James Turner Designer
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Monday 7 January 2019 FULL CASTING ANNOUNCED for THE
Monday 7 January 2019 FULL CASTING ANNOUNCED FOR THE WEST END TRANSFER OF HOME, I’M DARLING As rehearsals begin, casting is announced for the West End transfer of the National Theatre and Theatr Clwyd’s critically acclaimed co-production of Home, I’m Darling, a new play by Laura Wade, directed by Theatre Clwyd Artistic Director Tamara Harvey, featuring Katherine Parkinson, which begins performances at the Duke of York’s Theatre on 26 January. Katherine Parkinson (The IT Crowd, Humans) reprises her acclaimed role as Judy, in Laura Wade’s fizzing comedy about one woman’s quest to be the perfect 1950’s housewife. She is joined by Sara Gregory as Alex and Richard Harrington as Johnny (for the West End run, with tour casting for the role of Johnny to be announced), reprising the roles they played at Theatr Clwyd and the National Theatre in 2018. Charlie Allen, Susan Brown (Sylvia), Ellie Burrow, Siubhan Harrison (Fran), Jane MacFarlane and Hywel Morgan (Marcus) complete the cast. Home, I’m Darling will play at the Duke of York’s Theatre until 13 April 2019, with a press night on Tuesday 5 February. The production will then tour to the Theatre Royal Bath, and The Lowry, Salford, before returning to Theatr Clwyd following a sold out run in July 2018. Home, I’m Darling is co-produced in the West End and on tour with Fiery Angel. How happily married are the happily married? Every couple needs a little fantasy to keep their marriage sparkling. But behind the gingham curtains, things start to unravel, and being a domestic goddess is not as easy as it seems. -
Celebrates Its First Birthday at the Duchess Theatre with Booking Period Extended to September 2016
Press Release: 8 September 2015 CELEBRATES ITS FIRST BIRTHDAY AT THE DUCHESS THEATRE WITH BOOKING PERIOD EXTENDED TO SEPTEMBER 2016 THE ORIGINAL CAST ARE BACK IN THE WEST END WITH A SEASONAL RUN OF PETER PAN GOES WRONG AT THE APOLLO THEATRE The Play That Goes Wrong, the Olivier Award-winning box office hit, celebrates its first, triumphant year in the West End, and as a new booking period opens with tickets going on sale until 11 September 2016, the show's phenomenal popularity with audiences looks set to continue. For a limited run over the festive season at the Apollo Theatre, the original cast of The Play That Goes Wrong will bring their trademark comic mayhem to the J.M. Barrie classic and timeless favourite, Peter Pan. In Peter Pan Goes Wrong, the members of The Cornley Polytechnic Drama Society once again battle against technical hitches, flying mishaps and cast disputes on their way to Neverland with hilarious and disastrous results. Awarded the 2014 Whatsonstage.com Best New Comedy and the 2015 Olivier Award for Best New Comedy, The Play That Goes Wrong continues to thrive and it is a remarkable rags-to-riches story. The production's unparalleled trajectory of success began in 2013, when it opened as a one-act show at the Old Red Lion in London with only four paying members of the public at the first performance. This was followed by a transfer to the Trafalgar Studios, where the show's unique potential was spotted by producers Kenny Wax and Stage Presence, and subsequently to the Duchess Theatre. -
National Theatre
WITH EMMA BEATTIE OLIVER BOOT CRYSTAL CONDIE EMMA-JANE GOODWIN JULIE HALE JOSHUA JENKINS BRUCE MCGREGOR DAVID MICHAELS DEBRA MICHAELS SAM NEWTON AMANDA POSENER JOE RISING KIERAN GARLAND MATT WILMAN DANIELLE YOUNG 11 JAN – 25 FEB 2018 ARTS CENTRE MELBOURNE, PLAYHOUSE Presented by Melbourne Theatre Company and Arts Centre Melbourne This production runs for approximately 2 hours and 30 minutes, including a 20 minute interval. The Curious Incident of the Dog in the Night-Time is presented with kind permission of Warner Bros. Entertainment. World premiere: The National Theatre’s Cottesloe Theatre, 2 August 2012; at the Apollo Theatre from 1 March 2013; at the Gielgud Theatre from 24 June 2014; UK tour from 21 January 2017; international tour from 20 September 2017 Melbourne Theatre Company and Arts Centre Melbourne acknowledge the Yalukit Willam Peoples of the Boon Wurrung, the Traditional Owners of the land on which this performance takes place, and we pay our respects to Melbourne’s First Peoples, to their ancestors past and present, and to our shared future. DIRECTOR MARIANNE ELLIOTT DESIGNER LIGHTING DESIGNER VIDEO DESIGNER BUNNY CHRISTIE PAULE CONSTABLE FINN ROSS MOVEMENT DIRECTORS MUSIC SOUND DESIGNER SCOTT GRAHAM AND ADRIAN SUTTON IAN DICKINSON STEVEN HOGGETT FOR AUTOGRAPH FOR FRANTIC ASSEMBLY ASSOCIATE DIRECTOR RESIDENT DIRECTOR ELLE WHILE KIM PEARCE COMPANY VOICE WORK DIALECT COACH CASTING CHARMIAN HOARE JEANNETTE NELSON JILL GREEN CDG The Cast Christopher Boone JOSHUA JENKINS SAM NEWTON* Siobhan JULIE HALE Ed DAVID MICHAELS Judy -
Alexandra Spencer-Jones
ALEXANDRA SPENCER-JONES Alexandra is Artistic Director of the theatre company ‘Action to the Word’ (www.actiontotheword.com). She won the Musical Theatre Matters:UK award for Best Emerging Artist for the writing and direction of the new musical CONSTANCE & SINESTRA AND THE CABINET OF SCREAMS. Directing Credits Include: LEGALLY BLONDE Upcoming Director Royal Conservatoire of Scotland CITY OF ANGELS Director Rose Bruford BATBOY Royal Conservatoire of Scotland A GENEROUS LOVER Edinburgh Festival and Camden People’s Theatre Director Voted ‘Best of the Fest’ One of The Scotsman’s 10 Top Picks ★★★★ “Elegant, incisive and intoxicating” – The Scotsman “A masterclass in solo work…exquisite” – Fringe Review ★★★★ “A fierce originality and a cutting charm” – The List ★★★★ “Extremely absorbing and impressive” – ScotsGay ★★★★★ “Unmissable” – To Do List GOBSMACKED US & Asia Tour http://gobsmackedtheshow.com/ STREET SCENE Royal Conservatoire of Scotland ★★★★ The Herald ‘Bravo and brava to all concerned. This is a production of infinite quality’ Glasgow Theatre Blog A CLOCKWORK ORANGE New World Stages, New York transfer CONSTANCE & SINESTRA AND THE CABINET OF SCREAMS Rose Bruford WOMEN BEWARE WOMEN LIPA A CLOCKWORK ORANGE The Park Theatre 200, Glynis Henderson Productions / Action to the Word ★★★★★ WhatsOnStage ★★★★★ Sydney Morning Herald ★★★★★ Daily Star ★★★★★ Three Weeks ★★★★★ Broadway Baby ★★★★ The Independent ★★★★ The Telegraph ★★★★ Metro ★★★★ Evening Standard ★★★★ Time Out London ★★★★ The Scotsman GOBSMACKED Director Southbank Centre, London & Hong -
There's a Little Theatre in Us All!
THERE’S A LITTLE THEATRE IN US ALL! Theatre Tokens - Participating Venues Details correct as of Friday, 07 July 2017 * Plus your telephone company's network charge Aberdare Coliseum 0800 014 7111 Dumfries Theatre Royal 01387 254209 Aberdeen Aberdeen Box Office 01224 641122 Dumfries (for His Majesty's Dundee Dundee Repertory 01382 223530 Theatre & Music Hall) Theatre Aberdeen His Majesty's Theatre 01224 641122 East Grinstead Chequer Mead 01342 302000 Aberdeen Music Hall 01224 641122 Theatre Aberystwyth Arts Centre 01970 623232 Eastleigh The Point Theatre 02380 652333 Aylesbury Aylesbury Waterside 0844 871 7667 Calls cost 7p/pm* Edinburgh Festival City Theatres 0131 529 6000 Theatre Edinburgh Kings Theatre 0131 529 6000 Bath Theatre Royal 01225 448844 Edinburgh Playhouse Edinburgh 0844 871 7667 Calls cost 7p/pm* Bedworth Civic Hall 02476 376707 Edinburgh Royal Lyceum Theatre 0131 248 4848 Birmingham Alexandra Theatre 0844 871 7667 Calls cost 7p/pm* Edinburgh Traverse Theatre 0131 228 1404 Birmingham Repertory Theatre 0121 236 4455 Epsom Epsom Playhouse 01372 742555 Blackburn King George's Hall 0844 847 1664 Calls cost 7p/pm* Exeter The Exeter Northcott 01392 726363 Blackpool Grand Theatre 01253 290190 Theatre Bognor Regis Alexandra Theatre 01243 861010 Eastbourne Congress Theatre 01323 412000 Bolton Octagon Theatre 01204 520661 Eastbourne Devonshire Park 01323 412000 Bradford Alhambra Theatre 01274 432000 Theatre Bradford St George's Concert 01274 432000 Eastbourne Royal Hippodrome 01323 802020 Hall Theatre Bristol Bristol Hippodrome 0844 -
See a Full List of the National Youth
Past Productions National Youth Theatre '50s 1956: Henry V - William Shakespeare, Dir: Michael Croft @ Toynbee Hall 1957: Henry IV Pt II - William Shakespeare, Dir: Michael Croft @ Toynbee Hall 1957: Henry IV Pt II - William Shakespeare, Dir: Michael Croft @ Worthington Hall, Manchester 1958: Troilus & Cressida - William Shakespeare, Dir: Michael Croft @ Moray House Theatre, Edinburgh 1958: Troilus & Cressida - William Shakespeare, Dir: Michael Croft @ Lyric Theatre, Hammersmith '60s 1960: Hamlet - William Shakespeare, Dir: Michael Croft @ Tour of Holland. Theatre des Nations. Paris 1961: Richard II - William Shakespeare, Dir: Michael Croft @ Apollo Theatre, Shaftesbury Avenue 1961: Richard II - William Shakespeare, Dir: Michael Croft @ Ellen Terry Theatre. Tenterden. Devon 1961: Richard II - William Shakespeare, Dir: Michael Croft @Apollo Theatre, Shaftesbury Avenue 1961: Henry IV Pt II - William Shakespeare, Dir: Michael Croft @ Apollo Theatre, Shaftesbury Avenue 1961: Julius Caesar - William Shakespeare, Dir: Michael Croft @ British entry at Berlin festival 1962: Richard II - William Shakespeare, Dir: Michael Croft @ Italian Tour: Rome, Florence, Genoa, Turin, Perugia 1962: Richard II - William Shakespeare, Dir: Michael Croft @ Tour of Holland and Belgium 1962: Henry V - William Shakespeare, Dir: Michael Croft @ Sadlers Wells 1962: Julius Caesar - William Shakespeare, Dir: Michael Croft @ Sadlers Wells1962: 1962: Hamlet - William Shakespeare, Dir: Michael Croft @ Tour for Centre 42. Nottingham, Leicester, Birmingham, Bristol, Hayes -
A Level Drama and Theatre Studies
A LEVEL DRAMA AND THEATRE STUDIES A LEVEL DRAMA AND THEATRE STUDIES SUMMARY OF ASSESSMENT Component 1: Theatre Workshop Non-exam assessment: Internally assessed, externally moderated - 20% of qualification Learners will be assessed on either acting or design. Learners participate in the creation, development and performance of a piece of theatre based on a reinterpretation of an extract from a text chosen from a list supplied by WJEC. The piece must be developed using the techniques and working methods of either an influential theatre practitioner or a recognised theatre company. Learners must produce: • a realisation of the performance or design • a creative log Component 2: Text in Action Non-exam assessment: externally assessed by a visiting examiner - 40% of qualification Learners will be assessed on either acting or design. Learners participate in the creation, development and performance of two pieces of theatre based on a stimulus supplied by WJEC: 1. a devised piece using the techniques and working methods of either an influential theatre practitioner or a recognised theatre company (a different practitioner or company to that chosen for Component 1) 2. an extract from a text in a different style chosen by the learner. Learners must realise their performance live for the visiting examiner. Learners choosing design must also give a 5-10 minute presentation of their design to the examiner. Learners produce a process and evaluation report within one week of completion of the practical work. Component 3: Text in Performance Written examination: 2 hours 30 minutes 40% of qualification Sections A and B Open book: Clean copies (no annotation) of the two complete texts chosen must be taken into the examination. -
National Theatre's Sell-Out Production of the Curious
NATIONAL THEATRE’S SELL-OUT PRODUCTION OF THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME TRANSFERS TO THE APOLLO THEATRE IN THE WEST END The Curious Incident of the Dog in the Night-Time, the National Theatre’s highly acclaimed production based on Mark Haddon’s award-winning novel, will transfer to the West End’s Apollo Theatre from 1 March for a twelve week run, with a press night on 12 March. Curious Incident, adapted by Simon Stephens and directed by Marianne Elliott, was acclaimed by critics and audiences alike during its sell-out run at the National’s Cottesloe Theatre and set a new record with its NT Live broadcast to worldwide cinemas, being seen by over 40,000 people in the UK alone. Luke Treadaway * will recreate his ‘astonishing’ (Time Out) performance as Christopher Boone, the fifteen year old maths genius with behavioural problems. Treadaway will be joined by Matthew Barker, Niamh Cusack, Sophie Duval, Rhiannon Harper-Rafferty, Nick Sidi and Howard Ward, who were also in the original cast. Further cast details will be announced in due course. Public booking for The Curious Incident of the Dog in the Night-Time opens on 23 November 2012, following priority booking for National Theatre members. Ticket prices range from £12 to £57.50, with 150 tickets at £12 each available for every performance. The production is designed by Bunny Christie, with lighting by Paule Constable, video design by Finn Ross, movement by Scott Graham and Steven Hoggett for Frantic Assembly, music by Adrian Sutton and sound by Ian Dickinson. -
The Young Vic's Cat on a Hot Tin Roof and the NT And
The National Theatre adds new productions to streaming platform: the Young Vic’s Cat on a Hot Tin Roof and the NT and Out of Joint’s Consent by Nina Raine • Both productions are now available on National Theatre at Home platform to stream worldwide • Cat on a Hot Tin Roof will also be available with audio-description • The NT also becomes the first performing arts organisation featured in the Bloomberg Connects app – a free digital guide to more than 20 cultural organisations around the world. Wednesday 10th March 2021 The National Theatre has today announced that two new filmed productions have been added to its streaming service National Theatre at Home: the Young Vic’s Cat on a Hot Tin Roof and the National Theatre and Out of Joint’s co-production Consent. The Young Vic’s 2017 West End production of Cat on a Hot Tin Roof was directed by Benedict Andrews (A Streetcar Named Desire) with Sienna Miller (21 Bridges, American Woman) as Maggie, Jack O’Connell (Unbroken, Trial by Fire) as Brick and Colm Meaney (Gangs of London) as Big Daddy. Tennessee Williams’ searing, poetic story of a family’s fight for survival is a twentieth century masterpiece. Nina Raine’s play Consent premiered in the Dorfman theatre in 2017, a co-production between the National Theatre and Out of Joint. Following a sold-out run at the National Theatre, it transferred to the Harold Pinter Theatre in 2018. The acclaimed production of this challenging and funny play features the original cast including Anna Maxwell Martin (Motherland, The Personal History of David Copperfield) and Daisy Haggard (Breeders, Back to Life). -
London Itinerary 19 Draft.Pdf
WESTON PLAYHOUSE THEATRE COMPANY LONDON THEATRE TOUR November 5 - 14, 2019 DRAFT ITINERARY All events subject to change, owing to performance schedules and availability of guest speakers. Throughout the Tour: Giles will provide a brief introduction to each play on the coach to the theatre. Take careful note of varied curtain times if you plan to meet the group at the theatre. Tour members are invited to gather for drinks and optional informal discussion in the conservatory following the evening performances on November 7, 8, 11, and 12. Tuesday 5 November 7:30am We recommend Flight BA238/AA6175, departing Boston Logan for London Heathrow. Members arriving at other times/from other airports must arrange their own transport to the hotel. 7:00pm Arrive at Heathrow Terminal 5 and transfer by private coach to The Montague on the Gardens, a 4-star hotel around the corner from the British Museum in tranquil, park- filled Bloomsbury. With its historic Georgian architecture and handsomely landscaped private gardens, the Montague offers maximum comfort and superior service within easy access of London’s main attractions. Rooms available for check-in upon arrival. 10pm Welcome: We gather in the conservatory with Tour Director Giles Ramsay for drinks and a late bite to eat, as he distributes tickets and welcome packets and provides a briefing on all aspects of the tour. Wednesday 6 November 10:30am Lecture: Giles will speak about “London Theatre 1900 to Now.” Our erudite Tour Director will provide a context for our 10 days together by examining the contrast between pre and post-war British theatre and how we, in the 21st century, can reassess which playwrights stood the test of time. -
Henry Filloux-Bennett, Is a Digital Take on the Classic Novel by Oscar Wilde
PROGRAMME ... Dorian Gray now Thank you for signing in and being a part of this adaptation of The Picture Of Dorian Gray. As theatres currently remain closed, stories across the world are now being told online. The Barn Theatre streamed their magical production of Peter Pan, as well as murder mystery co-production, What a Carve Up! with Lawrence Batley Theatre and The New Wolsey Theatre. Christmas at Oxford Playhouse brought online productions of Father Christmas and Sammy and the Beanstalk, an urban version of a classic fairytale, for audiences to watch at home. Theatr Clwyd made Christmas happen with the The Panto That Nearly Never Was, which certainly lived up to the title. And now, these five theatres have joined together to co-produce an Oscar Wilde classic in the digital age. For most of 2020, we spent more and more time online. With endless zoom quizes, home school lessons and virtual meetings, online has become the new normal. The Picture of Dorian Gray as reimagined by Henry Filloux-Bennett, is a digital take on the classic novel by Oscar Wilde. Directed by Tamara Harvey, our adaptation has been plunged into the current social media obsessed world we experience today. But is this filtered down version of reality worth the cost? Are we all as perfect as we seem? 91 562 983 WELCOME 1 ... How does The Picture of Dorian Gray differ from your other digital adaptations? This is the fourth digital production I’ve worked on since lockdown began last year, and I think with each production the ambition has grown - certainly following What a Carve Up!, Tamara and I were incredibly keen to make sure that we built on what we’d been able to achieve and push the boundaries of what we could create. -
Australian Ephemera Collection Finding Aid (PROMPT): Frank Allenby (1898-1953) 2
AUSTRALIAN EPHEMERA COLLECTION FINDING AID FRANK ALLENBY (1898-1953) PERFORMING ARTS PROGRAMS AND EPHEMERA (PROMPT) PRINTED AUSTRALIANA FEBRUARY 2018 CONTENT Printed materials in the PROMPT collection include programs and printed ephemera such as brochures, leaflets, tickets, etc. Theatre programs are taken as the prime documentary evidence of a performance. The list is based on imperfect holdings, and is updated as gaps in the Library’s holdings are filled. Unless otherwise stated, all entries are based on published programs in the PROMPT collection. ACCESS The Frank Allenby PROMPT files may be accessed through the Library’s Special Collections Reading Room by eCallslip request: http://nla.gov.au/nla.cat-vn3526027 ARRANGEMENT Programs in the National Library’ PROMPT collection are arranged chronologically / by entrepreneur and/or management company name, etc. Overseas (British) career Then individually listed, chronologically by performance as follows: Date (day and month); Venue, (City and state) Name of production or performer Headline performers etc. OVERSEAS (BRITISH) CAREER 192? Theatre Royal (Haymarket, London UK) The Ivory Door FA as Brand 1 program 1924 St Martin’s Theatre (London UK) The Conquering Hero FA as Megson 1 program 1928 25 January; Savoy Theatre (London UK) The Masque of Venice / George Dunning Gribble FA as Joshua Cox, a literary diving 1 program 1928 12 June; Royal Hospital Gardens (Chelsea UK) Theatrical Garden Party in aid of The Actor’s Orphanage No. 44 A Big Bottle at the Bird in Hand 1 program (program filed under Cyril Richard) 1928 19 July; Royalty Theatre (London UK) Bird in Hand FA as Sir Robert Arnwood 1 program 1929 4 March; Golders Green Hippodrome (London UK) Bird in Hand FA as Sir Robert Arnwood 1 program 1929? August/September?; Theatre Royal (Haymarket, London UK) The First Mrs.