Australian Ephemera Collection Finding Aid (PROMPT): Frank Allenby (1898-1953) 2
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Theatre Archive Project
THEATRE ARCHIVE PROJECT http://sounds.bl.uk Stephen Wischhusen – interview transcript Interviewer: Dominic Shellard 4 September 2006 Theatre worker. Donald Albery; audiences; The Boys in the Band; The Caretaker; The Intimate Theatre, Lyceum Theatre Crewe; Palmers Green; lighting; rep; Swansea theatre; theatre criticism; theatre going; theatre owners; tickets and reservations. DS: Can we start by talking about your first experience as a theatre goer with the theatre? SW: My first experiences will have been when I was between the ages of five and seven, and will have been taken by my parents many times. Firstly, I remember going to the Finsbury Park Empire as a birthday treat to see Barbara Kelly in the touring version of Peter Pan. DS: What year would this be? SW: It could have been, I suppose, 1954 - can’t quite remember how old I was, but certainly between ’52 and ’54, and through the fifties going to the theatre was a regular thing. Yes. We had a television, it was bought for me - I suppose as an incentive to recover from pneumonia, and sadly I did recover and they were 51 guineas down the shoot! But we didn’t watch it all the time. There was a choice to be made, it wasn’t on all the time, it was on or it was off, and Saturdays we used to go to Wood Green Empire. Mainly it was taking, I guess, number two tours or number three tours in those days, of West End successes, so we will have seen a play, such as Meet Mr Callaghan… Reluctant Heroes I remember. -
Monday 7 January 2019 FULL CASTING ANNOUNCED for THE
Monday 7 January 2019 FULL CASTING ANNOUNCED FOR THE WEST END TRANSFER OF HOME, I’M DARLING As rehearsals begin, casting is announced for the West End transfer of the National Theatre and Theatr Clwyd’s critically acclaimed co-production of Home, I’m Darling, a new play by Laura Wade, directed by Theatre Clwyd Artistic Director Tamara Harvey, featuring Katherine Parkinson, which begins performances at the Duke of York’s Theatre on 26 January. Katherine Parkinson (The IT Crowd, Humans) reprises her acclaimed role as Judy, in Laura Wade’s fizzing comedy about one woman’s quest to be the perfect 1950’s housewife. She is joined by Sara Gregory as Alex and Richard Harrington as Johnny (for the West End run, with tour casting for the role of Johnny to be announced), reprising the roles they played at Theatr Clwyd and the National Theatre in 2018. Charlie Allen, Susan Brown (Sylvia), Ellie Burrow, Siubhan Harrison (Fran), Jane MacFarlane and Hywel Morgan (Marcus) complete the cast. Home, I’m Darling will play at the Duke of York’s Theatre until 13 April 2019, with a press night on Tuesday 5 February. The production will then tour to the Theatre Royal Bath, and The Lowry, Salford, before returning to Theatr Clwyd following a sold out run in July 2018. Home, I’m Darling is co-produced in the West End and on tour with Fiery Angel. How happily married are the happily married? Every couple needs a little fantasy to keep their marriage sparkling. But behind the gingham curtains, things start to unravel, and being a domestic goddess is not as easy as it seems. -
Magic Goes Wrong to Miraculously Extend Until August 2020
Press Release: Monday 20th January 2020 MAGIC GOES WRONG TO MIRACULOUSLY EXTEND UNTIL AUGUST 2020 Mischief Theatre, the Olivier award-winning company behind The Play That Goes Wrong, is flabbergasted to announce a new booking period for Magic Goes Wrong, with tickets now on sale until 30th August 2020. Created with magic legends Penn & Teller, this is the second production as part of Mischief Theatre’s residency at the Vaudeville Theatre. In the latest ‘Goes Wrong’ comedy to hit the West End, the original Mischief company play a hapless gang of magicians presenting a charity event. As the accidents spiral out of control, so does their fundraising target! The Magic Goes Wrong cast includes: Bryony Corrigan Spitzmaus Roxy Faridany Eugenia Dave Hearn The Blade Henry Lewis Mind Mangler Jonathan Sayer Mickey Henry Shields Sophisticato Nancy Zamit Bär The cast is completed by Natasha Culley, Lauren Ingram, Laurence Pears, Sydney K Smith and Liv Spencer. Magic Goes Wrong is directed by Adam Meggido, designed by Will Bowen with costume designs by Roberto Surace. Lighting design is by David Howe, with Sound Design by Paul Groothuis and Video & Projection Design by Duncan McLean. Ben Hart is the Magic Consultant. The Composer is Steve Brown, alongside Movement Director Ali James and Associate Director Hannah Sharkey. Mischief Theatre Ltd. was founded in 2008 by a group of acting graduates of LAMDA and began as an improvised comedy group. Mischief performs across the UK and internationally with original scripted and improvised work and also has a programme of workshops. Mischief Theatre’s other current 1 London productions are The Play That Goes Wrong and The Comedy About A Bank Robbery, performing at the Duchess Theatre and Criterion Theatre respectively. -
A Career Overview 2019
ELAINE PAIGE A CAREER OVERVIEW 2019 Official Website: www.elainepaige.com Twitter: @elaine_paige THEATRE: Date Production Role Theatre 1968–1970 Hair Member of the Tribe Shaftesbury Theatre (London) 1973–1974 Grease Sandy New London Theatre (London) 1974–1975 Billy Rita Theatre Royal, Drury Lane (London) 1976–1977 The Boyfriend Maisie Haymarket Theatre (Leicester) 1978–1980 Evita Eva Perón Prince Edward Theatre (London) 1981–1982 Cats Grizabella New London Theatre (London) 1983–1984 Abbacadabra Miss Lyric Theatre, Hammersmith Williams/Carabosse (London) 1986–1987 Chess Florence Vassy Prince Edward Theatre (London) 1989–1990 Anything Goes Reno Sweeney Prince Edward Theatre (London) 1993–1994 Piaf Édith Piaf Piccadilly Theatre (London) 1994, 1995- Sunset Boulevard Norma Desmond Adelphi Theatre (London) & then 1996, 1996– Minskoff Theatre (New York) 19981997 The Misanthrope Célimène Peter Hall Company, Piccadilly Theatre (London) 2000–2001 The King And I Anna Leonowens London Palladium (London) 2003 Where There's A Will Angèle Yvonne Arnaud Theatre (Guildford) & then the Theatre Royal 2004 Sweeney Todd – The Demon Mrs Lovett New York City Opera (New York)(Brighton) Barber Of Fleet Street 2007 The Drowsy Chaperone The Drowsy Novello Theatre (London) Chaperone/Beatrice 2011-12 Follies Carlotta CampionStockwell Kennedy Centre (Washington DC) Marquis Theatre, (New York) 2017-18 Dick Whttington Queen Rat LondoAhmansen Theatre (Los Angeles)n Palladium Theatre OTHER EARLY THEATRE ROLES: The Roar Of The Greasepaint - The Smell Of The Crowd (UK Tour) -
Thursday 17 January 2019 National Theatre: February
Thursday 17 January 2019 National Theatre: February – July 2019 Inua Ellams’ Barber Shop Chronicles will play at the Roundhouse, Camden for a limited run from July as part of a UK tour Gershwyn Eustache Jnr, Leah Harvey and Aisling Loftus lead the cast of Small Island, adapted by Helen Edmundson from Andrea Levy’s prize-winning novel, directed by Rufus Norris in the Olivier Theatre Justine Mitchell joins Roger Allam in Rutherford and Son by Githa Sowerby, directed by Polly Findlay Phoebe Fox takes the title role of ANNA in Ella Hickson and Ben and Max Ringham’s tense thriller directed by Natalie Abrahami Further casting released for Peter Gynt, directed by Jonathan Kent, written by David Hare, after Henrik Ibsen War Horse will return to London as part of the 2019 UK and international tour, playing at a new venue, Troubadour Wembley Park Theatre, for a limited run in October Olivier Theatre SMALL ISLAND adapted by Helen Edmundson based on the novel by Andrea Levy Previews from 17 April, press night 1 May, in repertoire until 10 August Andrea Levy’s epic, Orange Prize-winning novel bursts into new life on the Olivier Stage. A cast of 40 tell a story which journeys from Jamaica to Britain through the Second World War to 1948, the year the HMT Empire Windrush docked at Tilbury. Adapted for the stage by Helen Edmundson Small Island follows the intricately connected stories of two couples. Hortense yearns for a new life away from rural Jamaica, Gilbert dreams of becoming a lawyer, and Queenie longs to escape her Lincolnshire roots. -
The Old Vic Announces the Old Vic 12 Class of 2016-2017
The Old Vic announces The Old Vic 12 Class of 2016-2017 London, 5th December: Today The Old Vic announces the theatre makers behind this year’s Old Vic 12: a company of talented, developing artists looking to make the next step in their careers. The scheme offers them the opportunity to expand their networks, experience first class mentoring and receive funding to create three brand new plays as a collective. The newly announced Old Vic 12 consists of: ➔ Directors, Chelsea Walker, Lekan Lawal and Jesse Jones ➔ Producers, Molly Roberts, Tobi Kyeremateng and Aaron Rogers ➔ Playwrights, Joe White, Rebecca Crookshank and John O’Donovan ➔ Designer, Fin Redshaw ➔ Movement Director, Rachael Nanyonjo ➔ Composer, Cassie Kinoshi This Autumn, after receiving 1,300 applications and interviewing over 300 candidates, The Old Vic is thrilled to start work with these artists to nurture and unveil the work they produce. Artistic Director, Matthew Warchus said, ‘Supporting the next generation of theatre-makers is one of the most important and effective contributions to our cultural future we can make. It is also one of the most enjoyable. The Old Vic 12 sees emerging creatives engaging with people at the top of their profession across a wide range of theatrical disciplines and it's hugely inspiring to see how much all parties get from the mutual exchange of ideas. The presence of these early-career creative minds in our midst through the year is extremely energising. And it's also exciting to see the partnerships formed within the group and how these develop forward beyond The Old Vic. -
Celebrates Its First Birthday at the Duchess Theatre with Booking Period Extended to September 2016
Press Release: 8 September 2015 CELEBRATES ITS FIRST BIRTHDAY AT THE DUCHESS THEATRE WITH BOOKING PERIOD EXTENDED TO SEPTEMBER 2016 THE ORIGINAL CAST ARE BACK IN THE WEST END WITH A SEASONAL RUN OF PETER PAN GOES WRONG AT THE APOLLO THEATRE The Play That Goes Wrong, the Olivier Award-winning box office hit, celebrates its first, triumphant year in the West End, and as a new booking period opens with tickets going on sale until 11 September 2016, the show's phenomenal popularity with audiences looks set to continue. For a limited run over the festive season at the Apollo Theatre, the original cast of The Play That Goes Wrong will bring their trademark comic mayhem to the J.M. Barrie classic and timeless favourite, Peter Pan. In Peter Pan Goes Wrong, the members of The Cornley Polytechnic Drama Society once again battle against technical hitches, flying mishaps and cast disputes on their way to Neverland with hilarious and disastrous results. Awarded the 2014 Whatsonstage.com Best New Comedy and the 2015 Olivier Award for Best New Comedy, The Play That Goes Wrong continues to thrive and it is a remarkable rags-to-riches story. The production's unparalleled trajectory of success began in 2013, when it opened as a one-act show at the Old Red Lion in London with only four paying members of the public at the first performance. This was followed by a transfer to the Trafalgar Studios, where the show's unique potential was spotted by producers Kenny Wax and Stage Presence, and subsequently to the Duchess Theatre. -
The Cambridge Companion to Harold Pinter Edited by Peter Raby Frontmatter More Information
Cambridge University Press 0521651239 - The Cambridge Companion to Harold Pinter Edited by Peter Raby Frontmatter More information The Cambridge Companion to Harold Pinter The Cambridge Companion to Harold Pinter provides an introduction to one of the world’s leading and most controversial writers, whose output in many genres and roles continues to grow. Harold Pinter has written for the theatre, radio, television and screen, in addition to being a highly successful director and actor. This volume examines the wide range of Pinter’s work (including his recent play Celebration). The first section of essays places his writing within the critical and theatrical context of his time, and its reception worldwide. The Companion moves on to explore issues of performance, with essays by practi- tioners and writers. The third section addresses wider themes, including Pinter as celebrity, the playwright and his critics, and the political dimensions of his work. The volume offers photographs from key productions, a chronology and bibliography. © Cambridge University Press www.cambridge.org Cambridge University Press 0521651239 - The Cambridge Companion to Harold Pinter Edited by Peter Raby Frontmatter More information CAMBRIDGE COMPANIONS TO LITERATURE The Cambridge Companion to Greek Tragedy The Cambridge Companion to the French edited by P. E. Easterling Novel: from 1800 to the Present The Cambridge Companion to Old English edited by Timothy Unwin Literature The Cambridge Companion to Modernism edited by Malcolm Godden and Michael edited by Michael Levenson Lapidge The Cambridge Companion to Australian The Cambridge Companion to Medieval Literature Romance edited by Elizabeth Webby edited by Roberta L. Kreuger The Cambridge Companion to American The Cambridge Companion to Medieval Women Playwrights English Theatre edited by Brenda Murphy edited by Richard Beadle The Cambridge Companion to Modern British The Cambridge Companion to English Women Playwrights Renaissance Drama edited by Elaine Aston and Janelle Reinelt edited by A. -
James Turner Designer
James Turner Designer James studied English and Drama at Manchester University and graduated in 2009 from the Motley Theatre Design Course. He was awarded Best Set Design at the 2013 Off-West End Awards for Mercury Fur. Great stacks of books dominate James Turner's set. They bulge from the shelves and the piles heaped above the door frame makes you fear for whomever dares to enter. It's a fitting metaphor for how Rita is about to have her life shaken up in Hull Truck’s revival of Willy Russell’s play The Stage on Educating Rita (Hull Truck) Agents Dan Usztan Assistant [email protected] Charlotte Edwards 0203 214 0873 [email protected] 0203 214 0924 Credits Theatre Production Company Notes PSYCHODRAMA Never For Ever Dir. Matt Wilkinson 2021 THE THEATRE CHANNEL Adam Blanshay/The Theatre Episodes 6 & 7 2021 Cafe FROZEN RADA Dir. Lucy Skilbeck 2020 CASINO ROYALE Secret Cinema Associate Designer 2019 CHICKEN SHOP RADA (GBS Theatre) By Anna Jordan 2019 Dir. Lucy Skilbeck United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes THE LAST DAYS OF JUDAS RADA (Jerwood Vanbrugh By Stephen Adly Guirgis ISCARIOT Theatre) Dir. Matthew Xia 2018 END OF THE PIER Park200 By Danny Robins 2018 Dir. Hannah Price DAN AND PHIL: INTERACTIVE World Tour Dir. George Perrin INTROVERTS 2018 WHY IS THE SKY BLUE? Tackroom Theatre/Southwark Dir. Abbey Wright 2018 Playhouse GREAT EXPECTATIONS Malvern Theatres/UK Tour Dir. -
Women in Theatre 2006 Survey
WOMEN IN THEATRE 2006 SURVEY Sphinx Theatre Company 2006 copyright. No part of this survey may be reproduced without permission WOMEN IN THEATRE 2006 SURVEY Sphinx Theatre Company copyright 2006. No part of this survey may be reproduced without permission The comparative employment of men and women as actors, directors and writers in the UK theatre industry, and how new writing features in venues’ programming Period 1: 16 – 29 January 2006 (inclusive) Section A: Actors, Writers, Directors and New Writing. For the two weeks covered in Period 1, there were 140 productions staged at 112 venues. Writers Of the 140 productions there were: 98 written by men 70% 13 written by women 9% 22 mixed collaboration 16% (7 unknown) 5% New Writing 48 of the 140 plays were new writing (34%). Of the 48 new plays: 30 written by men 62% 8 written by women 17% 10 mixed collaboration 21% The greatest volume of new writing was shown at Fringe venues, with 31% of its programme for the specified time period featuring new writing. New Adaptations/ New Translations 9 of the 140 plays were new adaptations/ new translations (6%). Of the 9 new adaptations/ new translations: 5 written by men 0 written by women 4 mixed collaboration 2 WOMEN IN THEATRE 2006 SURVEY Sphinx Theatre Company copyright 2006. No part of this survey may be reproduced without permission Directors 97 male directors 69% 32 female directors 23% 6 mixed collaborations 4% (5 unknown) 4% Fringe theatres employed the most female directors (9 or 32% of Fringe directors were female), while subsidised west end venues employed the highest proportion of female directors (8 or 36% were female). -
National Theatre
WITH EMMA BEATTIE OLIVER BOOT CRYSTAL CONDIE EMMA-JANE GOODWIN JULIE HALE JOSHUA JENKINS BRUCE MCGREGOR DAVID MICHAELS DEBRA MICHAELS SAM NEWTON AMANDA POSENER JOE RISING KIERAN GARLAND MATT WILMAN DANIELLE YOUNG 11 JAN – 25 FEB 2018 ARTS CENTRE MELBOURNE, PLAYHOUSE Presented by Melbourne Theatre Company and Arts Centre Melbourne This production runs for approximately 2 hours and 30 minutes, including a 20 minute interval. The Curious Incident of the Dog in the Night-Time is presented with kind permission of Warner Bros. Entertainment. World premiere: The National Theatre’s Cottesloe Theatre, 2 August 2012; at the Apollo Theatre from 1 March 2013; at the Gielgud Theatre from 24 June 2014; UK tour from 21 January 2017; international tour from 20 September 2017 Melbourne Theatre Company and Arts Centre Melbourne acknowledge the Yalukit Willam Peoples of the Boon Wurrung, the Traditional Owners of the land on which this performance takes place, and we pay our respects to Melbourne’s First Peoples, to their ancestors past and present, and to our shared future. DIRECTOR MARIANNE ELLIOTT DESIGNER LIGHTING DESIGNER VIDEO DESIGNER BUNNY CHRISTIE PAULE CONSTABLE FINN ROSS MOVEMENT DIRECTORS MUSIC SOUND DESIGNER SCOTT GRAHAM AND ADRIAN SUTTON IAN DICKINSON STEVEN HOGGETT FOR AUTOGRAPH FOR FRANTIC ASSEMBLY ASSOCIATE DIRECTOR RESIDENT DIRECTOR ELLE WHILE KIM PEARCE COMPANY VOICE WORK DIALECT COACH CASTING CHARMIAN HOARE JEANNETTE NELSON JILL GREEN CDG The Cast Christopher Boone JOSHUA JENKINS SAM NEWTON* Siobhan JULIE HALE Ed DAVID MICHAELS Judy -
Alexandra Spencer-Jones
ALEXANDRA SPENCER-JONES Alexandra is Artistic Director of the theatre company ‘Action to the Word’ (www.actiontotheword.com). She won the Musical Theatre Matters:UK award for Best Emerging Artist for the writing and direction of the new musical CONSTANCE & SINESTRA AND THE CABINET OF SCREAMS. Directing Credits Include: LEGALLY BLONDE Upcoming Director Royal Conservatoire of Scotland CITY OF ANGELS Director Rose Bruford BATBOY Royal Conservatoire of Scotland A GENEROUS LOVER Edinburgh Festival and Camden People’s Theatre Director Voted ‘Best of the Fest’ One of The Scotsman’s 10 Top Picks ★★★★ “Elegant, incisive and intoxicating” – The Scotsman “A masterclass in solo work…exquisite” – Fringe Review ★★★★ “A fierce originality and a cutting charm” – The List ★★★★ “Extremely absorbing and impressive” – ScotsGay ★★★★★ “Unmissable” – To Do List GOBSMACKED US & Asia Tour http://gobsmackedtheshow.com/ STREET SCENE Royal Conservatoire of Scotland ★★★★ The Herald ‘Bravo and brava to all concerned. This is a production of infinite quality’ Glasgow Theatre Blog A CLOCKWORK ORANGE New World Stages, New York transfer CONSTANCE & SINESTRA AND THE CABINET OF SCREAMS Rose Bruford WOMEN BEWARE WOMEN LIPA A CLOCKWORK ORANGE The Park Theatre 200, Glynis Henderson Productions / Action to the Word ★★★★★ WhatsOnStage ★★★★★ Sydney Morning Herald ★★★★★ Daily Star ★★★★★ Three Weeks ★★★★★ Broadway Baby ★★★★ The Independent ★★★★ The Telegraph ★★★★ Metro ★★★★ Evening Standard ★★★★ Time Out London ★★★★ The Scotsman GOBSMACKED Director Southbank Centre, London & Hong