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Fall 2012 Florida State Law Magazine
FLORIDA STATE LAW Inside Our First Seminole Chief Justice Annual Report Alumni Recognitions ALUMNI MAGAZINE FALL 2012 Message from the Dean Jobs, Alumni, Students and Admissions Players in the Jobs Market Admissions and Rankings This summer, the Wall Street The national press has highlighted the related phenomena Journal reported that we are the of the tight legal job market and rising student indebtedness. nation’s 25th best law school when it More prospective applicants are asking if a law degree is worth comes to placing our new graduates the cost, and law school applications are down significantly. in jobs that require law degrees. Just Ours have fallen by approximately 30% over the past two years. this month, Law School Transparency Moreover, our “yield” rate has gone down, meaning that fewer ranked us the nation’s 26th best law students are accepting our offers of admission. Our research school in terms of overall placement makes clear: prime competitor schools can offer far more score, and Florida’s best. Our web generous scholarship packages. To attract the top students, page includes more detailed information on our placement we must limit our enrollment and increase scholarship awards. outcomes. In short, we rank very high nationally in terms We are working with our university administration to limit of the number of students successfully placed. Although our our enrollment, which of course has financial implications average starting salary of $58,650 is less than those at the na- both for the law school and for the central university. It is tion’s most elite private law schools, so is our average student also imperative to increase our endowment in a way that will indebtedness, which is $73,113. -
Wallace Berman Aleph
“Art is Love is God”: Wallace Berman and the Transmission of Aleph, 1956-66 by Chelsea Ryanne Behle B.A. Art History, Emphasis in Public Art and Architecture University of San Diego, 2006 SUBMITTED TO THE DEPARTMENT OF ARCHITECTURE IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF SCIENCE IN ARCHITECTURE STUDIES AT THE MASSACHUSETTS INSTITUTE OF TECHNOLOGY JUNE 2012 ©2012 Chelsea Ryanne Behle. All rights reserved. The author hereby grants to MIT permission to reproduce and to distribute publicly paper and electronic copies of this thesis document in whole or in part in any medium now known or hereafter created. Signature of Author: __________________________________________________ Department of Architecture May 24, 2012 Certified by: __________________________________________________________ Caroline Jones, PhD Professor of the History of Art Thesis Supervisor Accepted by:__________________________________________________________ Takehiko Nagakura Associate Professor of Design and Computation Chair of the Department Committee on Graduate Students Thesis Supervisor: Caroline Jones, PhD Title: Professor of the History of Art Thesis Reader 1: Kristel Smentek, PhD Title: Class of 1958 Career Development Assistant Professor of the History of Art Thesis Reader 2: Rebecca Sheehan, PhD Title: College Fellow in Visual and Environmental Studies, Harvard University 2 “Art is Love is God”: Wallace Berman and the Transmission of Aleph, 1956-66 by Chelsea Ryanne Behle Submitted to the Department of Architecture on May 24, 2012 in Partial Fulfillment of the Requirements for the Degree of Master of Science in Architecture Studies ABSTRACT In 1956 in Los Angeles, California, Wallace Berman, a Beat assemblage artist, poet and founder of Semina magazine, began to make a film. -
The Korea Press the Korea Press
The Korea Press The Korea Press Publisher Kim Byung-ho Editor in Chief Woo Deuk-jung Managing Editor Lee Sang-heun Tel 82-2-2001-7757 Email [email protected] Translated by Yang Sung-jin (Editor of The Korea Herald) Copyedited by Elaine Ramirez (Copy Editor of The Korea Herald) Chung Yong-kuk (Professor, Dept. of Journalism & Mass Communication, Dongguk Univ.) Published by Korea Press Foundation www.kpf.or.kr Korea Press Foundation 12-15F., Korea Press Center 124 Sejong-daero, Jung-gu, Seoul, Korea First Edition December 2015 Copyright © 2015 by Korea Press Foundation Designed by Nine Communication ISBN 978-89-5711-401-8 Content Chapter 1. 2014/2015 Korean Media Overview … 04 Chapter 2. Media Market … 22 Chapter 3. Media Workers … 30 Chapter 4. Print Newspaper Market … 40 Chapter 5. Broadcasting Market … 44 Chapter 6. Internet Newspaper Market … 55 Chapter 7. Media Audience : Pattern and Evaluation … 61 Chapter 8. Current Situation of Newspaper Industry Support … 70 Appendix 1. Overseas Branches of the Korean Media … 72 Appendix 2. Korean Correspondents Overseas … 74 Appendix 3. Foreign Correspondents in Korea … 79 Appendix 4. Directory … 86 Chapter 1 2014/2015 Korean Media Overview • Newspaper unique production practices that are formed over time. News media must overhaul the news pro- duction system to tailor it to a rapidly changing Attempt to depart from ‘exposure- media environment while preserving traditional first’ strategy news values; if not, they are unlikely to turn a profit in the fast-evolving media market. Against The “digital-first” strategy adopted by South this backdrop, it is a positive development Korean news media reflects the ongoing shift that Korean media are noticeably investing in in news consumption toward mobile media. -
Return of Organization Exempt from Income
l efile GRAPHIC p rint - DO NOT PROCESS As Filed Data - DLN: 93490048007219 Return of Organization Exempt From Income Tax OMB No 1545-0047 Form 990 Under section 501 (c), 527, or 4947 (a)(1) of the Internal Revenue Code (except black lung benefit trust or private foundation) 2 00 7_ Department of the Open -The organization may have to use a copy of this return to satisfy state reporting requirements Treasury Inspection Internal Revenue Service A For the 2007 calendar year, or tax year beginning 07 -01-2007 and ending 06 -30-2008 C Name of organization D Employer identification number B Check if applicable Please The Leukemia & Lymphoma Society Inc 1 Address change use IRS 13-5644916 label or Number and street (or P 0 box if mail is not delivered to street address) Room/suite E Telephone number F Name change print or type . See 1311 Mamaroneck Avenue (914) 949 5213 1 Initial return Specific Instruc - City or town, state or country, and ZIP + 4 FAccounting method fl Cash F Accrual F_ Final return tions . White Plains, NY 10605 (- Other (specify) 0- (- Amended return (Application pending * Section 501(c)(3) organizations and 4947(a)(1) nonexempt charitable H and I are not applicable to section 527 organizations trusts must attach a completed Schedule A (Form 990 or 990-EZ). H(a) Is this a group return for affiliates? F_ Yes F No H(b) If "Yes" enter number of affiliates 0- G Web site: - www Its org H(c) Are all affiliates included? F Yes F No (If "No," attach a list See instructions ) I Organization type (check only one) 1- F9!!+ 501(c) (3) -
Discovering the Lost Race Story: Writing Science Fiction, Writing Temporality
Discovering the Lost Race Story: Writing Science Fiction, Writing Temporality This thesis is presented for the degree of Doctor of Philosophy of The University of Western Australia 2008 Karen Peta Hall Bachelor of Arts (Honours) Discipline of English and Cultural Studies School of Social and Cultural Studies ii Abstract Genres are constituted, implicitly and explicitly, through their construction of the past. Genres continually reconstitute themselves, as authors, producers and, most importantly, readers situate texts in relation to one another; each text implies a reader who will locate the text on a spectrum of previously developed generic characteristics. Though science fiction appears to be a genre concerned with the future, I argue that the persistent presence of lost race stories – where the contemporary world and groups of people thought to exist only in the past intersect – in science fiction demonstrates that the past is crucial in the operation of the genre. By tracing the origins and evolution of the lost race story from late nineteenth-century novels through the early twentieth-century American pulp science fiction magazines to novel-length narratives, and narrative series, at the end of the twentieth century, this thesis shows how the consistent presence, and varied uses, of lost race stories in science fiction complicates previous critical narratives of the history and definitions of science fiction. In examining the implicit and explicit aspects of temporality and genre, this thesis works through close readings of exemplar texts as well as historicist, structural and theoretically informed readings. It focuses particularly on women writers, thus extending previous accounts of women’s participation in science fiction and demonstrating that gender inflects constructions of authority, genre and temporality. -
March 21–25, 2016
FORTY-SEVENTH LUNAR AND PLANETARY SCIENCE CONFERENCE PROGRAM OF TECHNICAL SESSIONS MARCH 21–25, 2016 The Woodlands Waterway Marriott Hotel and Convention Center The Woodlands, Texas INSTITUTIONAL SUPPORT Universities Space Research Association Lunar and Planetary Institute National Aeronautics and Space Administration CONFERENCE CO-CHAIRS Stephen Mackwell, Lunar and Planetary Institute Eileen Stansbery, NASA Johnson Space Center PROGRAM COMMITTEE CHAIRS David Draper, NASA Johnson Space Center Walter Kiefer, Lunar and Planetary Institute PROGRAM COMMITTEE P. Doug Archer, NASA Johnson Space Center Nicolas LeCorvec, Lunar and Planetary Institute Katherine Bermingham, University of Maryland Yo Matsubara, Smithsonian Institute Janice Bishop, SETI and NASA Ames Research Center Francis McCubbin, NASA Johnson Space Center Jeremy Boyce, University of California, Los Angeles Andrew Needham, Carnegie Institution of Washington Lisa Danielson, NASA Johnson Space Center Lan-Anh Nguyen, NASA Johnson Space Center Deepak Dhingra, University of Idaho Paul Niles, NASA Johnson Space Center Stephen Elardo, Carnegie Institution of Washington Dorothy Oehler, NASA Johnson Space Center Marc Fries, NASA Johnson Space Center D. Alex Patthoff, Jet Propulsion Laboratory Cyrena Goodrich, Lunar and Planetary Institute Elizabeth Rampe, Aerodyne Industries, Jacobs JETS at John Gruener, NASA Johnson Space Center NASA Johnson Space Center Justin Hagerty, U.S. Geological Survey Carol Raymond, Jet Propulsion Laboratory Lindsay Hays, Jet Propulsion Laboratory Paul Schenk, -
Historical Painting Techniques, Materials, and Studio Practice
Historical Painting Techniques, Materials, and Studio Practice PUBLICATIONS COORDINATION: Dinah Berland EDITING & PRODUCTION COORDINATION: Corinne Lightweaver EDITORIAL CONSULTATION: Jo Hill COVER DESIGN: Jackie Gallagher-Lange PRODUCTION & PRINTING: Allen Press, Inc., Lawrence, Kansas SYMPOSIUM ORGANIZERS: Erma Hermens, Art History Institute of the University of Leiden Marja Peek, Central Research Laboratory for Objects of Art and Science, Amsterdam © 1995 by The J. Paul Getty Trust All rights reserved Printed in the United States of America ISBN 0-89236-322-3 The Getty Conservation Institute is committed to the preservation of cultural heritage worldwide. The Institute seeks to advance scientiRc knowledge and professional practice and to raise public awareness of conservation. Through research, training, documentation, exchange of information, and ReId projects, the Institute addresses issues related to the conservation of museum objects and archival collections, archaeological monuments and sites, and historic bUildings and cities. The Institute is an operating program of the J. Paul Getty Trust. COVER ILLUSTRATION Gherardo Cibo, "Colchico," folio 17r of Herbarium, ca. 1570. Courtesy of the British Library. FRONTISPIECE Detail from Jan Baptiste Collaert, Color Olivi, 1566-1628. After Johannes Stradanus. Courtesy of the Rijksmuseum-Stichting, Amsterdam. Library of Congress Cataloguing-in-Publication Data Historical painting techniques, materials, and studio practice : preprints of a symposium [held at] University of Leiden, the Netherlands, 26-29 June 1995/ edited by Arie Wallert, Erma Hermens, and Marja Peek. p. cm. Includes bibliographical references. ISBN 0-89236-322-3 (pbk.) 1. Painting-Techniques-Congresses. 2. Artists' materials- -Congresses. 3. Polychromy-Congresses. I. Wallert, Arie, 1950- II. Hermens, Erma, 1958- . III. Peek, Marja, 1961- ND1500.H57 1995 751' .09-dc20 95-9805 CIP Second printing 1996 iv Contents vii Foreword viii Preface 1 Leslie A. -
Understanding Music Past and Present
Understanding Music Past and Present N. Alan Clark, PhD Thomas Heflin, DMA Jeffrey Kluball, EdD Elizabeth Kramer, PhD Understanding Music Past and Present N. Alan Clark, PhD Thomas Heflin, DMA Jeffrey Kluball, EdD Elizabeth Kramer, PhD Dahlonega, GA Understanding Music: Past and Present is licensed under a Creative Commons Attribu- tion-ShareAlike 4.0 International License. This license allows you to remix, tweak, and build upon this work, even commercially, as long as you credit this original source for the creation and license the new creation under identical terms. If you reuse this content elsewhere, in order to comply with the attribution requirements of the license please attribute the original source to the University System of Georgia. NOTE: The above copyright license which University System of Georgia uses for their original content does not extend to or include content which was accessed and incorpo- rated, and which is licensed under various other CC Licenses, such as ND licenses. Nor does it extend to or include any Special Permissions which were granted to us by the rightsholders for our use of their content. Image Disclaimer: All images and figures in this book are believed to be (after a rea- sonable investigation) either public domain or carry a compatible Creative Commons license. If you are the copyright owner of images in this book and you have not authorized the use of your work under these terms, please contact the University of North Georgia Press at [email protected] to have the content removed. ISBN: 978-1-940771-33-5 Produced by: University System of Georgia Published by: University of North Georgia Press Dahlonega, Georgia Cover Design and Layout Design: Corey Parson For more information, please visit http://ung.edu/university-press Or email [email protected] TABLE OF C ONTENTS MUSIC FUNDAMENTALS 1 N. -
Contemporary Chinese America in the SERIES Asian American History and Culture (AAHC) EDITED by SUCHENG CHAN, DAVID PALUMBO-LIU, MICHAEL OMI, K
Contemporary Chinese America IN THE SERIES Asian American History and Culture (AAHC) EDITED BY SUCHENG CHAN, DAVID PALUMBO-LIU, MICHAEL OMI, K. SCOTT WONG, AND LINDA TRINH VÕ Benito M. Vergara, J. Pinoy Capital: The Filipino Nation in Daly City Sucheng Chan and Madeline Y. Hsu, eds., Chinese Americans and the Politics of Race and Culture Jonathan Y. Okamura, Ethnicity and Inequality in Hawai‘i K. Scott Wong, Americans First: Chinese Americans and the Second World War Lisa Yun, The Coolie Speaks: Chinese Indentured Laborers and African Slaves in Cuba Estella Habal, San Francisco’s International Hotel: Mobilizing the Filipino American Community in the Anti-Eviction Movement Thomas P. Kim, The Racial Logic of Politics: Asian Americans and Party Competition Sucheng Chan, ed., The Vietnamese American 1.5 Generation: Stories of War, Revolution, Flight, and New Beginnings Antonio T. Tiongson Jr., Edgardo V. Gutierrez, and Ricardo V. Gutierrez, eds., Positively No Filipinos Allowed: Building Communities and Discourse Sucheng Chan, ed., Chinese American Transnationalism: The Flow of People, Resources, and Ideas between China and America during the Exclusion Era Keith Lawrence and Floyd Cheung, eds., Recovered Legacies: Authority and Identity in Early Asian American Literature Rajini Srikanth, The World Next Door: South Asian American Literature and the Idea of America Linda Trinh Võ, Mobilizing an Asian American Community Franklin S. Odo, No Sword to Bury: Japanese Americans in Hawai‘i during World War II Josephine Lee, Imogene L. Lim, and Yuko Matsukawa, eds., Re/collecting Early Asian America: Essays in Cultural History Linda Trinh Võ and Rick Bonus, eds., Contemporary Asian American Communities: Intersections and Divergences A list of additional titles in this series appears at the back of this book. -
Large Impact Basins on Mercury: Global Distribution, Characteristics, and Modification History from MESSENGER Orbital Data Caleb I
JOURNAL OF GEOPHYSICAL RESEARCH, VOL. 117, E00L08, doi:10.1029/2012JE004154, 2012 Large impact basins on Mercury: Global distribution, characteristics, and modification history from MESSENGER orbital data Caleb I. Fassett,1 James W. Head,2 David M. H. Baker,2 Maria T. Zuber,3 David E. Smith,3,4 Gregory A. Neumann,4 Sean C. Solomon,5,6 Christian Klimczak,5 Robert G. Strom,7 Clark R. Chapman,8 Louise M. Prockter,9 Roger J. Phillips,8 Jürgen Oberst,10 and Frank Preusker10 Received 6 June 2012; revised 31 August 2012; accepted 5 September 2012; published 27 October 2012. [1] The formation of large impact basins (diameter D ≥ 300 km) was an important process in the early geological evolution of Mercury and influenced the planet’s topography, stratigraphy, and crustal structure. We catalog and characterize this basin population on Mercury from global observations by the MESSENGER spacecraft, and we use the new data to evaluate basins suggested on the basis of the Mariner 10 flybys. Forty-six certain or probable impact basins are recognized; a few additional basins that may have been degraded to the point of ambiguity are plausible on the basis of new data but are classified as uncertain. The spatial density of large basins (D ≥ 500 km) on Mercury is lower than that on the Moon. Morphological characteristics of basins on Mercury suggest that on average they are more degraded than lunar basins. These observations are consistent with more efficient modification, degradation, and obliteration of the largest basins on Mercury than on the Moon. This distinction may be a result of differences in the basin formation process (producing fewer rings), relaxation of topography after basin formation (subduing relief), or rates of volcanism (burying basin rings and interiors) during the period of heavy bombardment on Mercury from those on the Moon. -
Letter Was Presented to the Commissioner Signed by the Ceos of 50 Minority Owned AM Radio Licensees, Collectively Owning 140 AM Stations.'
NATIONAL ASSOCIATION OF BLACK OWNED BROADCASTERS 1201 Connecticut Avenue, N .W., Sui te 200, W ashington, D.C 20036 (202) 463-8970 • Fax: (2 02) 429-0657 September 2, 2015 BOARD OF DIRECTORS JAMES L. WINSlOI\ President Marlene H. Dortch, Secretary MICHAEL L. CARTER Vice President Federal Communications Commission KAREN E. SLADE 445 12th Street NW Treasurer C. LOIS E. WRIGHT Washington, D. 20554 Counsel 10 the 80ii1td ARTHUR BEN JAMI Re: Notice of Ex Parte Communication, MB Docket 13- CAROL MOORE CUTTING 249, Revitalization of the AM Radio Service ALFRED G. LIGGINS ("Notice") JE RRY LOPES DUJUAN MCCOY STEVEN ROBERTS Review of the Emergency Alert System (EB Docket MELODY SPANN-COOPER No. 04-296); Recommendations of the Independent JAMES E. WOL FE, JR. Panel Reviewing the Impact of Hurricane Katrina on Communications Networks (EB Docket 06-119) Dear Ms. Dortch: On September 1, 2015, the undersigned President of the National Association of Black Owned Broadcasters, Inc. ("NABOB") along with Francisco Montero of Fletcher, Heald & Hildreth, PLC, and David Honig, President Emeritus and Senior Advisor, Multicultural Media, Telecommunications and Internet Council ("MMTC") met with Commissioner Ajit Pai and Alison Nemeth, Legal Advisor, to discuss the most important and effective proposal set forth in the AM Revitalization Notice: opening an application filing window for FM translators that would be limited to AM broadcast licensees. As the Commission recognized in the Notice, the best way to help the largest number of AM stations to quickly and efficiently improve their service is to open such an AM-only window. Any other approach will make it extremely difficult, if not impossible, for AM stations, to obtain the translators they urgently need to remain competitive and provide our communities with the service they deserve. -
Minutes of IEEE 802.16 Session #63
IEEE 802.16-09/0051r1 Project IEEE 802.16 Broadband Wireless Access Working Group <http://ieee802.org/16> Title Minutes of IEEE 802.16 Session #63 Date Submitted 2009-09-15 Source(s) Herbert M. Ruck Voice: 001-817-475-7248 Cisco Systems, Inc. [email protected] Abstract IEEE 802.16 Session #63 Minutes (Jeju, Korea) Purpose To record the minutes of the IEEE 802.16 Working Group Opening and Closing Plenary meetings at Session #63. For approval at Session #63.5. Release The contributor grants a free, irrevocable license to the IEEE to incorporate material contained in this contribution, and any modifications thereof, in the creation of an IEEE Standards publication; to copyright in the IEEE’s name any IEEE Standards publication even though it may include portions of this contribution; and at the IEEE’s sole discretion to permit others to reproduce in whole or in part the resulting IEEE Standards publication. The contributor also acknowledges and accepts that this contribution may be made public by IEEE 802.16. Patent Policy and The contributor is familiar with the IEEE-SA Patent Policy and Procedures: Procedures <http://standards.ieee.org/guides/bylaws/sect6-7.html#6> and <http://standards.ieee.org/guides/opman/ sect6.html#6.3>. Further information is located at <http://standards.ieee.org/board/pat/pat-material.html> and <http:// standards.ieee.org/board/pat>. Page 1 of 10 IEEE 802.16-09/0051 Minutes of IEEE 802.16 Session #63 IEEE 802.16 Working Group Jeju, Korea 31 August – 3 September 2009 IEEE 802.16 Session #63 Opening Plenary Meeting 31 August, 2009 Call to Order The meeting was called to order by the Working Group (WG) Chair Roger Marks at 8:10 AM local time.