A Smartphone App for Improving Mental Health Through Connecting with Urban Nature
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WHAT’S ON? ACROSS THE GLOBE (Professional companies in red amateur in black) America & Canada Blithe Spirit 3 to 5 Mar 2004 Crofton House School, Vancouver, BC JANUARY 20 to 30 Dec 2003 University Players, University of Windsor, Windsor, Ontario 2003 Mar to Apr 2004 Denver Center, Denver, CO Jul to Aug Atlantic Thr. Co., Wolfville, Nova Scotia Jun to Aug Purple Rose Thr., Chelsea, Mich. Sep to Oct Utah (more information to follow...) Hay Fever 20 Nov to 13 Dec Grand Prairie Live Theatre, Grand Prairie, Alberta 24 Jun to 31 Aug Utah Shakespeare Festival in Cedar City, Utah, USA. “Cocktails and Sept.-Oct Pacific Repertory Thr., Carmel, CA IN THIS ISSUE Come Into the Garden Maud Oct 9, Nov 3, & Dec 8. Food for Thought Productions, National Arts Club, NYC Laughter...” Page 1 - Steve Ross at Pizza- Tel: (212) 362-2560 STEVE ROSS You are invited to a Very Special On-The-Park Design For Living 5 to 13 Feb 2004 Amicus Productions Toronto, Ontario Page 2 Ten Chimneys - The Evening on Fallen Angels 18 to 31 Jan 2004 Bramalea Live Theatre, Brampton, Ontario Sequel st Present Laughter 2 Mar to 1 Nov Oregon Shakespeare Festival in Ashland OR. www.orshakes.org Saturday 31 Page 3 A Magical Day At Ten Private Lives 4 to 21 Febr Tribal Productions Inc. Thornhill, Ontario Chimneys 21 to 30 Aug Weston Playhouse in Weston, Vermont January, 2004. Page 5 Home Movies 20 to 30 Dec University of Windsor, School of Drama and Arts, Windsor, ON Page 6 Mary Ellis - The Sep to Nov Globe Thr., Regina, Saskatchewan., Canada, ; Missing Bits of the Obits. -
This Is a Test
‘A PRINCESS FOR CHRISTMAS’ CAST BIOS SIR ROGER MOORE (Edward) – Born in Clapham, London in 1927, the son of a London policeman, Sir Roger Moore attended Hackford Road Elementary School and then Battersea Grammar School. Evacuated to Worthing at the outbreak of World War II, he returned to London in 1943. After leaving school, Moore worked as a tracer/filler/office boy with the animation company Publicity Picture Productions. He was fired after a short time, and in 1944 he was accepted by the Royal Academy of Dramatic Art and attended for three terms. He then joined the Cambridge Arts Theatre Repertory Company. In 1945, Moore was called up for National Service and was commissioned as a Second Lieutenant and then promoted to Captain in the Combined Services Entertainment. At the end of his Army service he worked as an assistant stage manager at the BBC Studios at Alexander Palace and supplemented his salary by working as an advertising model. Then came a small part in the West End stage production of Mister Roberts and an understudy role alongside David Tomlinson in The Little Hut. His American debut followed, and he appeared in A Pin to See the Peepshow on Broadway. It was then that Hollywood beckoned with an MGM contract. In 1957, he played the title role in "Ivanhoe," returning to England for a total of 39 episodes. When Moore returned to Hollywood in 1958 he was put under contract by Warner Bros. and starred in the TV series "The Alaskans” and "Maverick.” In 1962, Moore got his big break when he was cast as "The Saint,” the most successful TV series at that time. -
E M M a H O L L a N D
E M M A H O L L A N D P R SACHA WARES RETURNS TO THE ALMEIDA THEATRE FOLLOWING LAST YEAR’S CRITICALLY ACCLAIMED PRODUCTION OF MIKE BARTLETT’S GAME TO DIRECT THE WORLD PREMIERE OF BOY A NEW PLAY BY LEO BUTLER FROM 5 APRIL – 28 MAY 2016 AND A COMPLEMENTARY OUTREACH PROGRAMME FUNDED BY THE ARSENAL FOUNDATION SEES THE ALMEIDA PARTNER WITH ARSENAL IN THE COMMUNITY TO FURTHER ENGAGE WITH THE YOUNG PEOPLE OF THE LONDON BOROUGH OF ISLINGTON Sacha Wares will be returning to Almeida Theatre to direct the world premiere of Leo Butler’s new play Boy, after her directorial success with the critically acclaimed production, Game, by Mike Bartlett, in 2015. Boy will run at the Almeida Theatre from 5 April until 28 May 2016, with press night on 12 April 2016. Director Sacha Wares is joined by a formidable creative team, including two powerhouse contemporary designers, Miriam Buether for set design (Wild Swans, Sucker Punch, My Child, Generations), who worked with Sacha on Game at the Almeida in 2015, and Ultz for costume (Jerusalem, Hobson’s Choice, Fallout, Pied Pier), who will be collaborating with Miriam, on design, for the very first time. Further creative credits include movement by Leon Baugh, lighting by Jack Knowles and sound by Gareth Fry. A boy At a bus stop. Easily missed. Playwright Leo Butler casts a sharp eye over the city and picks someone for us to follow. Sacha Wares (Director) is associate director at the Young Vic and was previously Associate Director of the Royal Court from 2007-2013. -
Barby, Northamptonshire
Newspaper Archive, reports relating to Barby, Northamptonshire 1. Northampton Mercury - Monday 20 August 1770 On Wednesday last an Inquisition was taken at Barby, in this County, by William Jackson, Gent, one of the Coroners for the said County, on View of the Body of one William Roberts, a Lad about eleven Years of Age, who, as he was bathing in a Pool in the Field, went out of his Depth, and was drowned: The Jury brought in their Verdict Accidental Death. 2. Northampton Mercury - Monday 28 January 1771 INOCULATING. NOTICE is hereby given, that Samuel Thompson, at a lone House in Barby Parish in the County Northampton, still continues to carry on that necessary and successful business of inoculating for the SMALLPOX; and all that please to put themselves under his Care may depend on being attended with the utmost Care and Diligence. He has been near Twenty Years in Practice of that Disease, both in the Natural Way, and by Inoculation, and has inoculated for almost Ten Years without the Loss of a single Person, or the least Symptoms of any other Disease from his Inoculating, which sometimes happens for want of Care in the lnoculator. The Conditions of those who chuse to be nursed at his House, are One Guinea and an Half for the Fortnight; and if their Stay should be any longer, One shilling per Day for each Person: And any Family that chuses to be inoculated at their own Houses, consisting of eight Persons or more, his Charge is no more than Five Shillings for cutting each Person. -
ONE HUNDRED DRAWINGS and WATERCOLOURS Dating from the 16Th Century to the 20Th Century
O N E H U N D R E D ONE HUNDRED D R A W I N DRAWINGS G S & W A AND T E R C O L O WATERCOLOURS U R S S T E P H E N O N G P I N G U Y P E P P I A T T Stephen Ongpin Fine Art Guy Peppiatt Fine Art Ltd. 2 0 1 5 Riverwide House - 2 0 6 Mason’s Yard 1 Duke Street, St James’s 6 London SW1Y 6BU GUY PEPPIATT FINE ART STEPHEN ONGPIN FINE ART ONE HUNDRED DRAWINGS AND WATERCOLOURS dating from the 16th Century to the 20th Century WINTER CATALOGUE 2015–2016 to be exhibited at Riverwide House 6 Mason’s Yard Duke Street, St. James’s London SW1Y 6BU Stephen Ongpin Fine Art Guy Peppiatt Fine Art Tel.+44 (0) 20 7930 8813 Tel.+44 (0) 20 7930 3839 or + 44 (0)7710 328 627 or +44 (0)7956 968 284 [email protected] [email protected] www.stephenongpin.com www.peppiattfineart.co.uk 1 We are pleased to present our eighth annual Winter catalogue of One Hundred Drawings and Watercolours, which will, as usual, be accompanied by an exhibition in our London gallery. This catalogue includes a wide range of British and European drawings, watercolours and oil sketches, placed more or less in chronological order, ranging in date from the 16th century to the first half of the 20th century. Although the areas of Old Master drawings, early British watercolours, 19th Century drawings and Modern drawings have long been regarded as disparate fields, each with their own enthusiasts, part of the purpose of this annual catalogue is to blur the distinction between these collecting areas. -
King Charles Iii by Mike Bartlett
KING CHARLES III BY MIKE BARTLETT DRAMATISTS PLAY SERVICE INC. KING CHARLES III Copyright © 2016, Mike Bartlett All Rights Reserved CAUTION: Professionals and amateurs are hereby warned that performance of KING CHARLES III is subject to payment of a royalty. It is fully protected under the copyright laws of the United States of America, and of all countries covered by the International Copyright Union (including the Dominion of Canada and the rest of the British Commonwealth), and of all countries covered by the Pan- American Copyright Convention, the Universal Copyright Convention, the Berne Convention, and of all countries with which the United States has reciprocal copyright relations. All rights, including without limitation professional/amateur stage rights, motion picture, recitation, lecturing, public reading, radio broadcasting, television, video or sound recording, all other forms of mechanical, electronic and digital reproduction, transmission and distribution, such as CD, DVD, the Internet, private and file-sharing networks, information storage and retrieval systems, photocopying, and the rights of translation into foreign languages are strictly reserved. Particular emphasis is placed upon the matter of readings, permission for which must be secured from the Author’s agent in writing. The English language stock and amateur stage performance rights in the United States, its territories, possessions and Canada for KING CHARLES III are controlled exclusively by DRAMATISTS PLAY SERVICE, INC., 440 Park Avenue South, New York, NY 10016. No professional or nonprofessional performance of the Play may be given without obtaining in advance the written permission of DRAMATISTS PLAY SERVICE, INC., and paying the requisite fee. Inquiries concerning all other rights should be addressed to William Morris Endeavor Entertainment, 11 Madison Ave, 18th floor, New York, NY 10010. -
Annual Report and Accounts
ANNUAL REPORT AND ACCOUNTS Royal Shakespeare Company The Courtyard Theatre Southern Lane Stratford-upon-Avon Warwickshire CV37 6BB Tel: +44 1789 296655 Fax: +44 1789 294810 www.rsc.org.uk 2007/ 2008 132nd report of the Board Chairman’s report 03 To be submitted to the Annual General Meeting of the Governors convened for Monday Artistic Director’s report 05 22 September 2008. To the Governors of the Royal Shakespeare Company, Stratford-upon-Avon, notice is hereby given Executive Director’s report 07 that the Annual General Meeting of the Governors will be held in Facts and figures 08 – 09 The Courtyard Theatre, Stratford-upon-Avon on Monday 22 September 2008 commencing at 3.30pm, to consider the The Histories 10 – 17 report of the Board and the Statement of Financial Activities and the Balance Sheet of the Corporation at 31 March New work 18 – 21 2008, to elect the Board for the ensuing year, and to transact such Touring 22 – 25 business as may be transacted at the Annual General Meetings of the Royal Shakespeare Company. Transformation 26 – 29 By order of the Board Stand Up For Shakespeare 30 – 33 Vikki Heywood Secretary to the Governors Financial review of the year 34 – 37 Summary accounts 38 – 41 Supporting our work 42 – 43 Year in performance 44 – 47 Acting companies 48 – 49 The Company 50 – 51 Corporate governance 52 – 53 Associate artists/Advisors 54 – 55 Photo: Ellie Kurttz Constitution 56 Jonathan Slinger and Clive Wood in Henry IV part II Chairman’s report In 2007/8 we brought many of our ambitions to life. -
The Remains of the Day
PRESS RELEASE 21 January 2019 Royal & Derngate, Northampton, and Out of Joint, in association with Oxford Playhouse, present The Remains of the Day Royal & Derngate, Northampton – Saturday 23 February to Saturday 16 March 2019 Then touring nationwide Press Night: Wednesday 27 February 7pm Cast and creative team and tour details announced for world premiere of Kazuo Ishiguro’s The Remains of the Day, adapted for the stage by Barney Norris • Cast to include Stephen Boxer and Niamh Cusack • 2017 Nobel Prize winner Kazuo Ishiguro’s The Remains of the Day is adapted for the stage by Barney Norris, directed by Christopher Haydon and designed by Lily Arnold, lighting design by Mark Howland and sound design by Elena Peña • Commissioned by Royal & Derngate and co-produced by Royal & Derngate and Out of Joint in association with Oxford Playhouse • After its world premiere in Northampton the production embarks on a 10 week Out of Joint tour including Oxford Playhouse, Theatre Royal Bury St Edmunds, Salisbury Playhouse, Theatre Royal York, Yvonne Arnaud Theatre, Nuffield Southampton, Derby Theatre and Bristol Old Vic The cast and full creative team, along with details of the Spring 2019 tour, has been announced today for The Remains of the Day, a co-production between Royal & Derngate, Northampton and Out of Joint, in association with Oxford Playhouse. The cast will be led by Stephen Boxer (Regeneration, Royal & Derngate) and Niamh Cusack (The Winter’s Tale, Sam Wanamaker Playhouse). 2017 Nobel Prize winner Kazuo Ishiguro’s masterpiece has entranced generations as a novel and its story of memory, regret and undeclared love is now re-imagined for the stage for the first time by one of Britain’s most exciting young writers, Barney Norris (At First Sight, Oxford Playhouse; Visitors, Arcola Theatre - Critics’ Circle Award and Offwestend Award for Most Promising Playwright for Visitors, Arcola Theatre; Times best-selling novelist) in collaboration with Ishiguro himself. -
Journal of Environmental Psychology 68 (2020) 101389
Journal of Environmental Psychology 68 (2020) 101389 Contents lists available at ScienceDirect Journal of Environmental Psychology journal homepage: www.elsevier.com/locate/jep Nature contact, nature connectedness and associations with health, T wellbeing and pro-environmental behaviours ∗ Leanne Martina,b, , Mathew P. Whitec, Anne Hunta, Miles Richardsond, Sabine Pahlb, Jim Burta a Natural England, UK b School of Psychology, University of Plymouth, UK c European Centre for Environment and Human Health, University of Exeter Medical School, UK d Human Sciences Research Centre, University of Derby, UK ABSTRACT Contact with, and psychological connectedness to the natural world are both associated with various health and sustainability-related outcomes. To date, though, the evidence base has been fragmented. Using a representative sample of the adult population of England (N = 4,960), we investigated the relationships between three types of nature contact, psychological connectedness, health, subjective wellbeing and pro-environmental behaviours within a single study. We found that specific types of nature contact, as well as individual differences in nature connectedness, were differentially associated with aspects of health, well-being andpro-en- vironmental behaviours. Living in a greener neighbourhood was, unrelated to any wellbeing or sustainability outcomes. By contrast, visiting nature ≥ once a week was positively associated with general health and household pro-environmental behaviours. Moreover, people who watched/listened to nature documentaries reported higher levels of both pro-environmental behaviours. Nature connectedness was positively related to eudaimonic wellbeing and both types of pro-en- vironmental behaviour. Moreover, connectedness moderated key relationships between nature contact, wellbeing and pro-environmental behaviours. The complexity of our findings suggests that interventions increasing both contact with, and connection to nature, are likely to be needed in order to achieve synergisticim- provements to human and planetary health. -
Historic Wales and United Kingdom Sites for BYU Wales Study Abroad
Historic Wales and United Kingdom Sites for BYU Wales Study Abroad Volume 2 H–R Compiled by Ronald Schoedel Contents Articles Hadrian's Wall 1 Hampton Court Palace 10 Harlech Castle 20 Hay-on-Wye 27 Hill fort 31 Isca Augusta 39 Kenilworth Castle 43 Kidwelly Castle 61 King Doniert's Stone 62 King's College Chapel, Cambridge 63 Lacock 66 Lacock Abbey 68 Lanhydrock 71 Lanyon Quoit 74 Llandaff Cathedral 75 Malvern Hills 80 Margam Stones Museum 98 Monmouth 110 Monmouth Castle 126 Museum of London 130 Mên-an-Tol 135 National Assembly for Wales 137 National Eisteddfod of Wales 146 National Gallery 151 National Museum Cardiff 168 National Museum of Scotland 171 National Portrait Gallery, London 176 National Railway Museum 181 National Roman Legion Museum 194 National Slate Museum 195 Newcastle Castle, Bridgend 196 North Hill, Malvern 197 Offa's Dyke 199 Ogmore Castle 203 Old Beaupre Castle 205 Old Sarum 207 Oxford University Museum of Natural History 211 Oxfordshire 217 Palace of Whitehall 224 Pierhead Building 228 Plas Mawr 231 Preston England Temple 232 Raglan Castle 235 Roman Baths (Bath) 247 Roman Baths Museum 253 Royal Monmouthshire Royal Engineers 254 Royal Shakespeare Company 256 References Article Sources and Contributors 264 Image Sources, Licenses and Contributors 268 Article Licenses License 278 Hadrian's Wall 1 Hadrian's Wall Hadrian's Wall (Latin: Vallum Aelium, "Aelian Wall" – the Latin name is inferred from text on the Staffordshire Moorlands Patera) was a defensive fortification in Roman Britain. Begun in 122 AD, during the rule of emperor Hadrian, it was the first of two fortifications built across Great Britain, the second being the Antonine Wall, lesser known of the two because its physical remains are less evident today. -
Small Nations, Big Neighbours
SMALL NATIONS, BIG NEIGHBOURS BACS/NZSA JOINT CONFERENCE UNIVERSITY OF KENT CANTERBURY 11–14 APRIL 2005 PROGRAMME (may be subject to change) MONDAY 11 APRIL 09.30 Book exhibition to be set up 12.30 Lunch for conference team/BACS Council 13.15 BACS Council meeting 14.00 Registration desk opens 14.45 Coffee 15.15 SESSION A Politics I Michelle Keown (University of Stirling) Colony or coloniser? New Zealand as the ‘big neighbour’ of the Pacific Sébastien Socqué [Une histoire conceptuelle des idées politiques au Canada? André Laurendeau, Grant et Philip Resnick] Paul Nesbitt-Larking (Huron University College) The political identities of Canadian Muslims Visual Culture and Film I Erin M. Alsup (Richmond, American International University, London) Depictions of the Maori in New Zealand Films Stuart Murray (University of Leeds) Images of Dignity: Barry Barclay, Custom and Guardianship and Fourth World Cinema Literature I Anouk Lang (University of Cambridge) Anxieties of influence: unravelling the genealogies of Canadian modernism Sarah Williams (Cardiff University) Mental Illness and Physical Disability in Postcolonial Welsh and Canadian Fiction 17.15 Welcome and Plenary I Professor Maureen Baker (University of Auckland ) Migration, International Agreements and the ‘Post-Divorce Family’ in New Zealand and Canada 18.15 Reception hosted by the New Zealand High Commission 19.00 Dinner 19.30 Film Ngati, introduced by Stuart Murray (University of Leeds) Small Nations, Big Neighbours Page 1 of 8 TUESDAY 12 APRIL 08.00 Breakfast 09.00 SESSION B Politics II Roy Smith (Nottingham Trent University) Between some rocks and a hard place? New Zealand’s foreign policies in relation to Pacific Island states and Australia Stephen Tierney (University of Edinburgh) How neighbours condition sovereignty: The impact of state nationalism upon sub-state nations and of supra-state nation-building upon the nation-state Richard Corballis (Massey University) New Zealand and Australia: David and Goliath or David and Jonathan? History I Lucille H. -
Annual Report and Accounts
ANNUAL REPORT AND ACCOUNTS Royal Shakespeare Company The Courtyard Theatre Southern Lane Stratford-upon-Avon Warwickshire CV37 6BB 2008/ Tel: +44 1789 296655 Fax: +44 1789 294810 www.rsc.org.uk 2009 133rd report of the Board Facts and figures 02 – 03 To be submitted to the Annual Chairman’s report 05 General Meeting of the Governors convened for Friday 2 October 2009. To the Governors of the Royal Voices 06 – 13 Shakespeare Company, Stratford-upon-Avon, notice is Artistic Director’s report 15 hereby given that the Annual General Meeting of the Governors will be held in The Courtyard Voices 16 – 23 Theatre, Stratford-upon-Avon on Friday 2 October 2009 commencing at 3.30pm, to Executive Director’s report 24 consider the report of the Board and the Statement of Financial Voices 26 – 33 Activities and the Balance Sheet of the Corporation at 31 March 2009, to elect the Board for the Special report by Director of Education 35 ensuing year, and to transact such business as may be transacted at the Annual General Meetings of Voices 36 – 39 the Royal Shakespeare Company. Finance Director’s report 40 – 45 By order of the Board Vikki Heywood Summary accounts 46 – 47 Secretary to the Governors Supporting our work 48 – 49 Year in performance 50 – 53 Acting Companies 54 – 55 The Company 56 – 57 Corporate Governance 58 Associate Artists/Advisors 59 Photo: Ellie Kurttz Photo: Constitution 60 Front cover: Hamlet company Photo: Ellie Kurttz Queen’s Park Primary School during the Regional Schools Celebration Facts and figures Audiences came from 70 different