Job Description

Total Page:16

File Type:pdf, Size:1020Kb

Job Description Job Description Job title: Assistant Producer Reporting to: Managing Director, Theatre Royal Bath Productions Principal duties: To work with the Managing Director to develop and manage theatre production projects. In particular: 1. To research potential theatre production projects. 2. To liaise with agents about the availability/likely interest of their clients in theatre production projects. 3. To work with the General Manager on all physical aspects of theatre production. 4. To work alongside and manage freelance production staff i.e. company manager and casting directors. 5. To liaise with other producers and theatre managements. 6. To create co-production agreements with other theatre managements. 7. To negotiate deals with agents for the services of actors, understudies, directors, lighting designers, sound designers and other members of creative teams. 8. To draft contracts for the services of the above. 9. To negotiate rights agreements with literary agents. 10. To create and monitor budgets for theatrical productions. 11. To attend first days of rehearsals, run-throughs, previews and press nights and liaise as necessary with directors. 12. To create and maintain the creative team fee/royalties database. 13. To liaise with marketing and press consultants. 14. To process venue contracts. Assistant Producer - Person Specification Skills Essential . Computer literate - Microsoft Word & Excel packages . Accurate typing . Good telephone manner . Excellent communicator – written & oral Experience Essential Experience of working in an organisation with a team environment Desirable . Experience of working in an arts organisation Personal Qualities Essential . Organisational flair with the ability to prioritise workloads . Calm, patient and prepared to work for others . Ability to work swiftly and under pressure . To be flexible . To work unsociable hours when necessary . To be able to work as part of a team and on your own Please do not consider applying for this position unless you have a clear and demonstrable interest and passion for theatre in all its forms. If invited to interview, you will be expected to discuss in detail your theatre-going experiences, good and bad. Background to Theatre Royal Bath Productions Theatre Royal Bath, a registered charity, is one of the UK’s most historic and beautiful theatres. Situated in the centre of the City of Bath, it consists of three auditoria – the Main House, the Ustinov Studio and the egg. At the heart of the Main House programme is high quality drama i.e. plays on their way into or direct from the West End, plays from the National Theatre and the RSC and plays produced by Theatre Royal Bath Productions (see below). The Ustinov Studio presents two repertory seasons a year of productions that are produced in-house under the artistic directorship of Deborah Warner, as well as a small programme of toured-in product from small-scale theatre companies. The egg presents a wide range of work for children, young people and their families. Please see our website for a fuller outline of the programmes at each venue. www.theatreroyal.org.uk Theatre Royal Bath Productions (TRBP) was set up in 1998 as a commercial subsidiary of Theatre Royal Bath to produce plays for the Main House, other regional venues, the West End and overseas. Since its inception, Theatre Royal Bath Productions has been stunningly successful. It has produced over one hundred productions including in excess of twenty in the West End. The Theatre Royal Bath receives no public subsidy and the income generated by TRBP (several million pounds since its inception) is all handed over to the theatre to support its not-for-profit activities including its work in the Ustinov Studio and the egg and to maintain its historic building fabric. TRBP’s activity is overseen by a small team of Theatre Royal Bath staff who manage the productions of the plays mentioned above as well as programming and managing the Theatre Royal itself. This placement will therefore provide hands-on experience from both the perspective of a commercial producer and a theatre manager. There is no limit to the opportunities this placement will present to an entrepreneurial, self-motivated individual wishing to progress within the commercial theatre sector. Theatre Royal Bath Productions Productions to date: 1998 The Glass Menagerie by Tennessee Williams, starring Gwen Taylor and Jamie Glover, directed by Mark Clements 1998 Good Grief by Keith Waterhouse, starring Penelope Keith, directed by Ned Sherrin 1999 The Birthday Party by Harold Pinter, starring Prunella Scales and Timothy West, directed by Joe Harmston. TRANSFERRED TO THE PICCADILLY THEATRE. 1999 The Kingfisher by William Douglas Home, starring Tony Britton and Rosemary Leach, directed by Joe Harmston 1999 Last of the Red Hot Lovers by Neil Simon, starring and directed by Tom Conti 1999 Master Class by Terrence McNally, starring Jane Lapotaire, directed by Di Trevis 2000 The Browning Version by Terence Rattigan, starring Edward Fox, directed by Michael Napier Brown 2000 Talking Heads by Alan Bennett, starring Dora Bryan, Nichola McAuliffe and Zena Walker, directed by Lawrence Till 2000 God and Stephen Hawking by Robin Hawdon, starring Robert Hardy and Stephen Boxer, directed by Jonathan Church 2000 Entertaining Mr Sloane by Joe Orton, starring Alison Steadman, Clive Francis and Bryan Pringle, directed by Terry Johnson. TRANSFERRED TO THE ARTS THEATRE. 2000 A Family Affair by Agnes Jaoui and Jean-Pierre Bacri, starring Rik Mayall, directed by Andy de la Tour 2001 Lettice and Lovage by Peter Shaffer, starring Sian Phillips and Gwen Taylor, directed by Loveday Ingram 2001 In Praise of Love by Terence Rattigan, starring Isla Blair and Julian Glover, directed by Deborah Bruce 2001 Beau Brummell by Ron Hutchinson, starring Peter Bowles and Richard McCabe, directed by Caroline Hunt. TRANSFERRED TO THE THEATRE ROYAL HAYMARKET. 2001 The External by Rodney Clark, starring Prunella Scales and Timothy West, directed by Ezra Hjalmarsson 2001 What the Butler Saw by Joe Orton, starring Jane Asher, Michael Pennington and Benjamin Whitrow, directed by Jeremy Sams 2001 So Long Life by Peter Nichols, starring Stephanie Cole, Cheryl Campbell and Paul Shelley, directed by Dominic Hill 2001 A Different Way Home by Jimmie Chinn, starring Roy Barraclough, directed by Lawrence Till * 2002 Single Spies by Alan Bennett, starring Robert Powell and Liza Goddard , directed by David Grindley 2002 Relative Values by Noël Coward, starring Susan Hampshire, directed by Joe Harmston 2002 Three Sisters by Anton Chekhov. Starring Imogen Stubbs, Dulcie Gray and Serena Gordon, directed by Patrick Sandford 2002 Abigail’s Party by Mike Leigh, starring Elizabeth Berrington, directed by David Grindley. TRANSFERRED * TO THE NEW AMBASSADORS THEATRE. WEST END PREMIERE. 2002 Just Between Ourselves by Alan Ayckbourn, starring Les Dennis and Jean Boht, 2002, directed by Dominic Hill 2002 Up For Grabs by David Williamson, starring Madonna, directed by Laurence Boswell. WYNDHAM’S * THEATRE 2003 Love & Marriage by Donald Churchill, starring Adam Faith, directed by Mark Clements 2003 Office Suite by Alan Bennett, starring Lesley Joseph and Edward Hardwicke, directed by Lawrence Till 2003 Shakespeare’s R & J adapted and directed by Joe Calarco. TRANSFERRED TO THE ARTS THEATRE. 2003 Where There’s A Will by Georges Feydeau starring Elaine Paige, Nicholas le Prevost and David * Warner, directed by Peter Hall 2003 Present Laughter by Noël Coward, starring Rik Mayall, directed by Dominic Dromgoole 2003 The Lieutenant of Inishmore by Martin McDonagh, directed by Wilson Milam 2003 Mrs Warren’s Profession by Bernard Shaw, starring Twiggy Lawson, directed by Peter Hall 2003 Betrayal by Harold Pinter, starring Janie Dee, Aden Gillett and Hugo Speer, directed by Peter Hall. TRANSFERRED TO THE DUCHESS THEATRE. WEST END PREMIERE. 2003 Design for Living by Noel Coward, starring Janie Dee, Aden Gillett and Hugo Speer, directed by Peter Hall 2003 The Fight for Barbara by DH Lawrence, starring Rebecca Hall and Jason Hughes, directed by Thea Sharrock 2003 As You Like It by William Shakespeare, starring Rebecca Callard, Rebecca Hall, Michael Siberry, Eric Sykes and Philip Voss, directed by Peter Hall. SUBSEQUENT U.S. TOUR. 2003 Cuckoos by Giuseppe Manfridi, starring Jessica Turner and David Yelland, directed by Peter Hall 2003 Happy Days by Samuel Beckett, starring Felicity Kendal, directed by Peter Hall. TRANSFERRED TO THE ARTS THEATRE 2003 The Deep Blue Sea by Terence Rattigan, starring Harriet Walter, Roger Lloyd Pack, Neil Stacy and Una Stubbs, directed by Thea Sharrock 2003 Time and the Conways by J B Priestley, starring Penelope Keith, directed by Richard Baron 2004 The Importance of Being Earnest by Oscar Wilde, starring Wendy Craig, Josephine Tewson and Frank Middlemass, directed by Christopher Luscombe 2004 The Gingerbread Lady by Neil Simon, starring Lesley Joseph, directed by Mark Clements 2004 Man and Superman by Bernard Shaw, starring Will Keen, Rebecca Hall, James Laurenson, Anna Carteret and Julian Glover, directed by Peter Hall 2004 Don Juan by Molière, starring Will Keen, Rebecca Hall and James Laurenson, directed by Thea Sharrock 2004 Galileo’s Daughter by Timberlake Wertenbaker, starring Julian Glover, Rebecca Hall, Anna Carteret, directed by Peter Hall WORLD PREMIERE 2004 Blithe Spirit by Noel Coward, starring Penelope Keith, Aden Gillett, Joanna Riding and Amanda Drew, * directed by Thea Sharrock. TRANSFERRED TO THE SAVOY THEATRE. 2004 The Lady In
Recommended publications
  • Gregory Clarke Sound Designer
    Gregory Clarke Sound Designer Agents Giles Smart Assistant Ellie Byrne [email protected] +44 (020 3214 0812 Credits In Development Production Company Notes THE HOUSE OF SHADES Almeida By Beth Steel 2020 Dir. Blanche McIntyre ALL OF US National Theatre By Francesca Martinez 2020 Dir. Ian Rickson THE REALISTIC JONESES Theatre Royal Bath By Will Eno 2020 Dir. Simon Evans Theatre Production Company Notes THE BOY FRIEND Menier Chocolate Factory Book, Music and Lyrics by Sandy Wilson 2020 Dir. Matthew White THE WIZARD OF OZ Chichester Festival Adapted by John Kane from the motion 2019 Theatre picture screenplay A DOLL'S HOUSE Lyric Hammersmith By Henrik Ibsen in a new adaptation by 2019 Tanika Gupta Dir. Rachel O’Riordan. United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes THE SECRET DIARY OF Ambassadors Theatre Based on the novel by Sue Townsend ADRIAN MOLE AGED 13 3/4 Dir. Luke Sheppard Book & Lyrics by 2019 Jake Brunger, Music & Lyrics by Pippa Cleary Transfer of Menier Chocolate Factory production THE BRIDGES OF MADISON Menier Chocolate Factory Book by Marsha Norman COUNTY Music & Lyrics by Jason Robert Brown 2019 Based on the novel by Robert James Waller Direction Trevor Nunn THE BEACON Druid By Nancy Harris 2019 Dir. Garry Hynes RICHARD III Druid / Lincoln Center NYC By William Shakespeare 2019 Dir. Garry Hynes ORPHEUS DESCENDING Theatr Clwyd / Menier By Tennessee Williams 2019 Chocolate Factory Dir. Tamara Harvey THE BAY AT NICE Menier Chocolate Factory By David Hare 2019 Dir.
    [Show full text]
  • THE DISTRICT MESSENGER the Newsletter of the Sherlock Holmes Society of London Roger Johnson, Mole End, 41 Sandford Road, Chelmsford CM2 6DE
    THE DISTRICT MESSENGER The Newsletter of the Sherlock Holmes Society of London Roger Johnson, Mole End, 41 Sandford Road, Chelmsford CM2 6DE opinions expressed are the editor’s unless noted otherwise no. 169 29th April 1997 To renew your subscription, send 12 stamped, self-addressed material and for amateur theatre companies who will be able to envelopes or (overseas) send 12 International Reply Coupons or assess the style and complexity of the material available to £5.50 or US$11.00 for 12 issues. Dollar checks should be them.’ 70 plays are covered in all. This first, limited edition of payable to Jean Upton. Dollar prices quoted without 150 copies is issued as a tribute to the late Peter Blythe. It comes qualification refer to US dollars. as two attractive A5 booklets, totalling 112 pages, a bargain at £6.00 including postage. (Buy this book and you can have the Helene Hanff died on the 9th April, aged 80. Before the equally recommended Sherlock Holmes and Sir Arthur Conan unexpected success of 84 Charing Cross Road , her most popular Doyle in Edinburgh for only £2.50.) contribution was to the Ellery Queen television series of the 1950s, but her love affair with a London bookshop epitomised Several authors have written of present-day detectives putting the literate American’s fascination with literary London. the principles of Sherlock Holmes into practice. Raymond Kay Lyon comes pretty near the top with The Sherlock Effect (Alibi Our Society has commissioned a First Day Cover for the ‘Tales Books, 40 High Street, Orwell, Royston, Herts.
    [Show full text]
  • Anna Crilly Writer/ Performer
    Anna Crilly Writer/ Performer Anna is a hugely talented writer / performer. She has just filmed COBRA for Sky. She also recently played the role of Flavia in HORRIBLE HISTORIES: THE MOVIE. Before that, Anna filmed a pliot with Romesh Ranganathan. Other recent credits include THE HARRY HILL SITCOM, the BBC's STILL OPEN ALL HOURS and SUCCESSION for HBO. She featured in WITLESS for the BBC, and stars as Cath in THE REBEL, a comedy series for UKTV Gold, with Anita Dobson and Amit Shah. She also played the role of Jenny in an episode of Jimmy McGovern's MOVING ON Series 6, BLIND which aired on BBC1. Agents Olivia Homan Associate Agent [email protected] Gabriella Capisani Actors [email protected] Kitty Laing Associate Agent [email protected] Isaac Storm +44 (0) 203 214 0915 [email protected] 020 3214 0997 Roles Film Production Character Director Company THE STORY OF KEN (short Laura Ingrid Oliver film) WYRDOES (short film) Lady Macbeth NAT LUURTSEMA Silk Screen Pictures Ltd TWO FAT LADIES (short Tracey Martin De Lange Jipsom film) United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Character Director Company THE INTERVIEW (short film) The Interviewer Michael Jacob BBC 2 Television Production Character Director Company COBRA S2 Lin Various Sky One LADHOOD S2 Jonathan Schey BBc Studios HORRIBLE HISTORIES Flavia Dominic Brigstocke BBC THE HARRY HILL Chamain CPL SITCOM STILL OPEN ALL HOURS Mrs Snaith BBC (Series 5) SUCCESSION
    [Show full text]
  • Frank Grace – Interview Transcript
    THEATRE ARCHIVE PROJECT http://sounds.bl.uk Frank Grace – interview transcript Interviewer: Clare Brewer 8 December 2008 Theatre goer. Anna Lucasta; Windsor Rep; The Gioconda Smile; September Tide; The Second Mrs Tanqueray; Oklahoma; Annie Get your Gun; Shakespeare; The Old Vic; Peter Brook; Olivier; Amateur Theatre; Woolford; Look back In Anger; Encore; Theatre Cruelty; Roots; Tis Pity She’s a Whore; A View From the Bridge; Censorship; Theatre Clubs; The Bald Prima Donna; Oh What a Lovely War; Arthur Miller. This transcript has been edited by the interviewee and thus differs in places from the recording. CB: How did you first become interested in theatre? FG: I suppose through [act]ing at school, but in terms of any serious theatre going I suppose it goes back to the late 1940’s... interestingly enough, when I re-looked at the [programmes] that I have got, the first play that I saw [in] the West End was most unusual for the late 1940’s, it was a play called Anna Lucasta,an American play; what was unusual for the 1940s was that it was an all black cast. CB: Really… FG: And it was about a prostitute and my parents took me [laughs] and I think they must have been slightly worried because I was fourteen at the time and it was one of my first experiences. But that was not typical of the first sort of phase of my theatre-going between that moment in 1949 and about 1951 I suppose and [after where] something dramatic begins to happen, I think.
    [Show full text]
  • Here's a House
    HERE’S A HOUSE A Celebration of Play School Reference Section Paul R. Jackson Kaleidoscope Publishing Here’s A House - A Celebration of Play School Copyright © 2010, 2011 Paul R. Jackson The right of Paul R. Jackson to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. Here’s A House cover: Yellow Play School logo and house designed by Hilary Hayton. Orange Play School house designed by Laurence Henry. The author and publishers would like to thank Hilary Hayton and Laurence Henry for allowing the use of their classic designs on this series of books. First published as a download in Great Britain in 2011 by Kaleidoscope Publishing 93 Old Park Road Dudley West Midlands dy1 3ne All rights reserved. Apart from any use permitted under UK copyright law, this publication may only be reproduced, stored or transmitted, in any form, or by any means, with prior permission in writing of the publishers or, in the case of reprographic production, in accordance with the terms of licenses issued by the Copyright Licensing Agency. ISBN-13 978-1-900203-43-2 “A few bracing statistics...” Barry Took, fifteenth anniversary programme “25 Minutes Peace”, April 1979. Here’s A House - A Celebration of Play School 4 reference section CONTENTS Presenters with the Greatest Number of Appearances ............................................................................................................. 9 Play School Presenters – Series One .............................................................................................................................................11
    [Show full text]
  • David Yelland Photo: Catherine Shakespeare Lane
    Paddock Suite, The Courtyard, 55 Charterhouse Street, London, EC1M 6HA p: + 44 (0) 20 73360351 e: [email protected] Phone: + 44 (0) 20 73360351 Email: [email protected] David Yelland Photo: Catherine Shakespeare Lane Eastern European, Scandinavian, Location: London Appearance: White Height: 5'11" (180cm) Other: Equity Weight: 13st. 6lb. (85kg) Eye Colour: Blue Playing Age: 51 - 65 years Hair Length: Mid Length Stage Stage, Cardinal Von Galen, All Our Children, Jermyn Street Theatre, Stephen Unwin Stage, Antigonus, The Winter's Tale, Globe Theatre, Michael Longhurst Stage, Lord Clifford Allen, Taken At Midnight, Chichester Festival Theatre & Haymarket Theatre, Jonathan Church Stage, Earl of Caversham, An Ideal Husband, Gate Theatre, Ethan McSweeney Stage, Sir George Crofts, Mrs Warren's Profession, Gate Theatre, Dublin, Patrick Mason Stage, Selwyn Lloyd, A Marvellous Year For Plums, Chichester Festival Theatre, Philip Franks Stage, Serebryakov, Uncle Vanya, The Print Room, Lucy Bailey Stage, King Henry, Henry IV Parts 1&2, Theatre Royal Bath & Tour, Sir Peter Hall Stage, Anthony Blunt, Single Spies, The Watermill, Jamie Glover Stage, Crofts, Mrs Warren's Profession, Theatre Royal Bath & West End, Michael Rudman Stage, President of the Court, For King & Country, Matthew Byam shaw, Tristram Powell Stage, Clive, The Circle, Chichester Festival Theatre, Jonathan Church Stage, Ralph Nickleby, Nicholas Nickleby, Chichester Festival Theatre,Gielgud , and Toronto, Philip Franks, Jonathan Church Stage, Wilfred Cedar, For Services Rendered, The Watermill
    [Show full text]
  • Shakespeare on Film, Video & Stage
    William Shakespeare on Film, Video and Stage Titles in bold red font with an asterisk (*) represent the crème de la crème – first choice titles in each category. These are the titles you’ll probably want to explore first. Titles in bold black font are the second- tier – outstanding films that are the next level of artistry and craftsmanship. Once you have experienced the top tier, these are where you should go next. They may not represent the highest achievement in each genre, but they are definitely a cut above the rest. Finally, the titles which are in a regular black font constitute the rest of the films within the genre. I would be the first to admit that some of these may actually be worthy of being “ranked” more highly, but it is a ridiculously subjective matter. Bibliography Shakespeare on Silent Film Robert Hamilton Ball, Theatre Arts Books, 1968. (Reissued by Routledge, 2016.) Shakespeare and the Film Roger Manvell, Praeger, 1971. Shakespeare on Film Jack J. Jorgens, Indiana University Press, 1977. Shakespeare on Television: An Anthology of Essays and Reviews J.C. Bulman, H.R. Coursen, eds., UPNE, 1988. The BBC Shakespeare Plays: Making the Televised Canon Susan Willis, The University of North Carolina Press, 1991. Shakespeare on Screen: An International Filmography and Videography Kenneth S. Rothwell, Neil Schuman Pub., 1991. Still in Movement: Shakespeare on Screen Lorne M. Buchman, Oxford University Press, 1991. Shakespeare Observed: Studies in Performance on Stage and Screen Samuel Crowl, Ohio University Press, 1992. Shakespeare and the Moving Image: The Plays on Film and Television Anthony Davies & Stanley Wells, eds., Cambridge University Press, 1994.
    [Show full text]
  • NSF Programme Book 23/04/2019 12:31 Page 1
    two weeks of world-class music newbury spring festival 11–25 may 2019 £5 2019-NSF book.qxp_NSF programme book 23/04/2019 12:31 Page 1 A Royal Welcome HRH The Duke of Kent KG Last year was very special for the Newbury Spring Festival as we marked the fortieth anniversary of the Festival. But following this anniversary there is some sad news, with the recent passing of our President, Jeanie, Countess of Carnarvon. Her energy, commitment and enthusiasm from the outset and throughout the evolution of the Festival have been fundamental to its success. The Duchess of Kent and I have seen the Festival grow from humble beginnings to an internationally renowned arts festival, having faced and overcome many obstacles along the way. Jeanie, Countess of Carnarvon, can be justly proud of the Festival’s achievements. Her legacy must surely be a Festival that continues to flourish as we embark on the next forty years. www.newburyspringfestival.org.uk 1 2019-NSF book.qxp_NSF programme book 23/04/2019 12:31 Page 2 Jeanie, Countess of Carnarvon MBE Founder and President 1935 - 2019 2 box office 0845 5218 218 2019-NSF book.qxp_NSF programme book 23/04/2019 12:31 Page 3 The Festival’s founder and president, Jeanie Countess of Carnarvon was a great and much loved lady who we will always remember for her inspirational support of Newbury Spring Festival and her gentle and gracious presence at so many events over the years. Her son Lord Carnarvon pays tribute to her with the following words. My darling mother’s lifelong interest in the arts and music started in her childhood in the USA.
    [Show full text]
  • The Cambridge Companion to Harold Pinter Edited by Peter Raby Frontmatter More Information
    Cambridge University Press 0521651239 - The Cambridge Companion to Harold Pinter Edited by Peter Raby Frontmatter More information The Cambridge Companion to Harold Pinter The Cambridge Companion to Harold Pinter provides an introduction to one of the world’s leading and most controversial writers, whose output in many genres and roles continues to grow. Harold Pinter has written for the theatre, radio, television and screen, in addition to being a highly successful director and actor. This volume examines the wide range of Pinter’s work (including his recent play Celebration). The first section of essays places his writing within the critical and theatrical context of his time, and its reception worldwide. The Companion moves on to explore issues of performance, with essays by practi- tioners and writers. The third section addresses wider themes, including Pinter as celebrity, the playwright and his critics, and the political dimensions of his work. The volume offers photographs from key productions, a chronology and bibliography. © Cambridge University Press www.cambridge.org Cambridge University Press 0521651239 - The Cambridge Companion to Harold Pinter Edited by Peter Raby Frontmatter More information CAMBRIDGE COMPANIONS TO LITERATURE The Cambridge Companion to Greek Tragedy The Cambridge Companion to the French edited by P. E. Easterling Novel: from 1800 to the Present The Cambridge Companion to Old English edited by Timothy Unwin Literature The Cambridge Companion to Modernism edited by Malcolm Godden and Michael edited by Michael Levenson Lapidge The Cambridge Companion to Australian The Cambridge Companion to Medieval Literature Romance edited by Elizabeth Webby edited by Roberta L. Kreuger The Cambridge Companion to American The Cambridge Companion to Medieval Women Playwrights English Theatre edited by Brenda Murphy edited by Richard Beadle The Cambridge Companion to Modern British The Cambridge Companion to English Women Playwrights Renaissance Drama edited by Elaine Aston and Janelle Reinelt edited by A.
    [Show full text]
  • Shakespeare, William Shakespeare
    Shakespeare, William Shakespeare. Julius Caesar The Shakespeare Ralph Richardson, Anthony SRS Caedmon 3 VG/ Text Recording Society; Quayle, John Mills, Alan Bates, 230 Discs VG+ Howard Sackler, dir. Michael Gwynn Anthony And The Shakespeare Anthony Quayle, Pamela Brown, SRS Caedmon 3 VG+ Text Cleopatra Recording Society; Paul Daneman, Jack Gwillim 235 Discs Howard Sackler, dir. Great Scenes The Shakespeare Anthony Quayle, Pamela Brown, TC- Caedmon 1 VG/ Text from Recording Society; Paul Daneman, Jack Gwillim 1183 Disc VG+ Anthony And Howard Sackler, dir. Cleopatra Titus The Shakespeare Anthony Quayle, Maxine SRS Caedmon 3 VG+ Text Andronicus Recording Society; Audley, Michael Horden, Colin 227 Discs Howard Sackler, dir. Blakely, Charles Gray Pericles The Shakespeare Paul Scofield, Felix Aylmer, Judi SRS Caedmon 3 VG+ Text Recording Society; Dench, Miriam Karlin, Charles 237 Discs Howard Sackler, dir. Gray Cymbeline The Shakespeare Claire Bloom, Boris Karloff, SRS- Caedmon 3 VG+ Text Recording Society; Pamela Brown, John Fraser, M- Discs Howard Sackler, dir. Alan Dobie 236 The Comedy The Shakespeare Alec McCowen, Anna Massey, SRS Caedmon 2 VG+ Text Of Errors Recording Society; Harry H. Corbett, Finlay Currie 205- Discs Howard Sackler, dir. S Venus And The Shakespeare Claire Bloom, Max Adrian SRS Caedmon 2 VG+ Text Adonis and A Recording Society; 240 Discs Lover's Howard Sackler, dir. Complaint Troylus And The Shakespeare Diane Cilento, Jeremy Brett, SRS Caedmon 3 VG+ Text Cressida Recording Society; Cyril Cusack, Max Adrian 234 Discs Howard Sackler, dir. King Richard The Shakespeare John Gielgud, Keith Michell and SRS Caedmon 3 VG+ Text II Recording Society; Leo McKern 216 Discs Peter Wood, dir.
    [Show full text]
  • SHIRCORE Jenny
    McKinney Macartney Management Ltd JENNY SHIRCORE - Make-Up and Hair Designer 2003 Women in Film Award for Best Technical Achievement Member of The Academy of Motion Picture Arts & Sciences THE DIG Director: Simon Stone. Producers: Murray Ferguson, Gabrielle Tana and Ellie Wood. Starring: Lily James, Ralph Fiennes and Carey Mulligan. BBC Films. BAFTA Nomination 2021 - Best Make-Up & Hair KINGSMAN: THE GREAT GAME Director: Matthew Vaughn. Producer: Matthew Vaughn. Starring: Ralph Fiennes and Tom Holland. Marv Films / Twentieth Century Fox. THE AERONAUTS Director: Tom Harper. Producers: Tom Harper, David Hoberman and Todd Lieberman. Starring: Felicity Jones and Eddie Redmayne. Amazon Studios. MARY QUEEN OF SCOTS Director: Josie Rourke. Producers: Tim Bevan, Eric Fellner and Debra Hayward. Starring: Margot Robbie, Saoirse Ronan and Joe Alwyn. Focus Features / Working Title Films. Academy Award Nomination 2019 - Best Make-Up & Hairstyling BAFTA Nomination 2019 - Best Make-Up & Hair THE NUTCRACKER & THE FOUR REALMS Director: Lasse Hallström. Producers: Mark Gordon, Larry J. Franco and Lindy Goldstein. Starring: Keira Knightley, Morgan Freeman, Helen Mirren and Misty Copeland. The Walt Disney Studios / The Mark Gordon Company. WILL Director: Shekhar Kapur. Exec. Producers: Alison Owen and Debra Hayward. Starring: Laurie Davidson, Colm Meaney and Mattias Inwood. TNT / Ninth Floor UK Productions. Gable House, 18 – 24 Turnham Green Terrace, London W4 1QP Tel: 020 8995 4747 E-mail: [email protected] www.mckinneymacartney.com VAT Reg. No: 685 1851 06 JENNY SHIRCORE Contd … 2 BEAUTY & THE BEAST Director: Bill Condon. Producers: Don Hahn, David Hoberman and Todd Lieberman. Starring: Emma Watson, Dan Stevens, Emma Thompson and Ian McKellen. Disney / Mandeville Films.
    [Show full text]
  • Home Chat 29/07/2010 12:13 Page 1
    Aug2010_Home Chat 29/07/2010 12:13 Page 1 THE NEWSLETTER OF THE NOËL COWARD SOCIETY President: HRH The Duke of Kent Vice Presidents: Barry Day OBE • Stephen Fry • Tammy Grimes • Penelope Keith CBE AUGUST 2010 t was with surprise and sadness that the NCS committee Barbara Longford greeted Barbara Longford’s announcement that she wished Ito stand down as its chairman. For all of us Barbara’s name has become synonymous with Brief Encounter the Society and with the enormous programme of activity and events that has marked her hugely successful period as Design For Living Chairman. She has decided to move on to pursue her desire to support the work of the Soldiers, Sailors, Airmen and Coward Celebrations Families Association (SSAFA). We wish her well with her new role and commitments and celebrate her contribution to the work of the Society in our centre pages recalling the highlights of her time with us. Warmest thanks from all of us for all the fun, the style and the passion of her contribution to our hero - to: ‘The Mistress’ from all of the lovers of ‘The Master.’ BRIEF ENCOUNTER RETURNS TO BROADWAY A NOËL COWARD SOCIETY EVENING he Roundabout Theatre Company in association with David Pugh & Dafydd Rogers and Cineworld presents T Kneehigh Theatre’s production of Noël Coward’s Brief Encounter adapted by Emma Rice. The production opens at Studio 54 in New York for previews on September 10, 2010. Stephen Greenman and Barbara Longford at Sardi’s in December Following opening on September 28th there will be a limited 2005.
    [Show full text]