C:\Docume~1\Johnkn~1

Total Page:16

File Type:pdf, Size:1020Kb

C:\Docume~1\Johnkn~1 WHAT’S ON? ACROSS THE GLOBE (Professional companies in red amateur in black) America & Canada Blithe Spirit 3 to 5 Mar 2004 Crofton House School, Vancouver, BC JANUARY 20 to 30 Dec 2003 University Players, University of Windsor, Windsor, Ontario 2003 Mar to Apr 2004 Denver Center, Denver, CO Jul to Aug Atlantic Thr. Co., Wolfville, Nova Scotia Jun to Aug Purple Rose Thr., Chelsea, Mich. Sep to Oct Utah (more information to follow...) Hay Fever 20 Nov to 13 Dec Grand Prairie Live Theatre, Grand Prairie, Alberta 24 Jun to 31 Aug Utah Shakespeare Festival in Cedar City, Utah, USA. “Cocktails and Sept.-Oct Pacific Repertory Thr., Carmel, CA IN THIS ISSUE Come Into the Garden Maud Oct 9, Nov 3, & Dec 8. Food for Thought Productions, National Arts Club, NYC Laughter...” Page 1 - Steve Ross at Pizza- Tel: (212) 362-2560 STEVE ROSS You are invited to a Very Special On-The-Park Design For Living 5 to 13 Feb 2004 Amicus Productions Toronto, Ontario Page 2 Ten Chimneys - The Evening on Fallen Angels 18 to 31 Jan 2004 Bramalea Live Theatre, Brampton, Ontario Sequel st Present Laughter 2 Mar to 1 Nov Oregon Shakespeare Festival in Ashland OR. www.orshakes.org Saturday 31 Page 3 A Magical Day At Ten Private Lives 4 to 21 Febr Tribal Productions Inc. Thornhill, Ontario Chimneys 21 to 30 Aug Weston Playhouse in Weston, Vermont January, 2004. Page 5 Home Movies 20 to 30 Dec University of Windsor, School of Drama and Arts, Windsor, ON Page 6 Mary Ellis - The Sep to Nov Globe Thr., Regina, Saskatchewan., Canada, ; Missing Bits of the Obits. The Noël Coward Society has reserved Page 8 Elaine Stritch in San Jul to Aug Post Playhouse, Chadron, Nebr. the famous cabaret venue Francisco Sep Riverside Thr., Iowa City, Iowa, Pizza-on-the-Park Page 8 NEWS ... Jul to Sep Shakespeare Santa Cruz, Santa Cruz, CA exclusively for Members and their Page 10 Coward Upsets His Jul to Aug The Red Barn Thr., Jackson Point, Ontario guests and distinguished celebrities. Apple Cart Aug to Sep PCPA Theaterfest, Santa Monica, CA Page 12 WHAT’S ON! Aug Weston Playhouse, Weston, Vermont, Come to the Cabaret and listen to the Aug to Sep Lamb's Players Thr., Coronado, CA Words and Music of Noël Jan to Feb, 2004 Lyric Stage, Boston, Mass. Coward sung by one of the finest Aug Capitol Thr., Port Hope, Ontario exponents of his work – Mr Steve Ross. Apr to May, 2004 Irish Classical Thr. Buffalo, NY Australasia Steve Ross was among the distin- Blithe Spirit 28 to 31 Aug Tropic Line TheatreTownsville, Queensland, Australia guished performers at the Noël Cow- 15 Nov to 20 Dec Melbourne Theatre Co Victoria then national tour 2003 (Press Night 19 Nov) ard Centenary Celebration at the The Rest of the World Savoy Theatre on December 12th 1999 Private Lives Current Pieter Toerien Productions, Cape Town, Grahamstown, Jo’burg, South Africa and his artistry as the world’s most Pizza-On-The-Park United Kingdom accomplished exponent of the great Present Laughter 16 to 18 Oct Union Theatre, The Village Hall, Dorridge, Solihull, West Midlands songwriters of the twentieth century is appreciated in regular Fumed Oak 13 &14 Dec Phoenix Players, Village Hall, Abertin, Glamorgan appearances at both Pizza-on-the-Park in London and at New Fallen Angels 15 to 24 Aug Hever lakeside Theatre, Kent York’s Stanhope Park Hyatt. Hay Fever 30 Oct to 6 Nov R.S.A.M.D. The New Athenium Theatre, Glasgow, Scotland 12 to 17 Jan 2004 Nottingham Arts Theatre, Nottingham, Nottinghamshire Steve Ross He mixed it for HRH Queen “Cocktails and Laughter…” Red Peppers/Still Life 16 to 20 Aug Market Harborough Theartre, Leicestershire Steve is not only an accomplished Elizabeth the Queen Mother, promises to be a most glamorous Blithe Spirit 8 to 15 Nov Questors Theatre, The Playhouse Theatre, Ealing, London singer of the repertoire, but also when she visited him in Jamaica. and enjoyable event and one which 6 Jun to 31 Oct Cumbria Theatre Trust, Theatre By The Lake, Keswick, Cumbria accompanies himself on the piano Many of you will no doubt know is unusual in present times, but it 11 to 16 & 18 to 30 Aug Jill Freud & Co, Southwold, Suffolk with skill and panache - a rare its ingredients. will only be possible if sufficient 6 Jun to 31 Oct Cumbria Theatre Trust, Theatre By The Lake, Keswick, Cumbria musical talent indeed and one that There will be a seating plan for members are able to commit them- 18 to 25 Oct Bolton Little Theatre (With member Andrew Close as Charles Condomine) has not been so well displayed since dinner and we shall sit down for selves to attending. Many of you Private Lives 19 Sep to 11 Oct Theatre Royal, York the days of Hutch. As well as the first course at approximately live outside London and would have 18 to 22 May 2004 Quince Players, The Cordes Hall, Sunninghill, Ascot, Berkshire performing a scintillating selection 8.p.m. and then continue with to spend the night in the capital. 5 to 8 Nov Belmont Theatre Company, The Arts Centre, Harrow, Pinner, Middlesex of songs, Steve Ross also laces his the main course. The Society will endeavour to obtain 17 Oct to 8 Nov Theatre Royal, York performance with stories about the The ‘first set’ of the cabaret, good rates at nearby hotels for those Waiting In The Wings 30 Sep to 4 Oct The Old Market, Brighton songs and the circumstances of concentrating on Noël Coward’s who require them. their composition. music, will begin at 9.15 p.m. by The cost of the evening will be £60 MEMBERSHIP ... In keeping with the style that Sir which time we should all be per member and members may Noël himself would have brought to Our membershiup continues to grow, especially in the US where we have more members joining the Society than from any relaxed and the bustle of dinner bring up to seven guests at their such an event, the dress code will be other country. Our thanks to all those who support and promote the Society in the US especially our lead representative will have subsided. table at the same price. This will black tie, although cigarette Ken Starrett who never ventures out without a bundle of membership forms in his jacket pocket! At 10.p.m. the pudding course include the cabaret, the cocktails, holders will not be de rigeur! and coffee will be served and then the three course dinner, coffee and The evening will begin at 7.30 p.m. All information for WHAT’S ON? and any correspondence for Home Chat should be sent to: the second part of the show, half a bottle of good house wine, per with cocktails and we shall all be The Noël Coward Society, 29, Waldemar Avenue, Hellesdon, Norwich, NR6 6TB which will include music by other person. Please don’t be put off, if tasting Noël Coward’s favourite Email: [email protected] Tel: +44 (0)1603 486 188 Fax: +44 (0)1603 400 683 songwriters of the era, will begin you are attending on your own. cocktail. at 10.45 p.m. approximately. We guarantee to seat solo members Page 12 next to especially friendly faces, simply have to call the whole NO LATER THAN 15th Septem- hence the table plan. thing off (!!) which would be a ber, 2003 to:- There is absolutely no need to send pity……… Mrs Barbara Longford, a cheque at this early stage, but Pizza-on-the-Park is situated next 7 Argyll Mansions, your confirmation of attendance is to the Lanesbrough Hotel at Hyde London W14 8QG required as soon as possible. If Park Corner. Tel: 020 7603 7399: home there is insufficient interest from Would interested members please Tel: 020 7937 8692: office members (and we do need 80 be kind enough to complete the e-mail: people to attend) then we shall enclosed slip and return it [email protected] NOT YET - NOT YET THE DODO It is with real regret that despite the best themselves to this date. We hope to show for us and the Jermyn Street efforts of the Society and Barbara offer this wonderful show again later at Theatre all of whom were very support- Longford our organiser, we have had to a time and date to suit members. Our ive of this venture. postpone the planned performance of thanks to all those who purchased Noel Coward’s classic verse and music tickets for this event and to Barbara Our next event will be the AGM on piece planned for Saturday August Longford who organised it so well. Saturday 13th December which will 30th, 2003. Our feeling is that the date We particularly wish to thank Tim include lunch at a prestigious London Left: Noel Coward appeared in the key role of King Magnus in the London revival was just a little too near the Summer and Heath , performers Sheila Reid and venue and the annual flower-laying of Shaw's The Apple Cart for a three-month period beginning last May 7 many had difficulty in committing Miles Richardson and accompanist ceremony at the Theatre Royal, Drury Michael Haslam who were preparing the Lane to mark Sir Noel Coward’s birth. Above: Alexis France was featured as the Queen in this production of the work, which had an original run of 258 performances beginning in September, 1929. Margaret Leighton, another of England's leading stage personalities, appeared as Orinthia in the 1953 revival.
Recommended publications
  • Theater Souvenir Programs Guide [1881-1979]
    Theater Souvenir Programs Guide [1881-1979] RBC PN2037 .T54 1881 Choose which boxes you want to see, go to SearchWorks record, and page boxes electronically. BOX 1 1: An Illustrated Record by "The Sphere" of the Gilbert & Sullivan Operas 1939 (1939). Note: Operas: The Mikado; The Goldoliers; Iolanthe; Trial by Jury; The Pirates of Penzance; The Yeomen of the Guard; Patience; Princess Ida; Ruddigore; H.M.S. Pinafore; The Grand Duke; Utopia, Limited; The Sorcerer. 2: Glyndebourne Festival Opera (1960). Note: 26th Anniversary of the Glyndebourne Festival, operas: I Puritani; Falstaff; Der Rosenkavalier; Don Giovanni; La Cenerentola; Die Zauberflöte. 3: Parts I Have Played: Mr. Martin Harvey (1881-1909). Note: 30 Photographs and A Biographical Sketch. 4: Souvenir of The Christian King (Or Alfred of "Engle-Land"), by Wilson Barrett. Note: Photographs by W. & D. Downey. 5: Adelphi Theatre : Adelphi Theatre Souvenir of the 200th Performance of "Tina" (1916). 6: Comedy Theatre : Souvenir of "Sunday" (1904), by Thomas Raceward. 7: Daly's Theatre : The Lady of the Rose: Souvenir of Anniversary Perforamnce Feb. 21, 1923 (1923), by Frederick Lonsdale. Note: Musical theater. 8: Drury Lane Theatre : The Pageant of Drury Lane Theatre (1918), by Louis N. Parker. Note: In celebration of the 21 years of management by Arthur Collins. 9: Duke of York's Theatre : Souvenir of the 200th Performance of "The Admirable Crichton" (1902), by J.M. Barrie. Note: Oil paintings by Chas. A. Buchel, produced under the management of Charles Frohman. 10: Gaiety Theatre : The Orchid (1904), by James T. Tanner. Note: Managing Director, Mr. George Edwardes, musical comedy.
    [Show full text]
  • Philip Wilson Director
    Philip Wilson Director Philip is a freelance director who spent four very successful years as the Artistic Director of Salisbury Playhouse (2007-2011). He trained on the Regional Theatre Young Director Scheme (Greenwich Theatre, 1995-96), and in 2015 was awarded the inaugural David Fraser/Andrea Wonfor bursary, to train as a multi- camera television director. Recent projects include the British Premiere of Ken Ludwig’s A Fox on the Fairway at Queen’s Theatre Hornchurch and Terence Rattigan’s After The Dance at Theatre By The Lake in Keswick. His adaptations of Philip Pullman’s Grimm Tales (first produced in an immersive staging at Shoreditch Town Hall and then the Oxo Bargehouse, in 2014 and 2015) were performed at Chichester this summer. Philip’s book, Dramatic Adventures in Rhetoric, co-written with Giles Taylor, is published by Oberon Books, and Grimm Tales is available from Nick Hern Books. Agents Giles Smart Assistant Ellie Byrne [email protected] +44 (020 3214 0812 Credits Theatre Production Company Notes THE BOY WITH THE The Hope Theatre By John Straiton BEE JAR 2021 United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes COCKPIT LAMDA By Bridget Boland 2021 THE LIGHTS LAMDA By Howard Korder 2019 THIS ISLAND'S MINE Ardent Theatre By Philip Osment 2019 Company / King's Head Theatre PHILIP PULLMAN'S Unicorn Theatre Adapted for the stage by Philip Wilson GRIMM TALES Directed by Kirsty Housley 2018 STRANGE LAMDA By Rodney Ackland ORCHESTRA Performed in The Sainsbury Theatre 2018 PERFECT NONSENSE Theatre By The Lake From the works of P.G.
    [Show full text]
  • 2018 Annual Report
    Annual Report 2018 Dear Friends, welcome anyone, whether they have worked in performing arts and In 2018, The Actors Fund entertainment or not, who may need our world-class short-stay helped 17,352 people Thanks to your generous support, The Actors Fund is here for rehabilitation therapies (physical, occupational and speech)—all with everyone in performing arts and entertainment throughout their the goal of a safe return home after a hospital stay (p. 14). nationally. lives and careers, and especially at times of great distress. Thanks to your generous support, The Actors Fund continues, Our programs and services Last year overall we provided $1,970,360 in emergency financial stronger than ever and is here for those who need us most. Our offer social and health services, work would not be possible without an engaged Board as well as ANNUAL REPORT assistance for crucial needs such as preventing evictions and employment and training the efforts of our top notch staff and volunteers. paying for essential medications. We were devastated to see programs, emergency financial the destruction and loss of life caused by last year’s wildfires in assistance, affordable housing, 2018 California—the most deadly in history, and nearly $134,000 went In addition, Broadway Cares/Equity Fights AIDS continues to be our and more. to those in our community affected by the fires and other natural steadfast partner, assuring help is there in these uncertain times. disasters (p. 7). Your support is part of a grand tradition of caring for our entertainment and performing arts community. Thank you Mission As a national organization, we’re building awareness of how our CENTS OF for helping to assure that the show will go on, and on.
    [Show full text]
  • Text Pages Layout MCBEAN.Indd
    Introduction The great photographer Angus McBean has stage performers of this era an enduring power been celebrated over the past fifty years chiefly that carried far beyond the confines of their for his romantic portraiture and playful use of playhouses. surrealism. There is some reason. He iconised Certainly, in a single session with a Yankee Vivien Leigh fully three years before she became Cleopatra in 1945, he transformed the image of Scarlett O’Hara and his most breathtaking image Stratford overnight, conjuring from the Prospero’s was adapted for her first appearance in Gone cell of his small Covent Garden studio the dazzle with the Wind. He lit the touchpaper for Audrey of the West End into the West Midlands. (It is Hepburn’s career when he picked her out of a significant that the then Shakespeare Memorial chorus line and half-buried her in a fake desert Theatre began transferring its productions to advertise sun-lotion. Moreover he so pleased to London shortly afterwards.) In succeeding The Beatles when they came to his studio that seasons, acknowledged since as the Stratford he went on to immortalise them on their first stage’s ‘renaissance’, his black-and-white magic LP cover as four mop-top gods smiling down continued to endow this rebirth with a glamour from a glass Olympus that was actually just a that was crucial in its further rise to not just stairwell in Soho. national but international pre-eminence. However, McBean (the name is pronounced Even as his photographs were created, to rhyme with thane) also revolutionised British McBean’s Shakespeare became ubiquitous.
    [Show full text]
  • 73Rd-Nominations-Facts-V2.Pdf
    FACTS & FIGURES FOR 2021 NOMINATIONS as of July 13 does not includes producer nominations 73rd EMMY AWARDS updated 07.13.2021 version 1 Page 1 of 20 SUMMARY OF MULTIPLE EMMY WINS IN 2020 Watchman - 11 Schitt’s Creek - 9 Succession - 7 The Mandalorian - 7 RuPaul’s Drag Race - 6 Saturday Night Live - 6 Last Week Tonight With John Oliver - 4 The Marvelous Mrs. Maisel - 4 Apollo 11 - 3 Cheer - 3 Dave Chappelle: Sticks & Stones - 3 Euphoria - 3 Genndy Tartakovsky’s Primal - 3 #FreeRayshawn - 2 Hollywood - 2 Live In Front Of A Studio Audience: “All In The Family” And “Good Times” - 2 The Cave - 2 The Crown - 2 The Oscars - 2 PARTIAL LIST OF 2020 WINNERS PROGRAMS: Comedy Series: Schitt’s Creek Drama Series: Succession Limited Series: Watchman Television Movie: Bad Education Reality-Competition Program: RuPaul’s Drag Race Variety Series (Talk): Last Week Tonight With John Oliver Variety Series (Sketch): Saturday Night Live PERFORMERS: Comedy Series: Lead Actress: Catherine O’Hara (Schitt’s Creek) Lead Actor: Eugene Levy (Schitt’s Creek) Supporting Actress: Annie Murphy (Schitt’s Creek) Supporting Actor: Daniel Levy (Schitt’s Creek) Drama Series: Lead Actress: Zendaya (Euphoria) Lead Actor: Jeremy Strong (Succession) Supporting Actress: Julia Garner (Ozark) Supporting Actor: Billy Crudup (The Morning Show) Limited Series/Movie: Lead Actress: Regina King (Watchman) Lead Actor: Mark Ruffalo (I Know This Much Is True) Supporting Actress: Uzo Aduba (Mrs. America) Supporting Actor: Yahya Abdul-Mateen II (Watchmen) updated 07.13.2021 version 1 Page
    [Show full text]
  • ANTA Theater and the Proposed Designation of the Related Landmark Site (Item No
    Landmarks Preservation Commission August 6, 1985; Designation List 182 l.P-1309 ANTA THFATER (originally Guild Theater, noN Virginia Theater), 243-259 West 52nd Street, Manhattan. Built 1924-25; architects, Crane & Franzheim. Landmark Site: Borough of Manhattan Tax Map Block 1024, Lot 7. On June 14 and 15, 1982, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the ANTA Theater and the proposed designation of the related Landmark Site (Item No. 5). The hearing was continued to October 19, 1982. Both hearings had been duly advertised in accordance with the provisions of law. Eighty-three witnesses spoke in favor of designation. Two witnesses spoke in opposition to designation. The owner, with his representatives, appeared at the hearing, and indicated that he had not formulated an opinion regarding designation. The Commission has received many letters and other expressions of support in favor of this designation. DESCRIPTION AND ANALYSIS The ANTA Theater survives today as one of the historic theaters that symbolize American theater for both New York and the nation. Built in the 1924-25, the ANTA was constructed for the Theater Guild as a subscription playhouse, named the Guild Theater. The fourrling Guild members, including actors, playwrights, designers, attorneys and bankers, formed the Theater Guild to present high quality plays which they believed would be artistically superior to the current offerings of the commercial Broadway houses. More than just an auditorium, however, the Guild Theater was designed to be a theater resource center, with classrooms, studios, and a library. The theater also included the rrost up-to-date staging technology.
    [Show full text]
  • Screen Plays: from Broadway to Hollywood, 1920-1966
    The Museum of Modern Art For Immediate Release June 1995 SCREEN PLAYS: FROM BROADWAY TO HOLLYWOOD, 1920 - 1966 June 30 - October 3, 1995 A major retrospective of Hollywood films adapted from the Broadway stage opens at The Museum of Modern Art on June 30, 1995. SCREEN PLAYS: FROM BROADWAY TO HOLLYWOOD, 1920 - 1966 presents more than 100 films that drew their commercially and critically successful plots and characters, and their talented actors, writers, and directors from Broadway. The series, which continues through October 3, features such Broadway actors as George Arliss, the Barrymores, Shirley Booth, Marlon Brando, Ina Claire, John Garfield, Julie Harris, Helen Hayes, Judy Holliday, the Lunts, Fredric March, Sidney Poitier, Otis Skinner, Laurette Taylor, and Mae West re-creating on film the roles that made them stage legends. While the relationship between the Broadway musical and the Hollywood musical is well-established, this exhibition spotlights the relationship between the Broadway play and the Hollywood film. Since the beginning of the studio system, Hollywood has sought plays that could be adapted into so-called prestige films, adding a patina of class and sophistication. The retrospective places particular emphasis on films made from plays produced by the Theatre Guild, the Group Theatre, and the Playwrights' Company, since many members of these companies made lasting contributions both on Broadway and in Hollywood. Highlights of the series include Alfred Lunt and Lynn Fontanne in the only film they made together, The Guardsman (Sidney Franklin, 1931; play by Ferenc Molnar); Anna Magnani in the film version of The Rose Tattoo (Daniel - more - 11 West 53 Street, New York, NY.
    [Show full text]
  • This Is a Test
    ‘A PRINCESS FOR CHRISTMAS’ CAST BIOS SIR ROGER MOORE (Edward) – Born in Clapham, London in 1927, the son of a London policeman, Sir Roger Moore attended Hackford Road Elementary School and then Battersea Grammar School. Evacuated to Worthing at the outbreak of World War II, he returned to London in 1943. After leaving school, Moore worked as a tracer/filler/office boy with the animation company Publicity Picture Productions. He was fired after a short time, and in 1944 he was accepted by the Royal Academy of Dramatic Art and attended for three terms. He then joined the Cambridge Arts Theatre Repertory Company. In 1945, Moore was called up for National Service and was commissioned as a Second Lieutenant and then promoted to Captain in the Combined Services Entertainment. At the end of his Army service he worked as an assistant stage manager at the BBC Studios at Alexander Palace and supplemented his salary by working as an advertising model. Then came a small part in the West End stage production of Mister Roberts and an understudy role alongside David Tomlinson in The Little Hut. His American debut followed, and he appeared in A Pin to See the Peepshow on Broadway. It was then that Hollywood beckoned with an MGM contract. In 1957, he played the title role in "Ivanhoe," returning to England for a total of 39 episodes. When Moore returned to Hollywood in 1958 he was put under contract by Warner Bros. and starred in the TV series "The Alaskans” and "Maverick.” In 1962, Moore got his big break when he was cast as "The Saint,” the most successful TV series at that time.
    [Show full text]
  • Michael Warren Powellis
    WELCOME to the Fifteenth Annual Last Frontier Theatre Conference. We at Prince William Sound Community College are very proud of this event, and hopefully by the end of the week you will see why. I started coming to Valdez (for the Conference) in 1995, its third year, and it became an annual pilgrimage for me. I quit jobs to make it here. I ran up credit cards. I did whatever it took for me to get to spend the week here. I crashed on the floor at the college, survived off the food at receptions, and worked on whatever anyone asked me to. No one was more important to me in those early years than Michael Warren Powell, the first coordinator of the Play Lab. I remember being in awe of how insightful the responding panel was critiquing plays that were all (in my opinion) pretty problematic. Michael and the other panelists became my idols. Which made it all the more important to me when one day I was hanging out with friends at the picnic tables in the middle of the park strip and we saw Michael walking our direction. He came up and engaged us in conversation, and we became friends. He let us know that he considered us his peers. In the late 90s, I decided that, of all the people I had met, there was no one whose life I wanted to emulate more than Michael’s. I made producing new work and nurturing playwrights my focus, and the answer to most of my questions can be found in the answer to the question “What would Michael do?” I am very excited to have him back with us this year.
    [Show full text]
  • Published by Venues North
    Published by Venues North Page 1 Contents Introduction 2 General Information?………………………………………………………………………………..2 What is Venues North?…………………………………...…………………………………………..2 What do we mean by ‘new work’?.............................................................................................2 How do Venues North members support artists?......................................................................6 Which programmers should you talk to?...................................................................................6 How do you get to know programmers?....................................................................................2 What should you ask programmers for? ...................................................................................2 Inviting programmers to see your work………………………………………………………….......2 When do programmers programme?.........................................................................................2 What do programmers want to know?........................................................................................2 How are programming decisions made?...................................................................................2 How does the money work?.......................................................................................................20 Identifying audiences…………………………………..………………………………………………2 Reaching audiences……….……………………………………………………………………….….2 Venue Information ARC Stockton..…………………..…………………………………………………………………….16 Arts Centre Washington…….………………………………………………………………………...21
    [Show full text]
  • A Smartphone App for Improving Mental Health Through Connecting with Urban Nature
    International Journal of Environmental Research and Public Health Article A Smartphone App for Improving Mental Health through Connecting with Urban Nature Kirsten McEwan 1, Miles Richardson 1,* , David Sheffield 1 , Fiona J. Ferguson 1 and Paul Brindley 2 1 Human Sciences Research Centre, The University of Derby, Derby DE22 1GB, UK; [email protected] (K.M.); D.Sheffi[email protected] (D.S.); fi[email protected] (F.J.F.) 2 Department of Landscape Architecture, The University of Sheffield, Sheffield S10 2TN, UK; P.Brindley@sheffield.ac.uk * Correspondence: [email protected]; Tel.: +44-1332-593056 Received: 19 July 2019; Accepted: 7 September 2019; Published: 12 September 2019 Abstract: In an increasingly urbanised world where mental health is currently in crisis, interventions to increase human engagement and connection with the natural environment are one of the fastest growing, most widely accessible, and cost-effective ways of improving human wellbeing. This study aimed to provide an evaluation of a smartphone app-based wellbeing intervention. In a randomised controlled trial study design, the app prompted 582 adults, including a subgroup of adults classified by baseline scores on the Recovering Quality of Life scale as having a common mental health problem (n = 148), to notice the good things about urban nature (intervention condition) or built spaces (active control). There were statistically significant and sustained improvements in wellbeing at one-month follow-up. Importantly, in the noticing urban nature condition, compared to a built space control, improvements in quality of life reached statistical significance for all adults and clinical significance for those classified as having a mental health difficulty.
    [Show full text]
  • PROGRAM the TEMPEST Actors from the London Stage
    PROGRAM THE TEMPEST Actors From The London Stage Thursday, February 27, 2020; 7 pm Friday, February 28, 2020; 7 pm Saturday, February 29, 2020; 7 pm Media Sponsor The Actors From The London Stage residency at the University of Notre Dame is generously supported by the McMeel Family Endowment for Excellence for Actors From The London Stage, the Paul Eulau Endowment for Excellence for Actors From The London Stage, the Deborah J. Loughrey Endowment for Excellence in Shakespeare Studies, the D & J Smith Endowment for Shakespeare and Performance, and the College of Arts and Letters. THE AFTLS APPROACH For most of his working life, William Shakespeare was a sharer in the King’s Men, London’s leading theatre company. He knew the actors he was writing for and collaborated with them on seeing the plays into performance. All theatre is a collaboration, of course, and while actors can no longer collaborate directly with Shakespeare, the Actors From The London Stage (AFTLS) company always aims to work with him, respectfully and creatively, throughout the rehearsal process. Our company’s aim is to make his words exert their magic and their power in performance, but we do this in a vital, and perhaps unconventional, way. We have no massive sets to tower over the performers and no directorial concept to tower over the text of Shakespeare’s play. In fact, AFTLS does not have a director at all; instead, the play has been rehearsed by the actors, working together to create theatre, cooperating with each other in their imaginative engagement with the play’s words.
    [Show full text]