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Wallace Berman Aleph
“Art is Love is God”: Wallace Berman and the Transmission of Aleph, 1956-66 by Chelsea Ryanne Behle B.A. Art History, Emphasis in Public Art and Architecture University of San Diego, 2006 SUBMITTED TO THE DEPARTMENT OF ARCHITECTURE IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF SCIENCE IN ARCHITECTURE STUDIES AT THE MASSACHUSETTS INSTITUTE OF TECHNOLOGY JUNE 2012 ©2012 Chelsea Ryanne Behle. All rights reserved. The author hereby grants to MIT permission to reproduce and to distribute publicly paper and electronic copies of this thesis document in whole or in part in any medium now known or hereafter created. Signature of Author: __________________________________________________ Department of Architecture May 24, 2012 Certified by: __________________________________________________________ Caroline Jones, PhD Professor of the History of Art Thesis Supervisor Accepted by:__________________________________________________________ Takehiko Nagakura Associate Professor of Design and Computation Chair of the Department Committee on Graduate Students Thesis Supervisor: Caroline Jones, PhD Title: Professor of the History of Art Thesis Reader 1: Kristel Smentek, PhD Title: Class of 1958 Career Development Assistant Professor of the History of Art Thesis Reader 2: Rebecca Sheehan, PhD Title: College Fellow in Visual and Environmental Studies, Harvard University 2 “Art is Love is God”: Wallace Berman and the Transmission of Aleph, 1956-66 by Chelsea Ryanne Behle Submitted to the Department of Architecture on May 24, 2012 in Partial Fulfillment of the Requirements for the Degree of Master of Science in Architecture Studies ABSTRACT In 1956 in Los Angeles, California, Wallace Berman, a Beat assemblage artist, poet and founder of Semina magazine, began to make a film. -
A Mixed Blessing at the Ballet 01
Daily Telegraph July 28 2001 A mixed blessing at the ballet Photo Sheila Rock As Anthony Dowell leaves the Royal Ballet, dance critic Ismene Brown assesses his 15-year regime as director - and stars pay tribute below AT THE Royal Ballet the countdown has begun to the end of an era. A week tonight, amid flowers, Champagne and tears, Sir Anthony Dowell, the longest-serving ballet director since the company’s founder, Ninette de Valois, will end his 15-year regime. He was undoubtedly one of the great world stars of dancing, and the “Celebration Programme” will mark his achievements as such. But about his success as director of the company, opinion is far from unanimous. What makes a good director? The question has never been more of a poser than during Dowell\s captaincy of the ballet, in the most turbulent years of the Royal Opera House’s history. There are many pluses on Dowell’s account sheet - his maintenance of high classical technical standards, his welcoming of key foreign artists into the Royal (particularly Sylvie Guillem and Irek Mukhamedov), his inspiring coaching, to which leading guest stars attest opposite. The rise of Darcey Bussell to world acclaim, the forging of a superb partnership between Mukhamedov and Viviana Durante, this final, nostalgic and beautiful 2000-01 season - these are positive memories. He will be noted as a conservative, and many welcomed this after an insecure period of modernising under his predecessor, Norman Morrice. Whether conservatism has served the company well for the future, though, is debatable. In the shifting landscape of ballet, conservatism is not enough to hold steady. -
General Vertical Files Anderson Reading Room Center for Southwest Research Zimmerman Library
“A” – biographical Abiquiu, NM GUIDE TO THE GENERAL VERTICAL FILES ANDERSON READING ROOM CENTER FOR SOUTHWEST RESEARCH ZIMMERMAN LIBRARY (See UNM Archives Vertical Files http://rmoa.unm.edu/docviewer.php?docId=nmuunmverticalfiles.xml) FOLDER HEADINGS “A” – biographical Alpha folders contain clippings about various misc. individuals, artists, writers, etc, whose names begin with “A.” Alpha folders exist for most letters of the alphabet. Abbey, Edward – author Abeita, Jim – artist – Navajo Abell, Bertha M. – first Anglo born near Albuquerque Abeyta / Abeita – biographical information of people with this surname Abeyta, Tony – painter - Navajo Abiquiu, NM – General – Catholic – Christ in the Desert Monastery – Dam and Reservoir Abo Pass - history. See also Salinas National Monument Abousleman – biographical information of people with this surname Afghanistan War – NM – See also Iraq War Abousleman – biographical information of people with this surname Abrams, Jonathan – art collector Abreu, Margaret Silva – author: Hispanic, folklore, foods Abruzzo, Ben – balloonist. See also Ballooning, Albuquerque Balloon Fiesta Acequias – ditches (canoas, ground wáter, surface wáter, puming, water rights (See also Land Grants; Rio Grande Valley; Water; and Santa Fe - Acequia Madre) Acequias – Albuquerque, map 2005-2006 – ditch system in city Acequias – Colorado (San Luis) Ackerman, Mae N. – Masonic leader Acoma Pueblo - Sky City. See also Indian gaming. See also Pueblos – General; and Onate, Juan de Acuff, Mark – newspaper editor – NM Independent and -
Discovering the Lost Race Story: Writing Science Fiction, Writing Temporality
Discovering the Lost Race Story: Writing Science Fiction, Writing Temporality This thesis is presented for the degree of Doctor of Philosophy of The University of Western Australia 2008 Karen Peta Hall Bachelor of Arts (Honours) Discipline of English and Cultural Studies School of Social and Cultural Studies ii Abstract Genres are constituted, implicitly and explicitly, through their construction of the past. Genres continually reconstitute themselves, as authors, producers and, most importantly, readers situate texts in relation to one another; each text implies a reader who will locate the text on a spectrum of previously developed generic characteristics. Though science fiction appears to be a genre concerned with the future, I argue that the persistent presence of lost race stories – where the contemporary world and groups of people thought to exist only in the past intersect – in science fiction demonstrates that the past is crucial in the operation of the genre. By tracing the origins and evolution of the lost race story from late nineteenth-century novels through the early twentieth-century American pulp science fiction magazines to novel-length narratives, and narrative series, at the end of the twentieth century, this thesis shows how the consistent presence, and varied uses, of lost race stories in science fiction complicates previous critical narratives of the history and definitions of science fiction. In examining the implicit and explicit aspects of temporality and genre, this thesis works through close readings of exemplar texts as well as historicist, structural and theoretically informed readings. It focuses particularly on women writers, thus extending previous accounts of women’s participation in science fiction and demonstrating that gender inflects constructions of authority, genre and temporality. -
March 21–25, 2016
FORTY-SEVENTH LUNAR AND PLANETARY SCIENCE CONFERENCE PROGRAM OF TECHNICAL SESSIONS MARCH 21–25, 2016 The Woodlands Waterway Marriott Hotel and Convention Center The Woodlands, Texas INSTITUTIONAL SUPPORT Universities Space Research Association Lunar and Planetary Institute National Aeronautics and Space Administration CONFERENCE CO-CHAIRS Stephen Mackwell, Lunar and Planetary Institute Eileen Stansbery, NASA Johnson Space Center PROGRAM COMMITTEE CHAIRS David Draper, NASA Johnson Space Center Walter Kiefer, Lunar and Planetary Institute PROGRAM COMMITTEE P. Doug Archer, NASA Johnson Space Center Nicolas LeCorvec, Lunar and Planetary Institute Katherine Bermingham, University of Maryland Yo Matsubara, Smithsonian Institute Janice Bishop, SETI and NASA Ames Research Center Francis McCubbin, NASA Johnson Space Center Jeremy Boyce, University of California, Los Angeles Andrew Needham, Carnegie Institution of Washington Lisa Danielson, NASA Johnson Space Center Lan-Anh Nguyen, NASA Johnson Space Center Deepak Dhingra, University of Idaho Paul Niles, NASA Johnson Space Center Stephen Elardo, Carnegie Institution of Washington Dorothy Oehler, NASA Johnson Space Center Marc Fries, NASA Johnson Space Center D. Alex Patthoff, Jet Propulsion Laboratory Cyrena Goodrich, Lunar and Planetary Institute Elizabeth Rampe, Aerodyne Industries, Jacobs JETS at John Gruener, NASA Johnson Space Center NASA Johnson Space Center Justin Hagerty, U.S. Geological Survey Carol Raymond, Jet Propulsion Laboratory Lindsay Hays, Jet Propulsion Laboratory Paul Schenk, -
Historical Painting Techniques, Materials, and Studio Practice
Historical Painting Techniques, Materials, and Studio Practice PUBLICATIONS COORDINATION: Dinah Berland EDITING & PRODUCTION COORDINATION: Corinne Lightweaver EDITORIAL CONSULTATION: Jo Hill COVER DESIGN: Jackie Gallagher-Lange PRODUCTION & PRINTING: Allen Press, Inc., Lawrence, Kansas SYMPOSIUM ORGANIZERS: Erma Hermens, Art History Institute of the University of Leiden Marja Peek, Central Research Laboratory for Objects of Art and Science, Amsterdam © 1995 by The J. Paul Getty Trust All rights reserved Printed in the United States of America ISBN 0-89236-322-3 The Getty Conservation Institute is committed to the preservation of cultural heritage worldwide. The Institute seeks to advance scientiRc knowledge and professional practice and to raise public awareness of conservation. Through research, training, documentation, exchange of information, and ReId projects, the Institute addresses issues related to the conservation of museum objects and archival collections, archaeological monuments and sites, and historic bUildings and cities. The Institute is an operating program of the J. Paul Getty Trust. COVER ILLUSTRATION Gherardo Cibo, "Colchico," folio 17r of Herbarium, ca. 1570. Courtesy of the British Library. FRONTISPIECE Detail from Jan Baptiste Collaert, Color Olivi, 1566-1628. After Johannes Stradanus. Courtesy of the Rijksmuseum-Stichting, Amsterdam. Library of Congress Cataloguing-in-Publication Data Historical painting techniques, materials, and studio practice : preprints of a symposium [held at] University of Leiden, the Netherlands, 26-29 June 1995/ edited by Arie Wallert, Erma Hermens, and Marja Peek. p. cm. Includes bibliographical references. ISBN 0-89236-322-3 (pbk.) 1. Painting-Techniques-Congresses. 2. Artists' materials- -Congresses. 3. Polychromy-Congresses. I. Wallert, Arie, 1950- II. Hermens, Erma, 1958- . III. Peek, Marja, 1961- ND1500.H57 1995 751' .09-dc20 95-9805 CIP Second printing 1996 iv Contents vii Foreword viii Preface 1 Leslie A. -
And Then There Were Two Jan01
Website of the Telegraph Media Group with breaking news, sport, business, latest UK and world news. Content from the Daily Telegraph and Sunday Telegraph newspapers and video from Telegraph TV. And then there were two In 1998, six of the Royal Ballet's male stars left to form the pioneering K Ballet. Two of them - Michael Nunn and William Trevitt - tell Ismene Brown how their optimism turned sour By Ismene Brown 12:00AM GMT 23 Jan 2001 'ROYAL Ballet reels as top dancers break away," said the headline in The Daily Telegraph. Ballet dancers rarely make the news pages, but, at the end of 1998, there was something strangely potent about the idea of six leading men at our national flagship company leaving to set up their own company. They called themselves K Ballet, after their leader, the Royal Ballet's virtuoso Tetsuya Kumakawa, whose fame in Japan had created the opening. Ballet boys: Michael Nunn [left] and William Trevitt, who were eclipsed by the star status of fellow K Ballet member Tetsuya Kumakawa It was the lowest point in the Royal Ballet's annus horribilis, with the Opera House shut for development, the dancers under threat of mass redundancy, chief executives entering and exiting, and the new Sadler's Wells Theatre, where the company was dancing in exile, not finished. Royal Ballet director Anthony Dowell reacted to the resignations as to a severe personal slight. But storms pass, and somehow ballet life goes on. The Royal Ballet survived its painful loss by using its reputation to attract visiting guests, while older resident males found themselves unexpectedly appreciated again. -
ASIA PACIFIC DANCE FESTIVAL Stories
2015 ASIA PACIFIC DANCE FESTIVAL Stories LIVING THE ART OF HULA THURSDAY, JULY 16, 2015 • 7:30PM John F. Kennedy Theatre, University of Hawai‘i at Ma¯ noa LOCAL MOTION! SUNDAY, JULY 19, 2015 • 2:00PM John F. Kennedy Theatre, University of Hawai‘i at Ma¯ noa CHURASA – OKINAWAN DRUM & DANCE THURSDAY, JULY 23, 2015 • 7:30PM John F. Kennedy Theatre, University of Hawai‘i at Ma¯ noa WELCOMING CEREMONY FRIDAY, JULY 24, 2015 • 6:00PM East-West Center Friendship Circle STORIES I SATURDAY, JULY 25, 2015 • 7:30PM John F. Kennedy Theatre, University of Hawai‘i at Ma¯ noa STORIES II SUNDAY, JULY 26, 2015 • 2:00PM John F. Kennedy Theatre, University of Hawai‘i at Ma¯ noa HUMANITIES FORUM SUNDAY, JULY 26, 2015 • 4:45PM East-West Center Imin Center, Jefferson Hall A co-production of the University of Hawai‘i at Ma¯ noa Outreach College and East-West Center Arts Program with the support of the University of Hawai‘i at Ma¯ noa Department of Theatre and Dance. 2015 ASIA PACIFIC DANCE FESTIVAL ASIA PACIFIC DANCE FESTIVAL Director Tim Slaughter Associate Director Eric Chang Organizing Committee William Feltz Kara Miller Michael Pili Pang Amy Lynn Schiffner Yukie Shiroma Judy Van Zile Staff Margret Arakaki, Assistant to Director; Kay Linen, Grant Writer Production Staff M Richard, Production Coordinator; Camille Monson and Anna Reynolds, Festival Assistants; Justin Fragiao, Site Manager; Vince Liem, Lighting Designer; Todd Bodden, Sound Engineer; Samuel Bukoski and Maggie Songer, Production Crew; Stephanie Jones, Costume Crew; Margret Arakaki, Box Office Supervisor; -
Large Impact Basins on Mercury: Global Distribution, Characteristics, and Modification History from MESSENGER Orbital Data Caleb I
JOURNAL OF GEOPHYSICAL RESEARCH, VOL. 117, E00L08, doi:10.1029/2012JE004154, 2012 Large impact basins on Mercury: Global distribution, characteristics, and modification history from MESSENGER orbital data Caleb I. Fassett,1 James W. Head,2 David M. H. Baker,2 Maria T. Zuber,3 David E. Smith,3,4 Gregory A. Neumann,4 Sean C. Solomon,5,6 Christian Klimczak,5 Robert G. Strom,7 Clark R. Chapman,8 Louise M. Prockter,9 Roger J. Phillips,8 Jürgen Oberst,10 and Frank Preusker10 Received 6 June 2012; revised 31 August 2012; accepted 5 September 2012; published 27 October 2012. [1] The formation of large impact basins (diameter D ≥ 300 km) was an important process in the early geological evolution of Mercury and influenced the planet’s topography, stratigraphy, and crustal structure. We catalog and characterize this basin population on Mercury from global observations by the MESSENGER spacecraft, and we use the new data to evaluate basins suggested on the basis of the Mariner 10 flybys. Forty-six certain or probable impact basins are recognized; a few additional basins that may have been degraded to the point of ambiguity are plausible on the basis of new data but are classified as uncertain. The spatial density of large basins (D ≥ 500 km) on Mercury is lower than that on the Moon. Morphological characteristics of basins on Mercury suggest that on average they are more degraded than lunar basins. These observations are consistent with more efficient modification, degradation, and obliteration of the largest basins on Mercury than on the Moon. This distinction may be a result of differences in the basin formation process (producing fewer rings), relaxation of topography after basin formation (subduing relief), or rates of volcanism (burying basin rings and interiors) during the period of heavy bombardment on Mercury from those on the Moon. -
Chestnut Filly Barn 3 Hip No
Consigned by Parrish Farms, Agent Barn Hip No. 3 Chestnut Filly 613 Storm Bird Storm Cat ......................... Terlingua Bluegrass Cat ................... A.P. Indy She's a Winner ................. Chestnut Filly Get Lucky February 4, 2008 Fappiano Unbridled.......................... Gana Facil Unbridled Lady ................. (1996) Assert (IRE) Assert Lady....................... Impressive Lady By BLUEGRASS CAT (2003). Black-type winner of $1,761,280, Haskell In- vitational S. [G1] (MTH, $600,000), Remsen S. [G2] (AQU, $120,000), Nashua S. [G3] (BEL, $67,980), Sam F. Davis S. [L] (TAM, $60,000), 2nd Kentucky Derby [G1] (CD, $400,000), Belmont S. [G1] (BEL, $200,000), Travers S. [G1] (SAR, $200,000), Tampa Bay Derby [G3] (TAM, $50,000). Brother to black-type winner Sonoma Cat, half-brother to black-type win- ner Lord of the Game. His first foals are 2-year-olds of 2010. 1st dam UNBRIDLED LADY, by Unbridled. 4 wins at 3 and 4, $196,400, Geisha H.-R (PIM, $60,000), 2nd Carousel S. [L] (LRL, $10,000), Geisha H.-R (PIM, $20,000), Moonlight Jig S.-R (PIM, $8,000), 3rd Maryland Racing Media H. [L] (LRL, $7,484), Squan Song S.-R (LRL, $5,500). Dam of 6 other registered foals, 5 of racing age, 5 to race, 2 winners-- Forestelle (f. by Forestry). 3 wins at 3 and 4, 2009, $63,654. Sun Pennies (f. by Speightstown). Winner in 2 starts at 3, 2010, $21,380. Mared (c. by Speightstown). Placed at 2 and 3, 2009 in Qatar; placed at 3, 2009 in England. 2nd dam ASSERT LADY, by Assert (IRE). -
Julio Bocca Born in Buenos Aires, Argentina, He Has Been An
Julio Bocca Born in Buenos Aires, Argentina, he has been an international dance star, director and manager. After training at the National School of Dance, in 1982 he joined the Chamber Ballet of the Colón Theatre as a child prodigy, and a year later he was already performing as a soloist. His career began as principal dancer with the Teresa Carreño Foundation in Caracas, in 1985 he won the Gold Medal at the International Competition in Moscow, and the following year he began a 20-year relationship with the American Ballet Theatre in New York as principal dancer. He is a frequent guest dancer with many companies, including the Royal Ballet, Bolshoi Ballet, Kirov Ballet, Ballet de La Scala, Royal Danish Ballet, Oslo Opera House, Stuttgart Ballet, Paris Opera, Cuban National Ballet, Ballet de Santiago, Eifman Ballet, New World Ballet of Venezuela, National Ballet of Mexico, Cairo Opera Ballet, National Ballet of Spain and San Martín Theatre Ballet in Buenos Aires. He took part in the opening of the Helsinki Opera, having also presented in Poland, the Philippines, Greece and Japan, and in the Havana Festival and the leading festivals in Europe. He has shared a stage with Natalia Makarova, Nina Ananiashvili, Eleonora Cassano, Alessandra Ferri, Cecilia Figaredo, Carla Fracci, Cynthia Gregory, Cynthia Harvey, Paloma Herrera, Susan Jaffe, Julie Kent, Amanda McKerrow, Noelle Pontois, Raquel Rossetti, Tamara Rojo, Viviana Durante, Heidi Ryon, Darcey Bussell, Sara Nieto, Silvia Bazilis, Cristina Delmagro, Ana Botafogo, Monique Loudières, Ludmila Semeniaka, Cecilia Kerche, Monique Loudières, Ludmila Semeniaka, Cecilia Kerche, Aurélie Dupont, Cheryl Yeager, Mariana Tcherkassky, Arantxa Argüelles and Maria Ricceto. -
Negroes on in Iowa
■' 1 ■.■r - \' ■ ■ \ i ' . ■<' ■ \ \‘; •.{/ -#V--r ■ ■ • . • % , is \ ^ Atwagie Daily Nat l^nm Raii< The Weather I <> . l>>r llM Week Xnded ' 4 ' ■ ■ I f •> I 4 ■ kejr *0, 196T FlatVIy dmidy, wflTtn and h a - mdid ■tenagM end temorrciwr, chanoe o> eCtemoion abowena, I ‘ I 1 5 ,2 1 0 lUgh «M»0, tenr Uonigbt about 70. Manchester— A CUy of Village Charm » VOL. LXXXVI, NO. 237 (TWENTY PAGES—TWO S e c t i o n s ) MANCHESTER,' CONN.. MONDAY, JULY 10, 1967 (Claaslfled Advertising on Page 17) PRICE SEVEN CENTS Negroes on In Iowa Viet Warfare . 1/.S. Cruisers Police End M Pound Reds’ Uproar in Gun Positions W aterloo SAIGON (AP) — Three U.S. WATERLOO, Iowa Navy cruisers pounded Commu (AP)—Gangs of Negroes nist gun positions In the demili fk tarized zone Sunday as the Red ran amok with fire bombs guns kept up thetr lethal artil and rocks in this north lery and rocket barrages on eastern Iowa community Tear Gas Fired at Hong Kong Rioters sandbagged Marine positions Sunday night, and police Just below the zone. finally broke up the riot ■ Gas-masked policemen fire t^ r gras at pro-Com- chargred that Red Chinese armed forces took part The U.S. Command also re after Nejgro leaders had munist Chinese rioters during: new eruptions of in the weekend, attack on a Hongr Kong frontier ported that photographs of a tried but failed to settle violence. Today a British grovemment minister post. (AP Phot^ax) bombing raid near Hanoi showed the Communists may things peacefully.- Several hundred persons have lost 68 of their antiaircraft' Jammed the predominantly Ne missiles to one devastating nav gro North End buslnessfsection al air strike.