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Hermann NAEHRING: Wlodzimierz NAHORNY: NAIMA: Mari
This discography is automatically generated by The JazzOmat Database System written by Thomas Wagner For private use only! ------------------------------------------ Hermann NAEHRING: "Großstadtkinder" Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; Stefan Dohanetz -d; Henry Osterloh -tymp; recorded 1985 in Berlin 24817 SCHLAGZEILEN 6.37 Amiga 856138 Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; Stefan Dohanetz -d; recorded 1985 in Berlin 24818 SOUJA 7.02 --- Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; Volker Schlott -fl; recorded 1985 in Berlin A) Orangenflip B) Pink-Punk Frosch ist krank C) Crash 24819 GROSSSTADTKINDER ((Orangenflip / Pink-Punk, Frosch ist krank / Crash)) 11.34 --- Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; recorded 1985 in Berlin 24820 PHRYGIA 7.35 --- 24821 RIMBANA 4.05 --- 24822 CLIFFORD 2.53 --- ------------------------------------------ Wlodzimierz NAHORNY: "Heart" Wlodzimierz Nahorny -as,p; Jacek Ostaszewski -b; Sergiusz Perkowski -d; recorded November 1967 in Warsaw 34847 BALLAD OF TWO HEARTS 2.45 Muza XL-0452 34848 A MONTH OF GOODWILL 7.03 --- 34849 MUNIAK'S HEART 5.48 --- 34850 LEAKS 4.30 --- 34851 AT THE CASHIER 4.55 --- 34852 IT DEPENDS FOR WHOM 4.57 --- 34853 A PEDANT'S LETTER 5.00 --- 34854 ON A HIGH PEAK -
Cool Trombone Lover
NOVEMBER 2013 - ISSUE 139 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM ROSWELL RUDD COOL TROMBONE LOVER MICHEL • DAVE • GEORGE • RELATIVE • EVENT CAMILO KING FREEMAN PITCH CALENDAR “BEST JAZZ CLUBS OF THE YEAR 2012” SMOKE JAZZ & SUPPER CLUB • HARLEM, NEW YORK CITY FEATURED ARTISTS / 7:00, 9:00 & 10:30pm ONE NIGHT ONLY / 7:00, 9:00 & 10:30pm RESIDENCIES / 7:00, 9:00 & 10:30pm Fri & Sat, Nov 1 & 2 Wed, Nov 6 Sundays, Nov 3 & 17 GARY BARTZ QUARTET PLUS MICHAEL RODRIGUEZ QUINTET Michael Rodriguez (tp) ● Chris Cheek (ts) SaRon Crenshaw Band SPECIAL GUEST VINCENT HERRING Jeb Patton (p) ● Kiyoshi Kitagawa (b) Sundays, Nov 10 & 24 Gary Bartz (as) ● Vincent Herring (as) Obed Calvaire (d) Vivian Sessoms Sullivan Fortner (p) ● James King (b) ● Greg Bandy (d) Wed, Nov 13 Mondays, Nov 4 & 18 Fri & Sat, Nov 8 & 9 JACK WALRATH QUINTET Jason Marshall Big Band BILL STEWART QUARTET Jack Walrath (tp) ● Alex Foster (ts) Mondays, Nov 11 & 25 Chris Cheek (ts) ● Kevin Hays (p) George Burton (p) ● tba (b) ● Donald Edwards (d) Captain Black Big Band Doug Weiss (b) ● Bill Stewart (d) Wed, Nov 20 Tuesdays, Nov 5, 12, 19, & 26 Fri & Sat, Nov 15 & 16 BOB SANDS QUARTET Mike LeDonne’s Groover Quartet “OUT AND ABOUT” CD RELEASE LOUIS HAYES Bob Sands (ts) ● Joel Weiskopf (p) Thursdays, Nov 7, 14, 21 & 28 & THE JAZZ COMMUNICATORS Gregg August (b) ● Donald Edwards (d) Gregory Generet Abraham Burton (ts) ● Steve Nelson (vibes) Kris Bowers (p) ● Dezron Douglas (b) ● Louis Hayes (d) Wed, Nov 27 RAY MARCHICA QUARTET LATE NIGHT RESIDENCIES / 11:30 - Fri & Sat, Nov 22 & 23 FEATURING RODNEY JONES Mon The Smoke Jam Session Chase Baird (ts) ● Rodney Jones (guitar) CYRUS CHESTNUT TRIO Tue Cyrus Chestnut (p) ● Curtis Lundy (b) ● Victor Lewis (d) Mike LeDonne (organ) ● Ray Marchica (d) Milton Suggs Quartet Wed Brianna Thomas Quartet Fri & Sat, Nov 29 & 30 STEVE DAVIS SEXTET JAZZ BRUNCH / 11:30am, 1:00 & 2:30pm Thu Nickel and Dime OPS “THE MUSIC OF J.J. -
Ja Z Zfest B
programm zweitausendfünfzehn jazzfest bonn Donnerstag, 7. Mai 2015 www.bechtle.com Post Tower 19 Uhr Pat Martino Trio Seite 6 Ulita Knaus Seite 10 Freitag, 8. Mai 2015 IT-E-Commerce LVR-LandesMuseum Bonn 19 Uhr Anke Helfrich Trio Seite 14 Norbert Gottschalk Quintett Seite 18 Samstag, 9. Mai 2015 Universität Bonn 19 Uhr Lizz Wright Seite 22 Stefan Schultze – Large Ensemble Seite 26 Sonntag, 10. Mai 2015 IT-Systemhaus & Volksbank-Haus Managed Services 19 Uhr Michael Heupel Seite 30 Michael Schiefel / David Friedman Seite 32 Montag, 11. Mai 2015 Brotfabrik 19 Uhr Hanno Busch Trio Seite 34 Peter Evans – Zebulon Trio Seite 38 Dienstag, 12. Mai 2015 Haus der Geschichte 19 Uhr Efrat Alony Trio Seite 42 Wolfgang Muthspiel Trio Seite 46 Bechtle verbindet zwei Geschäftsbereiche zu einem großen Mittwoch, 13. Mai 2015 Ganzen: auf der einen Seite 65 IT-Systemhäuser in Deutsch- Bundeskunsthalle land, Österreich und der Schweiz, auf der anderen IT-E- 19 Uhr Frederik Köster – Die Verwandlung Seite 50 Commerce in 14 europäischen Ländern. Dazu kommen mehr Marilyn Mazur‘s Celestial Circle Seite 54 als 75.000 Kunden und rund 6.500 exzellente Mitarbeiter, Kundennähe, Partnerschaft und maßgeschneiderte IT- Donnerstag, 14. Mai 2015 Beethoven-Haus Bonn Lösungen. Außerdem herstellerneutrale Beratung, Be- 19 Uhr Julia Kadel Trio Seite 58 schaffung, Integration, Managed Services und Schulungen Enrico Rava meets sowie über 56.000 IT-Produkte und kundenindividuelle Gianluca Petrella & Giovanni Guidi Seite 62 Online-Shops. Freitag, 15. Mai 2015 Bundeskunsthalle 19 Uhr WDR Big Band & Erik Truffaz Seite 66 Ihre bessere IT-Hälfte. Franco Ambrosetti Sextet Seite 70 feat. -
Piotr Wojtasik Quartet Wojtasik/Kaletka/Kowalewski
Piotr Wojtasik Quartet Wojtasik/Kaletka/Kowalewski/McCraven Jest to całkowicie świeży i energetyczny program koncertowy - Piotrowi Wojtasikowi towarzyszą, jak zwykle, wybitni muzycy: Marcin Kaletka na saksofonie, Adam Kowalewski na kontrabasie oraz Stephen McCraven (Stany Zjednoczone) na perkusji. Zapraszamy do odwiedzenia strony Artysty na portalu społecznościowym Facebook: www.facebook.com/piotrwojtasikmusic Formacja prowadzona przez jednego z najwybitniejszych polskich trębaczy – Piotra Wojtasika stylistycznie oscyluje między neo-bopową tradycją jazzu okresu lat 60. ubiegłego wieku, elementami etno i stylistyką free. Całość, oparta o kompozycje lidera, utrzymana jest w konwencji nowoczesnego mainstreamu. Piotr Wojtasik Quartet jest zespołem bez instrumentu harmonicznego (trąbka, saksofon, perkusja, kontrabas). Brzmienie zespołu oparte jest zasadniczo na koncepcji lidera oraz indywidualnych cechach tworzących zespół muzyków. Piotr Wojtasik to artysta obsypywany nagrodami, otrzymał, m.in.: Fryderyka, Jazzowego Oscara, a także Mateusza Trójki. W rankingu magazynu "Jazz Forum" uznano go za najpopularniejszego polskiego jazzmana. Nagrywał i koncertował m.in. u boku takich gwiazd jazzu jak: Kenny Garrett, Billy Harper, Gary Bartz, Dave Liebman, Victor Lewis, Daniel Humier, Joachim Kuhn czy Michel Donato, a na polskim rynku współpracował m.in. z Janem "Ptaszynem" Wróblewskim, Henrykiem Miśkiewiczem, Andrzejem Jagodziński, Maciejem Sikałą, Lorą Szafran, Leszkiem Możdżerem, Piotrem Baronem. Piotr Wojtasik jest absolwentem Wydziału Jazzu i Muzyki -
1St International Zbigniew Seifert Jazz Violin Competition / PROGRAM
/ PROGRAM 1st International Zbigniew Seifert Jazz Violin Competition 16th – 19th July 2014 / Lusławice, Kraków A Competition held under the Honorary Patronage of the President of the Academy of Music in Cracow, in cooperation with the “Emanations” Festival and the Summer Jazz Festival at Piwnica pod Baranami. Organizer: Partners: The Competition project has been made possible by the financial support of the Ministry of Culture and National Heritage, the Małopolska Province and Kraków City Council. Media Patrons: 2 1st International Zbigniew Seifert Jazz Violin Competition 16 JULY 2014 7 pm The European Krzysztof Penderecki Centre for Music in Lusławice semifinal auditions 17 JULY 2014 7 pm The European Krzysztof Penderecki Centre for Music in Lusławice semifinal auditions 18 JULY 2014 7 pm The European Krzysztof Penderecki Centre for Music in Lusławice final auditions 19 LIPCA 2014 r. 7 pm Manggha Museum of Japanese Art and Technology in Cracow gala concert www.seifertcompetition.com 3 n love with the music of John Coltrane, he originally took up the saxophone, and soon afterwards - set up ZBIGNIEW his first ensemble, the Zbig- Iniew Seifert Quartet, where he played with Jan Jarczyk, Jan Gonciarczyk and Janusz SEIFERT Stefański. Uncompromising and very daring in their artistic AN ICON OF THE JAZZ VIOLIN aims from the very start, they won the 2nd (1968) and then the Born in Cracow, he was associated with that city almost 1st (1969) prize at the Jazz on throughout his life. It was there that he completed primary and the Oder Festival, while Seifert secondary music schools and where he graduated from the himself took individual prizes. -
TZ David Doruzka SILENTLY DAWNING 200208
Tisková zpráva 20.02 . 2008 Kytarista DAVID DORŮŽKA vydává dlouho očekávané nové album SILENTLY DAWNING. Fenomenální a široce uznávaný jazzový kytarista David Dorůžka (narozen 1980), který se na české jazzové scéně pohybuje již 14 let a jehož talent i věhlas dávno překročily české hranice (dlouhodobé pobyty v USA a Francii, koncerty po celém světě), vydává v březnu 2008 své druhé autorské album Silently Dawning. Po čtyřleté pauze od oceňovaného debutu Hidden Paths (2004, „Anděl“ za nejlepší jazzovou desku roku) je album netrpělivě očekáváno. Dorůžka složil pro album 10 nových skladeb, s jedinou výjimkou jde o kompozice s textem, konkrétně o zhudebněné básně Emily Dickinson a Jiřího Ortena a o skladby opatřené švédskými texty mladé švédské zpěvačky Josefine Lindstrand, s níž Dorůžka spolupracoval již v minulosti a která tento trojjazyčný repertoár na albu též zpívá, s podporou polské rytmiky Lukasz Zyta (bicí) a Michal Baranski (kontrabas). Hudba je zasazena do kontextu současného evropského jazzu, je intimní, upřímná a hluboká. Album vzniklo ve studiu Svárov ve spolupráci se zvukovým mistrem Lukášem Martinkem, mastering provedl věhlasný Bob Katz ve studiu Digital Domain v USA. Seznam skladeb na albu Silently Dawning (autorem hudby je David Dorůžka): 1. The Things That Never Can Come Back (E. Dickinson) 2. November (J. Lindstrand) 3. The Heart Has Narrow Banks (E. Dickinson) 4. Percussion interlude (improvizace) 5. Noc a den (J. Orten) 6. I Felt My Life (E. Dickinson) 7. Tears (J. Lindstrand) 8. Before Spring Comes 9. Voice and guitar introduction (improvizace) 10. Forever Lost (J. Lindstrand) 11. Hope Is The Thing With Feathers (E. Dickinson) 12. -
Hifi/Stereo Review October 1960
u-icate and intriguing compositions by Smith which are essentially different views of the same themes. Brubeck is obviously stimulated to an unusual degree by the un- orthodox framework and by the presence of a new voice. The recording is really first-rate in all respects and the music in small space is a fascinating diversion from the usual small jazz group product these clays. It is enjoyable on several levels simultane- Gracious listening for ously. As first -quality jazz for background bookshelf or floor with and listening, it is bright and witty; for TWO Jensen speakers. deeper and more concentrated listening it 8--in. woofer, is a fascinating exercise in both individual 111; improvisation and written jazz. Brubeck 'a, high -dispersion tweeter, contributes liner helpful notes. H. J. G. superbly matched. A JAZZ AT THE SHOWBOAT-VOL- Luxurious M-in. UME 3: CHARLIE BYRD TRIO. Charlie genuine hardwood in Byrd (guitar), Keter Betts Berfell (bass), Whited Birch or Knox (drums) In A Mellotone; Funky Fla- menco; Lay The Lily Low & 9 others. Off- Light American Walnut. beat OJ 3006 $4.95 2/ x 11 x 101A -in. deep. Interest: Byrd's best yet At your hi-fi store Performance: Superior Recording: Excellent or write Dept. F, As annotator Tom Scanlan observes, this Argos Products Co., is easily Charlie Byrd's most substantial Genoa, Illinois. album so far because "there are no frills here. No special guests. No flutes. No NEW DE LUXE CATALINA oboes. No bassoons. - TSE-2AS NET No singers. No special $39.95 arrangements. No attempt to do 'some- thing else.' " This is delightful trio jazz played by men who have achieved thorough inte- gration over a long period of working to- gether and who really are a trio rather Products Company than a guitarist with rhythm backing. -
The Singing Guitar
August 2011 | No. 112 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Mike Stern The Singing Guitar Billy Martin • JD Allen • SoLyd Records • Event Calendar Part of what has kept jazz vital over the past several decades despite its commercial decline is the constant influx of new talent and ideas. Jazz is one of the last renewable resources the country and the world has left. Each graduating class of New York@Night musicians, each child who attends an outdoor festival (what’s cuter than a toddler 4 gyrating to “Giant Steps”?), each parent who plays an album for their progeny is Interview: Billy Martin another bulwark against the prematurely-declared demise of jazz. And each generation molds the music to their own image, making it far more than just a 6 by Anders Griffen dusty museum piece. Artist Feature: JD Allen Our features this month are just three examples of dozens, if not hundreds, of individuals who have contributed a swatch to the ever-expanding quilt of jazz. by Martin Longley 7 Guitarist Mike Stern (On The Cover) has fused the innovations of his heroes Miles On The Cover: Mike Stern Davis and Jimi Hendrix. He plays at his home away from home 55Bar several by Laurel Gross times this month. Drummer Billy Martin (Interview) is best known as one-third of 9 Medeski Martin and Wood, themselves a fusion of many styles, but has also Encore: Lest We Forget: worked with many different artists and advanced the language of modern 10 percussion. He will be at the Whitney Museum four times this month as part of Dickie Landry Ray Bryant different groups, including MMW. -
Swingville Label Discography
Swingville Label Discography: 2000 Series: SVLP 2001 - Coleman Hawkins and The Red Garland Trio - Coleman Hawkins and The Red Garland Trio [1960] It’s a Blue World/I Want to Be Loved/Red Beans/Bean’s Blues/Blues For Ron SVLP 2002 - Tiny In Swingville - Tiny Grimes with Richardson [1960] Annie Laurie/Home Sick/Frankie & Johnnie/Down with It/Ain’t Misbehaving/Durn Tootin’ SVLP 2003 - Tate's Date - Buddy Tate [1960] Me ‘n’ You/Idling/Blow Low/Moon Dog/No Kiddin’/Miss Ruby Jones SVLP 2004 - Callin' the Blues - Tiny Grimes [1960] Reissue of Prestige 7144. Callin’ the Blues/Blue Tiny/Grimes’ Times/Air Mail Special SVLP 2005 – Coleman Hawkins’ All Stars - Coleman Hawkins with Joe Thomas and Vic Dickenson [1960] You Blew Out the Flame/More Bounce to the Vonce/I’m Beginning to See the Light/Cool Blue/Some Stretching SVLP 2006 - The Happy Jazz of Rex Stewart - Rex Stewart [1960] Red Ribbon/If I Could Be with You/Four or Five Times/Rasputin/Please Don’t Talk About me When I’m Gon/San/You Can Depend on Me/I Would Do Most Anything For You/Tell Me/Nagasaki SVLP 2007 - Buck Jumpin' - Al Casey [1960] Buck Jumpin’/Casey’s Blues/Don’t Blame Me/Ain’t Misbehavin’/Honeysuckle Rose/Body & Soul/Rosetta SVLP 2008 - Swingin' with Pee Wee - Pee Wee Russell [1960] What Can I Say Dear/Midnight Blue/Very Thought of You/Lulu’s Back in Town/I Would Do Most Anything For You/Wrap Your Troubles in Dreams/Englewood SVLP 2009 - Yes Indeed! - Claude Hopkins [1960] It Don’t Mean a Thing/Willow Weep For Me/Yes Indeed/Is It So/Empty Bed Blues/What Is This Thing Called Love/Morning Glory SVLP 2010 – Rockin’ in Rhythm - Swingville All Stars (Al Sears, T. -
PT 2702 Jakob Bro UMA ELMO
ECM Jakob Bro Uma Elmo Jakob Bro: guitar Arve Henriksen: trumpet, piccolo trumpet Jorge Rossy: drums ECM 2702 CD: 6024 3528227 5 Release date: February 12, 2021 With Uma Elmo, his fifth album as a leader for ECM, Danish guitarist-composer Jakob Bro presents a new trio featuring Norwegian trumpeter Arve Henriksen and Spanish drummer Jorge Rossy. Astonishingly, given the trio’s musical synergy, the first time these three musicians ever performed together was for the album’s sessions at the Swiss Radio studio in Lugano, with Manfred Eicher producing. Among the album’s highlights is the opening “Reconstructing a Dream”, a darkly lyrical reverie which underlines an observation about Bro’s work by London Jazz News: “there is no hurry to this music, but there is great depth.” “To Stanko” is Bro’s hushed tribute to the late, great Polish trumpeter who featured the guitarist in his quintet for the ECM album Dark Eyes. Another track that serves as an homage to a late elder is “Music for Black Pigeons,” which was given its evocative title by saxophone sage Lee Konitz, with whom Bro also worked closely. Listeners will recognize Arve Henriksen’s whispering, intimate sound from his 2008 ECM album Cartography, as well as from his collaborations for the label with Trio Mediaeval and Tigran Hamasyan. Rossy is well known to jazz fans on both sides of the Atlantic, particularly for his decade-plus tenure in Brad Mehldau’s career-making first trio. As for the leader, DownBeat aptly noted in its review of his previous ECM album, Bay of Rainbows, that “Bro’s guitar is luminous… his music both hypnotic and dramatic.” Bro created the title of Uma Elmo using the middle names of his young daughter and infant son, with the guitarist having composed much of the album’s dulcet material between his newborn son’s naps. -
DB Music Shop Must Arrive 2 Months Prior to DB Cover Date
05 5 $4.99 DownBeat.com 09281 01493 0 MAY 2010MAY U.K. £3.50 001_COVER.qxd 3/16/10 2:08 PM Page 1 DOWNBEAT MIGUEL ZENÓN // RAMSEY LEWIS & KIRK WHALUM // EVAN PARKER // SUMMER FESTIVAL GUIDE MAY 2010 002-025_FRONT.qxd 3/17/10 10:28 AM Page 2 002-025_FRONT.qxd 3/17/10 10:29 AM Page 3 002-025_FRONT.qxd 3/17/10 10:29 AM Page 4 May 2010 VOLUME 77 – NUMBER 5 President Kevin Maher Publisher Frank Alkyer Editor Ed Enright Associate Editor Aaron Cohen Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Kelly Grosser ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Sue Mahal 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 www.downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough, Howard Mandel Austin: Michael Point; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Robert Doerschuk; New Orleans: Erika Goldring, David Kunian; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. -
Jakob Bro (1978) Is a Danish Guitar Player and Composer Living in Copenhagen, Denmark. He Is a Former Member of Paul Motian &
Jakob Bro (1978) is a Danish guitar player and composer living in Copenhagen, Denmark. He is a former member of Paul Motian & The Electric Bebop Band (Garden of Eden, ECM - 2006) and a current member of Tomasz Stanko’s Dark Eyes Quintet (Dark Eyes, ECM - 2009). He has released 12 records as a bandleader including musicians like Lee Konitz, Bill Frisell, Paul Motian, Kenny Wheeler, Paul Bley, Chris Cheek, Thomas Morgan, Ben Street, Mark Turner, Kurt Rosenwinkel, Andrew D’Angelo, Chris Speed, George Garzone, Oscar Noriega, David Virelles, Jon Christensen and many more. He has toured in Japan, China, South Korea, Australia, Brazil, Argentina, Columbia, South Africa, USA and most of Europe Jakob Bro is currently leading a trio with Joey Baron and Thomas Morgan. This trio recorded a new album for ECM Records in November 2015 set to come out in the near future. Also he is working with Palle Mikkelborg and with Bro/Knak, a collaboration with the Danish electronica producer Thomas Knak (Opiate). A new project with Danish/British trumpet player Jakob Buchanan, Thomas Morgan and music for choir is also under way. Jakob Bro has received 6 Danish Music Awards and has been accepted into Jazz Denmark’s Hall of Fame. In 2009 and 2013 he received JazzSpecial’s price for Danish Jazz Record of the Year (Balladeering & December Song) and in 2012 he received the DJBFA honorary award. The year after, in 2013 he received both the ”Composer of the Year” Award from Danish Music Publishers Association (the price is named after Danish classical composer Carl Nielsen) and The Jazznyt Price founded by Niels Overgaard.