John Clark Brian Charette Finn Von Eyben Gil Evans

Total Page:16

File Type:pdf, Size:1020Kb

John Clark Brian Charette Finn Von Eyben Gil Evans NOVEMBER 2016—ISSUE 175 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM JOHN BRIAN FINN GIL CLARK CHARETTE VON EYBEN EVANS Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East NOVEMBER 2016—ISSUE 175 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 New York@Night 4 Laurence Donohue-Greene: Interview : John Clark 6 by anders griffen [email protected] Andrey Henkin: [email protected] Artist Feature : Brian Charette 7 by ken dryden General Inquiries: [email protected] On The Cover : Maria Schneider 8 by john pietaro Advertising: [email protected] Encore : Finn Von Eyben by clifford allen Calendar: 10 [email protected] VOXNews: Lest We Forget : Gil Evans 10 by eric wendell [email protected] LAbel Spotlight : Setola di Maiale by ken waxman US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or VOXNEWS 11 by suzanne lorge money order to the address above or email [email protected] Festival Report Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Fred Bouchard, CD Reviews Stuart Broomer, Thomas Conrad, 14 Ken Dryden, Donald Elfman, Philip Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, Miscellany 33 Alex Henderson, Marcia Hillman, Terrell Holmes, Robert Iannapollo, Suzanne Lorge, Marc Medwin, Event Calendar 34 Ken Micallef, Russ Musto, John Pietaro, Joel Roberts, John Sharpe, Elliott Simon, Andrew Vélez, Ken Waxman Contributing Writers Robert Bush, Laurel Gross, George Kanzler, Matthew Kassel, Mark Keresman It is fascinating that two disparate American events both take place in November with Election Contributing Photographers Day and Thanksgiving. One brings people together while the other divides them. And while Peter Gannushkin, Alan Nahigian, both involve turkeys, only one set volunteers for the job. Susan O’Connor, Bruce Phillips, John Rogers, Jack Vartoogian No matter if you are Democrat, Republican or third partier, carnivore, pescatarian or vegan, if you are reading this you would vote for a ballot proposal for more jazz everywhere. You Fact-checker Nate Dorward could run for city council or simply go out any night of the week and take in one of the myriad shows happening throughout the city. There is bandleader/composer Maria Schneider (On The Cover), doing her annual Thanksgiving run at Jazz Standard, veteran French horn player John Clark (Interview) celebrating the release of his new album at Rockwood Music Hall and organ player Brian Charette (Artist Feature) leading bands at 55Bar and Smalls. Not full yet? Check out our CD Reviews for more tasty platters on offer and our Event Calendar for side dishes galore. Seriously though, jazz has always been in the forefront of political and social consciousness since its inception so we encourage you to make your voice heard on Nov. 8th. nycjazzrecord.com On The Cover: Maria Schneider (photo © Jack Vartoogian/FrontRowPhotos) Corrections: In last month’s NY@Night, Tim Berne and John Hébert both previously recorded with Paul Motian. All rights reserved. Reproduction without permission strictly prohibited. All material copyrights property of the authors. 2 NOVEMBER 2016 | THE NEW YORK CITY JAZZ RECORD NOVEMBER 2016 WWW.BLUENOTEJAZZ.COM CHICK COREA 75TH Birthday Celebration November 2 - 3 November 11 - 13 November 20 Three Quartets Flamenco Heart Chick Corea Ft. Steve Gadd, Eddie Gomez, Ben Solomon November 16 - 17 & Gonzalo Rubalcaba November 4 - 6 Chick Corea Big Band November 22 - 23 The Leprechaun Band Ft. Trondheim Jazz Orchestra Ft. Steve Gadd, Eddie Gomez, Chick Corea Gayle Moran Corea, Steve Wilson, November 18 Michael Rodriguez, Steve Davis & Gary Burton Chick Corea & Brad Mehldau Ft. Harlem String Quartet November 9 - 10 Experiments November 19 November 25 - 27 in Electronica Chick Corea Origin II Ft. Marcus Gilmore Taylor McFerrin & Herbie Hancock Ft. Ravi Coltrane,Steve Wilson, Steve Davis & Yosvany Terry Carlitos Del Puerto, Marcus Gilmore DIZZY GILLESPIE™ ALL STARS NOVEMBER 1, 7 & 8 • MCCOY TYNER QUARTET NOVEMBER 14 & 15 WALLACE RONEY FT GARY BARTZ, PATRICE RUSHEN,LENNY WHITE, BUSTER WILLIAMS & FRIENDS NOVEMBER 21 JACQUI NAYLOR NOVEMBER 24 • RON CARTER QUARTET NOVEMBER 28 & 29 SPECIAL SUNDAY JAZZ BRUNCH $35 INCLUDES BRUNCH, MUSIC & COCKTAIL @bluenotenyc l3l WEST 3RD STREET NEW YORK CITY • 2l2.475.8592 • WWW.BLUENOTEJAZZ.COM TWO SHOWS NIGHTLY 8PM & l0:30PM • FRIDAY & SATURDAY LATE NIGHTS: l2:30AM TELECHARGE.COM TERMS, CONDITIONS AND RESTRICTIONS APPLY NEW YORK @ NIGHT For the 51st year of Chicago-birthed Association for Back for a second year, Brooklyn’s BRIC JazzFest is, Open at the Advancement of Creative Musicians (with a New like the San Francisco bluegrass festival, “Hardly York Chapter active since the relocation of several key Strictly” for genre purists, but that’s an asset. Judging members in the ‘70s), a month-long series of concerts from the turnout on the first of three “Marathon 7pm! was held at the Community Church of New York on Nights” (Oct. 13th), the bill drew both veteran jazz Friday nights. A rare performance from the trio of people and a younger, more adventurously dressed trumpeter Wadada Leo Smith, reed player Dwight bunch—though the free admission may have been Andrews and vibraphonist Bobby Naughton (Oct. a factor. Staged in the open, sloping Stoop; dark, 14th) started by reaching back towards a primal, intimate Artist Studio; and capacious Ballroom; the massed openness in the vaulted Midtown East space. event featured nine dissimilar groups in overlapping This particular trio was formed in the mid ‘70s when sets. Bria Skonberg’s trad-jazz outfit showcased her Smith was living and teaching in New Haven and fine trumpet playing and sultry singing. In a more recorded albums for ECM, Moers, Nessa and Black mainstream vein were trumpeter Kenyatta Beasley’s Saint. The title cut from their ECM LP Divine Love was hardbop-tinged quintet and saxophonist Jason This Month! first on the bill and bridged unaccompanied flickers Marshall’s organ trio (which covered Babyface). Bassist and darts with resolute, pastoral ensemble sections, Ben Allison’s quartet with trumpeter Jeremy Pelt was Live! Smith often brash and crackling with an explosive, sparked by Steve Cardenas’ cagey guitar. Taylor TUE HABIBI KINGS 8:00PM dug-deep phraseology. Written as a solo piece for McFerrin and Marcus Gilmore ad-libbed a series of 11/1 ALL NIGHT! Naughton, “Changes” moved from undamped clangs keyboard/drum duets laden with off-kilter beats and to chords, an appeal to empiricism and discovering an rave-style soundscapes. In the hardly-strictly category WED CONAL FOWKES TRIO 7:30PM instrument’s possibilities through tinkering and were the enigmatic and melismatic singer/songwriter 11/2 BEN PATERSON 10PM caressing. The vibraphonist recalled Monk and Paul Krystle Warren and Inyang Bassey, a superbly gifted Bley—pianistic without being pianistic—and Smith, and soulful vocalist backed by lean/clean guitarist THU DAVID GIBSON QUINTET 7:30PM 11/3 IAN HENDRICKSON-SMITH 10PM afterwards, opined, “the vibraphone is a beautiful Binky Griptite. Michael Leonhart’s giant orchestra put instrument because you have to slow down and hear on the best party, mashing-up Spinal Tap’s “Big FRI KEN FOWSER QUINTET 7:30PM it.” As a closer the trio performed “Truth”, corkscrewed Bottom” with Ornette Coleman’s “Lonely Woman”. 11/4 CHRIS NORTON 10:30PM brassy fanfare leading to collective tart brays from Tenor saxophonist David Murray’s quartet provided a unit sounding much larger than its three parts, the rousing finale, which included an extended avant- SAT JOEL WENHARDT TRIO 7:30PM —Clifford Allen jazz reading of “Body and Soul”. —Tom Greenland 11/5 EVAN SHERMAN BIG BAND 10:30PM TUES JON REGEN & 8PM 11/8 THE IMPOSTERS TIL LATE! M WED JON REGEN & 8PM O C . 11/9 THE IMPOSTERS TIL LATE! C Y N S THU WAYNE TUCKER 7:30PM R E 11/10 CHRIS NORTON 10PM G O R N FRI KEN FOWSER QUINTET 7:30PM H O N J 11/11 A FLOR DE TOLOACHE 10:30PM / I S G R I E H SAT G CARLOS ABADIE QUINTET 7:30PM A O N R 11/12 CHINO PONS 10:30PM N N A H L O A J Wadada Leo Smith @ Community Church of New York Bria Skonberg @ BRIC JazzFest WED PHILIP DIZACK 7:30PM 11/16 MARK WHITFIELD 10PM At heart, and as diverse as the contexts that surround Darcy James Argue’s release party at National him might be, drummer Ches Smith is a rock drummer. Sawdust (Oct. 2nd) for Real Enemies, his new Secret THU ANTOINE DRYE 7:30PM There’s nothing wrong with that—in fact, a drummer Society album addressing the prevalence of 11/17 CLAFFY 10PM who can focus on the beat while able to sight-read conspiratorial thinking in current society, couldn’t FRI KEN FOWSER QUINTET 7:30PM complex notation is rara avis indeed. As he wrapped up have been more topical. At a time when people’s trust 11/18 CARTE BLANCHE 10:30PM a week at The Stone, which included electro-acoustic in government/big business is at an all-time low, music and a Haitian drumming ensemble, Smith Argue’s music speaks—with a 18-piece musical bang— SAT NICK HEMPTON 7:30PM convened an expanded These Arches for two sets (Oct. to our darkest fears of the organized powers-that-be. 11/19 PAT VAN DYKE 10:30PM 1st). In this guise, the band featured regular conscripts Argue lurked over his ‘co-conspirators’ like a well- in guitarist Mary Halvorson, electric bassist Devin tailored undertaker, beating out the motley odd- Hoff and accordion player-electronic artist Andrea metered themes with deft flicks of his wrist, the Parkins, along with alto saxophonist Tim Berne and musicians stretched across the stage in two broad rows FRI KEN FOWSER 7:30PM trumpeter Steven Bernstein.
Recommended publications
  • Hedenstromspr11.Pdf (1.367Mb)
    Big Band Jazz and 20th C. Art Music: The Historical Relationship Documented Aaron Hedenstrom Music Composition University of Wisconsin-Eau Claire Faculty Mentor: Ethan Wickman, DMA The Premise Data Analysis: Timeline of Events The art music tradition (music stemming from the European Classical tradition) and the jazz tradition have had major impacts on one another throughout the 20th and 21st 1920s 1922: Darius Milhaud composes composes Trois rag caprices centuries. This project was designed to lay out history's events to show the 1923: Darius Milhaud premieres La création du monde 1924: Gershwin premieres "Rhapsody in Blue" 1926: Duke Ellington's 10-piece band records "East St. Louis Toodle-oo" which was their first recording progression of 20th century music as it relates to the big band and art music traditions. 1927: Ellington's 10-piece band records "Black and Tan Fantasy" 1928: Ravel tours North America and composes Sonata for Violin and Piano, which has a slow movement called Blues. American press notes Ravel's love of jazz The importance of this relationship is evident in the immense popularity of jazz-art and blues music hybrids like Rhapsody in Blue and also in the vast range of possibilities to be 1929: Gershwin premieres "An American in Paris" found in future musical creations. 1930s 1930: Duke Ellington's 12-piece band appears in film Check and Double Check and records the famous Mood Indigo. 1930: Gershwin writes "I Got Rhythm" 1932-1942: Ellington band enlarges to become 6 brass, 4 reeds, and rhythm section 1933-1938:
    [Show full text]
  • Diana Davies Photograph Collection Finding Aid
    Diana Davies Photograph Collection Finding Aid Collection summary Prepared by Stephanie Smith, Joyce Capper, Jillian Foley, and Meaghan McCarthy 2004-2005. Creator: Diana Davies Title: The Diana Davies Photograph Collection Extent: 8 binders containing contact sheets, slides, and prints; 7 boxes (8.5”x10.75”x2.5”) of 35 mm negatives; 2 binders of 35 mm and 120 format negatives; and 1 box of 11 oversize prints. Abstract: Original photographs, negatives, and color slides taken by Diana Davies. Date span: 1963-present. Bulk dates: Newport Folk Festival, 1963-1969, 1987, 1992; Philadelphia Folk Festival, 1967-1968, 1987. Provenance The Smithsonian Ralph Rinzler Folklife Archives and Collections acquired portions of the Diana Davies Photograph Collection in the late 1960s and early 1970s, when Ms. Davies photographed for the Festival of American Folklife. More materials came to the Archives circa 1989 or 1990. Archivist Stephanie Smith visited her in 1998 and 2004, and brought back additional materials which Ms. Davies wanted to donate to the Ralph Rinzler Folklife Archives. In a letter dated 12 March 2002, Ms. Davies gave full discretion to the Center for Folklife and Cultural Heritage to grant permission for both internal and external use of her photographs, with the proviso that her work be credited “photo by Diana Davies.” Restrictions Permission for the duplication or publication of items in the Diana Davies Photograph Collection must be obtained from the Ralph Rinzler Folklife Archives and Collections. Consult the archivists for further information. Scope and Content Note The Davies photographs already held by the Rinzler Archives have been supplemented by two more recent donations (1998 and 2004) of additional photographs (contact sheets, prints, and slides) of the Newport Folk Festival, the Philadelphia Folk Festival, the Poor People's March on Washington, the Civil Rights Movement, the Georgia Sea Islands, and miscellaneous personalities of the American folk revival.
    [Show full text]
  • Johnny O'neal
    OCTOBER 2017—ISSUE 186 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM BOBDOROUGH from bebop to schoolhouse VOCALS ISSUE JOHNNY JEN RUTH BETTY O’NEAL SHYU PRICE ROCHÉ Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East OCTOBER 2017—ISSUE 186 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 NEw York@Night 4 Laurence Donohue-Greene: Interview : JOHNNY O’NEAL 6 by alex henderson [email protected] Andrey Henkin: [email protected] Artist Feature : JEN SHYU 7 by suzanne lorge General Inquiries: [email protected] ON The Cover : BOB DOROUGH 8 by marilyn lester Advertising: [email protected] Encore : ruth price by andy vélez Calendar: 10 [email protected] VOXNews: Lest We Forget : betty rochÉ 10 by ori dagan [email protected] LAbel Spotlight : southport by alex henderson US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or VOXNEwS 11 by suzanne lorge money order to the address above or email [email protected] obituaries Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Fred Bouchard, Festival Report Stuart Broomer, Robert Bush, 13 Thomas Conrad, Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, special feature 14 by andrey henkin Anders Griffen, Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Marilyn Lester, CD ReviewS 16 Suzanne Lorge, Mark Keresman, Marc Medwin, Russ Musto, John Pietaro, Joel Roberts, Miscellany 41 John Sharpe, Elliott Simon, Andrew Vélez, Scott Yanow Event Calendar Contributing Writers 42 Brian Charette, Ori Dagan, George Kanzler, Jim Motavalli “Think before you speak.” It’s something we teach to our children early on, a most basic lesson for living in a society.
    [Show full text]
  • Philadelphia and the Southern Elite: Class, Kinship, and Culture in Antebellum America
    PHILADELPHIA AND THE SOUTHERN ELITE: CLASS, KINSHIP, AND CULTURE IN ANTEBELLUM AMERICA BY DANIEL KILBRIDE A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 1997 ACKNOWLEDGMENTS In seeing this dissertation to completion I have accumulated a host of debts and obligation it is now my privilege to acknowledge. In Philadelphia I must thank the staff of the American Philosophical Society library for patiently walking out box after box of Society archives and miscellaneous manuscripts. In particular I must thank Beth Carroll- Horrocks and Rita Dockery in the manuscript room. Roy Goodman in the Library’s reference room provided invaluable assistance in tracking down secondary material and biographical information. Roy is also a matchless authority on college football nicknames. From the Society’s historian, Whitfield Bell, Jr., I received encouragement, suggestions, and great leads. At the Library Company of Philadelphia, Jim Green and Phil Lapansky deserve special thanks for the suggestions and support. Most of the research for this study took place in southern archives where the region’s traditions of hospitality still live on. The staff of the Mississippi Department of Archives and History provided cheerful assistance in my first stages of manuscript research. The staffs of the Filson Club Historical Library in Louisville and the Special Collections room at the Medical College of Virginia in Richmond were also accommodating. Special thanks go out to the men and women at the three repositories at which the bulk of my research was conducted: the Special Collections Library at Duke University, the Southern Historical Collection of the University of North Carolina, Chapel Hill, and the Virginia Historical Society.
    [Show full text]
  • Booking Agency Info
    Kristin Asbjørnsen www.kristinsong.com Singer and songwriter Kristin Asbjørnsen is one of the most distinguished artists on the vibrating extended music scene in Europe. During the last decade, she has received overwhelming international response among critics and public alike for her unique musical expression. 2018 saw the release of Kristin’s Traces Of You. Based on her assured melodic flair and poetic lyrics, Kristin has on this critically acclaimed album explored new fields of music. Vocals, kora and guitars are woven creatively into a meditative and warm vibration, showing traces of West African music, lullabyes and Nordic contemporary jazz. Lyrical African ornaments unite in a playful dialogue with a sonorous guitar universe. Kristin sings in moving chorus with the Gambian griot Suntou Susso, using excerpts of her poems translated into Mandinka language. During 2019 Kristin will be touring in Europe in trio with the kora player Suntou Susso and guitarist Olav Torget, performing songs from Traces Of You, as well as songs from her afro-american spirituals repertoire. Kristin is well known for her great live-performances and she is always touring with extraordinary musicians. The Norwegian singer has featured on a number of album releases, as well as a series of tours and festival performances in Europe. Her previous solo albums I’ll meet you in the morning (2013), The night shines like the day (2009) and Wayfaring stranger (2006) were released across Europe via Emarcy/Universal. Wayfaring stranger sold to Platinum in Norway. Kristin made the score for the movie Factotum (Bukowski/Bent Hamer) in 2005. Kristin collaborates with the jazz pianist Tord Gustavsen (ECM).
    [Show full text]
  • Drowned in Sound Kort.Indd 1 19-06-2008 21:28:17 Zoppo & Avec-A Together with My School Friend Cees I Started a Band Called Zoppo
    30-05-2008, Primavera Sound Festival, Barcelona 3rd Bridge Helix From Experimental Punk to Ancient Chinese Music & Universal Physical Laws of Consonance This article is a written excerpt of my lecture I gave at the Primavera Sound Festival in Barcelona about my self built musical instruments. I explained what kind of instruments I make, why I make them and for which bands. I showed the audience my own copies and played a little on those instruments. Additionally I gave a deeper explanation about one particular instrument I have created, the Moodswinger. After finishing this instrument I rediscovered this instrument is not only a musical instrument, but also a educational measurement instrument which shows a universal system of consonant values based on simple physical laws. I discovered all musical scaling systems all over the world are derived from this basical system, inclusive the worst inharmonic deviated tuning system of all these variations, our Western 12-tone logaritmic equal tempered scale. - Yuri Landman The Beginning I bought my first guitar and bass guitar when I was 18. I always had a fascination for direct and simple punk rock structures instead of highly practised virtuose guitar playing used in symphonic rock and hard rock. In line of this estethical rule I refused to take traditional guitar lessons from a jazz or blues guitar teacher. I took notice of some chords and know where to put my fingers for a C7 or minor D-chord, but I have never practised long enough to play them well. I cannot even play Nirvana’s Polly properly for instance.
    [Show full text]
  • Still on the Road 1971 Recording Sessions
    STILL ON THE ROAD 1971 RECORDING SESSIONS JANUARY 6 New York City, New York 1st A. J. Weberman Telephone Conversation 9 New York City, New York 2nd A. J. Weberman Telephone Conversation MARCH 16-19 New York City, New York 1st Greatest Hits recording session AUGUST 1 New York City, New York Bangla Desh Concerts SEPTEMBER 24 New York City, New York 2nd Greatest Hits recording session OCTOBER 5 New York City, New York David Bromberg recording session 30 New York City, New York Allen Ginsberg TV program 31 New York City, New York Jamming with Ginsberg and Amram NOVEMBER 4 New York City, New York George Jackson recording session 9-17, 20 New York City, New York Allen Ginsberg recording sessions Still On The Road: Bob Dylan performances and recording sessions 1971 1885 A. J. Weberman Telephone Conversation New York City, New York 6 January 1971 Notes. Telephone conversation between Bob Dylan and A. J. Weberman. Full conversation printed in The Fiddler Now Upspoke, Volume 1, Desolation Row Promotions, page 137. Unauthorized Releases (The release is unauthorized and is not associated with or approved by Bob Dylan or his current recording label) Released in the UK on THE CLASSIC INTERVIEWS VOLUME 2: THE WEBERMAN TAPES, Chrome Dreams CIS 2005, 1 August 2004. Mono telephone recording, 2 minutes. Session info updated 28 May 2012. Still On The Road: Bob Dylan performances and recording sessions 1971 1890 A. J. Weberman Telephone Conversation New York City, New York 9 January 1971 Notes Telephone conversation between Bob Dylan and A. J. Weberman . Full conversation printed in East Village Other, 19 January 1971 and reprinted in The Fiddler Now Upspoke, Volume 1, Desolation Row Promotions, page 137.
    [Show full text]
  • Nov/Dec 2017 Volume 21, Issue 5
    Bimonthly Publication of the Central Florida Jazz Society BLUE NOV/DEC 2017 VOLUME 21, ISSUE 5 NOTES Joey Alexander, Grammy-nominated fourteen- year-old piano prodigy, released his latest album in homage to his lifelong hero Thelonious Monk. “Sometimes, when I’m just practicing, playing something else, new melodic and rhythmic ideas come to me and I realize I’m actually starting to compose a song. I think writing strong tunes comes from listening to so much music from composers and artists I like. I would say that Monk has had the greatest influence on me. Hearing his pieces so many times had a great impact on me and inspired me to write my own pieces. I actually find it harder to interpret other people’s songs than write my own, because I have to figure out and feel what the song is about and find a way to make it my own. Monk taught me to groove, bounce, understand space, be patient, be simple, sometimes be mysterious but, most of all, to be joyful. In my arrangements, I try to stay true to the essence of his music — to treat it with the highest level of respect. Monk’s music is the essence of beauty.” https://www.villagevoice.com/2017/10/10/18-jazz- pianists-pay-tribute-to-thelonious-monk-on-his-100th- birthday/ CFJS 3208 W. Lake Mary Blvd., Suite 1720 President’s Lake Mary, FL 32746-3467 [email protected] Improv http://centralfloridajazzsociety.com By Carla Page Executive Committee The very first thing I want to do is apologize for our last Blue Carla Page Notes.
    [Show full text]
  • 59Th Annual Critics Poll
    Paul Maria Abbey Lincoln Rudresh Ambrose Schneider Chambers Akinmusire Hall of Fame Poll Winners Paul Motian Craig Taborn Mahanthappa 66 Album Picks £3.50 £3.50 .K. U 59th Annual Critics Poll Critics Annual 59th The Critics’ Pick Critics’ The Artist, Jazz for Album Jazz and Piano UGUST 2011 MORAN Jason DOWNBEAT.COM A DOWNBEAT 59TH ANNUAL CRITICS POLL // ABBEY LINCOLN // PAUL CHAMBERS // JASON MORAN // AMBROSE AKINMUSIRE AU G U S T 2011 AUGUST 2011 VOLUme 78 – NUMBER 8 President Kevin Maher Publisher Frank Alkyer Managing Editor Bobby Reed Associate Editor Aaron Cohen Contributing Editor Ed Enright Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Assistant Theresa Hill 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough Atlanta: Jon Ross; Austin: Michael Point, Kevin Whitehead; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Or- leans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D.
    [Show full text]
  • Masarykova Univerzita Filozofická Fakulta Ústav Germanistiky, Nordistiky a Nederlandistiky Bakalářská Diplomová Práce
    Masarykova univerzita Filozofická fakulta Ústav germanistiky, nordistiky a nederlandistiky Bakalářská diplomová práce 2016 Ivana Královcová Masarykova univerzita Filozofická fakulta Ústav germanistiky, nordistiky a nederlandistiky Skandinávská studia Ivana Královcová Specifika norské jazzové scény Bakalářská diplomová práce Vedoucí práce: Vojtěch Procházka, MA 2016 2 Prohlašuji, že jsem tuto diplomovou práci vypracovala samostatně s využitím uvedených pramenů a literatury. V Brně, dne 30. 4. 2016 …………………………………………………. 3 Poděkování Na tomto místo bych ráda poděkovala svému vedoucímu Vojtěchu Procházkovi, MA za vedení a cenné připomínky, Mgr. Janu Přibilovi, DiS. za pomoc se zdroji, dále pak Milošovi Winklerovi a MgA. Vilému Spilkovi za konzultaci, sestře Mgr. Drahoslavě Kráčmarové za korekturu textu a celé své rodině za podporu při studiu. 4 Obsah 1. Úvod .................................................................................................................................... 7 2. Jazz - vymezení pojmu ........................................................................................................ 9 2.1 Co je jazz ...................................................................................................................... 9 2.1.1 Metrorytmika: princip beatu .............................................................................. 10 2.1.2 Improvizace ........................................................................................................ 11 2.2 Free-jazz: vymezení pojmu .......................................................................................
    [Show full text]
  • Title Format Released Abyssinians, the Satta Dub CD 1998 Acklin
    Title Format Released Abyssinians, The Satta Dub CD 1998 Acklin, Barbara The Brunswick Anthology (Disc 2) CD 2002 The Brunswick Anthology (Disc 1) CD 2002 Adams Johnny Johnny Adams Sings Doc Pomus: The Real Me CD 1991 Adams, Johnny I Won't Cry CD 1991 Walking On A Tightrope - The Songs Of Percy Mayfield CD 1989 Good Morning Heartache CD 1993 Ade & His African Beats, King Sunny Juju Music CD 1982 Ade, King Sunny Odu CD 1998 Alabama Feels So Right CD 1981 Alexander, Arthur Lonely Just Like Me CD 1993 Allison, DeAnn Tumbleweed CD 2000 Allman Brothers Band, The Beginnings CD 1971 American Song-poem Anthology, The Do You Know The Difference Between Big Wood And Brush CD 2003 Animals, The Animals - Greatest Hits CD 1983 The E.P. Collection CD 1964 Aorta Aorta CD 1968 Astronauts, The Down The Line/ Travelin' Man CD 1997 Competition Coupe/Astronauts Orbit Kampus CD 1997 Rarities CD 1991 Go Go Go /For You From Us CD 1997 Surfin' With The Astronauts/Everything Is A-OK! CD 1997 Austin Lounge Lizards Paint Me on Velvet CD 1993 Average White Band Face To Face - Live CD 1997 Page 1 of 45 Title Format Released Badalamenti, Angelo Blue Velvet CD 1986 Twin Peaks - Fire Walk With Me CD 1992 Badfinger Day After Day [Live] CD 1990 The Very Best Of Badfinger CD 2000 Baker, Lavern Sings Bessie Smith CD 1988 Ball, Angela Strehli & Lou Ann Barton, Marcia Dreams Come True CD 1990 Ballard, Hank Sexy Ways: The Best of Hank Ballard & The Midnighters CD 1993 Band, The The Night They Drove Old Dixie Down: The Best Of The Band [Live] CD 1992 Rock Of Ages [Disc 1] CD 1990 Music From Big Pink CD 1968 The Band CD 1969 The Last Waltz [Disc 2] CD 1978 The Last Waltz [Disc 1] CD 1978 Rock Of Ages [Disc 2] CD 1990 Barker, Danny Save The Bones CD 1988 Barton, Lou Ann Read My Lips CD 1989 Baugh, Phil 64/65 Live Wire! CD 1965 Beach Boys, The Today! / Summer Days (And Summer Nights!!) CD 1990 Concert/Live In London [Bonus Track] [Live] CD 1990 Pet Sounds [Bonus Tracks] CD 1990 Merry Christmas From The Beach Boys CD 2000 Beatles, The Past Masters, Vol.
    [Show full text]
  • Jazz Flute Repertoire List
    Jazz Flute repertoire list 1 September 2016 – 31 December 2022 Jazz Flute Grades Contents Page Introductory Notes .................................................................................................... 3 Publications ................................................................................................................... 4 Downloads ..................................................................................................................... 4 Acknowledgement ..................................................................................................... 4 Examination Formats ............................................................................................... 5 Free Choice Memory Option .................................................................................. 6 Step 1 ............................................................................................................................... 7 Step 2 ............................................................................................................................... 7 Grade 1 ........................................................................................................................... 8 Grade 2 ........................................................................................................................... 10 Grade 3 ........................................................................................................................... 12 Grade 4 ..........................................................................................................................
    [Show full text]