CHRISTMAS EVE at Theatre Royal Bath’S Ustinov Studio

Total Page:16

File Type:pdf, Size:1020Kb

CHRISTMAS EVE at Theatre Royal Bath’S Ustinov Studio PRESS RELEASE – Thursday 21 September 2017 IMAGES CAN BE DOWNLOADED here Twitter/ Facebook / website Casting announced for Daniel Kehlmann’s CHRISTMAS EVE At Theatre Royal Bath’s Ustinov Studio • NIAMH CUSACK AND PATRICK BALADI WILL STAR IN DANIEL KEHLMANN’S CHRISTMAS EVE, TRANSLATED BY CHRISTOPHER HAMPTON AND DIRECTED BY LAURENCE BOSWELL • FORMS PART OF THE USTINOV STUDIO’S SEASON OF INTERNATIONAL UK PREMIERES • PRODUCTION WILL RUN FROM 19 OCTOBER – 18 NOVEMBER, WITH PRESS NIGHT ON 25 OCTOBER Theatre Royal Bath announces full casting for Christmas Eve, which today begins rehearsals. Niamh Cusack will play philosophy professor Judith and Patrick Baladi will play police officer Thomas. The new thriller is the latest play from multi-award winning writer Daniel Kehlmann and will be directed by Laurence Boswell, in a translation by Christopher Hampton. The production will run at the Ustinov Studio from Thursday 19 October to Saturday 18 November, with opening night for press on Wednesday 25 October. On Christmas Eve 2017, a philosophy professor is on her way to celebrate Christmas when she is bundled into police headquarters and an interrogation room. Opposite her the senior officer is cynical, smart and relentless. Played out in real time, two powerful antagonists are pitted head to head against each other. Both think they are saving their country but only one of them will win. Niamh Cusack (Judith) has recently been seen on screen in feature films including The Ghoul and Testament of Youth. Television credits include Rebellion (RTE / Netflix), The Best of Men (BBC) and The Hollow Crown (BBC). Her extensive theatre work includes The Curious Incident of the Dog in the Night-time (National Theatre and West End), Playboy of the Western World, Cause Celebre and Dancing at Lughnasa (The Old Vic), The Enchantment, His Dark Materials (National Theatre) and Breathing Corpses (Royal Court). Patrick Baladi (Thomas) is known for his television roles which include Neil Godwin in The Office, Stephen Holmes in Marcella, Michael Jackson in Stella and Jimmy Lakewell in Line of Duty. Theatre credits include Loyalty (Hampstead Theatre), Albert Speer, Battle Royal (National Theatre) and Camino Real (RSC). Daniel Kehlmann is a German-language author whose novel Measuring the World, sold three million copies in Germany alone and has been translated into more than 40 languages. Christopher Hampton previously translated Florian Zeller’s play The Father for the Ustinov Studio, launching its international success. He won an Academy Award for the adaptation of his own play, Dangerous Liaisons. Laurence Boswell is an Olivier Award winner, Artistic Director of the Ustinov Studio and an Associate Artist of the RSC. His recent productions include The Mentor, A Midsummer Night’s Dream in the Theatre Royal’s Main House, and Trouble in Mind, The Mother, Intimate Apparel and The Spanish Golden Age Season in the Ustinov Studio. Christmas Eve is the first play in the Ustinov Studio’s season of International UK Premieres. It will be followed by Will Eno’s The Open House, directed by Michael Boyd, which will run from Thursday 23 November to Saturday 23 December. For further information please contact THE CORNER SHOP PR on 0207 831 7657 Francesca Hoare [email protected] | Lewis Jenkins [email protected] | Su-Ann Chow-Seegoolam [email protected] Images Images available to download here UPDATED LISTINGS Ustinov Studio, Theatre Royal Bath, Sawclose, Bath, BA1 1ET Box Office: 01225 448844 Website: www.theatreroyal.org.uk Facebook: TheatreRoyalBath Twitter: @TheatreRBath Christmas Eve By Daniel Kehlmann In a translation by Christopher Hampton Directed by Laurence Boswell Dates: Thursday 19 October – Saturday 18 November Press Night: Wednesday 25 October, 7pm* Performance schedule: Mon – Sat 7.45pm, Matinees Thu & Sat 2.30pm Tickets: £22.50 / £17.50 discounts (Preview Perfs and Mondays, all seats £15) *Please note new press night date .
Recommended publications
  • Cause Célèbre by Terence Rattigan
    Cause Célèbre by Terence Rattigan Teachers’ Resource Pack Researched & written by Ellen Groves & Anne Langford 1 Cause CélèBRE – Teaching Resources Cause Célèbre SUBTITLE Cause Célèbre at The Old Vic 3 Sir Terence Rattigan : His Story 4 Chronology: Rattigan’s Career 5 Synopsis 6 What does cause célèbre mean? 8 Character breakdown 8 Theatrical context of the play 10 Historical context of the play 11 The ‘True’ story 12 Crimes of passion: Case Studies 13 Modern parallel case: OJ Simpson 15 Women and the Criminal Justice system 16 Death penalty in the UK / Around the world 17 In Conversation with... Niamh Cusack 19 Freddie Fox 21 Richard Teverson 23 Rehearsal Notes from the Assistant Director Eleanor While 24 Bibliography 26 2 cause célèbre by terence rattigan Lucy Black Timothy Carlton Simon Chandler Richard Clifford Oliver Coopersmith Niamh Cusack Anne‐Marie Duff Rory Fleck‐Byrne Joan Webster EranFis RaGenbury John Davenport Croom ‐ Johnson Christopher Edith Davenport Klma RaGenbury Montague & Randolph Browne Freddie Fox Jenny Galloway Patrick Godfrey Nicholas Jones Tommy McDonnell Lucy Robinson Tristan Shepherd Richard Teverson Tony Davenport Irene Riggs Judge O'Connor George Wood Stella Morrison Clerk of Court Casswell @nderstudy responsibiliAes Lucy Black: Edith Davenport & Klma RaGenbury Rory Fleck Byrne: George Wood & Casswell Tristan Shepherd:Tony Davenport & Randolph Browen & Montague Richard Teverson: O’Connor & Croom Johnson Sarah Waddell: Stella Morrison & Irene Riggs & Joan Webster & Clerk of Court Michael Webber: EranFis RaGenbury & Porter Sarah Waddell Michael Webber Tristram Wymark Tristram Wymark: John Davenport & Judge & Sergeant Bagwell Warder Sergeant Bagwell Porter 3 Cause CélèBRE – Teaching Resources Sir Terence Rattigan His Story Sir Terence Mervyn Rattigan was born in Kensington, London on 10 June 1911 and died of cancer on 30 November 1977.
    [Show full text]
  • Applause Magazine, Applause Building, 68 Long Acre, London WC2E 9JQ
    1 GENE WIL Laughing all the way to the 23rd Making a difference LONDON'S THEATRE CRITI Are they going soft? PIUS SAVE £££ on your theatre tickets ,~~ 1~~EGm~ Gf1ll~ G~rick ~he ~ ~ e,London f F~[[ IIC~[I with ever~ full price ticket purchased ~t £23.50 Phone 0171-312 1991 9 771364 763009 Editor's Letter 'ThFl rul )U -; lmalid' was a phrase coined by the playwright and humourl:'t G eorge S. Kaufman to describe the ailing but always ~t:"o lh e m Broadway Theatre in the late 1930' s . " \\ . ;t" )ur ul\'n 'fabulous invalid' - the West End - seems in danger of 'e:' .m :: Lw er from lack of nourishmem, let' s hope that, like Broadway - presently in re . \ ,'1 'n - it too is resilient enough to make a comple te recovery and confound the r .: i " \\' ho accuse it of being an en vironmenta lly no-go area whose theatrical x ;'lrJ io n" refuse to stretch beyond tired reviva ls and boulevard bon-bons. I i, clUite true that the season just past has hardly been a vintage one. And while there is no question that the subsidised sector attracts new plays that, =5 'ears ago would a lmost certainly have found their way o nto Shaftes bury Avenue, l ere is, I am convinced, enough vitality and ingenuity left amo ng London's main -s tream producers to confirm that reports of the West End's te rminal dec line ;:m: greatly exaggerated. I have been a profeSSi onal reviewer long enough to appreciate the cyclical nature of the business.
    [Show full text]
  • Drama & Theatre Studies Starter Pack
    [Type here] King Edward VI College Drama & Theatre Studies Starter Pack [Type here] Welcome! Welcome to the drama department at King Edward’s! The aim of this booklet is to introduce you to some aspects of the course and to prepare you for studying with us at A level. You’ll find plenty of information about the course in the accompanying handbook and PowerPoint presentation but in this booklet I have put together some work for you to complete. Blue text contains a hyperlink. Just click to be transported to any online resource. Some of the activities are compulsory whilst others are designed to keep your mind stimulated over the coming weeks and months. It is important not to let your mind go stale. Success in drama requires a sharp analytical mind and a willingness to grapple with big ideas creatively. I wish you and yours the very best of health and I look forward to meeting you in September. In the meantime, join us on Twitter: @KingEds_Drama. We are always reflecting on our provision and practice. The information contained in this booklet is accurate as of April 2021 but we reserve the right to make alterations to reading lists, set texts and to the way in which we structure our course. A detailed course review takes place during May of every academic year. Shaun Passey, drama and theatre studies subject leader [email protected] [Type here] Compulsory Work Preparing for A level: speaking the same language You will be expected to use key terms when discussing your performance ideas, directing other students, and writing about work you have imagined, created or seen.
    [Show full text]
  • National Theatre's Sell-Out Production of the Curious
    NATIONAL THEATRE’S SELL-OUT PRODUCTION OF THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME TRANSFERS TO THE APOLLO THEATRE IN THE WEST END The Curious Incident of the Dog in the Night-Time, the National Theatre’s highly acclaimed production based on Mark Haddon’s award-winning novel, will transfer to the West End’s Apollo Theatre from 1 March for a twelve week run, with a press night on 12 March. Curious Incident, adapted by Simon Stephens and directed by Marianne Elliott, was acclaimed by critics and audiences alike during its sell-out run at the National’s Cottesloe Theatre and set a new record with its NT Live broadcast to worldwide cinemas, being seen by over 40,000 people in the UK alone. Luke Treadaway * will recreate his ‘astonishing’ (Time Out) performance as Christopher Boone, the fifteen year old maths genius with behavioural problems. Treadaway will be joined by Matthew Barker, Niamh Cusack, Sophie Duval, Rhiannon Harper-Rafferty, Nick Sidi and Howard Ward, who were also in the original cast. Further cast details will be announced in due course. Public booking for The Curious Incident of the Dog in the Night-Time opens on 23 November 2012, following priority booking for National Theatre members. Ticket prices range from £12 to £57.50, with 150 tickets at £12 each available for every performance. The production is designed by Bunny Christie, with lighting by Paule Constable, video design by Finn Ross, movement by Scott Graham and Steven Hoggett for Frantic Assembly, music by Adrian Sutton and sound by Ian Dickinson.
    [Show full text]
  • Job Description
    Job Description Job title: Assistant Producer Reporting to: Managing Director, Theatre Royal Bath Productions Principal duties: To work with the Managing Director to develop and manage theatre production projects. In particular: 1. To research potential theatre production projects. 2. To liaise with agents about the availability/likely interest of their clients in theatre production projects. 3. To work with the General Manager on all physical aspects of theatre production. 4. To work alongside and manage freelance production staff i.e. company manager and casting directors. 5. To liaise with other producers and theatre managements. 6. To create co-production agreements with other theatre managements. 7. To negotiate deals with agents for the services of actors, understudies, directors, lighting designers, sound designers and other members of creative teams. 8. To draft contracts for the services of the above. 9. To negotiate rights agreements with literary agents. 10. To create and monitor budgets for theatrical productions. 11. To attend first days of rehearsals, run-throughs, previews and press nights and liaise as necessary with directors. 12. To create and maintain the creative team fee/royalties database. 13. To liaise with marketing and press consultants. 14. To process venue contracts. Assistant Producer - Person Specification Skills Essential . Computer literate - Microsoft Word & Excel packages . Accurate typing . Good telephone manner . Excellent communicator – written & oral Experience Essential Experience of working in an organisation with a team environment Desirable . Experience of working in an arts organisation Personal Qualities Essential . Organisational flair with the ability to prioritise workloads . Calm, patient and prepared to work for others . Ability to work swiftly and under pressure .
    [Show full text]
  • English Viewing List Key Stage Topic Location Link KS3 Shakespeare's
    English Viewing List Key Stage Topic Location Link Shakespeare’s ‘A Midsummer Night’s Dream’ BBC iPlayer https://www.bbc.co.uk/iplayer/episod e/b078jltg/cbeebies-presents-a-midsu mmer-nights-dream Royal Shakespeare Company BBC iPlayer www.bbc.co.uk/iplayer (Dates to be Macbeth​ (2018), directed by Polly Findlay with announced) https://www.rsc.org.uk/news/bbc-cult Christopher Eccleston and Niamh Cusack ure-in-quarantine Romeo and Juliet​(2018), directed by Deputy Artistic Director Erica Whyman KS3 Storytime with David Walliams David Walliams www.worldofdavidwalliams.com Website - everyday at 11am A Christmas Carol (Told in 9 radio episodes) BBC Radio https://www.bbc.co.uk/teach/school-r adio/english-ks2-a-christmas-carol-ind ex/zbp9bdm Authors Live - a range of videos with different BBC Scotland https://www.bbc.co.uk/events/rhvg9r authors Gangsta Granny BBC iPlayer https://www.bbc.co.uk/iplayer/episod e/b03n2w7m/gangsta-granny Mr Stink BBC iPlayer https://www.bbc.co.uk/iplayer/episod English Viewing List e/p0118z9z/mr-stink Matilda Netflix https://www.netflix.com/gb/ Divergent Trilogy Netflix https://www.netflix.com/gb/ Open library (Online virtual library providing Open Library https://openlibrary.org/ free access to a range of books.) Website The Winter's Tale - Animated Tales YouTube https://www.youtube.com/watch?v=u siKDWOZZOE The Tempest - Animated Tales YouTube https://www.youtube.com/watch?v=k AZKIpWGN_Q YouTube Hansel and Gretal: The Grimms Fairy Tales https://www.youtube.com/watch?v=ssO 3yWgBHhM Cinderella: Part 1: https://www.youtube.com/watch?v=Ma 4lvtTYLdM Part 2: https://www.youtube.com/watch?v=toF FrxWCIEw​ Part 3: https://www.youtube.com/watch?v=9lp 1pnSwOA4​ Stone Cold Part 1: YouTube https://www.youtube.com/watch?v=Gj3 e9XtRGbs Part 2: English Viewing List https://www.youtube.com/watch?v=Sbc P2FKaD9I​ Part 3: https://www.youtube.com/watch?v=An ULcz9YD1M​ English Viewing List Key Stage Topic Location Link National Theatre Live Performances - new play each YouTube - https://www.youtube.com/cha Thursday.
    [Show full text]
  • Seeing Shakespeare
    Seeing Shakespeare You may not be able to get out and see a Shakespeare performance right now, but fear not! Dr Lynn Robson, Tutorial Fellow in English Literature, shares some of her favourite online finds. The RSC has launched At Home with Shakespeare, and the BBC has broadcast the following plays as part of their Culture in Quarantine project. I’ve added my opinions about each production, but you shouldn’t take my word for it, watch for yourselves: Macbeth (2018), directed by Polly Findlay with Christopher Eccleston and Niamh Cusack. Divided critics and audiences but I saw it twice and was genuinely scared for the whole two hours of the performance. You won’t be expecting the way the witches are portrayed. Dr Who as Macbeth: what’s not to enjoy? Hamlet (2016), directed by Simon Godwin with Paapa Essiedu. The second-best Hamlet I’ve ever seen (happy for you to guess what my favourite one is). Set in an African Elsinore, this is a star-making performance by Paapa Essiedu, one of the most exciting actors working today. If you enjoy this check out this video on YouTube. Romeo and Juliet (2018), directed by Erica Whyman. Another one that divided audiences but I loved its energy, commitment, and pace. A female Mercutio, and a brilliant Juliet. Erica Whyman recognises what a radical play this was when Shakespeare wrote it, and directs it at full throttle. Much Ado About Nothing (2014), directed by Christopher Luscombe. Charming, witty production, which plays with a Downton Abbey-esque vibe. Set at the end of the First World War it was in a double-bill with Love’s Labour’s Lost, and retitled Love’s Labour’s Won.
    [Show full text]
  • A Pleasant Seat at the Royal Shakespeare Company's Macbeth
    Early Modern Culture Volume 14 First-Generation Shakespeare Article 26 6-15-2019 A Pleasant Seat at the Royal Shakespeare Company’s Macbeth Marcia Eppich-Harris Follow this and additional works at: https://tigerprints.clemson.edu/emc Recommended Citation Marcia Eppich-Harris (2019) "A Pleasant Seat at the Royal Shakespeare Company’s Macbeth," Early Modern Culture: Vol. 14 , Article 26. Available at: https://tigerprints.clemson.edu/emc/vol14/iss1/26 This Theater Review is brought to you for free and open access by TigerPrints. It has been accepted for inclusion in Early Modern Culture by an authorized editor of TigerPrints. For more information, please contact [email protected]. A Pleasant Seat at the Royal Shakespeare Company’s Macbeth Directed by Polly Findley The Royal Shakespeare Theatre, Stratford-upon-Avon, UK Performance Date: May 16, 2018 Review by MARCIA EPPICH-HARRIS Figure 1: Macbeth (Christopher Eccleston) in the Royal Shakespeare Company's 2018 production of Macbeth. Photo by Richard Davenport, courtesy of the RSC. purchased tickets to see the 2018 RSC Macbeth, starring Christopher Eccleston and Niamh Cusack, five months in advance. At that point, both the I Stalls and the Circle sections were sold out. The Upper Circle would have to do. While it is unsurprising that a former Doctor Who would pack the seats at the Royal Shakespeare Theatre, I was still disappointed that I would be sitting so far away from the stage. However, in “foul-is-fair” fashion, the Upper Circle turned out to be the place to experience the hair-raising atmosphere of director Polly Findley’s version of the Scottish play.
    [Show full text]
  • Encountering Shakespeare Elsewhere Digital Distribution, Audience Reception, and the Changing Value of Shakespeare in Performance
    DOCTORAL THESIS Encountering Shakespeare elsewhere digital distribution, audience reception, and the changing value of Shakespeare in performance. Nicholas, Rachael Award date: 2020 General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal ? Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 04. Oct. 2021 Encountering Shakespeare Elsewhere: Digital Distribution, Audience Reception, and the Changing Value of Shakespeare in Performance Rachael Nicholas, BA (Hons), MA A thesis submitted in partial fulfilment of the requirements for the degree of PhD Department of Drama, Theatre and Performance University of Roehampton 2019 The research for this project was submitted for ethics consideration under the reference DTP 17/026 in the Department of Drama, Theatre & Performance, and was approved under the procedures of the University of Roehampton’s Ethics Committee on 13.06.17. 1 Abstract Since the launch of National Theatre Live in 2009, digital distribution has made it possible for audiences to access theatre productions across a range of reception sites.
    [Show full text]
  • The National Theatre Announces 15 Productions of New Plays and Fresh Adaptations by Leading Writers
    13 June 2019 The National Theatre announces 15 productions of new plays and fresh adaptations by leading writers On the Stage Lucy Kirkwood returns to the NT with her new play THE WELKIN directed by James Macdonald with a cast including Maxine Peake and Cecilia Noble The premiere of Moira Buffini's timely new play MANOR, directed by Fiona Buffini Francesca Martinez makes her playwriting debut and takes the lead role in ALL OF US, directed by Ian Rickson Clint Dyer becomes the first Black British artist to have acted, written and directed at the NT with DEATH OF ENGLAND written by Roy Williams and Dyer, and performed by Rafe Spall Kate Tempest makes her NT debut with PARADISE, a powerful reimagining of Philoctetes by Sophocles; Lesley Sharp leads a large ensemble cast Tony Kushner returns to the National Theatre with a new adaptation of Friedrich Dürrenmatt’s masterpiece THE VISIT, or The Old Lady Comes To Call, directed by Jeremy Herrin, with Lesley Manville playing the role of Claire Zachanassian Thea Sharrock directs a new play by Richard Bean and Oliver Chris, JACK ABSOLUTE FLIES AGAIN, based on Richard Brinsley Sheridan’s The Rivals April De Angelis’ adaptation of MY BRILLIANT FRIEND, based on the bestselling novels by Elena Ferrante and directed by Melly Still, is re-worked for the Olivier Theatre following a sell-out run at the Rose Theatre Kingston; the entire original cast return including Niamh Cusack and Catherine McCormack Page 1 of 21 Neil Gaiman’s acclaimed novel THE OCEAN AT THE END OF THE LANE is adapted for the
    [Show full text]
  • Monday 22Nd June 2020 Update LATEST INFORMATION FOR
    Date: Monday 22nd June 2020 Update LATEST INFORMATION FOR STUDENTS, PARENTS AND CARERS (Students should also read the Student Daily News each day) Welcome back to year 10 Staff are very much looking forward to welcoming back our Year 10 students this week as we return to some face-to-face classroom teaching and learning. It has been far too long! For most students, the building has been closed for nearly 3 months and we are delighted that we can now begin to return to a sense of normality. The scientific advice received by the government and the local authority, alongside the clear hygiene and social distancing arrangements and thorough risk assessments we have in place, indicate very low risk, so long as all students and families socially distance and observe hygiene arrangements. I do hope that you have had the opportunity to watch the video guide about the return to school. The video will hopefully have provided you with lots of information about what the return to school will look like and the steps we have taken to ensure the safety of students and staff. If you have any questions relating to this week’s return to the building please do not hesitate to contact us [email protected] Thank you to the students and parents who have let school know that, due to illness or a pre-existing medical condition of themselves or a family member, they will be unable to attend this week. We will ensure that the right work is sent to you so that you are able to work from home.
    [Show full text]
  • The Curious Incident of the Dog in the Night-Time Nominated for Eight Olivier Awards
    THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME NOMINATED FOR EIGHT OLIVIER AWARDS The National Theatre’s production of The Curious Incident of the Dog in the Night- Time , which is running at the Apollo Theatre, Shaftesbury Avenue has been nominated for eight Olivier Awards, including Best New Play. Luke Treadaway, who plays Christopher Boone has been nominated for Best Actor for playing the role at the National Theatre’s Cottesloe Theatre and the Apollo Theatre. Nicola Walker, who played Judy at the Cottelsloe Theatre has been nominated for Best Actress in a supporting role. The Curious Incident of the Dog in the Night-Time, adapted by Simon Stephens from Mark Haddon’s best-selling novel has been nominated for the Mastercard Best New Play. Marianne Elliott has been nominated for best director, Paule Constable has been nominated for the White Light Award for Best Lighting Design, Ian Dickinson and composer Adrian Sutton have been nominated for best sound design; Bunny Christie and Finn Ross have been nominated for the XL Video Award for Best Set Design; and Scott Graham and Steven Hoggett for Best Theatre Choregoraphy. Director Marianne Elliott said: ‘I’m absolutely thrilled to have so many Oliver nominations for our show, The Curious Incident of the Dog in the Night- Time. What started out as an 'experimental' exploration of Mark Haddon's wonderful novel, turned into a very fulfilling and creative experience for all of us. We were all working outside our 'comfort zones' and collaborating very closely together. It was a huge team effort and therefore makes us all doubly proud to be a part of something that became so much a part of, but so much bigger than, any one of us.’ The Olivier Awards ceremony will take place at the Royal Opera House on Sunday 28 April, hosted by Hugh Bonneville and Sheridan Smith and will be live on BBC Radio 2 from 6.30pm with a television highlights package broadcast on ITV later in the evening.
    [Show full text]