktion: Palari Films, Jakarta. Weltvertrieb: CJ Entertainment, Seoul. Originalsprache: Indonesisch. Untertitel: Englisch The Biggest Little Farm von John Chester. Produktion: FarmLore Films, Moorpark. Weltvertrieb: NEON, New York. Deutscher Verleih: Prokino Filmverleih, München. Originalsprache: Englisch Chef’s Table: Asma Khan von Zia Mandviwalla. Produktion: Boardwalk Pictures, Los Angeles; Supper Club, Los Angeles; Finch Company, Sydney. Weltvertrieb: Netflix, Beverly Hills. Originalsprache: Englisch, Hindi. Untertitel: Deutsch Chef’s Table: Mashama Bailey von Abigail Fuller. Produktion: Boardwalk Pictures, Los Angeles; Supper Club, Los Angeles; Finch Company, Sydney. Weltvertrieb: Netflix, Beverly Hills. Originalsprache: Englisch. Untertitel: Deutsch Complicity von Kei Chikaura mit Lu Yulai, Tatsuya Fuji, Sayo Akasaka. Produktion: Creatps Inc., Tokyo; Mystigri Pictures, Beijing. Weltvertrieb: MPM Premium, Paris. Originalsprache: Japanisch, Mandarin. Untertitel: Englisch Delband (Beloved) von Yaser Talebi. Produktion: Documentary and Experimental Film Center, Teheran; ELI Image, Teheran. Weltvertrieb: ELI Image, Teheran. Originalsprache: Persisch. Untertitel: Englisch Ghost Fleet von Shannon Service, Jeffrey Waldron. Produktion: Seahorse Production, Sausalito; Vulcan Productions, Seattle. Weltvertrieb: Endeavor Content, Los Angeles. Originalsprache: Englisch, Burmesisch, Thai,
    [Show full text]
  • Consuming Gender and Disability in Indonesian Film
    CONSUMING GENDER AND DISABILITY IN INDONESIAN FILM Novi Kurnia Departemen Ilmu Komunikasi Fisipol Universitas Gadjah Mada, Jalan Sosio Yusticia Bulaksumur Yogyakarta 55281, No. Hp. +628169413961, Email: [email protected] Abstract This study aims to examine the film audience reception on gender and disabilities representation towards What We Don’t Talk About When We Talk About Love (Yang Tidak Dibicarakan Ketika Membicarakan Cinta, 2013). This film directed by a prominent Indonesian woman film director, Mouly Surya, and produced in 2013. Such audience study is very important in the scholarship of women and Indonesian films dominated by studies on women representation in the film and women filmmakers. Employing reception analysis based on Stuart Hall’s work, this study involves six Indonesian students as informant of a series of in-depth interviews. The study finds that the personal experiences and knowledge of informants, as well as their film habits, but not their gender, influences their interpretation toward the issue of gender and disabilities in the film. Keywords: gender, disability, film audience, reception, women director Abstrak Penelitian ini bertujuan untuk mengetahui pemaknaan penonton film terhadap representasi gender dan kaum difabel yang terdapat dalam film What We Don’t Talk About When They Talk About Love (Yang Tidak Dibicarakan Ketika Membicarakan Cinta, 2013). Film ini disutradarai oleh salah satu sutradara perempuan terkemuka Indonesia, Mouly Surya, dan diproduksi pada tahun 2013. Penelitian mengenai penonton film ini sangat penting dalam kajian perempuan dan film Indonesia yang didominasi oleh beragam penelitian mengenai representasi perempuan di film dan pekerja film perempuan. Dengan menggunakan analisis resepsi hasil karya Stuart Hall, penelitian ini melibatkan enam informan dari serangkaian wawancara mendalam.
    [Show full text]
  • IS There Specific Target Audience That Has Been Decided by UNICEF For
    Q & A 1. Target Audience: IS there specific target audience that has been decided by UNICEF for this campaign especially for traditional media buying? Generally, the advertiser decides the target audience in different segment like gender, age, specific SES (ex: MF 15-45 upper). If not, the agency will recommend the target audience For COVID-19 prevention behaviors advocacy, target audience: general public. For programmatic-focused PSA, target audience will be: mothers, parents/families, children (under 18 yo), youth and adolescence (14-25 yo), women, teachers, CSOs, government, media, medical community 2. Focus Area: is there any specific region/ area for this campaign? For COVID-19 prevention behaviors advocacy : Nation-wide UNICEF program areas that should also be covered by the PSA: https://www.unicef.org/indonesia/id/tempat-dimana-kami-bekerja 3. Asset TVC: Does UNICEF have ready to use TVC material (complete with STLS?) If yes, can you please share with us. We have PSA video assets that are circulated on social media platforms, with a duration of 1 minute. However, due to COVID-19 constraints, it was self-filming, and most likely the content’s not yet eligible for TVC. Can be seen on our Instagram and YouTube. Our PSA videos featuring Ferry Salim, Dian Sastro, Nicholas Saputra. If UNICEF doesnot have TVC material at the moment, does UNICEF plan to make it? It can be planned, but at the moment, the budget should focus on proposals for media placement. 4. Asset print & radio: Does UNICEF has ready to use asset print and radio? Can you share it with us? Not yet on print.
    [Show full text]
  • Representasi Nilai-Nilai Altruisme Pada Film Nasional Karya Gareth Evans
    Representasi Nilai-Nilai Altruisme Pada Film Nasional Karya Gareth Evans. (Studi Analisis SemiotikaThe Raid 1 dan The Raid 2 “Berandal” Karya Gareth Evans) SKRIPSI Diajukan untuk Memenuhi Persyaratan guna Memperoleh Gelar Sarjana Ilmu Komunikasi pada Fakultas Psikologi dan Ilmu Sosial Budaya Universitas Islam Indonesia Disusun Oleh : SONNA TRICIA MAHARANI 13321002 Program Studi Ilmu Komunikasi Fakultas Psikologi Dan Ilmu Sosial Budaya Universitas Islam Indonesia Yogyakarta 2017 ii iii iv MOTTO “Janganlah membuatmu putus asa dalam mengulang-ulang doa, ketika Allah menunda ijabah doa itu. Dialah yang menjamin ijabah doa itu menurut pilihan- Nya padamu, bukan menurut pilihan seleramu. Kelak pada waktu yang dikehendaki-Nya, bukan menurut waktu yang engkau kehendaki”. (Ibnu Atha’ilah) v KATA PENGANTAR Assalamu’alaikum Warahmatullah Wabarakatuh. Alhamdulillahirobbil’alamin, segala puji dan syukur yang tiada terhingga atas segala rahmat dan karunia yang telah diberikan oleh Allah SWT yang hingga detik ini penulis masih diberikan nikmat Islam, iman serta nikmat sehat wal’afiat, sehingga penulis dapat menyelesaikan skripsi ini. Serta selalu memberikan penulis kelancaran, kemudahan dan ilmu yang berkah. Skripsi ini merupakan syarat guna mencapai gelar Sarjana S1 (Strata Satu) Program Studi Ilmu Komunikasi Fakultas Psikologi dan Ilmu Sosial Budaya Universitas Islam Indonesia. Skripsi ini mengkaji tentang representasi nilai-nilai altruisme dalam film kekerasan karya sutradara nasional Gareth Evans. Penulis mencoba mengangkat kajian ini dengan tujuan untuk mengetahui nilai-nilai altruisme (kebaikan) yang ada pada film kekerasan karya Gareth Evans. Penulis menyadari dalam menyelesaikan penulisan skripsi ini masih memiliki keterbatasan dan kekurangan, serta tidak akan mungkin terselesaikan tanpa bantuan, bimbingan, dorongan, semangat dan saran dari berbagai pihak. Sehingga dengan ketulusan hati penulis mengucapkan terima kasih sedalam-dalamnya kepada: 1.
    [Show full text]
  • MANAJEMEN KEUANGAN DAN PEMASARAN DALAM FILM Oleh: Endah Wahyu Sulistianti
    MANAJEMEN KEUANGAN DAN PEMASARAN DALAM FILM Oleh: Endah Wahyu Sulistianti Abstract The implementation of financial management and marketing in film has been carried out by filmmakers, taking into account various aspects related to financial management and marketing in films including STDP (Segmenting, Targeting, Differentiation, and Positioning), and marketing mix consisting of 4 P (Product, Price, Place, Promotion). Although financial management and marketing have been carried out in the film, it turns out in terms of the number of viewers bringing different results in other words the number of viewers experiencing ups and downs. In 2007 the number of viewers was 1,389,454 increased to 4,631,841 in 2008, but decreased again from 2009 to 2011 to 748,842 viewers. In 2012 it increased again to 4,488,889 spectators and then decreased again in 2013 to 2015 to 1,270,509. Keywords: Financial Manajemen, Marketing, Film I. Pendahuluan Manajemen keuangan adalah suatu kegiatan perencanaan, penganggaran, pemeriksaan, pengelolaan, pengendalian, pencarian dan penyimpanan dana yang dimiliki oleh suatu organisasi atau perusahaan. Manajemen keuangan berhubungan dengan 3 aktivitas, yaitu:1 1. Aktivitas penggunaan dana, yaitu aktivitas untuk menginvestasikan dana pada berbagai aktiva. 2. Aktivitas perolehan dana, yaitu aktivitas untuk mendapatkan sumber dana, baik dari sumber dana internal maupun sumber dana eksternal perusahaan. 3. Aktivitas pengelolaan aktiva, yaitu setelah dana diperoleh dan dialokasikan dalam bentuk aktiva, dana harus dikelola seefisien mungkin. Seorang manajer keuangan dalam suatu perusahaan harus mengetahui bagaimana mengelola segala unsur dan segi keuangan, hal ini wajib dilakukan karena keuangan merupakan salah satu fungsi penting dalam mencapai tujuan perusahaan. Unsur manajemen keuangan harus diketahui oleh seorang manajer.
    [Show full text]