In the Western Mediterranean, 1703–1708
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Albion Full Cast Announced
Press release: Thursday 2 January The Almeida Theatre announces the full cast for its revival of Mike Bartlett’s Albion, directed by Rupert Goold, following the play’s acclaimed run in 2017. ALBION by Mike Bartlett Direction: Rupert Goold; Design: Miriam Buether; Light: Neil Austin Sound: Gregory Clarke; Movement Director: Rebecca Frecknall Monday 3 February – Saturday 29 February 2020 Press night: Wednesday 5 February 7pm ★★★★★ “The play that Britain needs right now” The Telegraph This is our little piece of the world, and we’re allowed to do with it, exactly as we like. Yes? In the ruins of a garden in rural England. In a house which was once a home. A woman searches for seeds of hope. Following a sell-out run in 2017, Albion returns to the Almeida for four weeks only. Joining the previously announced Victoria Hamilton (awarded Best Actress at 2018 Critics’ Circle Awards for this role) and reprising their roles are Nigel Betts, Edyta Budnik, Wil Coban, Margot Leicester, Nicholas Rowe and Helen Schlesinger. They will be joined by Angel Coulby, Daisy Edgar-Jones, Dónal Finn and Geoffrey Freshwater. Mike Bartlett’s plays for the Almeida include his adaptation of Maxim Gorky’s Vassa, Game and the multi-award winning King Charles III (Olivier Award for Best New Play) which premiered at the Almeida before West End and Broadway transfers, a UK and international tour. His television adaptation of the play was broadcast on BBC Two in 2017. Other plays include Snowflake (Old Fire Station and Kiln Theatre); Wild; An Intervention; Bull (won the Olivier Award for Outstanding Achievement in an Affiliate Theatre); an adaptation of Medea; Chariots of Fire; 13; Decade (co-writer); Earthquakes in London; Love, Love, Love; Cock (Olivier Award for Outstanding Achievement in an Affiliate Theatre); Contractions and My Child Artefacts. -
Britain, Austria, and the “Burden of War” in the Western Mediterranean, 1703–1708
international journal of military history and historiography 39 (2019) 7-33 IJMH brill.com/ijmh Britain, Austria, and the “Burden of War” in the Western Mediterranean, 1703–1708 Caleb Karges* Concordia University Irvine, California [email protected] Abstract The Austrian and British alliance in the Western Mediterranean from 1703 to 1708 is used as a case study in the problem of getting allies to cooperate at the strategic and operational levels of war. Differing grand strategies can lead to disagreements about strategic priorities and the value of possible operations. However, poor personal rela- tions can do more to wreck an alliance than differing opinions over strategy. While good personal relations can keep an alliance operating smoothly, it is often military necessity (and the threat of grand strategic failure) that forces important compro- mises. In the case of the Western Mediterranean, it was the urgent situation created by the Allied defeat at Almanza that forced the British and Austrians to create a work- able solution. Keywords War of the Spanish Succession – Coalition Warfare – Austria – Great Britain – Mediter- ranean – Spain – Strategy * Caleb Karges obtained his MLitt and PhD in Modern History from the University of St An- drews, United Kingdom in 2010 and 2015, respectively. His PhD thesis on the Anglo-Austrian alliance during the War of the Spanish Succession received the International Commission of Military History’s “André Corvisier Prize” in 2017. He is currently an Assistant Professor of History at Concordia University Irvine in Irvine, California, usa. © koninklijke brill nv, leiden, 2019 | doi:10.1163/24683302-03901002Downloaded from Brill.com09/28/2021 04:24:08PM via free access <UN> 8 Karges 1 Introduction1 There were few wars in European history before 1789 as large as the War of the Spanish Succession. -
Apocryphilia
Apocryphilia Simon Matthews Our Island Story Before the teaching of history to children in this country descended to its current formula of dinosaurs + Romans + Henry VIII + Hitler (with a side helping of slavery) the past was taught in a rather different way. Many who were at primary school pre-1980 will be familiar with it: Our Island Story, the carefully nuanced account of how ‘the British Isles’ produced the greatest and most progressive people in the world. Written in 1905 it was, remarkably (or not?), still a common textbook 70 years later. It’s durability, popularity and influence, over a century later, has been recently cited by prime minister David Cameron and the centre-right think tank Civitas as an example of something they would like to see updated and reintroduced. Why is this? The Our Island Story narrative certainly has its attractions. Stressing national unity, in which Englishness is overwhelmingly predominant, it gives key early roles to Alfred the Great and William the Conqueror – the latter not, of course, English – with the repelling of foreign invasions and conquests (nothing since 1066) a critical factor, highlighted by the dispersal of the Spanish Armada in 1588 and, latterly, the defeat of Napoleon (1815) and Hitler (1940). British/English excursions into Europe are seen as the brilliantly executed ventures of plucky underdogs (Agincourt, Waterloo and Dunkirk are typical here) against overwhelming odds. The literary backdrop, from Shakespeare, Milton, Pepys, Dickens etc., embellishes this. Milton appears more or less in tandem with Cromwell, both as exemplars of grimly moral, upstanding and typically English parliamentarians – refusing to bow down before Rome and ensuring the lasting legitimacy of the House of Commons.....this being portrayed throughout the book as the finest and fairest legislature in the world. -
“Burden of War” in the Western Mediterranean, 1703–1708
international journal of military history and historiography 39 (2019) 7-33 IJMH brill.com/ijmh Britain, Austria, and the “Burden of War” in the Western Mediterranean, 1703–1708 Caleb Karges* Concordia University Irvine, California [email protected] Abstract The Austrian and British alliance in the Western Mediterranean from 1703 to 1708 is used as a case study in the problem of getting allies to cooperate at the strategic and operational levels of war. Differing grand strategies can lead to disagreements about strategic priorities and the value of possible operations. However, poor personal rela- tions can do more to wreck an alliance than differing opinions over strategy. While good personal relations can keep an alliance operating smoothly, it is often military necessity (and the threat of grand strategic failure) that forces important compro- mises. In the case of the Western Mediterranean, it was the urgent situation created by the Allied defeat at Almanza that forced the British and Austrians to create a work- able solution. Keywords War of the Spanish Succession – Coalition Warfare – Austria – Great Britain – Mediter- ranean – Spain – Strategy * Caleb Karges obtained his MLitt and PhD in Modern History from the University of St An- drews, United Kingdom in 2010 and 2015, respectively. His PhD thesis on the Anglo-Austrian alliance during the War of the Spanish Succession received the International Commission of Military History’s “André Corvisier Prize” in 2017. He is currently an Assistant Professor of History at Concordia University Irvine in Irvine, California, usa. © koninklijke brill nv, leiden, 2019 | doi:10.1163/24683302-03901002Downloaded from Brill.com09/26/2021 05:14:25AM via free access <UN> 8 Karges 1 Introduction1 There were few wars in European history before 1789 as large as the War of the Spanish Succession. -
Kit-Cat Related Poetry
‘IN AND OUT’: AN ANALYSIS OF KIT-CAT CLUB MEMBERSHIP (Web Appendix to The Kit-Cat Club by Ophelia Field, 2008) There are four main primary sources with regard to the membership of the Kit-Cat Club – Abel Boyer’s 1722 list,1 John Oldmixon’s 1735 list,2 a Club subscription list dated 1702,3 and finally the portraits painted by Sir Godfrey Kneller between 1697 and 1721 (as well as the 1735 Faber engravings of these paintings). None of the sources agree. Indeed, only the membership of four men (Dr Garth, Lord Cornwallis, Spencer Compton and Abraham Stanyan) is confirmed by all four of these sources. John Macky, a Whig journalist and spy, was the first source for the statement that the Club could have no more than thirty-nine members at any one time,4 and Malone and Spence followed suit.5 It is highly unlikely that there were so many members at the Kit-Cat’s inception, however, and membership probably expanded with changes of venue, especially around 1702–3. By 1712–14, all surviving manuscript lists of toasted ladies total thirty-nine, suggesting that there was one lady toasted by each member and therefore that Macky was correct.6 The rough correlation between the dates of expulsions/deaths and the dates of new admissions (such as the expulsion of Prior followed by the admission of Steele in 1705) also supports the hypothesis that at some stage a cap was set on the size of the Club. Allowing that all members were not concurrent, most sources estimate between forty- six and fifty-five members during the Club’s total period of activity.7 There are forty- four Kit-Cat paintings, but Oldmixon, who got his information primarily from his friend Arthur Maynwaring, lists forty-six members. -
Edward Hawke Locker and the Foundation of The
EDWARD HAWKE LOCKER AND THE FOUNDATION OF THE NATIONAL GALLERY OF NAVAL ART (c. 1795-1845) CICELY ROBINSON TWO VOLUMES VOLUME II - ILLUSTRATIONS PhD UNIVERSITY OF YORK HISTORY OF ART DECEMBER 2013 2 1. Canaletto, Greenwich Hospital from the North Bank of the Thames, c.1752-3, NMM BHC1827, Greenwich. Oil on canvas, 68.6 x 108.6 cm. 3 2. The Painted Hall, Greenwich Hospital. 4 3. John Scarlett Davis, The Painted Hall, Greenwich, 1830, NMM, Greenwich. Pencil and grey-blue wash, 14¾ x 16¾ in. (37.5 x 42.5 cm). 5 4. James Thornhill, The Main Hall Ceiling of the Painted Hall: King William and Queen Mary attended by Kingly Virtues. 6 5. James Thornhill, Detail of the main hall ceiling: King William and Queen Mary. 7 6. James Thornhill, Detail of the upper hall ceiling: Queen Anne and George, Prince of Denmark. 8 7. James Thornhill, Detail of the south wall of the upper hall: The Arrival of William III at Torbay. 9 8. James Thornhill, Detail of the north wall of the upper hall: The Arrival of George I at Greenwich. 10 9. James Thornhill, West Wall of the Upper Hall: George I receiving the sceptre, with Prince Frederick leaning on his knee, and the three young princesses. 11 10. James Thornhill, Detail of the west wall of the Upper Hall: Personification of Naval Victory 12 11. James Thornhill, Detail of the main hall ceiling: British man-of-war, flying the ensign, at the bottom and a captured Spanish galleon at top. 13 12. ‘The Painted Hall’ published in William Shoberl’s A Summer’s Day at Greenwich, (London, 1840) 14 13. -
The Friends of Medway Archives and Local Studies Centre Wish You a Very Happy Christmas and a Prosperous New Year News and Events Odette Buchanan, Friends’ Secretary
The Newsletter of the Friends of Medway Archives and Local Studies Centre Issue Number 12: November 2008 £2.00; free to members Christmas Number and Special issue to mark the 90th Anniversary of the World War One Armistice In memory of Frederick Charles Wellard, grandfather of the new FOMA Membership Secretary, Betty Cole. The wooden cross, pictured, is a rare image of how the war graves appeared before their replacement by the now familiar rows of white stone. Frederick was killed at Arras, France, in August 1917. The front line diary records, ‘16/8/17 Normal trench routine. Trenches deepened where necessary. Enemy active with pineapples. S. Major Wellard killed. C.Q.M.S. Blackstock wounded (afterwards died).’ Three days later the battalion was relieved. Fred left a widow and five young children, three of whom, including Betty’s mother, Ivy, were sent to orphanages. More of Frederick’s story can be read inside. The Friends of Medway Archives and Local Studies Centre wish you a very happy Christmas and a prosperous New Year News and Events Odette Buchanan, Friends’ Secretary At the 2008 FOMA AGM, it was decided that members should take on all the clerical responsibilities of the organisation, especially as we are all over the age of consent (some more so than others). In a moment of mental aberration I agreed to take on the role of Secretary. Aeons ago I had been paid to be the secretary to the Overseas Sales Director of a multi-national company and had had recent voluntary secretarial experience with another Friends group which I helped found. -
HUNGARIAN STUDIES 2. No. 1. Nemzetközi (1986)
INSURGENCY DURING THE WAR OF THE SPANISH SUCCESSION: THE RÁKÓCZI REVOLT LINDA FREY and MARSHA FREY University of Montana and Kansas State University During the War of the Spanish Succession (1702-1714), insurrections in the Cévennes, in Aragon, Catalonia, Valencia, and in Hungary disrupted the war effort. Whether in Spain, France, or Hungary, these struggles were part of a general crisis of the 17th century, differing manifestations of the particularistic struggle against the creation of a Gesamtstaat. In France the revolt centered in the Cévennes. The campaign to eradicate Calvinism amounted to a "deculturation" of the Protestants in that area. This religious oppression coupled with a general impoverishment caused by taxes, an underlying economic crisis and disruptions triggered by epidemics ignited the revolt. Prophetic neuroses, religious hysteria, and an apocalyptic mentality played a role in this struggle for freedom of conscience, a struggle not without political and social overtones. The government rightly feared both the spread of revolt and the intervention of foreign powers. Hatred of the French and political grievances, some of them long-standing, motivated the rebels in Spain while the Hungarians fought to redress both political and religious grievances. All obtained some degree of outside support from their sovereign's enemies, but not enough to ensure success. Only the Hungarians received some diplomatic support from the Habsburgs' allies. The last of these was also probably the most disruptive. This insurrection was led by Francis II Rákóczi,1 a member of a prominent Hungarian noble family. In 1703 Rákóczi joined forces with Tamás Esze, a fugitive serf, to conduct a national war of independence. -
KC3 Play Guide R1 Compr
PLAY GUIDE 2016 2017 About ATC .................................................................................................................................................. 1 Introduction to the Play ............................................................................................................................. 2 Meet the Playwright ................................................................................................................................... 2 Meet the Characters .................................................................................................................................. 3 The Real Royals ......................................................................................................................................... 5 The Line of Succession .......................................... ................................................................................... 12 British Parliament and Positions .............................................................................................................. 13 British Politics ........................................................................................................................................... 16 Royal Rituals ............................................................................................................................................. 18 King Charles and the Bard ....................................................................................................................... -
Defending Scilly
Defending Scilly 46992_Text.indd 1 21/1/11 11:56:39 46992_Text.indd 2 21/1/11 11:56:56 Defending Scilly Mark Bowden and Allan Brodie 46992_Text.indd 3 21/1/11 11:57:03 Front cover Published by English Heritage, Kemble Drive, Swindon SN2 2GZ The incomplete Harry’s Walls of the www.english-heritage.org.uk early 1550s overlook the harbour and English Heritage is the Government’s statutory adviser on all aspects of the historic environment. St Mary’s Pool. In the distance on the © English Heritage 2011 hilltop is Star Castle with the earliest parts of the Garrison Walls on the Images (except as otherwise shown) © English Heritage.NMR hillside below. [DP085489] Maps on pages 95, 97 and the inside back cover are © Crown Copyright and database right 2011. All rights reserved. Ordnance Survey Licence number 100019088. Inside front cover First published 2011 Woolpack Battery, the most heavily armed battery of the 1740s, commanded ISBN 978 1 84802 043 6 St Mary’s Sound. Its strategic location led to the installation of a Defence Product code 51530 Electric Light position in front of it in c 1900 and a pillbox was inserted into British Library Cataloguing in Publication Data the tip of the battery during the Second A CIP catalogue record for this book is available from the British Library. World War. All rights reserved [NMR 26571/007] No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage or retrieval system, without Frontispiece permission in writing from the publisher. -
Tennyson's Poems
Tennyson’s Poems New Textual Parallels R. H. WINNICK To access digital resources including: blog posts videos online appendices and to purchase copies of this book in: hardback paperback ebook editions Go to: https://www.openbookpublishers.com/product/944 Open Book Publishers is a non-profit independent initiative. We rely on sales and donations to continue publishing high-quality academic works. TENNYSON’S POEMS: NEW TEXTUAL PARALLELS Tennyson’s Poems: New Textual Parallels R. H. Winnick https://www.openbookpublishers.com Copyright © 2019 by R. H. Winnick This work is licensed under a Creative Commons Attribution 4.0 International license (CC BY 4.0). This license allows you to share, copy, distribute and transmit the work; to adapt the work and to make commercial use of the work provided that attribution is made to the author (but not in any way which suggests that the author endorses you or your use of the work). Attribution should include the following information: R. H. Winnick, Tennyson’s Poems: New Textual Parallels. Cambridge, UK: Open Book Publishers, 2019. https://doi.org/10.11647/OBP.0161 In order to access detailed and updated information on the license, please visit https://www.openbookpublishers.com/product/944#copyright Further details about CC BY licenses are available at http://creativecommons.org/licenses/by/4.0/ Digital material and resources associated with this volume are available at https://www.openbookpublishers.com/product/944#resources Every effort has been made to identify and contact copyright holders and any omission or error will be corrected if notification is made to the publisher. -
The Colonial Book and the Writing of American History, 1790-1855
HISTORY’S IMPRINT: THE COLONIAL BOOK AND THE WRITING OF AMERICAN HISTORY, 1790-1855 DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Lindsay E.M. DiCuirci, M.A. Graduate Program in English The Ohio State University 2010 Dissertation Committee: Elizabeth Hewitt, Adviser Jared Gardner Susan Williams Copyright by Lindsay Erin Marks DiCuirci 2010 ABSTRACT “History’s Imprint: The Colonial Book and the Writing of American History, 1790-1855” investigates the role that reprinted colonial texts played in the development of historical consciousness in nineteenth-century America. In the early decades of the nineteenth century, antiquarians and historians began to make a concerted effort to amass and preserve an American archive of manuscript and print material, in addition to other artifacts and “curiosities” from the colonial period. Publishers and editors also began to prepare new editions of colonial texts for publication, introducing nineteenth-century readers to these historical artifacts for the first time. My dissertation considers the role of antiquarian collecting and historical publishing—the reprinting of colonial texts—in the production of popular historical narratives. I study the competing narratives of America’s colonial origins that emerged between 1790 and 1855 as a result of this new commitment to historicism and antiquarianism. I argue that the acts of selecting, editing, and reprinting were ideologically charged as these colonial texts were introduced to new audiences. Instead of functioning as pure reproductions of colonial books, these texts were used to advocate specific religious, political, and cultural positions in the nineteenth century.