DOCSLIB.ORG

Name a Seat at HOME

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Name a Seat at HOME home box office Name mcr. 0161 200 1500 a seat org home at HOME To find out more about dedicating a seat please call Michelle Nicholson, Development Administrator on 0161 212 3429 or drop her an email at: [email protected] You can also visit us at homemcr. org/individual-sponsorship VISIT OPENING TIMES FILM PRICES HOME Box Office Off Peak (before 17:00) 2 Tony Wilson Place Mon – Sun: 12:00 – 20:00 Full £7 / Member Full £5.50 Manchester Main Gallery Peak (from 17:00) M15 4FN Mon: Closed* Full £9 / Member Full £7 INFORMATION & BOOKING Tue – Sat: 12:00 – 20:00 £5 student advance tickets HOMEmcr.org Sun: 12:00 – 18:00 available (limited capacity). 0161 200 1500 Granada Foundation Galleries Concessions and discounts are [email protected] Mon – Thu: 11:00 – 23:00 available, please see website for KEEP IN TOUCH Fri – Sat: 11:00 – 00:00 further details. Sun: 11:00 – 22:30 e-news HOMEmcr.org/sign-up Twitter @HOME_mcr Bookshop Facebook HOMEmcr Mon – Sun: 12:00 – 20:00 Instagram HOMEmcr Bar Audioboom HOMEmcr Mon – Thu: 10:00 – 23:00 Flickr HOMEmcr Fri – Sat: 10:00 – 00:00 Youtube HOMEmcrorg Sun: 11:00 – 22:30 Google + HOMEmcrorg Café Mon – Thu: 11:00 – 23:00 Fri – Sat: 11:00 – 00:00 Sun: 11:00 – 22:30 *Except Bank Holiday Mondays OFFICIAL OFFICIAL TECHNOLOGY HOTEL FUNDED BY PARTNER PARTNER JUN- FOUNDING SUPPORTERS HOME is a trading name of Greater Manchester Arts Centre Ltd, a company limited by guarantee, registered in England and Wales No: 1681278. Registered office 2 Tony Wilson Place, Manchester M15 4FN. Charity No: 514719. On Corporation Street JUL NEW RELEASES SATELLITE Q+A FRI 10 JUN VERSUS: THE LIFE AND FILMS HOLDING THE MAN (15) DEPARTURE (15) FIRE AT SEA (CTBA) EMBRACE OF THE SERPENT (CTBA) WHEN MARNIE WAS THERE (U) WHERE TO INVADE NEXT? (15) TALE OF TALES (15) THE VIOLATORS (15) CEMETERY OF SPLENDOUR (CTBA) NO HOME MOVIE (CTBA) POOR COW (15) OF KEN LOACH (CTBA) (FUOCOAMMARE) (EL ABRAZO DE LA SERPIENTE) (OMOIDE NO MÂNÎ) (IL RACCONTO DEI RACCONTI) (RAK TI KHON KAEN) From Fri 3 Jun From Fri 10 Jun From Fri 10 Jun From Fri 17 Jun From Fri 24 Jun From Fri 24 Jun From Fri 3 Jun Dir Neil Armfield/AU 2015/128 mins Dir Andrew Steggall/GB FR 2015/109 mins/ From Fri 10 Jun From Fri 10 Jun From Fri 10 Jun Dir Michael Moore/US 2015/120 mins From Fri 17 Jun Dir Helen Walsh/GB 2015/101 mins From Fri 17 Jun Dir Chantal Akerman/BE FR 2015/115 mins/ Dir Ken Loach/GB 1967/100 mins French and English with partial EngST French, English and Spanish with partial EngST Dir Louise Osmond/GB 2016/90 mins Ryan Corr, Craig Stott, Kerry Fox, Camilla Ah Kin, Dir Gianfranco Rosi/IT FR 2016/108 mins/ English Dir Ciro Guerra/CO 2015/124 mins/Spanish, Dir Hiromasa Yonebayashi/JP 2014/103 mins/ The United States’ long history of invading Dir Matteo Garrone/IT FR 2015/134 mins Lauren McQueen, Brogan Ellis, Stephen Lord Dir Apichatpong Weerasethakul/TH 2015/122 Carol White, Terence Stamp, John Bindon Sarah Snook, Guy Pearce Juliet Stevenson, Alex Lawther, Phénix Brossard and Italian with partial EngST Portuguese, German, Catalan and Latin wEng ST Japanese wEng ST and English Dubbed mins/Thai and English with partial EngST Versus: The Life and Films of Ken Loach countries and pushing agendas has Salma Hayek, Vincent Cassel, Toby Jones Author Helen Walsh makes a striking The late, great Belgian filmmaker Based on the novel by Nell Dunn, Poor The course of teenage love rarely runs Beatrice, an independent, strong willed The winner of the Berlin Film Festival Nilblio Torres, Jan Bijvoet, Antonio Bolivar. Brionne Japanese: Sara Takatsuki, Kasumi Arimura, produced mixed results, so Moore asks Jenjira Pongpas, Banlop Lomnoi, Jarinpattra Chantal Akerman crafts a moving presents a surprisingly candid behind- Davis Nanako Matsushima Inspired by the celebrated fairy tales by debut as writer/director of this powerful Rueangram Cow is shot with a naturalistic style and smooth, but this is especially true when woman in the midst of starting again is Silver Bear, Gianfranco Rosi’s powerful what if the US could do a better job at portrait of her relationship with her the-scenes account of Ken Loach’s English: Hailee Steinfeld, Taylor Autumn Bertman, Giambattista Basile, Matteo Garrone’s new British drama. Two dysfunctional a sympathetic eye for people under the you’re secretly gay in an Aussie all-male on holiday with her son, Elliot. Whilst Filmed in stunning black-and-white, The follow-up to the Palme d’Or winning career as he prepares to release his final documentary deals with the present Geena Davis invading? An epic, humorous and troubling Tale of Tales is an epic vision of cinema. girls – Shelly and Rachel – from very mother, an Auschwitz survivor whose harshest social conditions. Released school in the 1970s and entranced by on the trip, Elliot meets the handsome the Oscar nominated Embrace of the journey ensues, confirming the Academy Uncle Boonmee who can Recall his major film, the Palme d’Or winner, migrant crisis with mix of poetry and The final release from legendary Japanese These stories weave the beautiful with different backgrounds, meet and set harrowing past and chronic anxiety almost 50 years ago, Loach’s debut the captain of the football team. French bad boy, Clement and he begins Serpent centres on Karamakate, an Award-winning director as one of the Past Lives, acclaimed Thai director I, Daniel Blake. As well as interviews resignation. Eschewing commentary, the animation house Studio Ghibli before the grotesque, creating a stunning and off on a course that will have profound have greatly shaped her daughter’s still has striking relevance for a modern to work through the dawning of his own Amazonian shaman and the last survivor leading documentary provocateurs. Apichatpong Weerasethakul’s latest with Loach, director Louise Osmond film lets the situation speak eloquently its hiatus, When Marnie Was There - unique work of gothic imagination. implications for both of them. art. Akerman’s final film is a sober, audience; a society where poverty sexuality and alienation from his mother. for itself. of his people, and the two scientists film is another feast for the senses. A profoundly moving and emotional work. talks with a host of his friends, who, over the course of 40 years, build by the director of Arrietty, Hiromasa Event/ The 18:30 screening on Fri 10 thinly coded lament for Weerasethakul’s and lack of opportunity continue to adversaries, colleagues and a friendship with him. Yonebayashi - is a suitably nostalgic and Jun will be followed by a satellite Q&A homeland, it’s infused with a sly humour adversely affect the lives of those with with Michael Moore, live from Sheffield collaborators. overwhelmingly moving story, as well as and breathtaking visuals. the least privilege. another superb artistic achievement. Doc Fest. REMAINDER (15) NOTES ON BLINDNESS (CTBA) QUEEN OF EARTH (15) MAGGIE’S PLAN (15) THE NEON DEMON (18) THE HARD STOP (15) MEN & CHICKEN (15) SUMMERTIME (15) CHEVALIER (18) THE COMMUNE (15) AUTHOR: THE JT LEROY STORY TRADERS (CTBA) (MÆND & HØNS) (LA BELLE SAISON) (KOLLEKTIVET) (CTBA) From Fri 24 Jun From Fri 1 Jul From Fri 1 Jul From Fri 8 Jul From Fri 8 Jul From Fri 15 Jul From Fri 22 Jul From Fri 29 Jul Dir Omer Fast/GB DE 2015/103 mins Dirs Pete Middleton, James Spinney/ Dir Alex Ross Perry/US 2015/90 mins Dir Rebecca Miller/US 2015/99 mins Dir Nicolas Winding Refn/US FR 2016/110 mins Dir George Amponsah/GB 2015/85 mins From Fri 15 Jul From Fri 15 Jul Dir Athina Rachel Tsangari/GR 2015/105 mins/ From Fri 29 Jul From Fri 29 Jul Dirs Rachael Moriarty, Peter Murphy/IE 2015/ Tom Sturridge, Cush Jumbo, Ed Speleers GB 2016/90 mins Elisabeth Moss, Katherine Waterston, Patrick Greta Gerwig, Ethan Hawke, Julianne Moore Keanu Reeves, Christina Hendricks, Elle Fanning For 28 months, director George Dir Anders Thomas Jensen/DK DE 2015/104 Dir Catherine Corsini/FR BE 2015/105 mins/ Greek wEng ST Dir Thomas Vinterberg/DK SE NL 2016/112 mins/ Dir Jeff Feuerzeig/US 2016/110 mins 90 mins Dan Renton Skinner, Simone Kirby, John M. Hull Fugit mins/Danish wEng ST French wEng ST Giannis Drakopoulos, Kostas Filippoglou, Yiorgos Danish wEng ST Killian Scott, John Bradley, Peter O’Meara Israeli video artist Omer Fast’s first Greta Gerwig (Frances Ha) stars in the When an aspiring model moves to Amponsah filmed around Broadwater Kendros Author: The JT LeRoy Story takes us feature-length film is an adaptation of Based on the audio diaries of writer and Alex Ross Perry’s follow up to the new film from gifted writer-director Los Angeles, her youth and vitality David Dencik, Mads Mikkelsen, Nikolaj Lie Kaas Cécile De France, Izïa Higelin, Noémie Lvovsky Ulrich Thomsen, Trine Dyrholm, Fares Fares What if it made sense for ordinary Farm in Tottenham, where Mark Duggan, In the remarkable new film from New down the infinitely fascinating rabbit the debut novel by Tom McCarthy. The academic John Hull, who, after decades brilliant (if divisive) Listen Up Philip Rebecca Miller (Personal Velocity), about are devoured by a group of beauty A box office sensation in its native Summertime is a politicised love story Based on Vinterberg’s own childhood people to kill each other for money? shot and killed in a ‘Hard Stop’ police Greek Cinema prodigy Athina Rachel hole of how Laura Albert – like a Cyrano result is a brutal, somnambulistic game of steady deterioration, became totally evokes Bergman’s Persona in its portrait a young woman whose determination obsessed women who will use any Denmark, Anders Thomas Jensen’s film that has already been compared to experiences, The Commune depicts Jobs are gone.
Load more

Recommended publications
  • Working-Class Cinema in the Age of Digital Capitalism
    WORKING-CLASS CINEMA IN THE AGE OF DIGITAL CAPITALISM MASSIMILIANO MOLLONA he story of cinema starts with workers. The film Workers Leaving The TLumière Factory In Lyon (La Sortie des Usines Lumière à Lyon, 1895) by the brothers Louis and Auguste Lumière, 45 seconds long, shows the approximately 100 workers at a factory for photographic goods in Lyon- Montplaisir leaving through two gates and exiting the frame to both sides. But why does the story of cinema begin with the end of work? Is it because, as has been suggested, it is impossible to represent work from the perspective of labour but only from the point of view of capital, because the revolutionary horizon of the working class coincides with the end of work?1 After all, the early revolutionary art avant-garde had an ambiguous relationship with capitalism: it provided both a critique of commodification whilst also reproducing the commodity form.2 Even the cinema of Eisenstein, which so subverted the bourgeois sense of space, time, and personhood, at the same time standardized and commodified working-class reality with techniques of framing and editing that moulded images on the commodity form.3 Such dialectics between art and the commodity form continue to be played out in today’s digital capitalism, as exemplified by so-called ‘debt- artists’, like the hackers collective, Robin Hood, who appropriate the techniques and modes of sociality of financial capitalism to generate spaces of reciprocity and cooperation with the aim of disrupting their commodity logic, but which in fact end up reproducing it.4 The tension between critique and commodification is no less in play as the digital medium erases the specificity of cinema, the relation between its material bases and its poetics, opening up as it does to other relations – intertextual, lateral, and cross-media – that recall the synchronic aesthetics of the avant-garde.
    [Show full text]
  • Mels Resume:Update2020
    Melissa Street Makeup Artist Film/Television/Theater/Live Events cell: (858) 344-7201 email: [email protected] FILM: 2020 MAKEUP DEPARTMENT HEAD - GIGI - Director: Drew Sackheim. 2018 MAKEUP ARTIST - TOP GUN MAVERICK - PARAMOUNT - Director: Joseph Kosinski - Starring: Tom Cruise, Jennifer Connelly, Jon Hamm, Val Kilmer, Miles Teller. 2016 MAKEUP DEPARTMENT HEAD - THE RIDE - 100 ACRE FILMS - SHORT FILM - Director: Eric Addison 2014 MAKEUP DEPARTMENT HEAD - WALTER - ZERO GRAVITY Director: Anna Mastro - Starring: Andrew J. West, Virginia Madsen, William H. Macy, Leven Rambin, Peter Facinelli, Neve Campbell, Brian White, Jim Gaffigan, Justin Kirk, Milo Ventimiglia. Personal artist to: Virginia Madsen, William H. Macy, Andrew J. West, Peter Facinelli, Neve Campbell, Brian White. 2013 MAKEUP DEPARTMENT HEAD - SUPER ATHLETE - WHITE NIGHT PRODUC- TIONS Director: John Comrie - Starring: Tony Sirico, Christopher Lloyd, Faran Tahir, Cameron Rodriguez, Larry Van- Buren Jr. Personal artist to: Tony Sirico, Christopher Lloyd, Faran Tahir. 2011 KEY MAKEUP ARTIST - WHEN YOU FIND ME - SHORT FILM - PROJECT IMAG- IN8TION/FREESTYLE Director: Bryce Dallas-Howard - Starring: Marianna Palka, Erin Way, Jacy King, Karley Scott Collins, Devon Woods, Zachary James Rukavina. 2010 MAKEUP DEPARTMENT HEAD - THE HEIRESS LETHAL - SHORT FILM - EYE- FULL STUDIOS Director: Michael Brueggemeyer - Starring: Merrick McCartha, Cristyn Chandler, Ron Christopher Jones, Theresa Layne. 2003 MAKEUP DEPARTMENT HEAD - CARROT TOP ROCKS LAS VEGAS - DELTA EN- TERTAINMENT Director: Steve Hanft - Starring: Scott “Carrot Top” Thompson, Penn Jillette, Teller. 1986 UNCREDITED MAKEUP ASSISTANT - INVADERS FROM MARS - CANNON PIC- TURES Director: Tobe Hooper - Starring: Karen Black, Hunter Carson, Timothy Bottoms, James Karen, Laraine Newman. Makeup Assistant to Stan Winston F/X lab team.
    [Show full text]
  • BFI CELEBRATES BRITISH FILM at CANNES British Entry for Cannes 2011 Official Competition We’Ve Got to Talk About Kevin Dir
    London May 10 2011: For immediate release BFI CELEBRATES BRITISH FILM AT CANNES British entry for Cannes 2011 Official Competition We’ve Got to Talk About Kevin dir. Lynne Ramsay UK Film Centre supports delegates with packed events programme 320 British films for sale in the market A Clockwork Orange in Cannes Classics The UK film industry comes to Cannes celebrating the selection of Lynne Ramsay’s We Need to Talk About Kevin for the official competition line-up at this year’s festival, Duane Hopkins’s short film, Cigarette at Night, in the Directors’ Fortnight and the restoration of Stanley Kubrick’s A Clockwork Orange, restored by Warner Bros; in Cannes Classics. Lynne Ramsay’s We Need To Talk About Kevin starring Tilda Swinton was co-funded by the UK Film Council, whose film funding activities have now transferred to the BFI. Duane Hopkins is a director who was supported by the UK Film Council with his short Love Me and Leave Me Alone and his first feature Better Things. Actor Malcolm McDowell will be present for the screening of A Clockwork Orange. ITV Studios’ restoration of A Night to Remember will be screened in the Cinema on the Beach, complete with deckchairs. British acting talent will be seen in many films across the festival including Carey Mulligan in competition film Drive, and Tom Hiddleston & Michael Sheen in Woody Allen's opening night Midnight in Paris The UK Film Centre offers a unique range of opportunities for film professionals, with events that include Tilda Swinton, Lynne Ramsay and Luc Roeg discussing We Need to Talk About Kevin, The King’s Speech producers Iain Canning and Gareth Unwin discussing the secrets of the film’s success, BBC Film’s Christine Langan In the Spotlight and directors Nicolas Winding Refn and Shekhar Kapur in conversation.
    [Show full text]
  • Look at Life on Talking Pictures TV Talking Pictures TV Are Delighted to Bring to the ‘Small Screen’ the ‘Big Screen’ Production: “Look at Life”
    Talking Pictures TV www.talkingpicturestv.co.uk Highlights for week beginning SKY 328 | FREEVIEW 81 Mon 3rd May 2021 FREESAT 306 | VIRGIN 445 Look at Life on Talking Pictures TV Talking Pictures TV are delighted to bring to the ‘small screen’ the ‘big screen’ production: “Look at Life”. All shot on 35mm, this iconic Rank production, made from the late 50s through to the early 60s, was a mainstay at all rank cinemas. Enjoy the cars, fashions, transport, and much more when you “Look at Life” again on Talking Pictures TV. The films will be airing throughout May. Monday 3rd May 12:10pm Tuesday 4th May 6:30pm Bank Holiday (1938) The Net (1953) Drama. Director: Carol Reed. Thriller. Director: Anthony Asquith. Stars: John Lodge, Margaret Lockwood, Stars: James Donald, Phyllis Calvert, Hugh Williams, Rene Ray, Wally Patch, Robert Beatty, Herbert Lom. A scientist Kathleen Harrison, Wilfrid Lawson and in a supersonic flight project risks his life. Felix Aylmer. A group of people encounter strange situations when they Wednesday 5th May 8:45am visit a resort to spend the weekend. The Sky-Bike (1967) Director: Charles Frend. Stars: Monday 3rd May 3pm Liam Redmond, William Lucas, Ian Ellis, Pollyanna (2002) Ellen McIntosh, Spencer Shires, Drama. Director: Sarah Harding. Della Rands, John Howard, Bill Shine, Stars: Amanda Burton, Georgina Terry David Lodge and Guy Standeven. and Kenneth Cranham. Adaptation of Young Tom builds a flying machine. the classic tale. Young orphan Pollyanna goes to stay with Aunt Polly, bringing Wednesday 5th May 12:20pm mirth and mayhem to her new home.
    [Show full text]
  • PDF Download Sherlock Holmes from Screen to Stage : Post
    SHERLOCK HOLMES FROM SCREEN TO STAGE : POST- MILLENNIAL ADAPTATIONS IN BRITISH THEATRE PDF, EPUB, EBOOK Benjamin Poore | 258 pages | 05 Sep 2017 | Palgrave MacMillan | 9781137469625 | English | Basingstoke, United Kingdom Sherlock Holmes from Screen to Stage : Post-Millennial Adaptations in British Theatre PDF Book Sherlock Holmes. Robert Webb. Baskerville: A Sherlock Holmes Mystery [49]. New issue alert. The Secret Document [60]. Baker Street Victorian Undead. Who We Are. Moreover, stage Sherlocks of the last three decades have often anticipated the knowing, metafictional tropes employed by screen adaptations. Sign In or Create an Account. Anthony Higgins. Radio ABC. I tend to foreground storytelling as a social act, that is, as a collaboration dependent on legal, economic and cultural conditions. Sign in via your Institution Sign in. Sherlock Holmes [19]. Stage Royal Shakespeare Company. Owen Gallighar, Eduardo Navas, Routledge, Sherlock Holmes in New York. The Valley of Fear. Wikimedia list article. I enjoy working with students one-on-one and have supervised independent studies on subjects as various as playwrights Susan Glaspell and August Strindberg, the theatre of India, children's books and young adult literature, stand-up comedy, true crime, erotica and Batman. I'm interested in how writing is made, marketed and sold. The Three Garridebs [52]. The Mask of Moriarty [44]. Young Sherlock Holmes. Metuchen, New Jersey: Scarecrow Press. Stage Metropolitan Opera House. Introduction: Sherlock Holmes Belongs to Everyone. This books provides a timely comparative case study that reveals the factors driving the International Sherlock Holmes and the Case of the Silk Stocking. The Armstrong and Miller Show. The Hound of the Baskervilles.
    [Show full text]
  • The Evocation of the Physical, Metaphysical, and Sonic Landscapes in Samuel Beckett's Short Dramatic Works
    Trinity College Trinity College Digital Repository Senior Theses and Projects Student Scholarship Spring 2012 The Evocation of the Physical, Metaphysical, and Sonic Landscapes in Samuel Beckett's Short Dramatic Works Theresa A. Incampo Trinity College, [email protected] Follow this and additional works at: https://digitalrepository.trincoll.edu/theses Part of the Dramatic Literature, Criticism and Theory Commons, Performance Studies Commons, and the Theatre History Commons Recommended Citation Incampo, Theresa A., "The Evocation of the Physical, Metaphysical, and Sonic Landscapes in Samuel Beckett's Short Dramatic Works". Senior Theses, Trinity College, Hartford, CT 2012. Trinity College Digital Repository, https://digitalrepository.trincoll.edu/theses/209 The Evocation of the Physical, Metaphysical and Sonic Landscapes within the Short Dramatic Works of Samuel Beckett Submitted by Theresa A. Incampo May 4, 2012 Trinity College Department of Theater and Dance Hartford, CT 2 Table of Contents Acknowledgements 5 I: History Time, Space and Sound in Beckett’s short dramatic works 7 A historical analysis of the playwright’s theatrical spaces including the concept of temporality, which is central to the subsequent elements within the physical, metaphysical and sonic landscapes. These landscapes are constructed from physical space, object, light, and sound, so as to create a finite representation of an expansive, infinite world as it is perceived by Beckett’s characters.. II: Theory Phenomenology and the conscious experience of existence 59 The choice to focus on the philosophy of phenomenology centers on the notion that these short dramatic works present the theatrical landscape as the conscious character perceives it to be. The perceptual experience is explained by Maurice Merleau-Ponty as the relationship between the body and the world and the way as to which the self-limited interior space of the mind interacts with the limitless exterior space that surrounds it.
    [Show full text]
  • Young Vic Announces New Dates for Cush Jumbo in Hamlet
    Press Release 19 March 2021 Young Vic sets new dates for Cush Jumbo in Hamlet HAMLET By William Shakespeare Directed by Greg Hersov Young Vic Main House From 27 September – 13 November 2021 Press Night 4 October The Young Vic announces their highly anticipated production of Hamlet, starring Cush Jumbo and directed by Greg Hersov, will begin previews from 27 September 2021, with Press Night 4 October. This new version of Shakespeare’s great tragedy will see Cush Jumbo (The Good Wife, The Good Fight) make her YV debut as a new kind of Hamlet, reuniting with her long-time collaborator Greg Hersov, to bring us this tale of power, politics and desire. Kwame Kwei-Armah, Artistic Director of the Young Vic, said: “I am delighted that this extraordinary new version of Hamlet will play at the YV this autumn. I want to take this opportunity to thank each audience member who kept their tickets in the show through this period of uncertainty; I can’t wait to have you back into our house, to step into the extraordinary world Cush, Greg and the company will create. Finally, I look forward to sharing more detail on the rest of our 2021 season, including more imminent plans for welcoming you back to the YV, very soon. Until then, peace and love.” Further Hamlet cast and creative team to be announced. Hamlet is currently sold out, but to be the first to hear about future ticket releases, sign up to receive email alerts here. ENDS For more information, contact Emma Hardy: [email protected] For images, click here.
    [Show full text]
  • THE JUNGLE by Joe Murphy & Joe Robertson Directed by Stephen Daldry & Justin Martin
    PRESS RELEASE – Monday 11 June 2018 IMAGES CAN BE DOWNLOADED HERE Twitter/ Facebook / Instagram @TheJungleLDN TheJunglePlay.co.uk A NATIONAL THEATRE AND YOUNG VIC CO-PRODUCTION WITH GOOD CHANCE THEATRE THE JUNGLE by Joe Murphy & Joe Robertson directed by Stephen Daldry & Justin Martin FULL CAST ANNOUNCED FOR CRITICALLY ACCLAIMED THE JUNGLE AND REHEARSAL PICTURES RELEASED TODAY THEATRE TRANSFORMATION UNDERWAY IN ORDER TO ACCOMMODATE MIRIAM BUETHER’S UNIQUE SET DESIGN FROM THE YOUNG VIC NEW FOR PLAYHOUSE AUDIENCES, THE DRESS CIRCLE WILL BE TRANSFORMED INTO ‘CLIFFS OF DOVER’, WITH UNIQUE AND INTIMATE VIEWS OVER THE SPACE BELOW ENHANCED BY SCREENS RELAYING CLOSE-UP ‘LIVE NEWS BROADCAST’ STYLE FOOTAGE OF THE ACTION AS IT HAPPENS THE JUNGLE WILL PREVIEW FROM 16 JUNE AT THE PLAYHOUSE THEATRE IN LONDON’S WEST END Following critical acclaim, and a sold-out run at the Young Vic, producers Sonia Friedman Productions, Tom Kirdahy and Hunter Arnold are delighted to announce the full cast for the West End transfer of Joe Murphy and Joe Robertson’s The Jungle, a National Theatre and Young Vic co-production with Good Chance Theatre, directed by Stephen Daldry and Justin Martin. The production is set in Europe’s largest unofficial refugee camp, the Calais Jungle, which in 2015, became a temporary home for more than 10,000 people. Previewing from 16 June, with World Refugee Day on 20 June, The Jungle will have an Opening Night on 5 July at the Playhouse Theatre, with rehearsal photography released today. Cast transferring from the Young Vic include Mohammad Amiri, Elham Ehsas, Trevor Fox, Moein Ghobsheh, Ammar Haj Ahmad, Alex Lawther, Jo McInnes, John Pfumojena, Rachel Redford, Rachid Sabitri, Mohamed Sarrar, Ben Turner and Nahel Tzegai.
    [Show full text]
  • June 17 – Jan 18 How to Book the Plays
    June 17 – Jan 18 How to book The plays Online Select your own seat online nationaltheatre.org.uk By phone 020 7452 3000 Mon – Sat: 9.30am – 8pm In person South Bank, London, SE1 9PX Mon – Sat: 9.30am – 11pm Other ways Friday Rush to get tickets £20 tickets are released online every Friday at 1pm Saint George and Network Pinocchio for the following week’s performances. the Dragon 4 Nov – 24 Mar 1 Dec – 7 Apr Day Tickets 4 Oct – 2 Dec £18 / £15 tickets available in person on the day of the performance. No booking fee online or in person. A £2.50 fee per transaction for phone bookings. If you choose to have your tickets sent by post, a £1 fee applies per transaction. Postage costs may vary for group and overseas bookings. Access symbols used in this brochure CAP Captioned AD Audio-Described TT Touch Tour Relaxed Performance Beginning Follies Jane Eyre 5 Oct – 14 Nov 22 Aug – 3 Jan 26 Sep – 21 Oct TRAVELEX £15 TICKETS The National Theatre Partner for Innovation Partner for Learning Sponsored by in partnership with Partner for Connectivity Outdoor Media Partner Official Airline Official Hotel Partner Oslo Common The Majority 5 – 23 Sep 30 May – 5 Aug 11 – 28 Aug Workshops Partner The National Theatre’s Supporter for new writing Pouring Partner International Hotel Partner Image Partner for Lighting and Energy Sponsor of NT Live in the UK TBC Angels in America Mosquitoes Amadeus Playing until 19 Aug 18 July – 28 Sep Playing from 11 Jan 2 3 OCTOBER Wed 4 7.30 Thu 5 7.30 Fri 6 7.30 A folk tale for an Sat 7 7.30 Saint George and Mon 9 7.30 uneasy nation.
    [Show full text]
  • The Emergence and Development of the Sentient Zombie: Zombie
    The Emergence and Development of the Sentient Zombie: Zombie Monstrosity in Postmodern and Posthuman Gothic Kelly Gardner Submitted in partial fulfilment of the requirements for the award of Doctor of Philosophy Division of Literature and Languages University of Stirling 31st October 2015 1 Abstract “If you’ve never woken up from a car accident to discover that your wife is dead and you’re an animated rotting corpse, then you probably won’t understand.” (S. G. Browne, Breathers: A Zombie’s Lament) The zombie narrative has seen an increasing trend towards the emergence of a zombie sentience. The intention of this thesis is to examine the cultural framework that has informed the contemporary figure of the zombie, with specific attention directed towards the role of the thinking, conscious or sentient zombie. This examination will include an exploration of the zombie’s folkloric origin, prior to the naming of the figure in 1819, as well as the Haitian appropriation and reproduction of the figure as a representation of Haitian identity. The destructive nature of the zombie, this thesis argues, sees itself intrinsically linked to the notion of apocalypse; however, through a consideration of Frank Kermode’s A Sense of an Ending, the second chapter of this thesis will propose that the zombie need not represent an apocalypse that brings devastation upon humanity, but rather one that functions to alter perceptions of ‘humanity’ itself. The third chapter of this thesis explores the use of the term “braaaaiiinnss” as the epitomised zombie voice in the figure’s development as an effective threat within zombie-themed videogames.
    [Show full text]
  • Actress Carey Mulligan to Receive the Artistic Achievement Award During the Centerpiece Presentation of ​Wildlife Costume Desi
    Media Contact: Nick Harkin / Matthew Bryant ​ Carol Fox and Associates 773.969.5033 / 773.969.5034 [email protected] [email protected] For Immediate Release: Sept. 12, 2018 ​ ACTRESS CAREY MULLIGAN TO RECEIVE THE ARTISTIC ACHIEVEMENT AWARD DURING THE CENTERPIECE PRESENTATION OF WILDLIFE ​ COSTUME DESIGNER RUTH CARTER (BLACK PANTHER, SELMA) TO ​ ​ BE HONORED WITH A CAREER ACHIEVEMENT AWARD AT THIS YEAR’S BLACK PERSPECTIVES TRIBUTE The Festival will also pay tribute to the legacy of actress and Festival co-founder Colleen ​ Moore and Chicago graphic artist Art Paul ​ ​ th CHICAGO – The 54 ​ Chicago International Film Festival, presented by Cinema/Chicago, ​ ​ ​ ​ ​ today announced Tributes to actress Carey Mulligan in conjunction with this year’s ​ ​ Centerpiece film Wildlife, and costume designer Ruth Carter as part of the Festival’s annual ​ ​ ​ ​ ​ Black Perspectives Program. The Festival will also celebrate posthumously two artists special ​ to Chicago, graphic designer Art Paul in conjunction with a screening of Jennifer Kwong’s Art ​ ​ ​ Paul of Playboy: The Man Behind the Bunny, and actress and Chicago International Film ​ Festival co-founder Colleen Moore, with a screening of The Power and the Glory (1933). The ​ ​ ​ ​ ​ ​ tributes will take place over the course of the Festival’s 12-day run at AMC River East 21 (322 E. Illinois St.) in Chicago, October 10-21, 2018. British actress Carey Mulligan is one of the paramount talents of her generation. Nominated for ​ ​ an Oscar®, a Golden Globe, and a SAG award for her radiant portrayal of the innocent teenage Jenny in An Education, Mulligan has delivered captivating performances across stage and ​ ​ ​ ​ screen, including Shame, The Great Gatsby, Inside Llewyn Davis, Mudbound, and this year’s ​ ​ ​ ​ ​ ​ Festival selection, Wildlife.
    [Show full text]
  • The Apology | the B-Side | Night School | Madonna: Rebel Heart Tour | Betting on Zero Scene & Heard
    November-December 2017 VOL. 32 THE VIDEO REVIEW MAGAZINE FOR LIBRARIES N O . 6 IN THIS ISSUE One Week and a Day | Poverty, Inc. | The Apology | The B-Side | Night School | Madonna: Rebel Heart Tour | Betting on Zero scene & heard BAKER & TAYLOR’S SPECIALIZED A/V TEAM OFFERS ALL THE PRODUCTS, SERVICES AND EXPERTISE TO FULFILL YOUR LIBRARY PATRONS’ NEEDS. Learn more about Baker & Taylor’s Scene & Heard team: ELITE Helpful personnel focused exclusively on A/V products and customized services to meet continued patron demand PROFICIENT Qualified entertainment content buyers ensure frontlist and backlist titles are available and delivered on time SKILLED Supportive Sales Representatives with an average of 15 years industry experience DEVOTED Nationwide team of A/V processing staff ready to prepare your movie and music products to your shelf-ready specifications Experience KNOWLEDGEABLE Baker & Taylor is the Full-time staff of A/V catalogers, most experienced in the backed by their MLS degree and more than 43 years of media cataloging business; selling A/V expertise products to libraries since 1986. 800-775-2600 x2050 [email protected] www.baker-taylor.com Spotlight Review One Week and a Day and target houses that are likely to be empty while mourners are out. Eyal also goes to the HHH1/2 hospice where Ronnie died (and retrieves his Oscilloscope, 98 min., in Hebrew w/English son’s medical marijuana, prompting a later subtitles, not rated, DVD: scene in which he struggles to roll a joint for Publisher/Editor: Randy Pitman $34.99, Blu-ray: $39.99 the first time in his life), gets into a conflict Associate Editor: Jazza Williams-Wood Wr i t e r- d i r e c t o r with a taxi driver, and tries (unsuccessfully) to hide in the bushes when his neighbors show Editorial Assistant: Christopher Pitman Asaph Polonsky’s One Week and a Day is a up with a salad.
    [Show full text]