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Austinmusicawards2017.Pdf
Jo Carol Pierce, 1993 Paul Ray, Stevie Ray Vaughan, and PHOTOS BY MARTHA GRENON MARTHA BY PHOTOS Joe Ely, 1990 Daniel Johnston, Living in a Dream 1990 35 YEARS OF THE AUSTIN MUSIC AWARDS BY DOUG FREEMAN n retrospect, confrontation seemed almost a genre taking up the gauntlet after Nelson’s clashing,” admits Moser with a mixture of The Big Boys broil through trademark inevitable. Everyone saw it coming, but no outlaw country of the Seventies. Then Stevie pride and regret at the booking and subse- confrontational catharsis, Biscuit spitting one recalls exactly what set it off. Ray Vaughan called just prior to the date to quent melee. “What I remember of the night is beer onto the crowd during “Movies” and rip- I Blame the Big Boys, whose scathing punk ask if his band could play a surprise set. The that tensions started brewing from the outset ping open a bag of trash to sling around for a classed-up Austin Music Awards show booking, like the entire evening, transpired so between the staff of the Opera House, which the stage as the mosh pit gains momentum audience visited the genre’s desired effect on casually that Moser had almost forgotten until was largely made up of older hippies of a Willie during “TV.” the era. Blame the security at the Austin Stevie Ray and Jimmie Vaughan walked in Nelson persuasion who didn’t take very kindly About 10 minutes in, as the quartet sears into Opera House, bikers and ex-Navy SEALs from with Double Trouble and to the Big Boys, and the Big “Complete Control,” security charges from the Willie Nelson’s road crew, who typical of the proceeded to unleash a dev- ANY HISTORY OF Boys themselves, who were stage wings at the first stage divers. -
Hermann NAEHRING: Wlodzimierz NAHORNY: NAIMA: Mari
This discography is automatically generated by The JazzOmat Database System written by Thomas Wagner For private use only! ------------------------------------------ Hermann NAEHRING: "Großstadtkinder" Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; Stefan Dohanetz -d; Henry Osterloh -tymp; recorded 1985 in Berlin 24817 SCHLAGZEILEN 6.37 Amiga 856138 Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; Stefan Dohanetz -d; recorded 1985 in Berlin 24818 SOUJA 7.02 --- Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; Volker Schlott -fl; recorded 1985 in Berlin A) Orangenflip B) Pink-Punk Frosch ist krank C) Crash 24819 GROSSSTADTKINDER ((Orangenflip / Pink-Punk, Frosch ist krank / Crash)) 11.34 --- Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; recorded 1985 in Berlin 24820 PHRYGIA 7.35 --- 24821 RIMBANA 4.05 --- 24822 CLIFFORD 2.53 --- ------------------------------------------ Wlodzimierz NAHORNY: "Heart" Wlodzimierz Nahorny -as,p; Jacek Ostaszewski -b; Sergiusz Perkowski -d; recorded November 1967 in Warsaw 34847 BALLAD OF TWO HEARTS 2.45 Muza XL-0452 34848 A MONTH OF GOODWILL 7.03 --- 34849 MUNIAK'S HEART 5.48 --- 34850 LEAKS 4.30 --- 34851 AT THE CASHIER 4.55 --- 34852 IT DEPENDS FOR WHOM 4.57 --- 34853 A PEDANT'S LETTER 5.00 --- 34854 ON A HIGH PEAK -
Piotr Wojtasik Quartet Wojtasik/Kaletka/Kowalewski
Piotr Wojtasik Quartet Wojtasik/Kaletka/Kowalewski/McCraven Jest to całkowicie świeży i energetyczny program koncertowy - Piotrowi Wojtasikowi towarzyszą, jak zwykle, wybitni muzycy: Marcin Kaletka na saksofonie, Adam Kowalewski na kontrabasie oraz Stephen McCraven (Stany Zjednoczone) na perkusji. Zapraszamy do odwiedzenia strony Artysty na portalu społecznościowym Facebook: www.facebook.com/piotrwojtasikmusic Formacja prowadzona przez jednego z najwybitniejszych polskich trębaczy – Piotra Wojtasika stylistycznie oscyluje między neo-bopową tradycją jazzu okresu lat 60. ubiegłego wieku, elementami etno i stylistyką free. Całość, oparta o kompozycje lidera, utrzymana jest w konwencji nowoczesnego mainstreamu. Piotr Wojtasik Quartet jest zespołem bez instrumentu harmonicznego (trąbka, saksofon, perkusja, kontrabas). Brzmienie zespołu oparte jest zasadniczo na koncepcji lidera oraz indywidualnych cechach tworzących zespół muzyków. Piotr Wojtasik to artysta obsypywany nagrodami, otrzymał, m.in.: Fryderyka, Jazzowego Oscara, a także Mateusza Trójki. W rankingu magazynu "Jazz Forum" uznano go za najpopularniejszego polskiego jazzmana. Nagrywał i koncertował m.in. u boku takich gwiazd jazzu jak: Kenny Garrett, Billy Harper, Gary Bartz, Dave Liebman, Victor Lewis, Daniel Humier, Joachim Kuhn czy Michel Donato, a na polskim rynku współpracował m.in. z Janem "Ptaszynem" Wróblewskim, Henrykiem Miśkiewiczem, Andrzejem Jagodziński, Maciejem Sikałą, Lorą Szafran, Leszkiem Możdżerem, Piotrem Baronem. Piotr Wojtasik jest absolwentem Wydziału Jazzu i Muzyki -
1St International Zbigniew Seifert Jazz Violin Competition / PROGRAM
/ PROGRAM 1st International Zbigniew Seifert Jazz Violin Competition 16th – 19th July 2014 / Lusławice, Kraków A Competition held under the Honorary Patronage of the President of the Academy of Music in Cracow, in cooperation with the “Emanations” Festival and the Summer Jazz Festival at Piwnica pod Baranami. Organizer: Partners: The Competition project has been made possible by the financial support of the Ministry of Culture and National Heritage, the Małopolska Province and Kraków City Council. Media Patrons: 2 1st International Zbigniew Seifert Jazz Violin Competition 16 JULY 2014 7 pm The European Krzysztof Penderecki Centre for Music in Lusławice semifinal auditions 17 JULY 2014 7 pm The European Krzysztof Penderecki Centre for Music in Lusławice semifinal auditions 18 JULY 2014 7 pm The European Krzysztof Penderecki Centre for Music in Lusławice final auditions 19 LIPCA 2014 r. 7 pm Manggha Museum of Japanese Art and Technology in Cracow gala concert www.seifertcompetition.com 3 n love with the music of John Coltrane, he originally took up the saxophone, and soon afterwards - set up ZBIGNIEW his first ensemble, the Zbig- Iniew Seifert Quartet, where he played with Jan Jarczyk, Jan Gonciarczyk and Janusz SEIFERT Stefański. Uncompromising and very daring in their artistic AN ICON OF THE JAZZ VIOLIN aims from the very start, they won the 2nd (1968) and then the Born in Cracow, he was associated with that city almost 1st (1969) prize at the Jazz on throughout his life. It was there that he completed primary and the Oder Festival, while Seifert secondary music schools and where he graduated from the himself took individual prizes. -
TZ David Doruzka SILENTLY DAWNING 200208
Tisková zpráva 20.02 . 2008 Kytarista DAVID DORŮŽKA vydává dlouho očekávané nové album SILENTLY DAWNING. Fenomenální a široce uznávaný jazzový kytarista David Dorůžka (narozen 1980), který se na české jazzové scéně pohybuje již 14 let a jehož talent i věhlas dávno překročily české hranice (dlouhodobé pobyty v USA a Francii, koncerty po celém světě), vydává v březnu 2008 své druhé autorské album Silently Dawning. Po čtyřleté pauze od oceňovaného debutu Hidden Paths (2004, „Anděl“ za nejlepší jazzovou desku roku) je album netrpělivě očekáváno. Dorůžka složil pro album 10 nových skladeb, s jedinou výjimkou jde o kompozice s textem, konkrétně o zhudebněné básně Emily Dickinson a Jiřího Ortena a o skladby opatřené švédskými texty mladé švédské zpěvačky Josefine Lindstrand, s níž Dorůžka spolupracoval již v minulosti a která tento trojjazyčný repertoár na albu též zpívá, s podporou polské rytmiky Lukasz Zyta (bicí) a Michal Baranski (kontrabas). Hudba je zasazena do kontextu současného evropského jazzu, je intimní, upřímná a hluboká. Album vzniklo ve studiu Svárov ve spolupráci se zvukovým mistrem Lukášem Martinkem, mastering provedl věhlasný Bob Katz ve studiu Digital Domain v USA. Seznam skladeb na albu Silently Dawning (autorem hudby je David Dorůžka): 1. The Things That Never Can Come Back (E. Dickinson) 2. November (J. Lindstrand) 3. The Heart Has Narrow Banks (E. Dickinson) 4. Percussion interlude (improvizace) 5. Noc a den (J. Orten) 6. I Felt My Life (E. Dickinson) 7. Tears (J. Lindstrand) 8. Before Spring Comes 9. Voice and guitar introduction (improvizace) 10. Forever Lost (J. Lindstrand) 11. Hope Is The Thing With Feathers (E. Dickinson) 12. -
Jazzpress 0213
LUTY 2013 Gazeta internetowa poświęcona muzyce improwizowanej 2084-3143 ISSN Rozmawiają z nami Artur Dutkiewicz Cezary Konrad Oles Brothers & Theo Jörgensmann Adam Bałdych Skrzypce były mi pisane Podążam za muzyczną intuicją KONKURSY Adam Bałdych, fot. Bogdan Augustyniak i Krzysztof Wierzbowski SPIS TREŚCI 3 – Od Redakcji 40 – Publicystyka 40 Felieton muzyczny Macieja Nowotnego 4 – KONKURSY O tym, dlaczego ona tańczy NIE dla mnie... 6 – Co w RadioJAZZ.FM 42 Najciekawsze z najmniejszych w 2012 6 Jazz DO IT! 44 Claude Nobs 12 – Wydarzenia legendarny twórca Montreux Jazz Festival 46 Ravi Shankar 14 – Płyty Geniusz muzyki hinduskiej 14 RadioJAZZ.FM poleca 48 Trzeci nurt – definicja i opis (część 3) 16 Nowości płytowe 50 Lektury (nie tylko) jazzowe 22 Pod naszym patronatem Reflektorem na niebie wyświetlimy napis 52 – Wywiady Tranquillo 52 Adam Baldych 24 Recenzje Skrzypce były mi pisane Walter Norris & Leszek Możdżer Podążam za muzyczną intuicją – The Last Set Live at the a – Trane 68 Cezary Konrad W muzyce chodzi o emocje, a nie technikę 26 – Przewik koncertowy 77 Co słychać u Artura Dutkiewicza? 26 RadioJAZZ.FM i JazzPRESS zapraszają 79 Oles Brothers & Theo Jörgensmann 27 Koncerty w Polsce Transgression to znak, że wspięliśmy się na 28 Nasi zagranicą nowy poziom 31 Ulf Wakenius & AMC Trio 33 Oleś Brothers & Theo Jörgensmann tour 83 – BLUESOWY ZAUŁEK Obłędny klarnet w magicznym oświetleniu 83 29 International Blues Challenge 35 Extra Ball 2, czyli Śmietana – Olejniczak 84 Magda Piskorczyk Quartet 86 T-Bone Walker 37 Yasmin Levy w Palladium 90 – Kanon Jazzu 90 Kanon w eterze Music for K – Tomasz Stańko Quintet The Trio – Oscar Peterson, Joe Pass, Niels-Henning Orsted Pedersen 95 – Sesje jazzowe 101 – Redakcja Możesz nas wesprzeć nr konta: 05 1020 1169 0000 8002 0138 6994 wpłata tytułem: Darowizna na działalność statutową Fundacji JazzPRESS, luty 2013 Od Redakcji Czas pędzi nieubłaganie i zaskakująco szybko. -
'Helikon' Was Also a Favourite of Zbyszek Seifert's. Both His Quartet
man of the light. THE LIFE AND WORK OF ZBIGNIEW SEIFERT The ‘Helikon’ was also a favourite of Zbyszek Seifert’s. Both his quartet and (later) Stańko’s quintet held their rehearsals there, and that’s where he played his first jazz concerts. It was in this club that he met jazz musicians and fans. As its musicians became more and more popular, the Jazz-Club found it could not seat all the audience and so concerts began to be held in other places. Nonetheless, the first steps on the ensemble’s career path were inextricably linked with that magical place. Jazz-Club “Helikon”. From left: barmaid, NN, Jan Jarczyk, Zbigniew Seifert, Jan Gonciarczyk, Adam Matyszkowicz. Archive of Małgorzata Seifert Jazz-Club “Helikon” membership card. Archive of Małgorzata Seifert 36 The music studies and Jazz Ensembles The Career of the Zbigniew Seifert Quartet The Quartet’s official debut took place in November, 1965, during the th14 Cracow Jazz Festival, the so-called Cracow All Souls Jazz Festival at Krzysztofory, where the jam sessions were held. Andrzej Jaroszewski enthusiastically hailed their performance as foreshadowing the coming of a new generation of jazz musicians, the debut of a modern jazz band. In a brochure entitled “Cracow Jazz Festival – 14th Edition”, Krzysztof Sadowski wrote: On Friday evening the second debutant was Zbigniew Seifert, an alto sax player influenced by John Coltrane and Zbigniew Namysłowski. From the latter, he took the pure intonation and confident presentation of frequently complicated melodic phrases. Especially in the theme of McCoy Tyner’s “Three Flowers” the whole ensemble gave us a sample of solid modern jazz. -
Rufus Reid a Top Jazz Bassist and Teacher Takes the Blindfold Test Live
33rd Annual Where to Study Jazz 2011 Rufus Reid A Top Jazz Bassist and Teacher Takes The Blindfold Test Live JEN Artists Roundtable Don Braden, Stefon harris, Gerald Clayton and DJ Trentino Oberlin Conservatory’s serious Commitment to Jazz Education More Than 160 Schools listed! OCTOBER 2010 DOWNBEAT 65 stuDent music guiDe // WheRe to stuDy jazz 2011 Jazz School In Session Wayne State university The colleges and universities included in this comprehen- Features sive educational supplement can help guide you down the 84 Rufus Reid path to becoming a complete jazz musician. Jazz programs Bassist/Educator Takes The range widely in size and focus, and each has its own appeal, Blindfold Test Live at JEN By Frank Alkyer whether you seek a career as a professional player, educator, 98 Experiments & Experience producer or businessperson in the music industry. JEN Artists Roundtable with Great teachers and programs can be found all across the Don Braden, Stefon Harris, Gerald Clayton country and beyond, so it’s important to explore the full range and DJ Trentino of jazz education options out there. We’ve organized our list- By Frank Alkyer ings by region (East, Midwest, South, West and International) 112 Logan’s Legacy Oberlin Conservatory’s to help you find exactly what you’re looking for in your higher Expanded Jazz education. Check them out here, read more about them on- Offerings Testify to One Man’s Life Work line and take the time to visit as many campuses as you can By Aaron COhen before deciding where to apply. With school back in session for the season, DownBeat School LisTings encourages you to get started on your jazz education journey 68 East 100 south now, while there’s still plenty of time to research colleges and 114 Midwest 132 West universities with jazz programs available to you in 2011. -
Jazzweek SPYRO GYRA
JazzWeek with airplay data powered by jazzweek.com • March 13, 2006 Volume 2, Number 16 • $7.95 In This Issue: BET Jazz Becomes ‘BET J’ . 4 Najee Wins NAACP Image Award . 5 Essentially Ellington Finalists . 6 Music and Industry News In Brief . 7 Reviews and Picks . 14 Jazz Radio . 18 Smooth Jazz Stylistically Unapologetic: Radio. 25 Radio SPYRO GYRA Panels. 24, 29 News. 4 Q&A with Jay Beckenstein ... page 10 Charts: #1 Jazz Album – David “Fathead” Newman #1 Smooth Album – Richard Elliot #1 Smooth Single – Richard Elliot JazzWeek This Week EDITOR/PUBLISHER Ed Trefzger egistration will open on Monday, March 13 for the Jazz- MUSIC EDITOR Tad Hendrickson Week Summit 2006. Because of the change in our busi- Rness structure and ownership, we were delayed in making CONTRIBUTING EDITORS final arrangements until three months later than we had planned. Keith Zimmerman Kent Zimmerman In the interim, all available hotel rooms in downtown Roches- CONTRIBUTING WRITER/ ter, N.Y., were booked for a large religious convention during the PHOTOGRAPHER weekend we had originally targeted. As a result, we’ve had to move Tom Mallison the Summit one week later than our originally published dates of PHOTOGRAPHY June 8-10. We apologize for the inconvenience. It is our plan to Barry Solof have firm dates for 2007 by December of this year. Founding Publisher: Tony Gasparre This year’s Summit will run from Thursday, June 15 through Saturday, June 17, coinciding with the final three days of the ADVERTISING: Devon Murphy Rochester International Jazz Festival. The host hotel will be the Call (866) 453-6401 ext. -
Promo 2020 Eng Copy
LONGING NEW ALBUM LONGING Ladies and Gentlemen, we are pleased to inform you about the new upcoming album by the New Bone jazz band quintet. Tomasz Kudyk’s band will enter the studio in December 2019 to record their sixth album. The expected premiere of the album is March 2020 via CM Records. Tomasz, the New Bone leader, dedicates this album to his late father, Jan Kudyk, a longtime leader of the Jazz Band Ball Orchestra. Tomasz Kudyk on the trumpet will be accompanied by Bartłomiej Prucnal on the alto saxophone and Dominik Wania on the piano. The album will feature original compositions by Tomasz Kudyk arranged for a jazz sextet and one piece by Jan Kudyk, in a special arrangement written by Wojtek Groborz. Judging by the previous New Bone albums, we can expect lyrical, nostalgic music in the form of a jazz narrative. Inspiration for the album goes back to the jazz mainstream developed in mid-20th century. Through this album and the music (recorded in S4 Studio in Warsaw), Tomasz Kudyk would like to express his gratitude and respect for his father, who at the beginning of his musical path was his inspiration and authority. “It is thanks to Dad that I am here today and continue to do what he used to do.” The project will be largely co-financed by the Municipality of Cracow and Tactica Pharmaceuticals. LONGING NEWBONE New Bone is a jazz quintet of successful musicians. Their five albums (including three original ones) established the band’s position in the Polish jazz scene. -
Jazzpress 1212
GRUDZIEŃ 2012 Gazeta internetowa poświęcona muzyce improwizowanej 2084-3143 ISSN Cezary Konrad Rozmawiają z nami wieczny poszukiwacz Grzegorz Grzyb doskonałości Zbigniew Krzywański Krystyna Stańko Dorota Miśkiewicz KONKURSY Cezary Konrad fot. Krzysztof Wierzbowski SPIS TREŚCI 3 – Od Redakcji 76 – Publicystyka 76 Głosem muzyka jazzowego 4 – KONKURSY Nie chcę aby penetrowano mój odbyt 5 – Co w RadioJAZZ.FM i mówiono mi, że powinienem być z tego zadowolony 6 – Wydarzenia Trzeci nurt – wczesne próby integracji jazzu 10 – Płyty z europejską muzyką artystyczną (cz.2) 10 RadioJAZZ.FM poleca 80 Lektury (nie tylko jazzowe) jazzowe 12 Nowości płytowe 82 – Wywiady 18 Recenzje 82 Cezary Konrad Source of Life – Metus – wieczny poszukiwacz doskonałości Elektryczna Trylogia: Powrót fusion 86 Grzegorz Grzyb Zawsze interesowały mnie tylko 22 – Przewodnik koncertowy – bębny i kolarstwo 22 RadioJAZZ.FM i JazzPRESS polecają 91 Krystyna Stańko 24 Koncerty w Polsce Dzielę się pięknymi słowami otulonymi muzyką 25 Nasi zagranicą 96 Zbigniew Krzywański 26 Benoit Delbecq & Lutosławski Quartet Grzegorz to był utalentowany facet 28 Tord Gustavsen Quartet 102 Dorota Miśkiewicz 30 Jakob Bro i George Garzon Tworzę pod wpływem impulsu 32 Diana Krall – Glad Rag Doll koncertowo 34 Bill Frissell i Jack DeJohnette na Jazztopadzie 108 – BLUESOWY ZAUŁEK 37 Tommy Emmanuel 108 Ian Siegal & The Mississippi Mudbloods, 39 BMW Jazz Club prezentuje: The Mosaic Project! czyli Warsaw Blues Night po raz 50-ty! 40 Absurdalny koncert Michał Milczarek Trio 111 Blues Toruń Meeting XXIII -
Jazzandmore-1993-2017.Qxp Layout 1
JAZZ AND MORE Ein fotografischer Rückblick von Reinhard Dorn & Christian Pacher IMPRESSUM Diese Publikation erscheint zum 25-jährigen Jubiläum der Reihe „Jazz and More“ im Bürgerhaus/diagonal., Ingolstadt © 2017 Reinhard Dorn Satz und Gestaltung: Reinhard Dorn Fotografie: Christian Pacher: S. 6: (1,2,3,4) • S. 10: (2) • S. 12: (3,4) • S.13 S. 18 (2) • S. 21 (1) • S. 22 (2) • S. 24 (1,2) • S. 25 • S. 27 • S. 34 (1,2,3) S. 35 • S. 37 • S. 48 (2) • S. 50 (2) • S. 52 (3) • S. 53 • S. 54 (2) S. 56 (2) • S. 57 • S. 58 (1,2) • S. 62 (1,2,3) • S. 63 • S.64 (1) • S. 68 (1,2) Reinhard Dorn: alle anderen Aufnahmen Kontaktadressen: Bürgerhaus Ingolstadt Kreuzstraße 12, 85049 Ingolstadt Tel. 08 41/305 28 00, Fax 08 41/305 28 09 [email protected] www.buergerhaus-ingolstadt.de Jan Rottau/KaRo Music Rankestraße 9, 85049 Ingolstadt [email protected] Christian Pacher Münchener Str. 99, 85051 Ingolstadt Tel. 08 41/7 21 90 [email protected] Reinhard Dorn Gymnasiumstraße 6, 85049 Ingolstadt Tel. 08 41/3 70 76 37 [email protected] Veranstalter Kreuzstr. 12 • Ingolstadt • Tel. 08 41/3052800 Die Reihe wird gefördert von: Unterstützt durch: 2 1993 – 2017 JAZZ AND MORE Bürgerhaus|diagonal. Club Concerts Einleitung ............................................................ 4 1993 ................................................................ 6 1994 ................................................................ 10 John Scofield im Interview – März 1994 ................................ 14 Joe Zawinul im Interview – November 1994 ...........................