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Historia Y Genealogía Nº3 (2013) | 1 Revista Digital Del Equipo De Investigación Historia Social En La Edad Moderna |
Historia y Genealogía Nº3 (2013) | 1 Revista Digital del equipo de investigación Historia Social en la Edad Moderna | www.historiasocialmoderna.com www.historiaygenealogia.com Nº 3 | Año 2013 | Universidad de Córdoba Director Enrique Soria Mesa, Universidad de Córdoba, España Secretario Antonio J. Diaz Rodriguez, CIDEHUS-Universidade de Évora, Portugal Consejo de Redacción Juan Jesús Bravo Caro, Universidad de Málaga, España José Miguel Delgado Barrado, Universidad de Jaén, España Manuel Fernández Chaves, Universidad de Sevilla, España Antonio Míguez Santa Cruz, Universidad de Murcia, España Raúl Molina Recio, Universidad de Extremadura, España Rafael Pérez García, Universidad de Sevilla, España Ángel María Ruiz Gálvez, Universidad de Extremadura, España Luis Salas Almela, EEHA de Sevilla, España Enrique Soria Mesa, Universidad de Córdoba, España Antonio Urquízar Herrera, Universidad Nacional de Educación a Distancia, España Consejo Asesor Francisco Andújar Castillo, Universidad de Almería, España Fernando Bouza Álvarez, Universidad Complutense, España James Casey, Universidad de Norwich, Reino Unido Francisco Chacón Jiménez, Universidad de Murcia, España Fabricio D’Avenia, Universidad de Palermo, Italia Manuel Herrero Sánchez, Universidad Pablo de Olavide, España José María Imízcoz Beunza, Universidad de País Vasco, España Alberto Marcos Martin, Universidad de Valladolid Nuno Monteiro, ICS de Lisboa, Portugal Fernanda Olival, Universidad de Évora, Portugal María José de la Pascua Sánchez, Universidad de Cádiz, España María de los Ángeles -
Raid 06, the Samurai Capture a King
THE SAMURAI CAPTURE A KING Okinawa 1609 STEPHEN TURNBULL First published in 2009 by Osprey Publishing THE WOODLAND TRUST Midland House, West Way, Botley, Oxford OX2 0PH, UK 443 Park Avenue South, New York, NY 10016, USA Osprey Publishing are supporting the Woodland Trust, the UK's leading E-mail: [email protected] woodland conservation charity, by funding the dedication of trees. © 2009 Osprey Publishing Limited ARTIST’S NOTE All rights reserved. Apart from any fair dealing for the purpose of private Readers may care to note that the original paintings from which the study, research, criticism or review, as permitted under the Copyright, colour plates of the figures, the ships and the battlescene in this book Designs and Patents Act, 1988, no part of this publication may be were prepared are available for private sale. All reproduction copyright reproduced, stored in a retrieval system, or transmitted in any form or by whatsoever is retained by the Publishers. All enquiries should be any means, electronic, electrical, chemical, mechanical, optical, addressed to: photocopying, recording or otherwise, without the prior written permission of the copyright owner. Enquiries should be addressed to the Publishers. Scorpio Gallery, PO Box 475, Hailsham, East Sussex, BN27 2SL, UK Print ISBN: 978 1 84603 442 8 The Publishers regret that they can enter into no correspondence upon PDF e-book ISBN: 978 1 84908 131 3 this matter. Page layout by: Bounford.com, Cambridge, UK Index by Peter Finn AUTHOR’S DEDICATION Typeset in Sabon Maps by Bounford.com To my two good friends and fellow scholars, Anthony Jenkins and Till Originated by PPS Grasmere Ltd, Leeds, UK Weber, without whose knowledge and support this book could not have Printed in China through Worldprint been written. -
Japanese Other Easily
CO VER STORY Tsukai-ban They have an important job that many do not know of. In any army, communication is very important. Different groups far away must be able to send messages to each JAPANESE other easily. This group of WARRIORS warriors were the messengers of the battlefield. By Tasha Lim For work, they had to wear a special type of uniform. A tsukai-ban could When we hear ‘warriors be identified by his uniform of Japan’, we immediately known as ‘horo’, usually made think of ‘samurais’ and ‘ninjas’. with beautiful colours. If not, But, did you know that there he had to wear a uniform were other warriors that called a ‘sashimono’ which resided in early Japan as had small flags. well? Here are 6 other types of warriors that existed then: These messengers were very good horsemen. They would carry a message and give it to the correct person in a short time. They sometimes had to fight robbers or ninjas sent to steal the messages. 1 CO VER STORY A warrior wearing the horo (red), a garment used as a defense against arrows. Sashimono poles were attached to the backs of the chest armor. 2 CO VER STORY Ashigaru They may not be famous for their fighting skills but the ashigaru was strong when many were needed. These were your usual foot soldiers that would make up most of the army. They were usually normal people who worked as soldiers for war. Usually, the Ashigaru fought with spears, swords and bows. Later in the 16th century, gunpowder guns became a part of their weapons. -
Matsuo ■ Basho
; : TWAYNE'S WORLD AUTHORS SERIES A SURVEY OF THE WORLD'S LITERATURE ! MATSUO ■ BASHO MAKOTO UEDA JAPAN MATSUO BASHO by MAKOTO UEDA The particular value of this study of Matsuo Basho is obvious: this is the first book in English that gives a comprehen sive view of the famed Japanese poet’s works. Since the Japanese haiku was en thusiastically received by the Imagists early in this century, Basho has gained a world-wide recognition as the foremost writer in that miniature verse form; he is now regarded as a poet of the highest cali ber in world literature. Yet there has been no extensive study of Basho in Eng lish, and consequently he has remained a rather remote, mystical figure in the minds of those who do not read Japanese. This book examines Basho not only as a haiku poet but as a critic, essayist and linked-verse writer; it brings to light the whole range of his literary achievements that have been unknown to most readers in the West. * . 0S2 VS m £ ■ ■y. I.. Is:< i , • ...' V*-, His. -.« ■ •. '■■ m- m mmm t f ■ ■ m m m^i |«|mm mmimM plf^Masstfa m*5 si v- mmm J 1 V ^ K-rZi—- TWAYNE’S WORLD AUTHORS SERIES A Survey of the World's Literature Sylvia E. Bowman, Indiana University GENERAL EDITOR JAPAN Roy B. Teele, The University of Texas EDITOR Matsuo Basho (TWAS 102) TWAYNES WORLD AUTHORS SERIES (TWAS) The purpose of TWAS is to survey the major writers — novelists, dramatists, historians, poets, philosophers, and critics—of the nations of the world. -
The Samurai Armour Glossary
The Samurai Armour Glossary Ian Bottomley & David Thatcher The Samurai Armour Glossary www.nihon-no-katchu.com The Samurai Armour Glossary Nihon-No-Katchu.com Open Library Contributors Ian Bottomley & David Thatcher Editor Tracy Harvey Nihon No Katchu Copyright © January 2013 Ian Bottomley and David Thatcher. This document and all contents. This document and images may be freely shared as part of the Nihon-No-Katchu Open Library providing that it is distributed true to its original format. Illustrations by David Thatcher 2 The Samurai Armour Glossary www.nihon-no-katchu.com This glossary has been compiled for students of Japanese Armour. Unlike conventional glossaries, this text has been divided into two versions. The first section features terminology by armour component, the second is indexed in alphabetical order. We hope you will enjoy using this valuable resource. Ian & Dave A Namban gusoku with tameshi Edo-Jindai 3 The Samurai Armour Glossary www.nihon-no-katchu.com Contents Armour Makers! 6 Armour for the Limbs! 7 Body Armour! 9 Facial Armour! 16 Helmets! 21 Neck Armour! 28 Applied Decoration! 29 Chain Mail! 30 General Features! 31 Lacing! 32 Materials! 33 Rivets & Hinges! 34 Clothing! 35 Colours! 36 Crests! 36 Historic Periods! 37 Sundry Items! 37 Alphabetical Index! 38 4 The Samurai Armour Glossary www.nihon-no-katchu.com Armour Kabuto Mengu Do Kote Gessan Haidate Suneate A Nuinobe-do gusoku with kawari kabuto Edo-Jindai 5 The Samurai Armour Glossary www.nihon-no-katchu.com Armour Makers Bamen - A small but respected group of armourers that worked during the Muromachi period until the 1700s. -
Read Book Samurai, Warfare and the State in Early Medieval Japan
SAMURAI, WARFARE AND THE STATE IN EARLY MEDIEVAL JAPAN PDF, EPUB, EBOOK Karl F. Friday | 256 pages | 01 Feb 2004 | Taylor & Francis Ltd | 9780415329637 | English | London, United Kingdom Samurai, Warfare and the State in Early Medieval Japan PDF Book If Samurai had such a small, medium sized shields. What Entropy Means to Me. They were outclassed in every way by however things did not go according to plan for the foreign invaders J Asia 6, 1 1 gold badge 18 18 silver badges 40 40 bronze badges. And yes, they cut through medieval European shields like butter. Industrial Burners Handbook Industrial Combustion. You can deduct from the look of the armor I previously showed that the armor itself fits with bow attack. Between and , various daimyos led their clans in a fight for national dominance, and nearly all of the provinces were engulfed in the fighting. When the shogun, Ashikaga Yoshimasa, resigned in , a dispute between backers of his younger brother and his son ignited even more intense fighting among the daimyo. Skin Aging. Samurai warriors wore two swords, the katana, and the wakizashi, which were banned from use by non-samurai in the late 16th century. By using our website, you agree to the use of cookies as described in our Privacy Policy. After making a search, even Japanese Wiki says, Horo was originally used for the protection from the attack by bows and stone throwing. Get A Copy. Please provide us with the source of "Some argue" Eliot Prose. Or the Japanese emperor forbids the use of shields, or that shields promote defensive temperaments, or maybe to block without skill, is the way of the coward and not a true warrior, not worthy. -
Catalogue of the Magnificent and Unique Collection of Japanese Art
110/ SMITHSONIAN INS f itu no*) Lot 1886. THE Bowes Museum, Liverpool. By order of the Executors of JAMES L. BOWES, Esq. , deceased, late Honorary Consul at Liverpool to His Imperial Majesty the Emperor of Japan CATALOGUE OF THE MAGNIFICENT and UNIQUE COLLECTION OF APANESE Ke^ ART OBJECTS, Acquired by the late Mr. Bowes, author of several well-known works on Japanese Keramics, Enamels, etc., who devoted the best years of his life to the study of Japanese Art in its varied branches, tracing its progress from the earliest and crude forms to the brilliant and almost perfect attainments of the 17th, 18th and early part of the 19th centuries. The Collection illustrates in a series of choice examples the object Mr. Bowes had in view ; and from the peculiar opportunities afforded him through his official position, placing him at once in touch with the leading native Nobility, Connoisseurs, and Collectors of the day, he was enabled to secure such specimens as were most desirable, either from their historical attachment or from their undoubted authenticity. WHICH WILL BE SOLD BY AUCTION, By Messrs. BRANCH AND LEETE On MONDAY, 6th MAY, 1901, And NINE FOLLOWING DAYS (Saturdays and Sundays excepted), AT ONE O'CLOCK P.M., EACH DAY, IN THE Museum Galleries, Streatlam Tower, PRINCES ROAD, LIVERPOOL. PUBLIC VIEW DAYS, Thursday, Friday, and Saturday, 2nd, 3rd, and 4th May. PRIVATE VIEW may be arranged by application to the Auctioneers, Catalogues, price 1/-; by Post, 1/4. A few copies, illustrated in chromo -lithography, at 5/-. To be obtained at Offices, 60, Hanover Street, the Auctioneers' Liverpool ; or at the Museum. -
1407795834359.Pdf
Covering the Paleolithic to the Age of Sail, GURPS Low-Tech is your guide to TL0-4 equipment for historical adventurers, modern survivalists, post-apocalypse survivors, and time travelers. It surveys current historical and archaeological research to present accurate gear, including: • Weapons. Stone axes, steel blades, muskets, and heavy weapons (from catapults to cannon) to grant a fighting edge whether you face bears, phalanxes, or high-seas pirates. • Armor. Pick coverage, quality, and materials (even exotica like jade!) to suit your budget, and then calculate protection, weight, impact on stealth, and more. • Transportation. Travel aids such as skis and floats; riding gear for horses, camels, and elephants; and vehicles ranging from oxcarts and rafts to war wagons and low-tech submarines. • Survival Gear. Simple tools and local materials to let you find your way, stay warm and dry, and feed yourself in the wilderness. • Tools. Everything you need to gather basic resources, craft finished goods, work in the literate professions, spy, or thieve. • Medicine. Treat illness and injury with herbs, acupuncture, and surgery. GURPS Low-Tech requires the GURPS Basic Set, Fourth Edition. The information on real-world equipment is useful for any campaign set prior to 1730, as well as historical fantasy. By William H. Stoddard, with Peter Dell’Orto, Dan Howard, and Matt Riggsby Edited by Sean Punch Cover Art by Bob Stevlic Illustrated by Alan Azez, Eric J. Carter, Igor Fiorentini, Angela Lowry, Matthew Meyer, Rod Reis, and Bob Stevlic 1ST EDITION, 1ST PRINTING PUBLISHED DECEMBER 2010 ISBN 978-1-55634-802-0 Printed in $29.99 SJG 01-0108 the USA Written by WILLIAM H. -
Samurai Warfare.Pdf
Arms and Armour Press A CASSELL IMPRINT Wellington House, 125 Strand, London WC2R 0BB Distributed in the USA by Sterling Publishing Co. Inc., 387 Park Avenue South, New York, NY 10016-8810. © Dr Stephen Turnbull, 1996 All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means electronic or mechanical including photo- copying recording or any information storage and retrieval system without permission in writing from the Publisher. British Library Cataloguing-in-Publication Data: a catalogue record for this book is available from the British Library ISBN 1-85409-280-4 Designed and edited by DAG Publications Ltd. Designed by David Gibbons; layout by Anthony A. Evans; edited by Michael Boxall. Printed and bound in Spain by Bookprint CONTENTS Preface, 7 Part Two: THE TECHNIQUES OF Part One: SAMURAI WARFARE, 53 THE DEVELOPMENT OF SAMURAI WARFARE, 9 5. Samurai Warfare in the Sengoku Period, 54 1. Early Samurai Warfare, 10 From Mounted Archer to The Ancestors of the Samurai, 10 Mounted Spearman, 54 The Conscript Armies, 11 The Role and Status of the The Rise of the Mounted Ashigaru, 57 Warrior, 13 The Composition of Samurai The First Samurai, 16 Armies, 59 Early Samurai Battles, 20 Organisation and Commun- ication on the Battlefield, 65 2. Military Gentlemen, 22 The Sengoku Battle, 68 The Way of Horse and Bow, 22 The Archery Duel, 22 6. Specialised Units in the Single Combat and the Samurai Sengoku Army, 70 Sword, 25 Archers and Spearmen, 70 Single Combat and the Dagger, The Introduction of Firearms, 73 28 From Nagashima to Nagashino, The Samurai in Group Combat, 77 29 Cannon in Samurai Warfare, 78 3. -
Explaining Ukiyo-E
+ EXPLAINING UKIYO-E DAVID BELL A Thesis submitted for the degree of Doctor of Philosophy of the University of Otago, Dunedin New Zealand November 2002 2 ABSTRACT The term ukiyo-e refers to a distinctive phenomenon in Japanese art. Ukiyo-e can be defined temporally, geographically and socially; most importantly, it developed its own distinctive stylistic character. Most studies of ukiyo-e have been founded on a descriptive mode: they have sought to identify its principal characteristics, and to describe the different projects of its various schools and artists. Recent research has shifted into a more explanatory mode, locating explanations of ukiyo-e‟s distinctive pictorial character in descriptions of the socio-cultural context to which it pertained. This project seeks to establish richer explanations for the pictorial character of ukiyo-e. It argues that appropriate explanations may be found through a critical appraisal of the conditions which constrained and stimulated the enterprises of ukiyo-e artists. It finds these conditions to be manifest in the conceptual foundations that informed its artists; in the ways artists learned the knowledge and skills of their craft; in the sorts of function ukiyo-e pictures were required to perform; and in two conditions of the artists‟ medium: pictorial devices or conventions and the spatial constraints of their media, and the material conditions with which they worked. No matter how closely works of ukiyo-e artists conformed to the pictorial character common to the school as a whole, each individual also followed an independent pathway. The final chapter acknowledges the ways individual artists were disposed to work differently within the auspices of the broader enterprise. -
STR Hit Dice: 1D8 Maximum Level: None Bushi Are Common Warriors Without Obligations to Feudal Lords, Temples, Or Monasteries
BUSHI Requirements: STR 8 Prime Requisite: STR Hit Dice: 1d8 Maximum Level: None Bushi are common warriors without obligations to feudal lords, temples, or monasteries. They are often wandering mer- cenaries, earning a living by any means possible. They are not above brigandage when times are rough. Bushi are not restricted from any weapons or armor. Special Abilities Nimbleness: Bushi are often poor and have learned to survive with little armor protection. In addition to a DEX bonus to their Armor Class, a Bushi receives a drop of 1 level in AC for every 3 levels of experience starting at 3rd level. Scrounging: Being poor, the Bushi has become a master at finding needed equipment. A Bushi can find “free” adventur- ing equipment on a successful d20 roll in any village, castle town, or city. Cut Purse: In addition to scrounging, Bushi have learned to cut the strings of purses in order to gain a few coins. To determine success roll d100 and compare to the % chance to succeed based on the Bushi’s level, any roll of 95 or greater results in the victim noticing the attempt. Fierce Shout: When entering combat with a fierce shout, they temporarily (the duration is the length of the combat) gain 2d8 hit points (all damage is taken from this temporary pool first), and a +2 to hit and damage. This ability can be used once per day. Establish Stronghold: At 9th level, a Bushi can clear an area of land and claim it as his own (becoming a Daimyo). Once he builds a castle, he will attract a body of fellow Bushi to serve him, and even a small cadre of Samurai will arrive to serve the new warlord. -
X Single Circle Current.Xlsx
Single Circle 1 Update june 2018 SINGLE-CIRCLE CANCELLATIONS IN ALPHABETICAL SEQUENCE (ōkii maru gata ōbun keshi-in or 大きい丸型欧文消印) Use Began at Designated Post Offices on 1986.10.01. (5905 Entries) update to June 2018 POST OFFICE NAME Prefecture PART D EARLIEST LATEST (1) (3) (4) (5) (7) 1JONISHI HOKKAIDO 70 1991.03.04 1996.06.04 2 JO HOKKAIDO 70 1993.03.01 1996.09.12 9 JO HOKKAIDO 70 1991.??.?? 963 EKIMAEODORI FUKUSHIMA blank 1991.06.17 1997.03.12 971 KASHIMA FUKUSHIMA blank 1991.06.17 2001.08.15 986 KAZUMA MIYAGI blank 1993.06.03 986 SHIKATSUMA (sai) MIYAGI blank 1991.08.05 A ABA IBARAKI IBARAKI 1991.07.27 ABASHIRI HOKKAIDO HOKKAIDO 1986.10.01 1996.04.06 ABASHIRIKOMABA HOKKAIDO 93 1997.11.05 ABENO OSAKA OSAKA 1987.06.25 ABENOBASHI OSAKA ABENO 1986.10.01 2007.07.27 ABENOBASHI OSAKA NANIWA 2007.07.30 ABIKO CHIBA CHIBA 1986.10.01 2011.02.12 ABIKOHIGASHI OSAKA 558 1995.01.27 1997.12.11 ABIRA HOKKAIDO 059-15 1996.11.20 ABURAHI SHIGA SHIGA 2001.02.27 ABURAKAKE KYOTO 612 2008.08.18 ADACHI TOKYO TOKYO 1986.10.01 2001.07.31 ADACHIKITA TOKYO TOKYO 1986.10.01 1998.04.14 ADACHIMINAMI TOKYO TOKYO 1986.10.01 ADACHINISHI TOKYO TOKYO 1986.10.01 2001.02.17 AGACHUO HIROSHIMA 737 1996.03.11 AGAHO HYOGO 672 1995.04.14 1997.09.19 AGAMINAMI HIROSHIMA 737 1996.05.10 AGEDA OKINAWA 904 1993.??.?? 1996.05.13 AGENA OKINAWA 904-22 1995.01.21 1996.01.09 AGEO SAITAMA SAITAMA 1992.10.12 2004.07.31 AGETSUCHI SHIZUOKA 420 1995.04.18 1997.07.23 AGUI AICHI AICHI 2001.02.21 AGUNI OKINAWA OKINAWA 2004.03.22 AI.CHIKYUHAKU AICHI AICHI 2005.03.10 2005.10.07 AIBETSU HOKKAIDO