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Representasi Nilai-Nilai Altruisme Pada Film Nasional Karya Gareth Evans

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Representasi Nilai-Nilai Altruisme Pada Film Nasional Karya Gareth Evans Representasi Nilai-Nilai Altruisme Pada Film Nasional Karya Gareth Evans. (Studi Analisis SemiotikaThe Raid 1 dan The Raid 2 “Berandal” Karya Gareth Evans) SKRIPSI Diajukan untuk Memenuhi Persyaratan guna Memperoleh Gelar Sarjana Ilmu Komunikasi pada Fakultas Psikologi dan Ilmu Sosial Budaya Universitas Islam Indonesia Disusun Oleh : SONNA TRICIA MAHARANI 13321002 Program Studi Ilmu Komunikasi Fakultas Psikologi Dan Ilmu Sosial Budaya Universitas Islam Indonesia Yogyakarta 2017 ii iii iv MOTTO “Janganlah membuatmu putus asa dalam mengulang-ulang doa, ketika Allah menunda ijabah doa itu. Dialah yang menjamin ijabah doa itu menurut pilihan- Nya padamu, bukan menurut pilihan seleramu. Kelak pada waktu yang dikehendaki-Nya, bukan menurut waktu yang engkau kehendaki”. (Ibnu Atha’ilah) v KATA PENGANTAR Assalamu’alaikum Warahmatullah Wabarakatuh. Alhamdulillahirobbil’alamin, segala puji dan syukur yang tiada terhingga atas segala rahmat dan karunia yang telah diberikan oleh Allah SWT yang hingga detik ini penulis masih diberikan nikmat Islam, iman serta nikmat sehat wal’afiat, sehingga penulis dapat menyelesaikan skripsi ini. Serta selalu memberikan penulis kelancaran, kemudahan dan ilmu yang berkah. Skripsi ini merupakan syarat guna mencapai gelar Sarjana S1 (Strata Satu) Program Studi Ilmu Komunikasi Fakultas Psikologi dan Ilmu Sosial Budaya Universitas Islam Indonesia. Skripsi ini mengkaji tentang representasi nilai-nilai altruisme dalam film kekerasan karya sutradara nasional Gareth Evans. Penulis mencoba mengangkat kajian ini dengan tujuan untuk mengetahui nilai-nilai altruisme (kebaikan) yang ada pada film kekerasan karya Gareth Evans. Penulis menyadari dalam menyelesaikan penulisan skripsi ini masih memiliki keterbatasan dan kekurangan, serta tidak akan mungkin terselesaikan tanpa bantuan, bimbingan, dorongan, semangat dan saran dari berbagai pihak. Sehingga dengan ketulusan hati penulis mengucapkan terima kasih sedalam-dalamnya kepada: 1. Bapak Nandang Sutrisno, SH., M.Hum., LLM., Ph.D, selaku Rektor UniversitasIslam Indonesia. 2. Ibu Sumekar Tanjung, S.Sos., M.A., selaku dosen pembimbing skripsi. Terima kasih atas kesabarannya yang sudah membantu peneliti menyelesaikan skripsi. 3. Bapak Muzayin Nazaruddin, S.Sos., M.A., selaku Ketua Prodi Ilmu Komunikasi dan penguji skripsi. Terima kasih sudah berkenan menguji peneliti. 4. Ibu Mutia Dewi, S.Sos., M.I.kom., selaku dosen pembimbing akademik. Terima kasih sudah membantu peneliti selama proses perkuliahan selama ini. 5. Untuk kedua orang tuaku tercinta, Ayah Ir. H. R. Suhandoyo, MSc dan Ibu Hj. Tri Murtiningsih, terima kasih yang selalu memberikan dukungan, doa, serta kasih sayangnya yang tak terhingga kepada anaknya ini. vi 6. Untuk kedua kakakku tercinta, mas R. Sindhu Adityo, S.T., M.Eng dan mas R. Bondan Wicaksono, S.E yang selalu memberikan dukungan serta doa kepada adiknya. 7. Kepada teman-teman dan pegawai Prodi Ilmu Komunikasi serta teman-teman KKN Unit 354 yang telah memberikan semangat kepada peniliti. 8. Terima kasih juga untuk sahabat seperjuangan peneliti selama duduk dibangku perkuliahan mulai dari semester satu hingga selesai dalam melakukan penelitian diantaranya: Karina Maghvira Ramadhani, Rinta Arina Manasikana, Dwi Arieska N, Efri Khoirunisa Hartoyo, M. Idham Awaludin, Aji Bayu Murti, Zulfikar Fairuzabady dan Putri Zakia Salsabilla. Akhir kata, peneliti berharap semoga Allah SWT berkenan untuk membalas segala kebaikan semua pihak yang telah membantu. Peneliti juga menyadari bahwa masih ada kekurangan dalam penulisan laporan skripsi ini, untuk itu penulis mengharapkan kritik dan saran yang sifatnya membangun demi kesempurnaan laporan ini agar bermanfaat untuk sidapa saja yang memerlukannya. Wassalamu’alaikum Warrohmatullah Wabarokatuh. Yogyakarta, 3 Oktober 2017 Sonna Tricia Maharani vii DAFTAR ISI HALAMAN PERSETUJUAN ................................................................................... ii HALAMAN PENGESAHAN .................................................................................... iii HALAMAN PERNYATAAN ETIKA AKADEMIK .............................................. iv HALAMAN MOTTO ................................................................................................. v KATA PENGANTAR ................................................................................................ vi DAFTAR ISI ............................................................................................................... viii DAFTAR TABEL ....................................................................................................... x DAFTAR GAMBAR .................................................................................................. xi ABSTRAK ................................................................................................................... xii BAB I PENDAHULUAN ........................................................................................... 1 A. Latar Belakang ............................................................................................ 1 B. Rumusan Masalah ...................................................................................... 6 C. Tujuan Penelitian ........................................................................................ 7 D. Manfaat Penelitian ...................................................................................... 7 E. Tinjauan Pustaka ........................................................................................ 7 F. Landasan Teori ........................................................................................... 10 1. Film dan Representasi Gagasan Ideologi ................................. 10 2. Altruisme Sebagai Wacana Ideologi Massa ............................. 13 G. Metode Penelitian ....................................................................................... 18 1. Paradigma dan Pendekatan Penelitian ...................................... 18 2. Semiotika Untuk Menggali Gagasan-Gagasan Film ................ 19 3. Teknik Pengumpulan Data ....................................................... 21 4. Jenis Data .................................................................................. 22 5. Teknik Analisis Data ................................................................ 22 6. Tahapan Penelitian.................................................................... 23 BAB II GAMBARAN UMUM PERFILMAN DI INDONESIA ............................ 24 A. Sejarah Film Indonesia ............................................................................... 24 B. Sinopsis Film The Raid 1 ........................................................................... 27 C. Sinopsis Film The Raid 2 “Berandal” ........................................................ 30 viii D. Unit Analisis ............................................................................................... 33 BAB III TEMUAN DAN PEMBAHASAN .............................................................. 37 A. Analisis Film The Raid 1 ............................................................................ 37 B. Mitos dan Pembahasan Film The Raid 1 .................................................... 49 C. Analisis Film The Raid 2 “Berandal” ......................................................... 59 D. Mitos dan Pembahasan Film The Raid 2 “Berandal” ................................. 68 BAB IV PENUTUP ..................................................................................................... 75 A. Kesimpulan ................................................................................................. 75 B. Rekomendasi .............................................................................................. 77 C. Keterbatasan Peneliti .................................................................................. 77 DAFTAR PUSTAKA ................................................................................................. 78 ix DAFTAR TABEL Tabel 2.1. Film The Raid 1 ............................................................................. 33 Tabel 3.1. Shot 1 (Film The Raid 1) ............................................................... 37 Tabel 3.2. Tanda pokok dalam shot penuh kasih sayang ................................ 38 Tabel 3.3. Shot 2 (Film The Raid 1) ............................................................... 39 Tabel 3.4. Tanda pokok dalam shot kerjasama ............................................... 39 Tabel 3.5. Shot 3 (Film The Raid 1) ............................................................... 41 Tabel 3.6. Tanda pokok dalam shot rela berkorban ........................................ 41 Tabel 3.7. Shot 4 (Film The Raid 1) ................................................................ 43 Tabel 3.8. Tanda pokok dalam shot rela berkorban ........................................ 43 Tabel 3.9. Shot 5 (Film The Raid 1) ................................................................ 45 Tabel 3.10. Tanda pokok dalam shot memiliki kedermawanan ........................ 45 Tabel 3.11. Shot 6 (Film The Raid 1) ................................................................ 47 Tabel 3.12. Tanda pokok dalam shot merendahkan rasa ego ............................ 47 Tabel 3.13. Shot 7 (Film The Raid 2 “Berandal”) ............................................. 59 Tabel 3.14. Tanda pokok dalam shot meluangkan waktu ................................. 59 Tabel 3.15. Shot 8 (Film The Raid 2 “Berandal”) ............................................. 61 Tabel 3.16. Tanda pokok dalam shot
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