DOCSLIB.ORG

Monday 22Nd June 2020 Update LATEST INFORMATION FOR

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Monday 22Nd June 2020 Update LATEST INFORMATION FOR Date: Monday 22nd June 2020 Update LATEST INFORMATION FOR STUDENTS, PARENTS AND CARERS (Students should also read the Student Daily News each day) Welcome back to year 10 Staff are very much looking forward to welcoming back our Year 10 students this week as we return to some face-to-face classroom teaching and learning. It has been far too long! For most students, the building has been closed for nearly 3 months and we are delighted that we can now begin to return to a sense of normality. The scientific advice received by the government and the local authority, alongside the clear hygiene and social distancing arrangements and thorough risk assessments we have in place, indicate very low risk, so long as all students and families socially distance and observe hygiene arrangements. I do hope that you have had the opportunity to watch the video guide about the return to school. The video will hopefully have provided you with lots of information about what the return to school will look like and the steps we have taken to ensure the safety of students and staff. If you have any questions relating to this week’s return to the building please do not hesitate to contact us [email protected] Thank you to the students and parents who have let school know that, due to illness or a pre-existing medical condition of themselves or a family member, they will be unable to attend this week. We will ensure that the right work is sent to you so that you are able to work from home. It is very reassuring though to hear that the vast majority of students are expecting to attend school on their allocated day(s) and we are looking forward to seeing you. Remote Learning in our Virtual School Whilst I am delighted to welcome year 10 students, I would like nothing more than to welcome all students back this week. Unfortunately, in-line with government policy, we are just not yet able to offer wider re-opening to students in other year groups. Students in Years 7-9 will continue to learn via our virtual school 5 days a week. Miss Upton has produced a short video for students and parents here that explains how we will further develop the teaching and learning in our virtual school so that it is as interactive and engaging as possible for you. It is important that Year 10 students continue to work hard in the virtual school on the 4 days that they are working from home. Completion of the work set and submission of the key piece from each subject remains compulsory and hard work, both in school and at home, is vital so that academic progress is not affected. As usual, please find advice for your child below to help with their online learning: This week the Royal Shakespeare Company (RSC) are working with BBC Bitesize to deliver a full week of GCSE lessons themed around Macbeth and Romeo and Juliet. BBC Bitesize is running a daily programme of online lessons and the Bitesize team are publishing new lessons each day this week, devised by the RSC for Year 10 students studying Macbeth and Romeo and Juliet. As well as introducing social and historical context, the lessons give students insights into how actors and directors work in the rehearsal room and get students to try out some scenes and speeches at home. Focussing on Romeo and Juliet and Macbeth, the lessons offer special insights from RSC actors and directors about how to decode Shakespeare’s language and develop skills that will help them to write and talk about new texts with confidence. This is the second of three weeks of RSC Shakespeare lessons on BBC Bitesize - the third week, for Key Stage 3 (age 11-14) runs from 22 to 26 June. Do today's Shakespeare lesson on BBC Bitesize BBC Bitesize Daily is designed to support the curriculum and educational needs of children across the nation during the current Coronavirus pandemic. As well as the Shakespeare teaching weeks there are also six RSC plays now available on iPlayer as part of the BBC's Culture in Quarantine programme. These are: Macbeth - with Christopher Eccleston and Niamh Cusack Hamlet - directed by Simon Godwin with Paapa Essiedu Romeo and Juliet directed by our Deputy Artistic Director Erica Whyman Much Ado About Nothing - directed by Christopher Luscombe Othello - with Hugh Quarshie and Lucian Msamati The Merchant of Venice - directed by Polly Findlay Have a great day, Headteacher Mossley Hollins High School .
Load more

Recommended publications
  • Cause Célèbre by Terence Rattigan
    Cause Célèbre by Terence Rattigan Teachers’ Resource Pack Researched & written by Ellen Groves & Anne Langford 1 Cause CélèBRE – Teaching Resources Cause Célèbre SUBTITLE Cause Célèbre at The Old Vic 3 Sir Terence Rattigan : His Story 4 Chronology: Rattigan’s Career 5 Synopsis 6 What does cause célèbre mean? 8 Character breakdown 8 Theatrical context of the play 10 Historical context of the play 11 The ‘True’ story 12 Crimes of passion: Case Studies 13 Modern parallel case: OJ Simpson 15 Women and the Criminal Justice system 16 Death penalty in the UK / Around the world 17 In Conversation with... Niamh Cusack 19 Freddie Fox 21 Richard Teverson 23 Rehearsal Notes from the Assistant Director Eleanor While 24 Bibliography 26 2 cause célèbre by terence rattigan Lucy Black Timothy Carlton Simon Chandler Richard Clifford Oliver Coopersmith Niamh Cusack Anne‐Marie Duff Rory Fleck‐Byrne Joan Webster EranFis RaGenbury John Davenport Croom ‐ Johnson Christopher Edith Davenport Klma RaGenbury Montague & Randolph Browne Freddie Fox Jenny Galloway Patrick Godfrey Nicholas Jones Tommy McDonnell Lucy Robinson Tristan Shepherd Richard Teverson Tony Davenport Irene Riggs Judge O'Connor George Wood Stella Morrison Clerk of Court Casswell @nderstudy responsibiliAes Lucy Black: Edith Davenport & Klma RaGenbury Rory Fleck Byrne: George Wood & Casswell Tristan Shepherd:Tony Davenport & Randolph Browen & Montague Richard Teverson: O’Connor & Croom Johnson Sarah Waddell: Stella Morrison & Irene Riggs & Joan Webster & Clerk of Court Michael Webber: EranFis RaGenbury & Porter Sarah Waddell Michael Webber Tristram Wymark Tristram Wymark: John Davenport & Judge & Sergeant Bagwell Warder Sergeant Bagwell Porter 3 Cause CélèBRE – Teaching Resources Sir Terence Rattigan His Story Sir Terence Mervyn Rattigan was born in Kensington, London on 10 June 1911 and died of cancer on 30 November 1977.
    [Show full text]
  • ANNUAL REVIEW 2015 -16 the RSC Acting Companies Are Generously Supported by the GATSBY CHARITABLE FOUNDATION and the KOVNER FOUNDATION
    ANNUAL REVIEW 2015 -16 The RSC Acting Companies are generously supported by THE GATSBY CHARITABLE FOUNDATION and THE KOVNER FOUNDATION. Hugh Quarshie and Lucian Msamati in Othello. 2015/16 has been a blockbuster year for Shakespeare and for the RSC. 400th anniversaries do not happen often and we wanted to mark 2016 with an unforgettable programme to celebrate Shakespeare’s extraordinary legacy and bring his work to a whole new generation. Starting its life in Stratford-upon-Avon, Tom Morton-Smith about Oppenheimer, we staged A Midsummer Night’s a revival of Miller’s masterpiece Dream in every nation and region Death of a Salesman, marking his of the UK, with 84 amateurs playing centenary, and the reopening of Bottom and the Mechanicals and The Other Place, our new creative over 580 schoolchildren as Titania’s hub. Our wonderful production of fairy train. This magical production Matilda The Musical continued on has touched the lives of everyone its life-enhancing journey, playing involved and we are hugely grateful on three continents to an audience to our partner theatres, schools and of almost 2 million. the amateur companies for making this incredible journey possible. Our work showcased the fabulous range of diverse talent from across We worked in partnership with the the country, and we are proud of the BBC to bring ‘Shakespeare Live! From increasing diversity of our audiences. the RSC’ to a television audience of 1.6m and to cinema audiences in People sometimes ask if Shakespeare 15 countries. The glittering cast is still relevant. The response from performed in the Royal Shakespeare audiences everywhere has been a Theatre to an audience drawn from resounding ‘yes’.
    [Show full text]
  • Applause Magazine, Applause Building, 68 Long Acre, London WC2E 9JQ
    1 GENE WIL Laughing all the way to the 23rd Making a difference LONDON'S THEATRE CRITI Are they going soft? PIUS SAVE £££ on your theatre tickets ,~~ 1~~EGm~ Gf1ll~ G~rick ~he ~ ~ e,London f F~[[ IIC~[I with ever~ full price ticket purchased ~t £23.50 Phone 0171-312 1991 9 771364 763009 Editor's Letter 'ThFl rul )U -; lmalid' was a phrase coined by the playwright and humourl:'t G eorge S. Kaufman to describe the ailing but always ~t:"o lh e m Broadway Theatre in the late 1930' s . " \\ . ;t" )ur ul\'n 'fabulous invalid' - the West End - seems in danger of 'e:' .m :: Lw er from lack of nourishmem, let' s hope that, like Broadway - presently in re . \ ,'1 'n - it too is resilient enough to make a comple te recovery and confound the r .: i " \\' ho accuse it of being an en vironmenta lly no-go area whose theatrical x ;'lrJ io n" refuse to stretch beyond tired reviva ls and boulevard bon-bons. I i, clUite true that the season just past has hardly been a vintage one. And while there is no question that the subsidised sector attracts new plays that, =5 'ears ago would a lmost certainly have found their way o nto Shaftes bury Avenue, l ere is, I am convinced, enough vitality and ingenuity left amo ng London's main -s tream producers to confirm that reports of the West End's te rminal dec line ;:m: greatly exaggerated. I have been a profeSSi onal reviewer long enough to appreciate the cyclical nature of the business.
    [Show full text]
  • Television Academy Awards
    2019 Primetime Emmy® Awards Ballot Outstanding Comedy Series A.P. Bio Abby's After Life American Housewife American Vandal Arrested Development Atypical Ballers Barry Better Things The Big Bang Theory The Bisexual Black Monday black-ish Bless This Mess Boomerang Broad City Brockmire Brooklyn Nine-Nine Camping Casual Catastrophe Champaign ILL Cobra Kai The Conners The Cool Kids Corporate Crashing Crazy Ex-Girlfriend Dead To Me Detroiters Easy Fam Fleabag Forever Fresh Off The Boat Friends From College Future Man Get Shorty GLOW The Goldbergs The Good Place Grace And Frankie grown-ish The Guest Book Happy! High Maintenance Huge In France I’m Sorry Insatiable Insecure It's Always Sunny in Philadelphia Jane The Virgin Kidding The Kids Are Alright The Kominsky Method Last Man Standing The Last O.G. Life In Pieces Loudermilk Lunatics Man With A Plan The Marvelous Mrs. Maisel Modern Family Mom Mr Inbetween Murphy Brown The Neighborhood No Activity Now Apocalypse On My Block One Day At A Time The Other Two PEN15 Queen America Ramy The Ranch Rel Russian Doll Sally4Ever Santa Clarita Diet Schitt's Creek Schooled Shameless She's Gotta Have It Shrill Sideswiped Single Parents SMILF Speechless Splitting Up Together Stan Against Evil Superstore Tacoma FD The Tick Trial & Error Turn Up Charlie Unbreakable Kimmy Schmidt Veep Vida Wayne Weird City What We Do in the Shadows Will & Grace You Me Her You're the Worst Young Sheldon Younger End of Category Outstanding Drama Series The Affair All American American Gods American Horror Story: Apocalypse American Soul Arrow Berlin Station Better Call Saul Billions Black Lightning Black Summer The Blacklist Blindspot Blue Bloods Bodyguard The Bold Type Bosch Bull Chambers Charmed The Chi Chicago Fire Chicago Med Chicago P.D.
    [Show full text]
  • Shakespeare on Film, Video & Stage
    William Shakespeare on Film, Video and Stage Titles in bold red font with an asterisk (*) represent the crème de la crème – first choice titles in each category. These are the titles you’ll probably want to explore first. Titles in bold black font are the second- tier – outstanding films that are the next level of artistry and craftsmanship. Once you have experienced the top tier, these are where you should go next. They may not represent the highest achievement in each genre, but they are definitely a cut above the rest. Finally, the titles which are in a regular black font constitute the rest of the films within the genre. I would be the first to admit that some of these may actually be worthy of being “ranked” more highly, but it is a ridiculously subjective matter. Bibliography Shakespeare on Silent Film Robert Hamilton Ball, Theatre Arts Books, 1968. (Reissued by Routledge, 2016.) Shakespeare and the Film Roger Manvell, Praeger, 1971. Shakespeare on Film Jack J. Jorgens, Indiana University Press, 1977. Shakespeare on Television: An Anthology of Essays and Reviews J.C. Bulman, H.R. Coursen, eds., UPNE, 1988. The BBC Shakespeare Plays: Making the Televised Canon Susan Willis, The University of North Carolina Press, 1991. Shakespeare on Screen: An International Filmography and Videography Kenneth S. Rothwell, Neil Schuman Pub., 1991. Still in Movement: Shakespeare on Screen Lorne M. Buchman, Oxford University Press, 1991. Shakespeare Observed: Studies in Performance on Stage and Screen Samuel Crowl, Ohio University Press, 1992. Shakespeare and the Moving Image: The Plays on Film and Television Anthony Davies & Stanley Wells, eds., Cambridge University Press, 1994.
    [Show full text]
  • Britgrad 2016 Programme
    BritGrad 2016 Committee Chair Ella Hawkins The Eighteenth Annual Secretary Anna Hegland British Graduate Shakespeare Conference Registrars Helen Clifford Katie Knowles 2 - 4 June 2016 Treasurer Kelsey Ridge Party Planning Megg Ward Mary Way IT Jennifer Moss-Waghorn PuBlicity Elaine Goodfellow Anna Hegland Catering ReBecca Fredrickson Building and Facilities ReBecca White, Juliet Creese, David Gould, Stephen Sharp The Shakespeare Institute, The Shakespeare Institute Stratford-upon-Avon Church Street, Stratford-upon-Avon WARKS, CV37 6HP Tel. 0121 414 9500 beyond BritGrad 2016: \ind us on Twitter, Facebook, and our WordPress blog Welcome! (links Below). Please also feel free to Browse the Book stands in the Lounge at any point during the conference. Hello, and a very warm welcome to the Shakespeare Institute for the Eighteenth Annual British Graduate Shakespeare Conference! The Committee No BritGrad experience would Be complete without a carefully curated and I are delighted to welcome new and returning delegates to the programme of social events. This year’s line-up includes a trip to Hamlet at conference; we hope you enjoy attending the event as much as we’ve enjoyed the RSC (directed By Simon Godwin and starring Paapa Essiedu), and a planning it. suitaBly fantastic party at the RSC’s newly opened The Other Place. Our closing reception will take place at the same venue on Saturday evening. Every summer, the Shakespeare Institute in Stratford-upon-Avon opens its doors to guests from around the world for the British Graduate Shakespeare My huge thanks are due to the 2016 BritGrad Committee for their hard work Conference. First convened in 1999, BritGrad was initiated By Peter Holland during the past eight months.
    [Show full text]
  • Drama & Theatre Studies Starter Pack
    [Type here] King Edward VI College Drama & Theatre Studies Starter Pack [Type here] Welcome! Welcome to the drama department at King Edward’s! The aim of this booklet is to introduce you to some aspects of the course and to prepare you for studying with us at A level. You’ll find plenty of information about the course in the accompanying handbook and PowerPoint presentation but in this booklet I have put together some work for you to complete. Blue text contains a hyperlink. Just click to be transported to any online resource. Some of the activities are compulsory whilst others are designed to keep your mind stimulated over the coming weeks and months. It is important not to let your mind go stale. Success in drama requires a sharp analytical mind and a willingness to grapple with big ideas creatively. I wish you and yours the very best of health and I look forward to meeting you in September. In the meantime, join us on Twitter: @KingEds_Drama. We are always reflecting on our provision and practice. The information contained in this booklet is accurate as of April 2021 but we reserve the right to make alterations to reading lists, set texts and to the way in which we structure our course. A detailed course review takes place during May of every academic year. Shaun Passey, drama and theatre studies subject leader [email protected] [Type here] Compulsory Work Preparing for A level: speaking the same language You will be expected to use key terms when discussing your performance ideas, directing other students, and writing about work you have imagined, created or seen.
    [Show full text]
  • CHRISTMAS EVE at Theatre Royal Bath’S Ustinov Studio
    PRESS RELEASE – Thursday 21 September 2017 IMAGES CAN BE DOWNLOADED here Twitter/ Facebook / website Casting announced for Daniel Kehlmann’s CHRISTMAS EVE At Theatre Royal Bath’s Ustinov Studio • NIAMH CUSACK AND PATRICK BALADI WILL STAR IN DANIEL KEHLMANN’S CHRISTMAS EVE, TRANSLATED BY CHRISTOPHER HAMPTON AND DIRECTED BY LAURENCE BOSWELL • FORMS PART OF THE USTINOV STUDIO’S SEASON OF INTERNATIONAL UK PREMIERES • PRODUCTION WILL RUN FROM 19 OCTOBER – 18 NOVEMBER, WITH PRESS NIGHT ON 25 OCTOBER Theatre Royal Bath announces full casting for Christmas Eve, which today begins rehearsals. Niamh Cusack will play philosophy professor Judith and Patrick Baladi will play police officer Thomas. The new thriller is the latest play from multi-award winning writer Daniel Kehlmann and will be directed by Laurence Boswell, in a translation by Christopher Hampton. The production will run at the Ustinov Studio from Thursday 19 October to Saturday 18 November, with opening night for press on Wednesday 25 October. On Christmas Eve 2017, a philosophy professor is on her way to celebrate Christmas when she is bundled into police headquarters and an interrogation room. Opposite her the senior officer is cynical, smart and relentless. Played out in real time, two powerful antagonists are pitted head to head against each other. Both think they are saving their country but only one of them will win. Niamh Cusack (Judith) has recently been seen on screen in feature films including The Ghoul and Testament of Youth. Television credits include Rebellion (RTE / Netflix), The Best of Men (BBC) and The Hollow Crown (BBC). Her extensive theatre work includes The Curious Incident of the Dog in the Night-time (National Theatre and West End), Playboy of the Western World, Cause Celebre and Dancing at Lughnasa (The Old Vic), The Enchantment, His Dark Materials (National Theatre) and Breathing Corpses (Royal Court).
    [Show full text]
  • National Theatre's Sell-Out Production of the Curious
    NATIONAL THEATRE’S SELL-OUT PRODUCTION OF THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME TRANSFERS TO THE APOLLO THEATRE IN THE WEST END The Curious Incident of the Dog in the Night-Time, the National Theatre’s highly acclaimed production based on Mark Haddon’s award-winning novel, will transfer to the West End’s Apollo Theatre from 1 March for a twelve week run, with a press night on 12 March. Curious Incident, adapted by Simon Stephens and directed by Marianne Elliott, was acclaimed by critics and audiences alike during its sell-out run at the National’s Cottesloe Theatre and set a new record with its NT Live broadcast to worldwide cinemas, being seen by over 40,000 people in the UK alone. Luke Treadaway * will recreate his ‘astonishing’ (Time Out) performance as Christopher Boone, the fifteen year old maths genius with behavioural problems. Treadaway will be joined by Matthew Barker, Niamh Cusack, Sophie Duval, Rhiannon Harper-Rafferty, Nick Sidi and Howard Ward, who were also in the original cast. Further cast details will be announced in due course. Public booking for The Curious Incident of the Dog in the Night-Time opens on 23 November 2012, following priority booking for National Theatre members. Ticket prices range from £12 to £57.50, with 150 tickets at £12 each available for every performance. The production is designed by Bunny Christie, with lighting by Paule Constable, video design by Finn Ross, movement by Scott Graham and Steven Hoggett for Frantic Assembly, music by Adrian Sutton and sound by Ian Dickinson.
    [Show full text]
  • Job Description
    Job Description Job title: Assistant Producer Reporting to: Managing Director, Theatre Royal Bath Productions Principal duties: To work with the Managing Director to develop and manage theatre production projects. In particular: 1. To research potential theatre production projects. 2. To liaise with agents about the availability/likely interest of their clients in theatre production projects. 3. To work with the General Manager on all physical aspects of theatre production. 4. To work alongside and manage freelance production staff i.e. company manager and casting directors. 5. To liaise with other producers and theatre managements. 6. To create co-production agreements with other theatre managements. 7. To negotiate deals with agents for the services of actors, understudies, directors, lighting designers, sound designers and other members of creative teams. 8. To draft contracts for the services of the above. 9. To negotiate rights agreements with literary agents. 10. To create and monitor budgets for theatrical productions. 11. To attend first days of rehearsals, run-throughs, previews and press nights and liaise as necessary with directors. 12. To create and maintain the creative team fee/royalties database. 13. To liaise with marketing and press consultants. 14. To process venue contracts. Assistant Producer - Person Specification Skills Essential . Computer literate - Microsoft Word & Excel packages . Accurate typing . Good telephone manner . Excellent communicator – written & oral Experience Essential Experience of working in an organisation with a team environment Desirable . Experience of working in an arts organisation Personal Qualities Essential . Organisational flair with the ability to prioritise workloads . Calm, patient and prepared to work for others . Ability to work swiftly and under pressure .
    [Show full text]
  • 03 MAY 2020 Legends of British Industry by PHOTOGRAPHER ZOË LAW
    PHOTOGRAPHY BY ZOË LAW 19 MARCH – 03 MAY 2020 Legends of British Industry BY PHOTOGRAPHER ZOË LAW British photographer Zoë Law (b.1975) began a portrait project in 2017 to celebrate key individuals who have directly influenced her life and career. As the series evolved, it expanded to include more broadly inspirational figures from the worlds of fashion, finance, journalism and entertainment, whom Law ‘considered to be British legends – industry leaders, icons of the creative industries, sports stars and others’. Renowned figures of stage and screen feature alongside unsung heroes, such as voice coaches and charity leaders, each photographed in a setting conceived by the artist. A selection of these portraits are included in this display, and the complete set can be seen in the accompanying publication, Legends of British Industry. Law began her career in the music industry, and worked as a make- up artist for magazines including Tatler and Vogue, before taking up portrait photography. She works exclusively in black and white, and her portraits of Theresa May MP and Julian Fellowes, Lord Fellowes of West Stafford, have recently been acquired for the National Portrait Gallery’s Collection. This series is dedicated to Maggie’s, a charity providing free cancer support and information. Having lost family members to the disease, Law understands the vital work that Maggie’s undertakes to help people live well with cancer, and many of the sitters in Law’s portraits are passionate supporters of the organisation. Law previously collaborated with Maggie’s on the 2016 touring exhibition, Life, which featured portraits of people directly affected by cancer, representing their joy for life and resilience, during and beyond the illness.
    [Show full text]
  • English Viewing List Key Stage Topic Location Link KS3 Shakespeare's
    English Viewing List Key Stage Topic Location Link Shakespeare’s ‘A Midsummer Night’s Dream’ BBC iPlayer https://www.bbc.co.uk/iplayer/episod e/b078jltg/cbeebies-presents-a-midsu mmer-nights-dream Royal Shakespeare Company BBC iPlayer www.bbc.co.uk/iplayer (Dates to be Macbeth​ (2018), directed by Polly Findlay with announced) https://www.rsc.org.uk/news/bbc-cult Christopher Eccleston and Niamh Cusack ure-in-quarantine Romeo and Juliet​(2018), directed by Deputy Artistic Director Erica Whyman KS3 Storytime with David Walliams David Walliams www.worldofdavidwalliams.com Website - everyday at 11am A Christmas Carol (Told in 9 radio episodes) BBC Radio https://www.bbc.co.uk/teach/school-r adio/english-ks2-a-christmas-carol-ind ex/zbp9bdm Authors Live - a range of videos with different BBC Scotland https://www.bbc.co.uk/events/rhvg9r authors Gangsta Granny BBC iPlayer https://www.bbc.co.uk/iplayer/episod e/b03n2w7m/gangsta-granny Mr Stink BBC iPlayer https://www.bbc.co.uk/iplayer/episod English Viewing List e/p0118z9z/mr-stink Matilda Netflix https://www.netflix.com/gb/ Divergent Trilogy Netflix https://www.netflix.com/gb/ Open library (Online virtual library providing Open Library https://openlibrary.org/ free access to a range of books.) Website The Winter's Tale - Animated Tales YouTube https://www.youtube.com/watch?v=u siKDWOZZOE The Tempest - Animated Tales YouTube https://www.youtube.com/watch?v=k AZKIpWGN_Q YouTube Hansel and Gretal: The Grimms Fairy Tales https://www.youtube.com/watch?v=ssO 3yWgBHhM Cinderella: Part 1: https://www.youtube.com/watch?v=Ma 4lvtTYLdM Part 2: https://www.youtube.com/watch?v=toF FrxWCIEw​ Part 3: https://www.youtube.com/watch?v=9lp 1pnSwOA4​ Stone Cold Part 1: YouTube https://www.youtube.com/watch?v=Gj3 e9XtRGbs Part 2: English Viewing List https://www.youtube.com/watch?v=Sbc P2FKaD9I​ Part 3: https://www.youtube.com/watch?v=An ULcz9YD1M​ English Viewing List Key Stage Topic Location Link National Theatre Live Performances - new play each YouTube - https://www.youtube.com/cha Thursday.
    [Show full text]