The Remains of the Day
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Cause Célèbre by Terence Rattigan
Cause Célèbre by Terence Rattigan Teachers’ Resource Pack Researched & written by Ellen Groves & Anne Langford 1 Cause CélèBRE – Teaching Resources Cause Célèbre SUBTITLE Cause Célèbre at The Old Vic 3 Sir Terence Rattigan : His Story 4 Chronology: Rattigan’s Career 5 Synopsis 6 What does cause célèbre mean? 8 Character breakdown 8 Theatrical context of the play 10 Historical context of the play 11 The ‘True’ story 12 Crimes of passion: Case Studies 13 Modern parallel case: OJ Simpson 15 Women and the Criminal Justice system 16 Death penalty in the UK / Around the world 17 In Conversation with... Niamh Cusack 19 Freddie Fox 21 Richard Teverson 23 Rehearsal Notes from the Assistant Director Eleanor While 24 Bibliography 26 2 cause célèbre by terence rattigan Lucy Black Timothy Carlton Simon Chandler Richard Clifford Oliver Coopersmith Niamh Cusack Anne‐Marie Duff Rory Fleck‐Byrne Joan Webster EranFis RaGenbury John Davenport Croom ‐ Johnson Christopher Edith Davenport Klma RaGenbury Montague & Randolph Browne Freddie Fox Jenny Galloway Patrick Godfrey Nicholas Jones Tommy McDonnell Lucy Robinson Tristan Shepherd Richard Teverson Tony Davenport Irene Riggs Judge O'Connor George Wood Stella Morrison Clerk of Court Casswell @nderstudy responsibiliAes Lucy Black: Edith Davenport & Klma RaGenbury Rory Fleck Byrne: George Wood & Casswell Tristan Shepherd:Tony Davenport & Randolph Browen & Montague Richard Teverson: O’Connor & Croom Johnson Sarah Waddell: Stella Morrison & Irene Riggs & Joan Webster & Clerk of Court Michael Webber: EranFis RaGenbury & Porter Sarah Waddell Michael Webber Tristram Wymark Tristram Wymark: John Davenport & Judge & Sergeant Bagwell Warder Sergeant Bagwell Porter 3 Cause CélèBRE – Teaching Resources Sir Terence Rattigan His Story Sir Terence Mervyn Rattigan was born in Kensington, London on 10 June 1911 and died of cancer on 30 November 1977. -
C:\Docume~1\Johnkn~1
WHAT’S ON? ACROSS THE GLOBE (Professional companies in red amateur in black) America & Canada Blithe Spirit 3 to 5 Mar 2004 Crofton House School, Vancouver, BC JANUARY 20 to 30 Dec 2003 University Players, University of Windsor, Windsor, Ontario 2003 Mar to Apr 2004 Denver Center, Denver, CO Jul to Aug Atlantic Thr. Co., Wolfville, Nova Scotia Jun to Aug Purple Rose Thr., Chelsea, Mich. Sep to Oct Utah (more information to follow...) Hay Fever 20 Nov to 13 Dec Grand Prairie Live Theatre, Grand Prairie, Alberta 24 Jun to 31 Aug Utah Shakespeare Festival in Cedar City, Utah, USA. “Cocktails and Sept.-Oct Pacific Repertory Thr., Carmel, CA IN THIS ISSUE Come Into the Garden Maud Oct 9, Nov 3, & Dec 8. Food for Thought Productions, National Arts Club, NYC Laughter...” Page 1 - Steve Ross at Pizza- Tel: (212) 362-2560 STEVE ROSS You are invited to a Very Special On-The-Park Design For Living 5 to 13 Feb 2004 Amicus Productions Toronto, Ontario Page 2 Ten Chimneys - The Evening on Fallen Angels 18 to 31 Jan 2004 Bramalea Live Theatre, Brampton, Ontario Sequel st Present Laughter 2 Mar to 1 Nov Oregon Shakespeare Festival in Ashland OR. www.orshakes.org Saturday 31 Page 3 A Magical Day At Ten Private Lives 4 to 21 Febr Tribal Productions Inc. Thornhill, Ontario Chimneys 21 to 30 Aug Weston Playhouse in Weston, Vermont January, 2004. Page 5 Home Movies 20 to 30 Dec University of Windsor, School of Drama and Arts, Windsor, ON Page 6 Mary Ellis - The Sep to Nov Globe Thr., Regina, Saskatchewan., Canada, ; Missing Bits of the Obits. -
Applause Magazine, Applause Building, 68 Long Acre, London WC2E 9JQ
1 GENE WIL Laughing all the way to the 23rd Making a difference LONDON'S THEATRE CRITI Are they going soft? PIUS SAVE £££ on your theatre tickets ,~~ 1~~EGm~ Gf1ll~ G~rick ~he ~ ~ e,London f F~[[ IIC~[I with ever~ full price ticket purchased ~t £23.50 Phone 0171-312 1991 9 771364 763009 Editor's Letter 'ThFl rul )U -; lmalid' was a phrase coined by the playwright and humourl:'t G eorge S. Kaufman to describe the ailing but always ~t:"o lh e m Broadway Theatre in the late 1930' s . " \\ . ;t" )ur ul\'n 'fabulous invalid' - the West End - seems in danger of 'e:' .m :: Lw er from lack of nourishmem, let' s hope that, like Broadway - presently in re . \ ,'1 'n - it too is resilient enough to make a comple te recovery and confound the r .: i " \\' ho accuse it of being an en vironmenta lly no-go area whose theatrical x ;'lrJ io n" refuse to stretch beyond tired reviva ls and boulevard bon-bons. I i, clUite true that the season just past has hardly been a vintage one. And while there is no question that the subsidised sector attracts new plays that, =5 'ears ago would a lmost certainly have found their way o nto Shaftes bury Avenue, l ere is, I am convinced, enough vitality and ingenuity left amo ng London's main -s tream producers to confirm that reports of the West End's te rminal dec line ;:m: greatly exaggerated. I have been a profeSSi onal reviewer long enough to appreciate the cyclical nature of the business. -
This Is a Test
‘A PRINCESS FOR CHRISTMAS’ CAST BIOS SIR ROGER MOORE (Edward) – Born in Clapham, London in 1927, the son of a London policeman, Sir Roger Moore attended Hackford Road Elementary School and then Battersea Grammar School. Evacuated to Worthing at the outbreak of World War II, he returned to London in 1943. After leaving school, Moore worked as a tracer/filler/office boy with the animation company Publicity Picture Productions. He was fired after a short time, and in 1944 he was accepted by the Royal Academy of Dramatic Art and attended for three terms. He then joined the Cambridge Arts Theatre Repertory Company. In 1945, Moore was called up for National Service and was commissioned as a Second Lieutenant and then promoted to Captain in the Combined Services Entertainment. At the end of his Army service he worked as an assistant stage manager at the BBC Studios at Alexander Palace and supplemented his salary by working as an advertising model. Then came a small part in the West End stage production of Mister Roberts and an understudy role alongside David Tomlinson in The Little Hut. His American debut followed, and he appeared in A Pin to See the Peepshow on Broadway. It was then that Hollywood beckoned with an MGM contract. In 1957, he played the title role in "Ivanhoe," returning to England for a total of 39 episodes. When Moore returned to Hollywood in 1958 he was put under contract by Warner Bros. and starred in the TV series "The Alaskans” and "Maverick.” In 1962, Moore got his big break when he was cast as "The Saint,” the most successful TV series at that time. -
A Smartphone App for Improving Mental Health Through Connecting with Urban Nature
International Journal of Environmental Research and Public Health Article A Smartphone App for Improving Mental Health through Connecting with Urban Nature Kirsten McEwan 1, Miles Richardson 1,* , David Sheffield 1 , Fiona J. Ferguson 1 and Paul Brindley 2 1 Human Sciences Research Centre, The University of Derby, Derby DE22 1GB, UK; [email protected] (K.M.); D.Sheffi[email protected] (D.S.); fi[email protected] (F.J.F.) 2 Department of Landscape Architecture, The University of Sheffield, Sheffield S10 2TN, UK; P.Brindley@sheffield.ac.uk * Correspondence: [email protected]; Tel.: +44-1332-593056 Received: 19 July 2019; Accepted: 7 September 2019; Published: 12 September 2019 Abstract: In an increasingly urbanised world where mental health is currently in crisis, interventions to increase human engagement and connection with the natural environment are one of the fastest growing, most widely accessible, and cost-effective ways of improving human wellbeing. This study aimed to provide an evaluation of a smartphone app-based wellbeing intervention. In a randomised controlled trial study design, the app prompted 582 adults, including a subgroup of adults classified by baseline scores on the Recovering Quality of Life scale as having a common mental health problem (n = 148), to notice the good things about urban nature (intervention condition) or built spaces (active control). There were statistically significant and sustained improvements in wellbeing at one-month follow-up. Importantly, in the noticing urban nature condition, compared to a built space control, improvements in quality of life reached statistical significance for all adults and clinical significance for those classified as having a mental health difficulty. -
Drama & Theatre Studies Starter Pack
[Type here] King Edward VI College Drama & Theatre Studies Starter Pack [Type here] Welcome! Welcome to the drama department at King Edward’s! The aim of this booklet is to introduce you to some aspects of the course and to prepare you for studying with us at A level. You’ll find plenty of information about the course in the accompanying handbook and PowerPoint presentation but in this booklet I have put together some work for you to complete. Blue text contains a hyperlink. Just click to be transported to any online resource. Some of the activities are compulsory whilst others are designed to keep your mind stimulated over the coming weeks and months. It is important not to let your mind go stale. Success in drama requires a sharp analytical mind and a willingness to grapple with big ideas creatively. I wish you and yours the very best of health and I look forward to meeting you in September. In the meantime, join us on Twitter: @KingEds_Drama. We are always reflecting on our provision and practice. The information contained in this booklet is accurate as of April 2021 but we reserve the right to make alterations to reading lists, set texts and to the way in which we structure our course. A detailed course review takes place during May of every academic year. Shaun Passey, drama and theatre studies subject leader [email protected] [Type here] Compulsory Work Preparing for A level: speaking the same language You will be expected to use key terms when discussing your performance ideas, directing other students, and writing about work you have imagined, created or seen. -
E M M a H O L L a N D
E M M A H O L L A N D P R SACHA WARES RETURNS TO THE ALMEIDA THEATRE FOLLOWING LAST YEAR’S CRITICALLY ACCLAIMED PRODUCTION OF MIKE BARTLETT’S GAME TO DIRECT THE WORLD PREMIERE OF BOY A NEW PLAY BY LEO BUTLER FROM 5 APRIL – 28 MAY 2016 AND A COMPLEMENTARY OUTREACH PROGRAMME FUNDED BY THE ARSENAL FOUNDATION SEES THE ALMEIDA PARTNER WITH ARSENAL IN THE COMMUNITY TO FURTHER ENGAGE WITH THE YOUNG PEOPLE OF THE LONDON BOROUGH OF ISLINGTON Sacha Wares will be returning to Almeida Theatre to direct the world premiere of Leo Butler’s new play Boy, after her directorial success with the critically acclaimed production, Game, by Mike Bartlett, in 2015. Boy will run at the Almeida Theatre from 5 April until 28 May 2016, with press night on 12 April 2016. Director Sacha Wares is joined by a formidable creative team, including two powerhouse contemporary designers, Miriam Buether for set design (Wild Swans, Sucker Punch, My Child, Generations), who worked with Sacha on Game at the Almeida in 2015, and Ultz for costume (Jerusalem, Hobson’s Choice, Fallout, Pied Pier), who will be collaborating with Miriam, on design, for the very first time. Further creative credits include movement by Leon Baugh, lighting by Jack Knowles and sound by Gareth Fry. A boy At a bus stop. Easily missed. Playwright Leo Butler casts a sharp eye over the city and picks someone for us to follow. Sacha Wares (Director) is associate director at the Young Vic and was previously Associate Director of the Royal Court from 2007-2013. -
Barby, Northamptonshire
Newspaper Archive, reports relating to Barby, Northamptonshire 1. Northampton Mercury - Monday 20 August 1770 On Wednesday last an Inquisition was taken at Barby, in this County, by William Jackson, Gent, one of the Coroners for the said County, on View of the Body of one William Roberts, a Lad about eleven Years of Age, who, as he was bathing in a Pool in the Field, went out of his Depth, and was drowned: The Jury brought in their Verdict Accidental Death. 2. Northampton Mercury - Monday 28 January 1771 INOCULATING. NOTICE is hereby given, that Samuel Thompson, at a lone House in Barby Parish in the County Northampton, still continues to carry on that necessary and successful business of inoculating for the SMALLPOX; and all that please to put themselves under his Care may depend on being attended with the utmost Care and Diligence. He has been near Twenty Years in Practice of that Disease, both in the Natural Way, and by Inoculation, and has inoculated for almost Ten Years without the Loss of a single Person, or the least Symptoms of any other Disease from his Inoculating, which sometimes happens for want of Care in the lnoculator. The Conditions of those who chuse to be nursed at his House, are One Guinea and an Half for the Fortnight; and if their Stay should be any longer, One shilling per Day for each Person: And any Family that chuses to be inoculated at their own Houses, consisting of eight Persons or more, his Charge is no more than Five Shillings for cutting each Person. -
CHRISTMAS EVE at Theatre Royal Bath’S Ustinov Studio
PRESS RELEASE – Thursday 21 September 2017 IMAGES CAN BE DOWNLOADED here Twitter/ Facebook / website Casting announced for Daniel Kehlmann’s CHRISTMAS EVE At Theatre Royal Bath’s Ustinov Studio • NIAMH CUSACK AND PATRICK BALADI WILL STAR IN DANIEL KEHLMANN’S CHRISTMAS EVE, TRANSLATED BY CHRISTOPHER HAMPTON AND DIRECTED BY LAURENCE BOSWELL • FORMS PART OF THE USTINOV STUDIO’S SEASON OF INTERNATIONAL UK PREMIERES • PRODUCTION WILL RUN FROM 19 OCTOBER – 18 NOVEMBER, WITH PRESS NIGHT ON 25 OCTOBER Theatre Royal Bath announces full casting for Christmas Eve, which today begins rehearsals. Niamh Cusack will play philosophy professor Judith and Patrick Baladi will play police officer Thomas. The new thriller is the latest play from multi-award winning writer Daniel Kehlmann and will be directed by Laurence Boswell, in a translation by Christopher Hampton. The production will run at the Ustinov Studio from Thursday 19 October to Saturday 18 November, with opening night for press on Wednesday 25 October. On Christmas Eve 2017, a philosophy professor is on her way to celebrate Christmas when she is bundled into police headquarters and an interrogation room. Opposite her the senior officer is cynical, smart and relentless. Played out in real time, two powerful antagonists are pitted head to head against each other. Both think they are saving their country but only one of them will win. Niamh Cusack (Judith) has recently been seen on screen in feature films including The Ghoul and Testament of Youth. Television credits include Rebellion (RTE / Netflix), The Best of Men (BBC) and The Hollow Crown (BBC). Her extensive theatre work includes The Curious Incident of the Dog in the Night-time (National Theatre and West End), Playboy of the Western World, Cause Celebre and Dancing at Lughnasa (The Old Vic), The Enchantment, His Dark Materials (National Theatre) and Breathing Corpses (Royal Court). -
ONE HUNDRED DRAWINGS and WATERCOLOURS Dating from the 16Th Century to the 20Th Century
O N E H U N D R E D ONE HUNDRED D R A W I N DRAWINGS G S & W A AND T E R C O L O WATERCOLOURS U R S S T E P H E N O N G P I N G U Y P E P P I A T T Stephen Ongpin Fine Art Guy Peppiatt Fine Art Ltd. 2 0 1 5 Riverwide House - 2 0 6 Mason’s Yard 1 Duke Street, St James’s 6 London SW1Y 6BU GUY PEPPIATT FINE ART STEPHEN ONGPIN FINE ART ONE HUNDRED DRAWINGS AND WATERCOLOURS dating from the 16th Century to the 20th Century WINTER CATALOGUE 2015–2016 to be exhibited at Riverwide House 6 Mason’s Yard Duke Street, St. James’s London SW1Y 6BU Stephen Ongpin Fine Art Guy Peppiatt Fine Art Tel.+44 (0) 20 7930 8813 Tel.+44 (0) 20 7930 3839 or + 44 (0)7710 328 627 or +44 (0)7956 968 284 [email protected] [email protected] www.stephenongpin.com www.peppiattfineart.co.uk 1 We are pleased to present our eighth annual Winter catalogue of One Hundred Drawings and Watercolours, which will, as usual, be accompanied by an exhibition in our London gallery. This catalogue includes a wide range of British and European drawings, watercolours and oil sketches, placed more or less in chronological order, ranging in date from the 16th century to the first half of the 20th century. Although the areas of Old Master drawings, early British watercolours, 19th Century drawings and Modern drawings have long been regarded as disparate fields, each with their own enthusiasts, part of the purpose of this annual catalogue is to blur the distinction between these collecting areas. -
National Theatre's Sell-Out Production of the Curious
NATIONAL THEATRE’S SELL-OUT PRODUCTION OF THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME TRANSFERS TO THE APOLLO THEATRE IN THE WEST END The Curious Incident of the Dog in the Night-Time, the National Theatre’s highly acclaimed production based on Mark Haddon’s award-winning novel, will transfer to the West End’s Apollo Theatre from 1 March for a twelve week run, with a press night on 12 March. Curious Incident, adapted by Simon Stephens and directed by Marianne Elliott, was acclaimed by critics and audiences alike during its sell-out run at the National’s Cottesloe Theatre and set a new record with its NT Live broadcast to worldwide cinemas, being seen by over 40,000 people in the UK alone. Luke Treadaway * will recreate his ‘astonishing’ (Time Out) performance as Christopher Boone, the fifteen year old maths genius with behavioural problems. Treadaway will be joined by Matthew Barker, Niamh Cusack, Sophie Duval, Rhiannon Harper-Rafferty, Nick Sidi and Howard Ward, who were also in the original cast. Further cast details will be announced in due course. Public booking for The Curious Incident of the Dog in the Night-Time opens on 23 November 2012, following priority booking for National Theatre members. Ticket prices range from £12 to £57.50, with 150 tickets at £12 each available for every performance. The production is designed by Bunny Christie, with lighting by Paule Constable, video design by Finn Ross, movement by Scott Graham and Steven Hoggett for Frantic Assembly, music by Adrian Sutton and sound by Ian Dickinson. -
Job Description
Job Description Job title: Assistant Producer Reporting to: Managing Director, Theatre Royal Bath Productions Principal duties: To work with the Managing Director to develop and manage theatre production projects. In particular: 1. To research potential theatre production projects. 2. To liaise with agents about the availability/likely interest of their clients in theatre production projects. 3. To work with the General Manager on all physical aspects of theatre production. 4. To work alongside and manage freelance production staff i.e. company manager and casting directors. 5. To liaise with other producers and theatre managements. 6. To create co-production agreements with other theatre managements. 7. To negotiate deals with agents for the services of actors, understudies, directors, lighting designers, sound designers and other members of creative teams. 8. To draft contracts for the services of the above. 9. To negotiate rights agreements with literary agents. 10. To create and monitor budgets for theatrical productions. 11. To attend first days of rehearsals, run-throughs, previews and press nights and liaise as necessary with directors. 12. To create and maintain the creative team fee/royalties database. 13. To liaise with marketing and press consultants. 14. To process venue contracts. Assistant Producer - Person Specification Skills Essential . Computer literate - Microsoft Word & Excel packages . Accurate typing . Good telephone manner . Excellent communicator – written & oral Experience Essential Experience of working in an organisation with a team environment Desirable . Experience of working in an arts organisation Personal Qualities Essential . Organisational flair with the ability to prioritise workloads . Calm, patient and prepared to work for others . Ability to work swiftly and under pressure .