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Jennifer Ricchiazzi, Csa
JENNIFER RICCHIAZZI, CSA www.jenniferricchiazzi.com Selected Film & Television Credits FUTRA DAYS (Pre-Production/Currently Casting) Producer: Ryan David, Orian Williams, David Zonshine. Director/Writer: Ryan David. SHOOTING HEROIN (Post-Production) Producer: Mark Joseph. Director/Writer: Spencer Folmar. Starring: Alan Powell, Cathy Moriarty, Sherilyn Fenn, Nicholas Turturro THE UNSPOKEN (Pre-Production) Winterland Pictures. Producers: Lionel Hicks, Rebecca Tranter. Director/Writer: Andrew Hunt FIGHTING CHANCE (Pre-Production) Producers: Scott Rosenfelt, Ron Winston. Director: Mikael Salomon FALL OF EDEN (Pre-Production) Producer: Mark G Mathis. Director: Susan Dynner. Attached: Dylan McDermott, Brianna Hildebrand. BLINDED BY ED (Pre-Production) Producer: Kristy Lash. Director/Writer: Chris Fetchko. Attached: Katrina Bowden. REAGAN (Pre-Production) Independent. Producer: Mark Joseph; Executive Producer: Dawn Krantz. Director: John G. Avildsen. Attached: Jon Voight and Dennis Quaid. HAUNTING OF THE MARY CELESTE Vertical Entertainment. Producers: Norman Dreyfuss, Brian Dreyfuss, Justin Ambrosino. Writer: David Ross; Executive Producers: Eric Brodeur, Jerome Oliver. Director: Shana Betz. Starring: Emily Swallow. SOLVE Mobile Series. Vertical Networks; Snapchat. THE STOLEN Independent/Cork Films Ltd. Producer/Writer: Emily Corcoran; Executive Producer: Julia Palau. Director/Co-Writer: Niall Johnson. Starring: Alice Eve, Jack Davenport. THE CLAPPER (Tribeca Film Festival 2017) Independent. Producer: Robin Schorr. Director: Dito Montiel. Starring: -
Complete Credits
Jerome Leroy CREDITS Awards Golden Lotus Awards / Vietnam Best Composer “The Housemaid: Cô Hàu Gái” Film Festival (2017) Hollywood Intl. Independent Best Score “Qi – The Documentary” Documentary Awards (2017) Jerry Goldsmith Awards (2017) Best Music: Short Film “Charlie’s Supersonic Glider” (nomination) Maverick Movie Awards (2016) Best Music: Feature “A Better Place” (nomination) Lyon Intnl. Film Festival (2016) Best Music (nomination) “A Better Place” Feature Films Killers Within Two Joker Films Paul Bushe & Brian O’Neill, dir. The Housemaid: Cô Hàu Gái HK Films Timothy Bui, prod.; Derek Nguyen, dir. A Better Place Digital Jungle Pictures Dennis Ho, prod. & dir. The Throwaways The Combine Jeremy Renner, Don Handfield, Timothy Bui, prod.; Tony Bui, dir. After Ever After AEA Rakesh Kumar, prod. & dir. #iKllr Kaleidoscope Film Distribution Jeffrey Coghlan, prod. & dir. The Mistover Tale Mistover Harry Tappan Heher, prod. & dir. A Very Harold & Kumar 3D Mandate Pictures / Greg Shapiro, prod., Todd Christmas New Line Cinema Strauss-Schulson, dir. (additional composer) Jerome Leroy • [email protected] • (310) 804-7210 • Page 1! The Hunger Games Lionsgate Nina Jacobson, Jon Kilik, prods.; (additional music programming) Gary Ross, dir. The Tale of Despereaux Universal Pictures Gary Ross, prod.; Sam Fell, Rob (music programming) Stevenhagen, dir. 50 to 1 Ten Furlongs Jim Wilson, prod. & dir. (additional composer) Touchback Freedom Films Carissa Buffel, Brian Presley, (additional composer) prods.; Don Handfield, dir. To Have and To Hold Enthuse Entertainment Barbara Divisek, prod.; Ray (additional composer) Bengston, dir. Alone Yet Not Alone Enthuse Entertainment Barbara Divisek, prod.; Ray (additional composer) Bengston, dir. The Liberator Produccionnes Insurgentes Jose Luis Escolar, prod.; Alberto (additional arranger) Arvelo, dir. -
Pocket Product Guide 2006
THENew Digital Platform MIPTV 2012 tm MIPTV POCKET ISSUE & PRODUCT OFFILMGUIDE New One Stop Product Guide Search at the Markets Paperless - Weightless - Green Read the Synopsis - Watch the Trailer BUSINESSC onnect to Seller - Buy Product MIPTVDaily Editions April 1-4, 2012 - Unabridged MIPTV Product Guide + Stills Cher Ami - Magus Entertainment - Booth 12.32 POD 32 (Mountain Road) STEP UP to 21st Century The DIGITAL Platform PUBLISHING Is The FUTURE MIPTV PRODUCT GUIDE 2012 Mountain, Nature, Extreme, Geography, 10 FRANCS Water, Surprising 10 Francs, 28 Rue de l'Equerre, Paris, Delivery Status: Screening France 75019 France, Tel: Year of Production: 2011 Country of +33.1.487.44.377. Fax: +33.1.487.48.265. Origin: Slovakia http://www.10francs.f - email: Only the best of the best are able to abseil [email protected] into depths The Iron Hole, but even that Distributor doesn't guarantee that they will ever man- At MIPTV: Yohann Cornu (Sales age to get back.That's up to nature to Executive), Christelle Quillévéré (Sales) decide. Office: MEDIA Stand N°H4.35, Tel: + GOOD MORNING LENIN ! 33.6.628.04.377. Fax: + 33.1.487.48.265 Documentary (50') BEING KOSHER Language: English, Polish Documentary (52' & 92') Director: Konrad Szolajski Language: German, English Producer: ZK Studio Ltd Director: Ruth Olsman Key Cast: Surprising, Travel, History, Producer: Indi Film Gmbh Human Stories, Daily Life, Humour, Key Cast: Surprising, Judaism, Religion, Politics, Business, Europe, Ethnology Tradition, Culture, Daily life, Education, Delivery Status: Screening Ethnology, Humour, Interviews Year of Production: 2010 Country of Delivery Status: Screening Origin: Poland Year of Production: 2010 Country of Western foreigners come to Poland to expe- Origin: Germany rience life under communism enacted by A tragicomic exploration of Jewish purity former steel mill workers who, in this way, laws ! From kosher food to ritual hygiene, escaped unemployment. -
NSF Programme Book 23/04/2019 12:31 Page 1
two weeks of world-class music newbury spring festival 11–25 may 2019 £5 2019-NSF book.qxp_NSF programme book 23/04/2019 12:31 Page 1 A Royal Welcome HRH The Duke of Kent KG Last year was very special for the Newbury Spring Festival as we marked the fortieth anniversary of the Festival. But following this anniversary there is some sad news, with the recent passing of our President, Jeanie, Countess of Carnarvon. Her energy, commitment and enthusiasm from the outset and throughout the evolution of the Festival have been fundamental to its success. The Duchess of Kent and I have seen the Festival grow from humble beginnings to an internationally renowned arts festival, having faced and overcome many obstacles along the way. Jeanie, Countess of Carnarvon, can be justly proud of the Festival’s achievements. Her legacy must surely be a Festival that continues to flourish as we embark on the next forty years. www.newburyspringfestival.org.uk 1 2019-NSF book.qxp_NSF programme book 23/04/2019 12:31 Page 2 Jeanie, Countess of Carnarvon MBE Founder and President 1935 - 2019 2 box office 0845 5218 218 2019-NSF book.qxp_NSF programme book 23/04/2019 12:31 Page 3 The Festival’s founder and president, Jeanie Countess of Carnarvon was a great and much loved lady who we will always remember for her inspirational support of Newbury Spring Festival and her gentle and gracious presence at so many events over the years. Her son Lord Carnarvon pays tribute to her with the following words. My darling mother’s lifelong interest in the arts and music started in her childhood in the USA. -
The Cambridge Companion to Harold Pinter Edited by Peter Raby Frontmatter More Information
Cambridge University Press 0521651239 - The Cambridge Companion to Harold Pinter Edited by Peter Raby Frontmatter More information The Cambridge Companion to Harold Pinter The Cambridge Companion to Harold Pinter provides an introduction to one of the world’s leading and most controversial writers, whose output in many genres and roles continues to grow. Harold Pinter has written for the theatre, radio, television and screen, in addition to being a highly successful director and actor. This volume examines the wide range of Pinter’s work (including his recent play Celebration). The first section of essays places his writing within the critical and theatrical context of his time, and its reception worldwide. The Companion moves on to explore issues of performance, with essays by practi- tioners and writers. The third section addresses wider themes, including Pinter as celebrity, the playwright and his critics, and the political dimensions of his work. The volume offers photographs from key productions, a chronology and bibliography. © Cambridge University Press www.cambridge.org Cambridge University Press 0521651239 - The Cambridge Companion to Harold Pinter Edited by Peter Raby Frontmatter More information CAMBRIDGE COMPANIONS TO LITERATURE The Cambridge Companion to Greek Tragedy The Cambridge Companion to the French edited by P. E. Easterling Novel: from 1800 to the Present The Cambridge Companion to Old English edited by Timothy Unwin Literature The Cambridge Companion to Modernism edited by Malcolm Godden and Michael edited by Michael Levenson Lapidge The Cambridge Companion to Australian The Cambridge Companion to Medieval Literature Romance edited by Elizabeth Webby edited by Roberta L. Kreuger The Cambridge Companion to American The Cambridge Companion to Medieval Women Playwrights English Theatre edited by Brenda Murphy edited by Richard Beadle The Cambridge Companion to Modern British The Cambridge Companion to English Women Playwrights Renaissance Drama edited by Elaine Aston and Janelle Reinelt edited by A. -
An Investigation of Priming, Self-Consciousness, and Allegiance in the Diegetic Camera Horror Film
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Oxford Brookes University: RADAR An investigation of priming, self-consciousness, and allegiance in the diegetic camera horror film by Peter Turner A thesis submitted in partial fulfilment of the requirements of the award of Doctor of Philosophy by Oxford Brookes University Submitted June 2017 Statement of originality Some of the discussion of The Blair Witch Project throughout this thesis has formed the basis for a book, Devil’s Advocates: The Blair Witch Project (Auteur, 2014). Some of the discussion of priming in chapter four was also used in a conference paper, Behind the Camera: Priming the Spectator of Found Footage Horror, delivered at The Society for Cognitive Studies of the Moving Image in 2015. Sections on personal imagining also formed the basis of a conference paper, Personal Imagining and the Point-of-View Shot in Diegetic Camera Horror Films, delivered at The Society for Cognitive Studies of the Moving Image in 2017. Finally, significant amounts of Chapter 3 and Chapter 5 will be featured in two chapters of an upcoming edited collection on found footage horror films with the working title [Rec] Terror: Essays on Found Footage Horror Films. i Abstract The main research question underpinning this study asks why and how the diegetic camera technique has become so popular to both contemporary horror filmmakers and audiences. In order to answer this question, this thesis adopts a mainly cognitive theoretical framework in order to address the mental schemata and processes that are elicited and triggered by these films. -
Henri Wilkinson
HENRI WILKINSON SELECTED CREDITS ALITA: BATTLE ANGEL (2019) (Orchestrator) US (2019) (Orchestrator) GREEN BOOK (2018) (Orchestrator) THE HANDMAID’S TALE (2017-2019) (Orchestrator) GOD OF WAR (2018) (Orchestrator) BIOGRAPHY Born in Finland to a half-Finnish half-British family, award-winning composer Henri Wilkinson took an interest in playing the piano at a very early age. His father took him to see "Jurassic Park" in 1993 in Newcastle, England. Accompanied by the astonishing visuals and John Williams' blazing music, alongside with a big carton of caramel-coated popcorn, this event as a powerful emotional experience marked a new interest in Wilkinson's life towards films and film music. In high school, Wilkinson took an interest in jazz to the extent that he pursued further education in jazz piano and composition at the Sibelius Academy in Helsinki. After winning an award for a ballad composition and soon after another award for a composition for mixed choir, Wilkinson got an opportunity to compose for several nationally broadcasted television series and commercials and he began actively pursuing a career in composing for film, while continuing to teach and perform. In 2006 Wilkinson received his Master's degree and in 2007 he scored his first theatrical feature film. Wilkinson was accepted to study at the film-scoring program of the USC Thornton School of Music and received several notable grants towards studies in the US. Wilkinson was selected to mentor with multi-Oscar-nominee composer James Newton Howard, and received the opportunity to orchestrate and conduct for an episode of award-winning television series ‘LOST’. -
Bear Mccreary
BEAR MCCREARY COMPOSER AWARDS INTERNATIONAL FILM MUSIC CRITICS ASSOCIATON AWARD 2019 Film Composer of the Year ASCAP COMPOSER’S CHOICE AWARD 2016 TV Composer of the Year PRIMETIME EMMY AWARD NOMINATION OUTLANDER (2015) Outstanding Music Composition for a Series ASCAP COMPOSER’S CHOICE AWARD 2014 TV Composer of the Year PRIMETIME EMMY AWARD NOMINATION BLACK SAILS (2014) Outstanding Original Main Title Theme Music PRIMETIME EMMY AWARD WINNER DA VINCI’S DEMONS (2013) Outstanding Original Main Title Theme Music PRIMETIME EMMY AWARD NOMINATION HUMAN TARGET (2010) Outstanding Original Main Title Theme Music MOTION PICTURES FREAKY Christopher Landon, dir. Blumhouse Productions AVA Tate Taylor, dir. Vertical Entertainment THE BABYSITTER: KILLER QUEEN McG, dir. Netflix FANTASY ISLAND Jeff Wadlow, dir. Sony 3349 Cahuenga Boulevard West, Los Angeles, California 90068 Tel. 818-380-1918 Fax 818-380-2609 McCreary Page 1 of 5 BEAR MCCREARY COMPOSER MOTION PICTURES (cont’d) CRIP CAMP James Lebrecht, Nicole Newnham, dirs. Higher Ground Productions THE SHED (score produced by) Frank Sabatella, dir. A Bigger Boat ELI Ciaran Foy, dir. Netflix CHILD’S PLAY Lars Klevberg, dir. United Artists GODZILLA: KING OF THE MONSTERS Michael Dougherty, dir. Warner Bros. RIM OF THE WORLD McG, dir. Netflix THE PROFESSOR AND THE MADMAN Farhad Safinia, dir. Icon Entertainment International HAPPY DEATH DAY 2U Christopher Landon, dir. Universal Pictures WELCOME HOME George Ratliff, dir. AMBI Group I STILL SEE YOU Scott Speer, dir. Golden Circle Films HELL FEST Gregory Plotkin, dir. CBS Films TAU Federico D’Alessandro, dir. Bloom THE CLOVERFIELD PARADOX Julius Onah, dir. Netflix ANIMAL CRACKERS Tony Bancroft, Scott Christian Sava, dir. -
Filming in Romania Buftea Studios
FILMING IN ROMANIA BUFTEA STUDIOS BUFTEA STUDIOS is Eastern Europe’s largest and longest established film studio, with a tradition in cinema spanning over 60 years. ROMANIA FILMING IN ROMANIA FILMING IN ROMANIA • • • • • • • • • BUFTEA STUDIOS FILMING IN ROMANIA BUFTEA STUDIOS handles all formalities related to shooting permits and location related logistics. We offer assistance in handling traffic flow, including scheduling off-duty police officers while shooting on bridges, roads or highways. FILMING IN ROMANIA FILMING IN ROMANIA FILMING IN ROMANIA FILMING IN ROMANIA FILMING IN ROMANIA Buftea Studios provides the full range of set FILMING IN ROMANIA Buftea Studios is the only studio complex in Central and Eastern Europe to have an in-house special effects department. The team is supervised by Academy Award Winner for special Effects, Nick Allder. FILMING IN ROMANIA FILMING IN ROMANIA With a network of professionals covering all the aspects of production, Buftea Studios provide support and tailor-made solutions for your project, making sure that you get the best of what Romania has to offer. FILMING IN ROMANIA We will assist you with all your needs and requests and create a pleasant environment for you to work and relax. FILMING IN ROMANIA FILMING IN ROMANIA SELECTIVE CREDITS DEUS EX MACHINA (2014) THE WHISTLEBLOWER (2009) Directed by: Andrew GOTH Directed by: Larysa KONDRACKI Cast: Sam NEILL, Tom PAYNE, Melia KREILING Cast: Rachel WEISZ, Vanessa REDGRAVE, Monica BELLUCCI Produced By: Terra Mater Factual Studios Produced by: First Genera�on Films, -
Indira Varma Photo: Wolf Marloh
Paddock Suite, The Courtyard, 55 Charterhouse Street, London, EC1M 6HA p: + 44 (0) 20 73360351 e: [email protected] Phone: + 44 (0) 20 73360351 Email: [email protected] Indira Varma Photo: Wolf Marloh Location: London Eye Colour: Hazel Height: 5'8" (172cm) Hair Colour: Dark Brown Playing Age: 26 - 40 years Hair Length: Mid Length Appearance: Indian, Mediterranean, White Voice Character: Assured Other: Equity, SAG Voice Quality: Velvety Television Television, Piety Breakspear, Carnival Row, Amazon Studios and Legendary Television, Paul McGuigan Television, Anne Eisen, Melrose, Sky Atlantic and Showtime, Edward Berger Television, Jo, Unspeakable, Channel 4, Dave Nath Television, Nina, Paranoid, Mark Tonderai, ITV / Red Productions Television, Lisa Douglas, New Blood, BBC / Eleventh Hour Films, Bill Eagles Television, Ellaria Sands, Game of Thrones Series IV and V, HBO, Various Television, Elaine Markham, What Remains, BBC Drama, Coky Greidroyc Television, George Duggan, Silk, BBC TV, Peter Hoar Television, Nathalie Thorpe, Hunted, Kudos, SJ Clarkson Television, Mattie Wise, World Without End, Scott Free Productions, Michael Caton-Jones Television, Ilsa, Human Target, Fox Network, Various Television, Zoe, Luther, Brian Kirk, BBC TV Television, DCI Lucy Britford, Hustle, Kudos Productions, Iain B McDonald Television, Catherine, Inside The Box, ABC, Mark Tinker Television, Bella, Law And Order Criminal Intent, NBC, Norberto Barbera Television, Amanda, Whistleblowers, Carnival, John McKay Television, Dr Adriana, 3lbs, Paramount, Ken Girotti Television, -
Production Notes
PRODUCTION NOTES Underworld: Blood Wars, the newest installment of the blockbuster franchise, finds Vampire Death Dealer Selene (Kate Beckinsale) fending off brutal attacks from both the Lycan clan and the Vampire faction that has betrayed her. Aided by her only allies, David (Theo James) and his father Thomas (Charles Dance), she must end the eternal war between Lycans and Vampires, even if it means making the ultimate sacrifice. The fifth film in the hugely successful action-horror series picks up the action where Underworld Awakening left off. The Lycans have found a powerful new leader in Marius (Tobias Menzies), who has injected a fanatical sense of purpose and discipline into their previously ragtag ranks. Marius will stop at nothing to track down Selene in order to learn the whereabouts of her daughter Eve, a Vampire-Lycan hybrid. Joined by David, Selene barely manages to elude her Lycan trackers until a truce negotiated by David’s father Thomas allows her to take refuge at the Eastern Coven, ruled by the ambitious Semira (Lara Pulver). In abject fear of the escalating Lycan threat, Selene’s former Vampire adversaries hope her legendary fighting skills will help them eradicate the Lycan scourge once and for all. But when Selene discovers that some of her Eastern protectors have traitorous agendas of their own, she and David are on the run again, forced to seek sanctuary behind the walls of the mysterious Nordic Coven, a peaceful sect of Vampires living in monk-like seclusion in the northernmost regions of the earth. But their newfound sense of security in the snow-covered lands of Var Dohr is fleeting, for wherever Selene goes, the centuries-old war between Vampires and Lycans always follows. -
Download the Product Guide
PRODUCTPRODUCT GUIDEGUIDE CANNES 2007 111 PICTURES x 2.5’ Budget: $ 1.3M LA CENA PER FARLI CONOSCERE Language: English Year of Production: 2005, Country of (A DINNER FOR THEM TO MEET) 111 Pictures, 1st Floor 111, Wardour Producer: Marilyn Higgins Origin: Turkey Sentimental Comedy (99’) Street, London, W1F OUH United Cast: A range of celebrities including 90 years ago the Gallipoli legend was Language: Italian With English Subtitles Kingdom. Tel: 44.207.758.0690. Fax: Johnny Depp, Jodie Foster, Tom Hanks, written in blood on the shores of Turkey. Director: Pupi Avati 44.207.734.2819. Will Smith and Jennifer Aniston. Not all the blood was Australian. Tolga Production: DUEA FILM in http://www.111pictures.com Delivery Status: Completed Ornek attempts to explain Gallipoli from collaboration with MEDUSA FILM and At Cannes: Alki David (President), Tony Year of Production: 2007, Country of all sides. SKY Lytle (Director of Sales), Eroulla Origin: USA THE HITTITES (THE EMPIRE THAT Cast: Diego Abatantuomo, Francesca Constatine (Vice President of Sales) Featuring Hollywood’s most talked about CHANGED THE ANCIENT WORLD) Neri, Inés sastre Office: 45 la Croisette, Tel: 0493.68.7193 film, music and television stars, Documentary (120 min) Status: Screening FISHTALES including Nicole Kidman, Orlando Language: English Country of Origin: Italy Family Comedy (95 min) Bloom, Halle Berry, Daniel Craig and Director: Tolga Ornek A man, four women and a dinner, to Language: English Scarlet Johansson; Superstars is the Writer: Tolga Ornek discover love, and rediscover