King Charles Iii by Mike Bartlett
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Albion Full Cast Announced
Press release: Thursday 2 January The Almeida Theatre announces the full cast for its revival of Mike Bartlett’s Albion, directed by Rupert Goold, following the play’s acclaimed run in 2017. ALBION by Mike Bartlett Direction: Rupert Goold; Design: Miriam Buether; Light: Neil Austin Sound: Gregory Clarke; Movement Director: Rebecca Frecknall Monday 3 February – Saturday 29 February 2020 Press night: Wednesday 5 February 7pm ★★★★★ “The play that Britain needs right now” The Telegraph This is our little piece of the world, and we’re allowed to do with it, exactly as we like. Yes? In the ruins of a garden in rural England. In a house which was once a home. A woman searches for seeds of hope. Following a sell-out run in 2017, Albion returns to the Almeida for four weeks only. Joining the previously announced Victoria Hamilton (awarded Best Actress at 2018 Critics’ Circle Awards for this role) and reprising their roles are Nigel Betts, Edyta Budnik, Wil Coban, Margot Leicester, Nicholas Rowe and Helen Schlesinger. They will be joined by Angel Coulby, Daisy Edgar-Jones, Dónal Finn and Geoffrey Freshwater. Mike Bartlett’s plays for the Almeida include his adaptation of Maxim Gorky’s Vassa, Game and the multi-award winning King Charles III (Olivier Award for Best New Play) which premiered at the Almeida before West End and Broadway transfers, a UK and international tour. His television adaptation of the play was broadcast on BBC Two in 2017. Other plays include Snowflake (Old Fire Station and Kiln Theatre); Wild; An Intervention; Bull (won the Olivier Award for Outstanding Achievement in an Affiliate Theatre); an adaptation of Medea; Chariots of Fire; 13; Decade (co-writer); Earthquakes in London; Love, Love, Love; Cock (Olivier Award for Outstanding Achievement in an Affiliate Theatre); Contractions and My Child Artefacts. -
C:\Docume~1\Johnkn~1
WHAT’S ON? ACROSS THE GLOBE (Professional companies in red amateur in black) America & Canada Blithe Spirit 3 to 5 Mar 2004 Crofton House School, Vancouver, BC JANUARY 20 to 30 Dec 2003 University Players, University of Windsor, Windsor, Ontario 2003 Mar to Apr 2004 Denver Center, Denver, CO Jul to Aug Atlantic Thr. Co., Wolfville, Nova Scotia Jun to Aug Purple Rose Thr., Chelsea, Mich. Sep to Oct Utah (more information to follow...) Hay Fever 20 Nov to 13 Dec Grand Prairie Live Theatre, Grand Prairie, Alberta 24 Jun to 31 Aug Utah Shakespeare Festival in Cedar City, Utah, USA. “Cocktails and Sept.-Oct Pacific Repertory Thr., Carmel, CA IN THIS ISSUE Come Into the Garden Maud Oct 9, Nov 3, & Dec 8. Food for Thought Productions, National Arts Club, NYC Laughter...” Page 1 - Steve Ross at Pizza- Tel: (212) 362-2560 STEVE ROSS You are invited to a Very Special On-The-Park Design For Living 5 to 13 Feb 2004 Amicus Productions Toronto, Ontario Page 2 Ten Chimneys - The Evening on Fallen Angels 18 to 31 Jan 2004 Bramalea Live Theatre, Brampton, Ontario Sequel st Present Laughter 2 Mar to 1 Nov Oregon Shakespeare Festival in Ashland OR. www.orshakes.org Saturday 31 Page 3 A Magical Day At Ten Private Lives 4 to 21 Febr Tribal Productions Inc. Thornhill, Ontario Chimneys 21 to 30 Aug Weston Playhouse in Weston, Vermont January, 2004. Page 5 Home Movies 20 to 30 Dec University of Windsor, School of Drama and Arts, Windsor, ON Page 6 Mary Ellis - The Sep to Nov Globe Thr., Regina, Saskatchewan., Canada, ; Missing Bits of the Obits. -
In the Western Mediterranean, 1703–1708
international journal of military history and historiography 39 (2019) 7-33 IJMH brill.com/ijmh Britain, Austria, and the “Burden of War” in the Western Mediterranean, 1703–1708 Caleb Karges* Concordia University Irvine, California [email protected] Abstract The Austrian and British alliance in the Western Mediterranean from 1703 to 1708 is used as a case study in the problem of getting allies to cooperate at the strategic and operational levels of war. Differing grand strategies can lead to disagreements about strategic priorities and the value of possible operations. However, poor personal rela- tions can do more to wreck an alliance than differing opinions over strategy. While good personal relations can keep an alliance operating smoothly, it is often military necessity (and the threat of grand strategic failure) that forces important compro- mises. In the case of the Western Mediterranean, it was the urgent situation created by the Allied defeat at Almanza that forced the British and Austrians to create a work- able solution. Keywords War of the Spanish Succession – Coalition Warfare – Austria – Great Britain – Mediter- ranean – Spain – Strategy * Caleb Karges obtained his MLitt and PhD in Modern History from the University of St An- drews, United Kingdom in 2010 and 2015, respectively. His PhD thesis on the Anglo-Austrian alliance during the War of the Spanish Succession received the International Commission of Military History’s “André Corvisier Prize” in 2017. He is currently an Assistant Professor of History at Concordia University Irvine in Irvine, California, usa. © koninklijke brill nv, leiden, 2019 | doi:10.1163/24683302-03901002Downloaded from Brill.com09/29/2021 03:43:06AM via free access <UN> 8 Karges 1 Introduction1 There were few wars in European history before 1789 as large as the War of the Spanish Succession. -
This Is a Test
‘A PRINCESS FOR CHRISTMAS’ CAST BIOS SIR ROGER MOORE (Edward) – Born in Clapham, London in 1927, the son of a London policeman, Sir Roger Moore attended Hackford Road Elementary School and then Battersea Grammar School. Evacuated to Worthing at the outbreak of World War II, he returned to London in 1943. After leaving school, Moore worked as a tracer/filler/office boy with the animation company Publicity Picture Productions. He was fired after a short time, and in 1944 he was accepted by the Royal Academy of Dramatic Art and attended for three terms. He then joined the Cambridge Arts Theatre Repertory Company. In 1945, Moore was called up for National Service and was commissioned as a Second Lieutenant and then promoted to Captain in the Combined Services Entertainment. At the end of his Army service he worked as an assistant stage manager at the BBC Studios at Alexander Palace and supplemented his salary by working as an advertising model. Then came a small part in the West End stage production of Mister Roberts and an understudy role alongside David Tomlinson in The Little Hut. His American debut followed, and he appeared in A Pin to See the Peepshow on Broadway. It was then that Hollywood beckoned with an MGM contract. In 1957, he played the title role in "Ivanhoe," returning to England for a total of 39 episodes. When Moore returned to Hollywood in 1958 he was put under contract by Warner Bros. and starred in the TV series "The Alaskans” and "Maverick.” In 1962, Moore got his big break when he was cast as "The Saint,” the most successful TV series at that time. -
Apocryphilia
Apocryphilia Simon Matthews Our Island Story Before the teaching of history to children in this country descended to its current formula of dinosaurs + Romans + Henry VIII + Hitler (with a side helping of slavery) the past was taught in a rather different way. Many who were at primary school pre-1980 will be familiar with it: Our Island Story, the carefully nuanced account of how ‘the British Isles’ produced the greatest and most progressive people in the world. Written in 1905 it was, remarkably (or not?), still a common textbook 70 years later. It’s durability, popularity and influence, over a century later, has been recently cited by prime minister David Cameron and the centre-right think tank Civitas as an example of something they would like to see updated and reintroduced. Why is this? The Our Island Story narrative certainly has its attractions. Stressing national unity, in which Englishness is overwhelmingly predominant, it gives key early roles to Alfred the Great and William the Conqueror – the latter not, of course, English – with the repelling of foreign invasions and conquests (nothing since 1066) a critical factor, highlighted by the dispersal of the Spanish Armada in 1588 and, latterly, the defeat of Napoleon (1815) and Hitler (1940). British/English excursions into Europe are seen as the brilliantly executed ventures of plucky underdogs (Agincourt, Waterloo and Dunkirk are typical here) against overwhelming odds. The literary backdrop, from Shakespeare, Milton, Pepys, Dickens etc., embellishes this. Milton appears more or less in tandem with Cromwell, both as exemplars of grimly moral, upstanding and typically English parliamentarians – refusing to bow down before Rome and ensuring the lasting legitimacy of the House of Commons.....this being portrayed throughout the book as the finest and fairest legislature in the world. -
A Smartphone App for Improving Mental Health Through Connecting with Urban Nature
International Journal of Environmental Research and Public Health Article A Smartphone App for Improving Mental Health through Connecting with Urban Nature Kirsten McEwan 1, Miles Richardson 1,* , David Sheffield 1 , Fiona J. Ferguson 1 and Paul Brindley 2 1 Human Sciences Research Centre, The University of Derby, Derby DE22 1GB, UK; [email protected] (K.M.); D.Sheffi[email protected] (D.S.); fi[email protected] (F.J.F.) 2 Department of Landscape Architecture, The University of Sheffield, Sheffield S10 2TN, UK; P.Brindley@sheffield.ac.uk * Correspondence: [email protected]; Tel.: +44-1332-593056 Received: 19 July 2019; Accepted: 7 September 2019; Published: 12 September 2019 Abstract: In an increasingly urbanised world where mental health is currently in crisis, interventions to increase human engagement and connection with the natural environment are one of the fastest growing, most widely accessible, and cost-effective ways of improving human wellbeing. This study aimed to provide an evaluation of a smartphone app-based wellbeing intervention. In a randomised controlled trial study design, the app prompted 582 adults, including a subgroup of adults classified by baseline scores on the Recovering Quality of Life scale as having a common mental health problem (n = 148), to notice the good things about urban nature (intervention condition) or built spaces (active control). There were statistically significant and sustained improvements in wellbeing at one-month follow-up. Importantly, in the noticing urban nature condition, compared to a built space control, improvements in quality of life reached statistical significance for all adults and clinical significance for those classified as having a mental health difficulty. -
KC3 Play Guide R1 Compr
PLAY GUIDE 2016 2017 About ATC .................................................................................................................................................. 1 Introduction to the Play ............................................................................................................................. 2 Meet the Playwright ................................................................................................................................... 2 Meet the Characters .................................................................................................................................. 3 The Real Royals ......................................................................................................................................... 5 The Line of Succession .......................................... ................................................................................... 12 British Parliament and Positions .............................................................................................................. 13 British Politics ........................................................................................................................................... 16 Royal Rituals ............................................................................................................................................. 18 King Charles and the Bard ....................................................................................................................... -
E M M a H O L L a N D
E M M A H O L L A N D P R SACHA WARES RETURNS TO THE ALMEIDA THEATRE FOLLOWING LAST YEAR’S CRITICALLY ACCLAIMED PRODUCTION OF MIKE BARTLETT’S GAME TO DIRECT THE WORLD PREMIERE OF BOY A NEW PLAY BY LEO BUTLER FROM 5 APRIL – 28 MAY 2016 AND A COMPLEMENTARY OUTREACH PROGRAMME FUNDED BY THE ARSENAL FOUNDATION SEES THE ALMEIDA PARTNER WITH ARSENAL IN THE COMMUNITY TO FURTHER ENGAGE WITH THE YOUNG PEOPLE OF THE LONDON BOROUGH OF ISLINGTON Sacha Wares will be returning to Almeida Theatre to direct the world premiere of Leo Butler’s new play Boy, after her directorial success with the critically acclaimed production, Game, by Mike Bartlett, in 2015. Boy will run at the Almeida Theatre from 5 April until 28 May 2016, with press night on 12 April 2016. Director Sacha Wares is joined by a formidable creative team, including two powerhouse contemporary designers, Miriam Buether for set design (Wild Swans, Sucker Punch, My Child, Generations), who worked with Sacha on Game at the Almeida in 2015, and Ultz for costume (Jerusalem, Hobson’s Choice, Fallout, Pied Pier), who will be collaborating with Miriam, on design, for the very first time. Further creative credits include movement by Leon Baugh, lighting by Jack Knowles and sound by Gareth Fry. A boy At a bus stop. Easily missed. Playwright Leo Butler casts a sharp eye over the city and picks someone for us to follow. Sacha Wares (Director) is associate director at the Young Vic and was previously Associate Director of the Royal Court from 2007-2013. -
Barby, Northamptonshire
Newspaper Archive, reports relating to Barby, Northamptonshire 1. Northampton Mercury - Monday 20 August 1770 On Wednesday last an Inquisition was taken at Barby, in this County, by William Jackson, Gent, one of the Coroners for the said County, on View of the Body of one William Roberts, a Lad about eleven Years of Age, who, as he was bathing in a Pool in the Field, went out of his Depth, and was drowned: The Jury brought in their Verdict Accidental Death. 2. Northampton Mercury - Monday 28 January 1771 INOCULATING. NOTICE is hereby given, that Samuel Thompson, at a lone House in Barby Parish in the County Northampton, still continues to carry on that necessary and successful business of inoculating for the SMALLPOX; and all that please to put themselves under his Care may depend on being attended with the utmost Care and Diligence. He has been near Twenty Years in Practice of that Disease, both in the Natural Way, and by Inoculation, and has inoculated for almost Ten Years without the Loss of a single Person, or the least Symptoms of any other Disease from his Inoculating, which sometimes happens for want of Care in the lnoculator. The Conditions of those who chuse to be nursed at his House, are One Guinea and an Half for the Fortnight; and if their Stay should be any longer, One shilling per Day for each Person: And any Family that chuses to be inoculated at their own Houses, consisting of eight Persons or more, his Charge is no more than Five Shillings for cutting each Person. -
The Colonial Book and the Writing of American History, 1790-1855
HISTORY’S IMPRINT: THE COLONIAL BOOK AND THE WRITING OF AMERICAN HISTORY, 1790-1855 DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Lindsay E.M. DiCuirci, M.A. Graduate Program in English The Ohio State University 2010 Dissertation Committee: Elizabeth Hewitt, Adviser Jared Gardner Susan Williams Copyright by Lindsay Erin Marks DiCuirci 2010 ABSTRACT “History’s Imprint: The Colonial Book and the Writing of American History, 1790-1855” investigates the role that reprinted colonial texts played in the development of historical consciousness in nineteenth-century America. In the early decades of the nineteenth century, antiquarians and historians began to make a concerted effort to amass and preserve an American archive of manuscript and print material, in addition to other artifacts and “curiosities” from the colonial period. Publishers and editors also began to prepare new editions of colonial texts for publication, introducing nineteenth-century readers to these historical artifacts for the first time. My dissertation considers the role of antiquarian collecting and historical publishing—the reprinting of colonial texts—in the production of popular historical narratives. I study the competing narratives of America’s colonial origins that emerged between 1790 and 1855 as a result of this new commitment to historicism and antiquarianism. I argue that the acts of selecting, editing, and reprinting were ideologically charged as these colonial texts were introduced to new audiences. Instead of functioning as pure reproductions of colonial books, these texts were used to advocate specific religious, political, and cultural positions in the nineteenth century. -
The Pennsylvania State University Schreyer Honors College Department of History the Constitution of 1812
THE PENNSYLVANIA STATE UNIVERSITY SCHREYER HONORS COLLEGE DEPARTMENT OF HISTORY THE CONSTITUTION OF 1812: AN EXERCISE IN SPANISH CONSTITUTIONAL THOUGHT ALLISON MUCK SPRING 2015 A thesis submitted in partial fulfillment of the requirements for a baccalaureate degree in History with honors in History Reviewed and approved* by the following: Amy Greenberg Edwin Erle Sparks Professor of History and Women's Studies Thesis Supervisor Michael Milligan Senior Lecturer in History, Director of Undergraduate Studies Honors Adviser * Signatures are on file in the Schreyer Honors College. i ABSTRACT In March of 1812, the Spanish representative assembly known as the Cortes promulgated a decidedly liberal constitution in the midst of Napoleonic invasion. The Constitution of 1812 governed Spain for the next two years until its abrogation upon the return of Fernando VII. This momentary interval of liberalism appears as an unexpected development in the history of Spain. Undoubtedly, the Constitution’s liberal, progressive, and reformist sentiments differ greatly from the conservative national culture and traditional institutions of Spain at this moment in history. This thesis addresses the causes leading Spain to adopt a constitution intent on empowering the representative Cortes, limiting the Spanish monarchy, and unifying the Spanish nation. Inherent in this project is an analysis of the distinctly Spanish brand of liberalism which attempted to combine both liberal and nationalist sentiments within the Constitution’s provisions. The rhetoric of the Constitution’s drafters claims to be attempting to revive an ancient Spanish constitution and system of government where strong representative institutions and a written constitution upheld the individual rights of the Spanish people. -
ONE HUNDRED DRAWINGS and WATERCOLOURS Dating from the 16Th Century to the 20Th Century
O N E H U N D R E D ONE HUNDRED D R A W I N DRAWINGS G S & W A AND T E R C O L O WATERCOLOURS U R S S T E P H E N O N G P I N G U Y P E P P I A T T Stephen Ongpin Fine Art Guy Peppiatt Fine Art Ltd. 2 0 1 5 Riverwide House - 2 0 6 Mason’s Yard 1 Duke Street, St James’s 6 London SW1Y 6BU GUY PEPPIATT FINE ART STEPHEN ONGPIN FINE ART ONE HUNDRED DRAWINGS AND WATERCOLOURS dating from the 16th Century to the 20th Century WINTER CATALOGUE 2015–2016 to be exhibited at Riverwide House 6 Mason’s Yard Duke Street, St. James’s London SW1Y 6BU Stephen Ongpin Fine Art Guy Peppiatt Fine Art Tel.+44 (0) 20 7930 8813 Tel.+44 (0) 20 7930 3839 or + 44 (0)7710 328 627 or +44 (0)7956 968 284 [email protected] [email protected] www.stephenongpin.com www.peppiattfineart.co.uk 1 We are pleased to present our eighth annual Winter catalogue of One Hundred Drawings and Watercolours, which will, as usual, be accompanied by an exhibition in our London gallery. This catalogue includes a wide range of British and European drawings, watercolours and oil sketches, placed more or less in chronological order, ranging in date from the 16th century to the first half of the 20th century. Although the areas of Old Master drawings, early British watercolours, 19th Century drawings and Modern drawings have long been regarded as disparate fields, each with their own enthusiasts, part of the purpose of this annual catalogue is to blur the distinction between these collecting areas.