The Samurai Armour Glossary
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A Set of Japanese Word Cohorts Rated for Relative Familiarity
A SET OF JAPANESE WORD COHORTS RATED FOR RELATIVE FAMILIARITY Takashi Otake and Anne Cutler Dokkyo University and Max-Planck Institute for Psycholinguistics ABSTRACT are asked to guess about the identity of a speech signal which is in some way difficult to perceive; in gating the input is fragmentary, A database is presented of relative familiarity ratings for 24 sets of but other methods involve presentation of filtered or noise-masked Japanese words, each set comprising words overlapping in the or faint signals. In most such studies there is a strong familiarity initial portions. These ratings are useful for the generation of effect: listeners guess words which are familiar to them rather than material sets for research in the recognition of spoken words. words which are unfamiliar. The above list suggests that the same was true in this study. However, in order to establish that this was 1. INTRODUCTION so, it was necessary to compare the relative familiarity of the guessed words and the actually presented words. Unfortunately Spoken-language recognition proceeds in time - the beginnings of we found no existing database available for such a comparison. words arrive before the ends. Research on spoken-language recognition thus often makes use of words which begin similarly It was therefore necessary to collect familiarity ratings for the and diverge at a later point. For instance, Marslen-Wilson and words in question. Studies of subjective familiarity rating 1) 2) Zwitserlood and Zwitserlood examined the associates activated (Gernsbacher8), Kreuz9)) have shown very high inter-rater by the presentation of fragments which could be the beginning of reliability and a better correlation with experimental results in more than one word - in Zwitserlood's experiment, for example, language processing than is found for frequency counts based on the fragment kapit- which could begin the Dutch words kapitein written text. -
Images and Words. an Interdisciplinary Unit for Sixth-Grade Art and Language Arts Classes
DOCUMENT RESUME ED 391 771 SO 026 096 AUTHOR Lyons, Nancy Hai,:te; Ridley, Sarah TITLE Japan: Images and Words. An Interdisciplinary Unit for Sixth-Grade Art and Language Arts Classes. INSTITUTION Smithsonian Institution, Washington, DC. Arthur M. Sackler Gallery. PUB DATE 94 NOTE 66p.; Color slides and prints not included in this document. AVAILABLE FROM Education Department, Arthur M. Sackler Gallery, Smithsonian Institution, Washington, DC 20560 ($24 plus $4.50 shipping and handling; packet includes six color slides and six color prints). PUB TYPE Guides Classroom Use Teaching Guides (For Teacher) (052) EDRS PRICE MF01/PC03 Plus Postage. DESCRIPTORS Area Studies; *Art; Art Activities; Art Appreciation; *Art Education; Foreign Countries; Grade 6; *Interdisciplinary Approach; Intermediate Grades; *Japanese Culture; *Language Arts; Painting (Visual Arts) ;Visual_ Arts IDENTIFIERS Japan; *Japanese Art ABSTRACT This packet, written for teachers of sixth-grade art and language arts courses, is designed to inspire creative expression in words and images through an appreciation for Japanese art. The selection of paintings presented are from the Freer Gallery of Art, Smithsonian Institution. The interdisCiplinary approach, combines art and language arts. Lessons may be presented independently or together as a unit. Six images of art are provided as prints, slides, and in black and white photographic reproductions. Handouts for student use and a teacher's lesson guide also are included. Lessons begin with an anticipatory set designed to help students begin thinking about issues that will be discussed. A motivational activity, a development section, clusure, and follow-up activities are given for each lesson. Background information is provided at the end of each lesson. -
From Knights' Armour to Smart Work Clothes
September 16, 2020 Suits of steel: from knights’ armour to smart work clothes From traditional metal buttons to futuristic military exoskeletons, which came to the real world from the pages of comics. From the brigandines of medieval dandies to modern fire-resistant clothing for hot work areas. Steel suits have come a long way, and despite a brief retreat caused by a “firearm”, they are again conquering the battlefields and becoming widely used in cutting-edge operations. Ancestors of skins and cotton wool The first armour that existed covered the backs of warriors. For the Germanic tribes who attacked the Roman Empire, it was not considered shameful to escape battle. They protected their chests by dodging, while covering their backs, which became vulnerable when fleeing, with thick animal skins over the shoulders. Soldiers of ancient Egypt and Greece wore multi-layer glued and quilted clothes as armour. Mexican Aztecs faced the conquistadors in quilted wadded coats a couple of fingers thick. In turn, the Spanish borrowed the idea from the Mexicans. In medieval Europe, such protective clothing was widely used up to the 16th century. The famous Caucasian felt cloak also began life as armour. Made of wool using felting technology, it was invulnerable against steel sabres , arrows and even some types of bullets. Metal armour: milestones Another ancient idea for protective clothing was borrowed from animals. The scaled skin of pangolins was widely used as armour by Indian noble warriors, the Rajputs. They began to replicate a scaly body made of copper back in ancient Mesopotamia, then they began to use brass and later steel. -
Page 0 Menu Roman Armour Page 1 400BC - 400AD Worn by Roman Legionaries
Roman Armour Chain Mail Armour Transitional Armour Plate Mail Armour Milanese Armour Gothic Armour Maximilian Armour Greenwich Armour Armour Diagrams Page 0 Menu Roman Armour Page 1 400BC - 400AD Worn by Roman Legionaries. Replaced old chain mail armour. Made up of dozens of small metal plates, and held together by leather laces. Lorica Segmentata Page 1 100AD - 400AD Worn by Roman Officers as protection for the lower legs and knees. Attached to legs by leather straps. Roman Greaves Page 1 ?BC - 400AD Used by Roman Legionaries. Handle is located behind the metal boss, which is in the centre of the shield. The boss protected the legionaries hand. Made from several wooden planks stuck together. Could be red or blue. Roman Shield Page 1 100AD - 400AD Worn by Roman Legionaries. Includes cheek pieces and neck protection. Iron helmet replaced old bronze helmet. Plume made of Hoarse hair. Roman Helmet Page 1 100AD - 400AD Soldier on left is wearing old chain mail and bronze helmet. Soldiers on right wear newer iron helmets and Lorica Segmentata. All soldiers carry shields and gladias’. Roman Legionaries Page 1 400BC - 400AD Used as primary weapon by most Roman soldiers. Was used as a thrusting weapon rather than a slashing weapon Roman Gladias Page 1 400BC - 400AD Worn by Roman Officers. Decorations depict muscles of the body. Made out of a single sheet of metal, and beaten while still hot into shape Roman Cuiruss Page 1 ?- 400AD Chain Mail Armour Page 2 400BC - 1600AD Worn by Vikings, Normans, Saxons and most other West European civilizations of the time. -
Black Sea-Caspian Steppe: Natural Conditions 20 1.1 the Great Steppe
The Pechenegs: Nomads in the Political and Cultural Landscape of Medieval Europe East Central and Eastern Europe in the Middle Ages, 450–1450 General Editors Florin Curta and Dušan Zupka volume 74 The titles published in this series are listed at brill.com/ecee The Pechenegs: Nomads in the Political and Cultural Landscape of Medieval Europe By Aleksander Paroń Translated by Thomas Anessi LEIDEN | BOSTON This is an open access title distributed under the terms of the CC BY-NC-ND 4.0 license, which permits any non-commercial use, distribution, and reproduction in any medium, provided no alterations are made and the original author(s) and source are credited. Further information and the complete license text can be found at https://creativecommons.org/licenses/by-nc-nd/4.0/ The terms of the CC license apply only to the original material. The use of material from other sources (indicated by a reference) such as diagrams, illustrations, photos and text samples may require further permission from the respective copyright holder. Publication of the presented monograph has been subsidized by the Polish Ministry of Science and Higher Education within the National Programme for the Development of Humanities, Modul Universalia 2.1. Research grant no. 0046/NPRH/H21/84/2017. National Programme for the Development of Humanities Cover illustration: Pechenegs slaughter prince Sviatoslav Igorevich and his “Scythians”. The Madrid manuscript of the Synopsis of Histories by John Skylitzes. Miniature 445, 175r, top. From Wikimedia Commons, the free media repository. Proofreading by Philip E. Steele The Library of Congress Cataloging-in-Publication Data is available online at http://catalog.loc.gov LC record available at http://catalog.loc.gov/2021015848 Typeface for the Latin, Greek, and Cyrillic scripts: “Brill”. -
Shigisan Engi Shigisan Engi Overview
Shigisan engi Shigisan engi Overview I. The Shigisan engi or Legends of the Temple on Mount Shigi consists of three handscrolls. Scroll 1 is commonly called “The Flying Granary,” Scroll 2 “The Exorcism of the Engi Emperor,” and Scroll 3 “The Story of the Nun.” These scrolls are a pictorial presentation of three legends handed down among the common people. These legends appear under the title “Shinano no kuni no hijiri no koto” (The Sage of Shinano Province) in both the Uji sh¯ui monogatari (Tales from Uji) and the Umezawa version of the Kohon setsuwash¯u (Collection of Ancient Legends). Since these two versions of the legends are quite similar, one is assumed to be based on the other. The Kohon setsuwash¯u ver- sion is written largely in kana, the phonetic script, with few Chinese characters and is very close to the text of the Shigisan engi handscrolls. Thus, it seems likely that there is a deep connection between the Shigisan engi and the Kohon setsuwash¯u; one was probably the basis for the other. “The Flying Granary,” Scroll 1 of the Shigisan engi, lacks the textual portion, which has probably been lost. As that suggests, the Shigisan engi have not come down to us in their original form. The Shigisan Ch¯ogosonshiji Temple owns the Shigisan engi, and the lid of the box in which the scrolls were stored lists two other documents, the Taishigun no maki (Army of Prince Sh¯otoku-taishi) and notes to that scroll, in addition to the titles of the three scrolls. -
Denv S090015 Military Vehicle Protection.Qxd
Defence TNO | Knowledge for business Military vehicle protection Finding the best armour solutions circuit armour. All these current and future armours require constant and rigorous testing under fully controlled conditions. The Laboratory for Ballistic Research is a state of the art research facility of TNO and able to provide these conditions. New threats In today's scenarios, the threat to a military vehicle may come from any direction, including above and below. The crew of a military vehicle not only has to deal with more or less 'standard' fire from the enemy in front, but - more often than not - also with asymmetric threats like rocket-propelled grenades, explosively formed projectiles, mines and improvised explosive devices. The RPG7, for instance, is able to cut through 250 mm of armour steel. Falling prey to any of these threats, also known as a 'cheap kill', Developments in vehicle armour never stop. It's not just the nature of the is something that has to be avoided at all threat that is continually changing, but we also have to deal with new times. TNO uses its highly advanced resources and decades of expertise in armour trends in warfare, like lightweight armoured vehicles. For survival, today's research to help governments and and tomorrow's military vehicles will not only have to rely on armour, but manufacturers achieve their aim: the optimal e.g. also on mobility and manoeuvrability. TNO supports its clients - protection of military vehicles against the governments and manufacturers - in finding the best armour solutions for widest possible range of ballistic threats. -
Oriental Adventures James Wyatt
620_T12015 OrientalAdvCh1b.qxd 8/9/01 10:44 AM Page 2 ® ORIENTAL ADVENTURES JAMES WYATT EDITORS: GWENDOLYN F. M. KESTREL PLAYTESTERS: BILL E. ANDERSON, FRANK ARMENANTE, RICHARD BAKER, EIRIK BULL-HANSEN, ERIC CAGLE, BRAIN MICHELE CARTER CAMPBELL, JASON CARL, MICHELE CARTER, MAC CHAMBERS, TOM KRISTENSEN JENNIFER CLARKE WILKES, MONTE COOK , DANIEL COOPER, BRUCE R. CORDELL, LILY A. DOUGLAS, CHRISTIAN DUUS, TROY ADDITIONAL EDITING: DUANE MAXWELL D. ELLIS, ROBERT N. EMERSON, ANDREW FINCH , LEWIS A. FLEAK, HELGE FURUSETH, ROB HEINSOO, CORY J. HERNDON, MANAGING EDITOR: KIM MOHAN WILLIAM H. HEZELTINE, ROBERT HOBART, STEVE HORVATH, OLAV B. HOVET, TYLER T. HURST, RHONDA L. HUTCHESON, CREATIVE DIRECTOR: RICHARD BAKER JEFFREY IBACH, BRIAN JENKINS, GWENDOLYN F.M. KESTREL, TOM KRISTENSEN, CATIE A. MARTOLIN, DUANE MAXWELL, ART DIRECTOR: DAWN MURIN ANGEL LEIGH MCCOY, DANEEN MCDERMOTT, BRANDON H. MCKEE, ROBERT MOORE, DAVID NOONAN, SHERRY L. O’NEAL- GRAPHIC DESIGNER: CYNTHIA FLIEGE HANCOCK, TAMMY R. OVERSTREET, JOHN D. RATELIFF, RICH REDMAN, THOMAS REFSDAL, THOMAS M. REID, SEAN K COVER ARTIST: RAVEN MIMURA REYNOLDS, TIM RHOADES, MIKE SELINKER, JAMES B. SHARKEY, JR., STAN!, ED STARK, CHRISTIAN STENERUD, OWEN K.C. INTERIOR ARTISTS: MATT CAVOTTA STEPHENS, SCOTT B. THOMAS, CHERYL A. VANMATER-MINER, LARRY DIXON PHILIPS R. VANMATER-MINER, ALLEN WILKINS, PENNY WILLIAMS, SKIP WILLIAMS CRIS DORNAUS PRONUNCIATION HELP: DAVID MARTIN RON FOSTER, MOE MURAYAMA, CHRIS PASCUAL, STAN! RAVEN MIMURA ADDITIONAL THANKS: WAYNE REYNOLDS ED BOLME, ANDY HECKT, LUKE PETERSCHMIDT, REE SOESBEE, PAUL TIMM DARRELL RICHE RICHARD SARDINHA Dedication: To the people who have taught me about the cultures of Asia—Knight Biggerstaff, Paula Richman, and my father, RIAN NODDY B S David K. -
Constructing a Heavy-List Gambeson Tips and Techniques
Constructing a Heavy-List Gambeson Tips and Techniques Lady Magdalena von Regensburg mka Marla Berry [email protected] July 16, 2005 An Historic Overview “Mail is tough but flexible; it resists a cutting sword-stroke but needs a padded or quilted undergarment as a shock absorber against a heavy blow.”1 Quilted garments were part of soldiers’ kits in varying forms and with varying names throughout most of the SCA timeline. As early as the late Roman/early Byzantine period there is documentation for quilted or padded coats called Zabai or Kabadia.2 Illuminations from Maciejowski Bible (circa 1250) show aketons or gambesons. “These terms seem to have been interchangeable but the weight of evidence From “Jonathan and his Armor- suggests that ‘aketon’ refers to garments worn under the mail while bearer Attack the Philistines,” gambesons were worn over or instead of it...The gambeson is often from the Maciejowski Bible, referred to in contemporary accounts as being worn by the common circa 1250. soldiery and, indeed, is part of the equipment required by the Assize of Arms of 1185 of Edward I of England.”3 Extant examples from the fourteenth century include the pourpoint of Charles de Blois (d. 1364) and the late fourteenth century jupon of Charles VI. Fifteenth century documents mention arming doublets and padded jacks. These garments were worn under maille, over maille, under plate, over plate, or on their own. Some were designed to encase maille or plate. “Infantry, as laid down in the Assize of Arms of 1182, often wore one of two types of gambeson. -
Maqueta Def. Nueva
L ARTE INTEGRADO EN LA BATALLA. ESTUDIO TECNOLÓGICO PREVIO A LA RESTAURACIÓN E DE CINCO ARMADURAS JAPONESAS DEL MUSEO DEL EJÉRCITO DE TOLEDO MARTA PLAZA BELTRÁN // JORGE RIVAS LÓPEZ1 Departamento de Pintura-Restauración. Universidad Complutense de Madrid Abstract: Throughout the eighteenth century the Chinoiserie style spread among the European courts. Based on Chinese and Japanese models, it was reflected both in painting and in architecture, as well as in decorative and textile arts. During this period many oriental items were imported from the Far East in order to decorate palaces and mansions. This was a determining factor for the increment of exotic art collecting, like Japanese lacquerware and Chinese porcelain. Samurai armours represent an exceptional example, which are veritable masterpieces made with remarkable complexity and using a great variety of materials. The main purpose of this article is to show the results prior to the intervention on the restoration of the collection of Japanese ar- mours belonging to the Army Museum in Toledo, Spain. In this way, a formal and symbolic analysis of the different elements involved in these sets will be exposed, as well as the most applied artistic technique to de- corate them: the Japanese lacquer. Key words: armour / samurai / artistic techniques / lacquer. Resumen: A lo largo del siglo XVIII la moda Chinoiserie se difundió entre las cortes europeas. Basada en mo- delos chinos y japoneses, la veremos reflejada tanto en la pintura como en la arquitectura, las artes decorativas o el arte textil. Durante este periodo se importaron numerosos objetos de Extremo Oriente con destino a los palacios y casas señoriales, factor determinante en el auge del coleccionismo de piezas de arte exótico, como las lacas japonesas y la porcelana china. -
16 Brightwells,Clancarty Rcad,London S0W.6. (O 1-736 6838)
Wmil THE TO—KEN SOCIETY OF GREAT BRITAIN for theStudy and Preservation of Japanese Swords and Fittings Hon.President B.W.Robinson, M0A. ,B,Litt. Secretary: 16 Brightwells,Clancarty Rcad,London S0W.6. 1- 736 6838) xnc2ResIoENTzuna0xomoovLxnun. (o PROGRAMME NEXT MEETING Monday, OOtober 7th 1968 at The Masons Arms 9 Maddox Street 9 London 1-1.1. at 7.30 p.m. SUBJECT Annual meeting in which nominations for the new Committee will be taken, general business and fortunes of the Society discussed. Members please turn up to this important meeting 9 the evening otherwise will be a free for all, so bring along swords, tsuba, etc. for discussion, swopping or quiet corner trading. LAST. MEETING I was unable to attend this and have only reports from other members. I understand that Sidney Divers showed examples of Kesho and Sashi-kome polishes on sword blades, and also the result of a "home polish" on a blade, using correcb polishing stones obtained from Japan, I believe in sixteen different grades0 Peter Cottis gave his talk on Bows and Arrows0 I hope it may be possible to obtain notes from Peter on his talk0 Sid Diverse written remarks can his part in the meeting are as follows "As promised at our last meeting, I have brought examples of good (Sashi-Komi) and cheap (Kesho) • polishes. There are incidentally whole ranges of prices for both types of polish0 The Sashi-Komi polish makes the colour of the Yakiba almost the same as the Jihada. This does bring out all the smallest details of Nie and Nioi which would not show by the Kesho polish. -
Historia Y Genealogía Nº3 (2013) | 1 Revista Digital Del Equipo De Investigación Historia Social En La Edad Moderna |
Historia y Genealogía Nº3 (2013) | 1 Revista Digital del equipo de investigación Historia Social en la Edad Moderna | www.historiasocialmoderna.com www.historiaygenealogia.com Nº 3 | Año 2013 | Universidad de Córdoba Director Enrique Soria Mesa, Universidad de Córdoba, España Secretario Antonio J. Diaz Rodriguez, CIDEHUS-Universidade de Évora, Portugal Consejo de Redacción Juan Jesús Bravo Caro, Universidad de Málaga, España José Miguel Delgado Barrado, Universidad de Jaén, España Manuel Fernández Chaves, Universidad de Sevilla, España Antonio Míguez Santa Cruz, Universidad de Murcia, España Raúl Molina Recio, Universidad de Extremadura, España Rafael Pérez García, Universidad de Sevilla, España Ángel María Ruiz Gálvez, Universidad de Extremadura, España Luis Salas Almela, EEHA de Sevilla, España Enrique Soria Mesa, Universidad de Córdoba, España Antonio Urquízar Herrera, Universidad Nacional de Educación a Distancia, España Consejo Asesor Francisco Andújar Castillo, Universidad de Almería, España Fernando Bouza Álvarez, Universidad Complutense, España James Casey, Universidad de Norwich, Reino Unido Francisco Chacón Jiménez, Universidad de Murcia, España Fabricio D’Avenia, Universidad de Palermo, Italia Manuel Herrero Sánchez, Universidad Pablo de Olavide, España José María Imízcoz Beunza, Universidad de País Vasco, España Alberto Marcos Martin, Universidad de Valladolid Nuno Monteiro, ICS de Lisboa, Portugal Fernanda Olival, Universidad de Évora, Portugal María José de la Pascua Sánchez, Universidad de Cádiz, España María de los Ángeles