DOCSLIB.ORG

National Theatre

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
National Theatre National Theatre Annual ReportAnnual 2013–2014 Annual Report 2013–2014 Annual Report For the 52 weeks ended 30 March 2014 2 Board and Advisers 4 Purpose, Vision and Objectives 6 John Makinson, Chairman 8 Nicholas Hytner, Director 12 Nick Starr, Executive Director 15 The National Theatre on tour 16 Plays and Artists 21 National Theatre Productions 25 Awards 26 National Theatre 50th Anniversary celebrations 30 Audiences 33 National Theatre Live, Digital Innovation and Broadcast 37 Learning 40 Public Engagement 42 National Theatre Future 44 NT Studio 46 Leadership 48 Finance and Sustainability 55 Fundraising 56 Supporters 64 Performers 68 NT Associates, Committee Membership and Heads of Departments 69 Photo captions In this document, The Royal National Theatre is referred to as If you would like to receive it in large print, “the NT”, “the National”, and “the National Theatre”. or you are visually impaired and would The full Financial Review and Financial Statements (and this like a member of staff to talk through the Annual Report) are available to download at www.nationaltheatre. org.uk/annualreport The Trustees’ Report comprises those items publication with you, please contact the on pages 2 – 5 and12 – 69 of the Annual Report and pages Board Secretary at the National Theatre. 1 – 20 of the Financial Statements. National Theatre Annual Report 2013–2014 1 Board and Advisers Board Members Executive Chairman John Makinson Director* Peter Bennett-Jones Nicholas Hytner Dame Ursula Brennan DCB Executive Director Dominic Casserley Nick Starr CBE Susan Chinn CBE Chief Operating Officer Lisa Burger Tim Clark Chief Executive Designate Howard Davies Tessa Ross Lloyd Dorfman CBE Director Designate Glenn Earle Rufus Norris Aminatta Forna Farah Ramzan Golant CBE Ros Haigh Associate Directors Neil MacGregor Sebastian Born Kate Mosse OBE Howard Davies James Purnell Marianne Elliott Clive Sherling Rufus Norris Ben Power Bijan Sheibani ‘A swirling, postmodern Bankers maelstrom of Coutts & Co 440 Strand, London a production, WC2R 0QS where modern dress and Auditors medieval PricewaterhouseCoopers LLP garb collide.’ 7 More London Riverside Andrzej Lukowski, Time Out London SE1 2RT *The term “Director” is a traditional title used at the National. Neither the Director, the Associate Directors, nor other members of the Executive are directors under the Companies Act, 2006 2 National Theatre Annual Report 2013–2014 National Theatre Annual Report 2013–2014 3 Our Purpose extensive learning and public Our Objectives — Broadcast. The NT broadcasts The National Theatre is dedicated engagement programmes, touring — The Artistic Programme and a selection of its repertoire to to the constant revitalisation of the and broadcasting in the UK and Artistic Development. The NT cinemas in the UK and great traditions of the British stage internationally, and creating presents a balanced artistic internationally. innovative digital content. and to expanding the horizons of programme, staging around 20 — Leadership. As a national theatre, audiences and artists alike. In its Our Vision productions a year from the the NT takes responsibility for three theatres on the South Bank whole of world drama, with a fostering the health of the wider The National Theatre strives to in London, it presents an eclectic specific responsibility for the British theatre. be a national centre of theatrical mix of new plays and classics from creation of new work and arts, central to the creative life — Sustainability. The NT operates in the world repertoire with seven or representing the widest range of the country and unmatched a financially and environmentally eight productions in repertory at of voices. in the world for scale, range of responsible manner, whilst any one time. The National Theatre repertoire and audience reach. It — Audiences. The NT is tireless in striving to increase self-generated aspires to reflect in its repertoire aspires to produce to the highest trying to reach more people, income. the diversity of the nation’s culture. standards by attracting the best broaden our audiences and give — Innovation. The NT actively With a commitment to openness, artists and staff and by providing them an unparalleled experience. considers the way in which it wide-reaching engagement and an environment which stimulates — Learning & Engagement. The operates, and strives to access for everyone, the National them to realise the fullest extent NT aims to be an inspirational, innovate in all areas of its activity. shares its resources, energy and of their talents. Education and internationally recognised creativity with audiences and public engagement are founding resource for lifelong learning theatre-makers around the globe; principles for the NT and are about and through theatre. using its Studio for research and central to our vision of the future. development of new work, offering 4 National Theatre Annual Report 2013–2014 National Theatre Annual Report 2013–2014 5 John Makinson ‘As irresistible Jesus music Chairman seems to be flying sky high, carrying us with it, a jazz riff in the background calls out for not following the flock but going your own way.’ The National Theatre’s Board The achievements of the year are documented October of this year and Nicholas Hytner in detail later in this report. In a nutshell, we will follow next March at the end of his final Susannah Clapp, The Observer had three challenging priorities presented more theatre to more people in more season. Anyone who cares about theatre, in during the 12 months covered places and formats than ever before. But it was a the UK and indeed elsewhere, owes the two of by this review. The first was birthday year to remember in so many other ways. them an enormous debt of gratitude. We wish One million people watched BBC Television’s them every success in their future enterprises. to ensure that the NT’s 50th transmission of Live from the National Planning the succession to the two of them was Theatre: 50 years on stage, an extraordinary birthday was celebrated with a of course the most challenging of the Board’s celebration of the NT’s first half-century creative and commercial flourish; three assignments. We were delighted, however, orchestrated and directed by Nicholas Hytner. the second was to guide NT that we were able to persuade Rufus Norris, a Throughout the year visitors to the NT will director whose ground-breaking work at the Future, our £80m redevelopment have seen (and occasionally heard) the physical NT and elsewhere needs little introduction programme, towards a successful evidence of our ambitious NT Future project. to regular theatre-goers, to become the next conclusion; and the third We have kept the Olivier and Lyttelton theatres Director of the National Theatre. Soon after, running at full throttle – and close to full we announced with some fanfare that Rufus was to provide a smooth and capacity – over this period of construction, while would be joined at the helm of the NT by Tessa compelling transition from the The Shed has offered new and often younger Ross, the current head of Film4, and one of the most successful executive team audiences a breathtaking mix of contemporary most respected and admired film and television theatre during the period of the Cottesloe’s executives in the world. In recognition of the in the theatre’s history to a new closure. By the time this annual report is scale and reach that the NT has grown to leadership possessing the skills published, the temporary construction walls over the last decade, the Board has decided to will be coming down and visitors will have embrace a joint leadership model. Tessa joins and experience to build on the the opportunity to experience a dramatically the NT in November, formally becoming Chief achievements of the past decade, enlarged and enhanced National Theatre. New Executive when she and Rufus pick up the as well as the confidence and restaurants and bars are preparing to receive reins next April. Both are already fully engaged customers, the Clore Learning Centre and Max in planning the future of the NT, working in vision to steer the NT in fresh Rayne Centre are approaching completion, and close partnership with the extraordinary Lisa and exciting new directions. the Cottesloe theatre will reopen as the Dorfman Burger, who has been promoted to the role of in September. There is more work to be done over Executive Director. These are early days but the the next 12 months but the project is on track for Board’s view is that the future leadership of the a successful completion, and all but £3m of the National Theatre could not be in stronger hands. £80m fund-raising target has been committed. I am also delighted to report that Kate Mosse, It is appropriate that I wind up this statement who has served as an NT Board member for three by paying tribute to Nicholas Hytner and Nick and a half years, has agreed to accept the role of Starr, respectively the Director and Executive Deputy Chair of the National Theatre. The NT Director of the National Theatre, because none has grown enormously in scale and complexity of the achievements that I have listed earlier over recent years and Kate’s appointment will in this narrative would have been possible help to ensure that, as a Board, we are keeping without their creativity, drive, intelligence and pace with that growth and development. determination. They have led the NT for over I know that I also speak for the executive teams a decade and in that time the NT’s creative of the NT present and future in paying tribute reputation, commercial income, international to all the exceptional people who work and reach, and commercial production capacity, perform at the National Theatre, and who help to on screens as well as on stages, have grown in make it the unique place that it undoubtedly is.
Load more

Recommended publications
  • ALEXANDER HAWKINS TRIO 'Sounds Like All the Future Jazz You
    ALEXANDER HAWKINS TRIO 'Sounds like all the future jazz you might imagine without ever being able to conceive of the details' (The Guardian) Alexander Hawkins is a pianist, organist, composer and bandleader who is ‘unlike anything else in modern creative music’ (Ni Kantu) and whose recent work has reached a ‘dazzling new apex’ (Downbeat). Self-taught, he works in a vast array of creative contexts. His own highly distinctive soundworld is forged through the search to reconcile both his love of free improvisation and profound fascination with composition and structure. In 2012, he featured on the official ballot for the 75th Annual Downbeat Reader’s Poll in the organ category (as he had in 2010). The journal El Intruso voted him #1 in the keyboard category, and #5 in the piano category, in its 2010 poll; he also placed #4 in the keyboard category in 2011, and at #2 in 2012. His albums have for several years regularly featured in critics’ ‘end of year’ lists. Alongside his work as a bandleader, he regularly appears live and on record with many iconic figures of the music, including Louis Moholo-Moholo, Mulatu Astatke, and Joe McPhee. Other credits include Evan Parker, Wadada Leo Smith, Sonny Simmons, and Marshall Allen. He is also a collaborator in the Convergence Quartet with two important peers from the North American creative music scene – Taylor Ho Bynum and Harris Eisenstadt. He is increasingly also known for his writing, and in 2012 was chosen as a member of the first edition of the London Symphony Orchestra’s ‘Soundhub’ scheme for young composers.
    [Show full text]
  • Joel Devlin Director of Photography
    Joel Devlin Director of Photography Credits include: WILLOW Director: Debs Paterson High Fantasy Action Adventure Drama Series Showrunner: Wendy Mericle Writer/Executive Producer: Jon Kasdan Executive Producers: Ron Howard, Kathleen Kennedy Roopesh Parekh, Michelle Rejwan Producer: Tommy Harper Featuring: Ellie Bamber, Erin Kellyman, Warwick Davis Production Co: Imagine Entertainment / Lucasfilm / Disney+ ALEX RIDER Director: Rebecca Gatward Action Adventure Spy Series Producer: Richard Burrell Featuring: Otto Farrant, Vicky McClure, Stephen Dillane Production Co: Eleventh Hour Films / Amazon ITV Studios / Sony Pictures Television THE BEAST MUST DIE Director: Dome Karukoski Crime Drama Producer: Sarada McDermott Featuring: Jared Harris, Cush Jumbo, Billy Howle Production Co: New Regency Television International / BritBox THE SPANISH PRINCESS Director: Rebecca Gatward Tudor Period Drama Series Showrunner: Matthew Graham Featuring: Charlotte Hope, Ruari O’Connor, Olly Rix Production Co: New Pictures / Starz! HIS DARK MATERIALS: THE SUBTLE KNIFE Director: Leanne Welham Epic Fantasy Adventure Drama Series Series Producer: Roopesh Parekh Adaptation of Philip Pullman’s award-winning novel. Featuring: Dafne Keen, Ruth Wilson, Lin-Manuel Miranda ‘Will’s World’ for HIS DARK MATERIALS: NORTHERN LIGHTS Director Will McGregor Producer: Laurie Borg Production Co: Bad Wolf / HBO / BBC One THE TRIAL OF CHRISTINE KEELER Directors: Andrea Harkin, Leanne Welham Dramatisation of the infamous Profumo Affair Producer: Rebecca Ferguson that rocked the British
    [Show full text]
  • Current Film Slate
    CURRENT PROJECTS Updated 06 August 2021 For more information on any of the projects listed below, please contact the Premier film team as follows: • Email: [email protected] • Visit our website: https://www.premiercomms.com/specialisms/film/public-relations UK DISTRIBUTION NIGHT OF THE KINGS UK release date: 23 July 2021 (in cinemas) Directed by: Philippe Lacôte Starring: Koné Bakary, Barbe Noire, Steve Tientcheu, Rasmané Ouédraogo, Issaka Sawadogo, Digbeu Jean Cyrille Lass, Abdoul Karim Konaté, Anzian Marcel Laetitia Ky, Denis Lavant Running time: 93 mins Certificate: 12A UK release: 23 July 2021 Premier contacts: Annabel Hutton, Simon Bell, Josh Glenn When a young man (first-timer Koné Bakary) is sent to an infamous prison, located in the middle of the Ivorian forest and ruled by its inmates, he is chosen by the boss 'Blackbeard' (Steve Tientcheu, BAFTA and Academy-Award nominated LES MISÉRABLES) to take part in a storytelling ritual just as a violent battle for control bubbles to the surface. After discovering the grim fate that awaits him at the end of the night, Roman begins to narrate the mystical life of a legendary outlaw to make his story last until dawn and give himself any chance of survival. JOLT UK release date: 23 July 2021 (Amazon Prime Video) Directed by: Tanya Wexler Starring: Kate Beckinsale, Bobby Cannavale, Jai Courtney, Laverne Cox, David Bradley, Ori Pfeffer, Susan Sarandon, Stanley Tucci Running time: 91 mins Certificate: TBC UK release: Amazon Studios Premier contacts: Matty O’Riordan, Monique Reid, Brodie Walker, Priyanka Gundecha Lindy is a beautiful, sardonically-funny woman with a painful secret: Due to a lifelong, rare neurological disorder, she experiences sporadic rage-filled, murderous impulses that can only be stopped when she shocks herself with a special electrode device.
    [Show full text]
  • THE 42Nd COMPARATIVE DRAMA CONFERENCE the Comparative Drama Conference Is an International, Interdisciplinary Event Devoted to All Aspects of Theatre Scholarship
    THE 42nd COMPARATIVE DRAMA CONFERENCE The Comparative Drama Conference is an international, interdisciplinary event devoted to all aspects of theatre scholarship. It welcomes papers presenting original investigation on, or critical analysis of, research and developments in the fields of drama, theatre, and performance. Papers may be comparative across disciplines, periods, or nationalities, may deal with any issue in dramatic theory and criticism, or any method of historiography, translation, or production. Every year over 170 scholars from both the Humanities and the Arts are invited to present and discuss their work. Conference participants have come from over 35 countries and all fifty states. A keynote speaker whose recent work is relevant to the conference is also invited to address the participants in a plenary session. The Comparative Drama Conference was founded by Dr. Karelisa Hartigan at the University of Florida in 1977. From 2000 to 2004 the conference was held at The Ohio State University. In 2005 the conference was held at California State University, Northridge. From 2006 to 2011 the conference was held at Loyola Marymount University. Stevenson University was the conference’s host from 2012 through 2016. Rollins College has hosted the conference since 2017. The Conference Board Jose Badenes (Loyola Marymount University), William C. Boles (Rollins College), Miriam M. Chirico (Eastern Connecticut State University), Stratos E. Constantinidis (The Ohio State University), Ellen Dolgin (Dominican College of Blauvelt), Verna Foster (Loyola University, Chicago), Yoshiko Fukushima (University of Hawai'i at Hilo), Kiki Gounaridou (Smith College), Jan Lüder Hagens (Yale University), Karelisa Hartigan (University of Florida), Graley Herren (Xavier University), William Hutchings (University of Alabama at Birmingham), Baron Kelly (University of Louisville), Jeffrey Loomis (Northwest Missouri State University), Andrew Ian MacDonald (Dickinson College), Jay Malarcher (West Virginia University), Amy Muse (University of St.
    [Show full text]
  • Pieces of a Woman
    PIECES OF A WOMAN Directed by Kornél Mundruczó Starring Vanessa Kirby, Shia LaBeouf, Molly Parker, Sarah Snook, Iliza Shlesinger, Benny Safdie, Jimmie Falls, Ellen Burstyn **WORLD PREMIERE – In Competition – Venice Film Festival 2020** **OFFICIAL SELECTION – Gala Presentations – Toronto International Film Festival 2020** Press Contacts: US: Julie Chappell | [email protected] International: Claudia Tomassini | [email protected] Sales Contact: Linda Jin | [email protected] 1 SHORT SYNOPSIS When an unfathomable tragedy befalls a young mother (Vanessa Kirby), she begins a year-long odyssey of mourning that touches her husband (Shia LaBeouf), her mother (Ellen Burstyn), and her midwife (Molly Parker). Director Kornél Mundruczó (White God, winner of the Prix Un Certain Regard Award, 2014) and partner/screenwriter Kata Wéber craft a deeply personal meditation and ultimately transcendent story of a woman learning to live alongside her loss. SYNOPSIS Martha and Sean Carson (Vanessa Kirby, Shia LaBeouf) are a Boston couple on the verge of parenthood whose lives change irrevocably during a home birth at the hands of a flustered midwife (Molly Parker), who faces charges of criminal negligence. Thus begins a year-long odyssey for Martha, who must navigate her grief while working through fractious relationships with her husband and her domineering mother (Ellen Burstyn), along with the publicly vilified midwife whom she must face in court. From director Kornél Mundruczó (White God, winner of the Prix Un Certain Regard Award, 2014), with artistic support from executive producer Martin Scorsese, and written by Kata Wéber, Mundruczó’s partner, comes a deeply personal, searing domestic aria in exquisite shades of grey and an ultimately transcendent story of a woman learning to live alongside her loss.
    [Show full text]
  • Monday 7 January 2019 FULL CASTING ANNOUNCED for THE
    Monday 7 January 2019 FULL CASTING ANNOUNCED FOR THE WEST END TRANSFER OF HOME, I’M DARLING As rehearsals begin, casting is announced for the West End transfer of the National Theatre and Theatr Clwyd’s critically acclaimed co-production of Home, I’m Darling, a new play by Laura Wade, directed by Theatre Clwyd Artistic Director Tamara Harvey, featuring Katherine Parkinson, which begins performances at the Duke of York’s Theatre on 26 January. Katherine Parkinson (The IT Crowd, Humans) reprises her acclaimed role as Judy, in Laura Wade’s fizzing comedy about one woman’s quest to be the perfect 1950’s housewife. She is joined by Sara Gregory as Alex and Richard Harrington as Johnny (for the West End run, with tour casting for the role of Johnny to be announced), reprising the roles they played at Theatr Clwyd and the National Theatre in 2018. Charlie Allen, Susan Brown (Sylvia), Ellie Burrow, Siubhan Harrison (Fran), Jane MacFarlane and Hywel Morgan (Marcus) complete the cast. Home, I’m Darling will play at the Duke of York’s Theatre until 13 April 2019, with a press night on Tuesday 5 February. The production will then tour to the Theatre Royal Bath, and The Lowry, Salford, before returning to Theatr Clwyd following a sold out run in July 2018. Home, I’m Darling is co-produced in the West End and on tour with Fiery Angel. How happily married are the happily married? Every couple needs a little fantasy to keep their marriage sparkling. But behind the gingham curtains, things start to unravel, and being a domestic goddess is not as easy as it seems.
    [Show full text]
  • Now We Are 126! Highlights of Our 3 125Th Anniversary
    Issue 5 School logo Sept 2006 Inside this issue: Recent Visits 2 Now We Are 126! Highlights of our 3 125th Anniversary Alumni profiles 4 School News 6 Recent News of 8 Former Students Messages from 9 Alumni Noticeboard 10 Fundraising 11 A lot can happen in 12 just one year In Memoriam 14 Forthcoming 16 Performances Kim Begley, Deborah Hawksley, Robert Hayward, Gweneth-Ann Jeffers, Ian Kennedy, Celeste Lazarenko, Louise Mott, Anne-Marie Owens, Rudolf Piernay, Sarah Redgwick, Tim Robinson, Victoria Simmons, Mark Stone, David Stout, Adrian Thompson and Julie Unwin (in alphabetical order) performing Serenade to Music by Ralph Vaughan Williams at the Guildhall on Founders’ Day, 27 September 2005 Since its founding in 1880, the Guildhall School has stood as a vibrant showcase for the City of London's commitment to education and the arts. To celebrate the School's 125th anniversary, an ambitious programme spanning 18 months of activity began in January 2005. British premières, international tours, special exhibits, key conferences, unique events and new publications have all played a part in the celebrations. The anniversary year has also seen a range of new and exciting partnerships, lectures and masterclasses, and several gala events have been hosted, featuring some of the Guildhall School's illustrious alumni. For details of the other highlights of the year, turn to page 3 Priority booking for members of the Guildhall Circle Members of the Guildhall Circle are able to book tickets, by post, prior to their going on sale to the public. Below are the priority booking dates for the Autumn productions (see back cover for further show information).
    [Show full text]
  • The World to Come
    THE WORLD TO COME Directed by Mona Fastvold *World Premiere - 2020 Venice International Film Festival - Competition* PRESS CONTACTS US Press: Emilie Spiegel, [email protected] Intl Press: Claudia Tomassini, [email protected] SYNOPSIS In this frontier romance framed by the four seasons and set against the backdrop of rugged terrain, Abigail (Katherine Waterston), a farmer’s wife, and her new neighbor Tallie (Vanessa Kirby) find themselves powerfully, irrevocably drawn to each other. As grieving Abigail tends to the needs of her taciturn husband Dyer (Casey Affleck) and Tallie bristles at the jealous control of her husband Finney (Christopher Abbot), both women are illuminated and liberated by their intense bond, filling a void in their lives they never knew existed. Director Mona Fastvold (The Sleepwalker, co-writer of CHILDHOOD OF A LEADER and VOX LUX) examines the interior lives of two women resisting constraints, giving voice to their experiences. Scripted by Jim Shepard and Ron Hansen (The Assassination of Jesse James by the Coward Robert Ford), THE WORLD TO COME explores how isolation is overcome by the power of imagination and human connection. Q&A with Director Mona Fastvold First of all, tell me how the material came your way. It’s an interesting pairing of a novelist adapting a short story — was this a script that came to you fully formed? The script came to me from one of our producers, Whitaker Lader, who had seen my previous film. She and Casey had been developing the script with the screenwriters, Ron Hansen and Jim Shepard, for some time. I was immediately struck by it.
    [Show full text]
  • Roger Johnson, Mole End, 41 Sandford Road, Chelmsford CM2 6DE E-Mail: Roger [email protected]
    THE NEWSLETTER OF THE SHERLOCK HOLMES SOCIETY OF LONDON Roger Johnson, Mole End, 41 Sandford Road, Chelmsford CM2 6DE e-mail: [email protected] no. 207 14th January 2001 To renew your subscription, send 12 stamped, self-addressed $11.00, check only; elsewhere $12.00, by check, Visa or envelopes or (overseas) send 12 International Reply Coupons or MasterCard ( The Baker Street Journal , PO Box 465, Hanover, PA £6.00 or US$13.00 for 12 issues. Dollar checks should be payable 17331, USA). If you’d rather pay in sterling, Francine Swift has a to Jean Upton. Dollar prices quoted without qualification refer to few copies at £8.00 each plus postage (4622 Morgan Drive, Chevy US dollars. Chase, MD 20815-5315, USA — cheques payable to Francine). Please note that I give such addresses and prices as I have. If I The latest book in the BSI History Series is Jon Lellenberg’s don’t provide details of importers or agents, it’s because I don’t Disjecta Membra , ‘a catch-up collection of items, reproduced in have those details. facsimile, which came too late to be included in the 1930s and 40s volumes’. Jon has copies at $13.00 within the USA or $13.50 A happy new year to all — and indeed a happy new millennium! outside (3133 Connecticut Avenue NW, # 827, Washington, DC Within the last few days we’ve lost two outstanding figures in the 20008, USA). I’ll be reviewing the book in the next DM. world of Sherlock Holmes. On Thursday 10 January Michael Musgrave Monograph Number Ten is a very engaging survey by Williams died after a long battle with cancer.
    [Show full text]
  • The Curious Incident of the Dog in the Night-Time Embarks on a Third Uk and Ireland Tour This Autumn
    3 March 2020 THE NATIONAL THEATRE’S INTERNATIONALLY-ACCLAIMED PRODUCTION OF THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME EMBARKS ON A THIRD UK AND IRELAND TOUR THIS AUTUMN • TOUR INCLUDES A LIMITED SEVEN WEEK RUN AT THE TROUBADOUR WEMBLEY PARK THEATRE FROM WEDNESDAY 18 NOVEMBER 2020 Back by popular demand, the Olivier and Tony Award®-winning production of The Curious Incident of the Dog in the Night-Time will tour the UK and Ireland this Autumn. Launching at The Lowry, Salford, Curious Incident will then go on to visit to Sunderland, Bristol, Birmingham, Plymouth, Southampton, Liverpool, Edinburgh, Dublin, Belfast, Nottingham and Oxford, with further venues to be announced. Curious Incident will also play for a limited run in London at Troubadour Wembley Park Theatre in Brent - London Borough of Culture 2020 - following the acclaimed run of War Horse in 2019. Curious Incident has been seen by more than five million people worldwide, including two UK tours, two West End runs, a Broadway transfer, tours to the Netherlands, Canada, Hong Kong, Singapore, China, Australia and 30 cities across the USA. Curious Incident is the winner of seven Olivier Awards including Best New Play, Best Director, Best Design, Best Lighting Design and Best Sound Design. Following its New York premiere in September 2014, it became the longest-running play on Broadway in over a decade, winning five Tony Awards® including Best Play, six Drama Desk Awards including Outstanding Play, five Outer Critics Circle Awards including Outstanding New Broadway Play and the Drama League Award for Outstanding Production of a Broadway or Off Broadway Play.
    [Show full text]
  • English 252: Theatre in England 2006-2007 * [Optional Events
    English 252: Theatre in England 2006-2007 * [Optional events — seen by some] Wednesday December 27 *2:30 p.m. Guys and Dolls (1950). Dir. Michael Grandage. Music & lyrics by Frank Loesser, Book by Jo Swerling and Abe Burrows. Based on a story and characters of Damon Runyon. Designer: Christopher Oram. Choreographer: Rob Ashford. Cast: Alex Ferns (Nathan Detroit), Samantha Janus (Miss Adelaide), Amy Nuttal (Sarah Brown), Norman Bowman (Sky Masterson), Steve Elias (Nicely Nicely Johnson), Nick Cavaliere (Big Julie), John Conroy (Arvide Abernathy), Gaye Brown (General Cartwright), Jo Servi (Lt. Brannigan), Sebastien Torkia (Benny Southstreet), Andrew Playfoot (Rusty Charlie/ Joey Biltmore), Denise Pitter (Agatha), Richard Costello (Calvin/The Greek), Keisha Atwell (Martha/Waitress), Robbie Scotcher (Harry the Horse), Dominic Watson (Angie the Ox/MC), Matt Flint (Society Max), Spencer Stafford (Brandy Bottle Bates), Darren Carnall (Scranton Slim), Taylor James (Liverlips Louis/Havana Boy), Louise Albright (Hot Box Girl Mary-Lou Albright), Louise Bearman (Hot Box Girl Mimi), Anna Woodside (Hot Box Girl Tallulha Bloom), Verity Bentham (Hotbox Girl Dolly Devine), Ashley Hale (Hotbox Girl Cutie Singleton/Havana Girl), Claire Taylor (Hot Box Girl Ruby Simmons). Dance Captain: Darren Carnall. Swing: Kate Alexander, Christopher Bennett, Vivien Carter, Rory Locke, Wayne Fitzsimmons. Thursday December 28 *2:30 p.m. George Gershwin. Porgy and Bess (1935). Lyrics by DuBose Heyward and Ira Gershwin. Book by Dubose and Dorothy Heyward. Dir. Trevor Nunn. Design by John Gunter. New Orchestrations by Gareth Valentine. Choreography by Kate Champion. Lighting by David Hersey. Costumes by Sue Blane. Cast: Clarke Peters (Porgy), Nicola Hughes (Bess), Cornell S. John (Crown), Dawn Hope (Serena), O-T Fagbenie (Sporting Life), Melanie E.
    [Show full text]
  • Celebrates Its First Birthday at the Duchess Theatre with Booking Period Extended to September 2016
    Press Release: 8 September 2015 CELEBRATES ITS FIRST BIRTHDAY AT THE DUCHESS THEATRE WITH BOOKING PERIOD EXTENDED TO SEPTEMBER 2016 THE ORIGINAL CAST ARE BACK IN THE WEST END WITH A SEASONAL RUN OF PETER PAN GOES WRONG AT THE APOLLO THEATRE The Play That Goes Wrong, the Olivier Award-winning box office hit, celebrates its first, triumphant year in the West End, and as a new booking period opens with tickets going on sale until 11 September 2016, the show's phenomenal popularity with audiences looks set to continue. For a limited run over the festive season at the Apollo Theatre, the original cast of The Play That Goes Wrong will bring their trademark comic mayhem to the J.M. Barrie classic and timeless favourite, Peter Pan. In Peter Pan Goes Wrong, the members of The Cornley Polytechnic Drama Society once again battle against technical hitches, flying mishaps and cast disputes on their way to Neverland with hilarious and disastrous results. Awarded the 2014 Whatsonstage.com Best New Comedy and the 2015 Olivier Award for Best New Comedy, The Play That Goes Wrong continues to thrive and it is a remarkable rags-to-riches story. The production's unparalleled trajectory of success began in 2013, when it opened as a one-act show at the Old Red Lion in London with only four paying members of the public at the first performance. This was followed by a transfer to the Trafalgar Studios, where the show's unique potential was spotted by producers Kenny Wax and Stage Presence, and subsequently to the Duchess Theatre.
    [Show full text]