Images and Words. an Interdisciplinary Unit for Sixth-Grade Art and Language Arts Classes
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No.766 (November Issue)
NBTHK SWORD JOURNAL ISSUE NUMBER 766 November, 2020 Meito Kansho: Examination of Important Swords Juyo Bijutsuhin, Important Cultural Property Type: Tachi Mei: Unji Length: 2 shaku 4 sun 4 bu 7 rin (74.15 cm) Sori: 9 bu 6 rin (2.9 cm) Motohaba: 9 bu 2 rin (2.8 cm) Sakihaba: 5 bu 9 rin (1.8 cm) Motokasane: 2 bu (0.6 cm) Sakikasane: 1 bu 2 rin (0.35 cm) Kissaki length: 8 bu 9 rin (2.7 cm) Nakago length: 6 sun 7 bu 3 rin (20.4 cm) Nakago sori: 7 rin (0.2 cm) Commentary This is a shinogi-zukuri tachi with an ihorimune. The width is standard, and the widths at the moto and saki are slightly different. There is a standard thickness, a large sori, and a chu-kissaki. The jigane has itame hada mixed with mokume and nagare hada, and the hada is barely visible. There are fine ji-nie, chikei, and jifu utsuri. The hamon is a wide suguha mixed with ko-gunome, ko-choji, and square features. There are frequent ashi and yo, and some places have saka-ashi. There is a tight nioiguchi with abundant ko-nie, and some kinsuji and sunagashi. The boshi on the omote is straight and there is a large round tip. The ura has a round tip, and there is a return. The nakago is suriage, and the nakago jiri is almost kiri, and the newer yasurime are sujichigai, and we cannot determine what style the old yasurime were. There are three mekugi-ana, On the omote, under the third mekugi-ana (the original mekugi-ana) there is a two kanji signature. -
Department of Art and Art History the University of Utah GRAFFITI, ART
GRAFFITI, ART, AND IDENTITY: EXPLORING GAJIN FUJITA’S HOOD RATS by Patricia Kathleen Guiley A thesis submitted to the faculty of The University of Utah in partial fulfillment of the requirements for the degree of Master of Arts in Art History Department of Art and Art History The University of Utah May 2015 Copyright © Patricia Kathleen Guiley 2015 All Rights Reserved The University of Utah Graduate School STATEMENT OF THESIS APPROVAL The thesis of Patricia Kathleen Guiley has been approved by the following supervisory committee members: Winston Kyan , Chair 10/13/2014 Date Approved Paul Monty Paret , Member 10/13/2014 Date Approved Wesley Sasaki-Uemura , Member 10/13/2014 Date Approved and by Brian Snapp , Chair/Dean of the Department/College/School of Art History and by David B. Kieda, Dean of The Graduate School. ABSTRACT While contemporary historians have explored the advent of graffiti as well as its link to the social and financial world, little attention has been given to overarching lenses that attempt to encompass the new global contemporary form of graffiti. In a recent catalogue of street art, Carlo McCormick argues that many of the fundamental motives and aesthetics of graffiti have transformed, requiring new lenses of analysis when comprehending the work. One of the main outcomes in the art-world system of the global contemporary is the dissolving of geographical distances that once divided art worlds from each other. As a result of evolving cultural paradigms, new parameters are required when analyzing contemporary art. It is here, in the global contemporary climate, that Gajin Fujita’s Hood Rats shows how representations of American identity have transformed. -
Samurai Life in Medieval Japan
http://www.colorado.edu/ptea-curriculum/imaging-japanese-history Handout M2 (Print Version) Page 1 of 8 Samurai Life in Medieval Japan The Heian period (794-1185) was followed by 700 years of warrior governments—the Kamakura, Muromachi, and Tokugawa. The civil government at the imperial court continued, but the real rulers of the country were the military daimy class. You will be using art as a primary source to learn about samurai and daimy life in medieval Japan (1185-1603). Kamakura Period (1185-1333) The Kamakura period was the beginning of warrior class rule. The imperial court still handled civil affairs, but with the defeat of the Taira family, the Minamoto under Yoritomo established its capital in the small eastern city of Kamakura. Yoritomo received the title shogun or “barbarian-quelling generalissimo.” Different clans competed with one another as in the Hgen Disturbance of 1156 and the Heiji Disturbance of 1159. The Heiji Monogatari Emaki is a hand scroll showing the armor and battle strategies of the early medieval period. The conflict at the Sanj Palace was between Fujiwara Nobuyori and Minamoto Yoshitomo. As you look at the scroll, notice what people are wearing, the different roles of samurai and foot soldiers, and the different weapons. What can you learn about what is involved in this disturbance? What can you learn about the samurai and the early medieval period from viewing this scroll? What information is helpful in developing an accurate view of samurai? What preparations would be necessary to fight these kinds of battles? (Think about the organization of people, equipment, and weapons; the use of bows, arrows, and horses; use of protective armor for some but not all; and the different ways of fighting.) During the Genpei Civil War of 1180-1185, Yoritomo fought against and defeated the Taira, beginning the Kamakura Period. -
Protective Armor Engineering Design
PROTECTIVE ARMOR ENGINEERING DESIGN PROTECTIVE ARMOR ENGINEERING DESIGN Magdi El Messiry Apple Academic Press Inc. Apple Academic Press Inc. 3333 Mistwell Crescent 1265 Goldenrod Circle NE Oakville, ON L6L 0A2 Palm Bay, Florida 32905 Canada USA USA © 2020 by Apple Academic Press, Inc. Exclusive worldwide distribution by CRC Press, a member of Taylor & Francis Group No claim to original U.S. Government works International Standard Book Number-13: 978-1-77188-787-8 (Hardcover) International Standard Book Number-13: 978-0-42905-723-6 (eBook) All rights reserved. No part of this work may be reprinted or reproduced or utilized in any form or by any electric, mechanical or other means, now known or hereafter invented, including photocopying and re- cording, or in any information storage or retrieval system, without permission in writing from the publish- er or its distributor, except in the case of brief excerpts or quotations for use in reviews or critical articles. This book contains information obtained from authentic and highly regarded sources. Reprinted material is quoted with permission and sources are indicated. Copyright for individual articles remains with the authors as indicated. A wide variety of references are listed. Reasonable efforts have been made to publish reliable data and information, but the authors, editors, and the publisher cannot assume responsibility for the validity of all materials or the consequences of their use. The authors, editors, and the publisher have attempted to trace the copyright holders of all material reproduced in this publication and apologize to copyright holders if permission to publish in this form has not been obtained. -
SAMURAI and ASHIGARU –Espansione Lords & Servants
SAMURAI AND ASHIGARU –Espansione Lords & Servants Il Giappone feudale era uno stato comandato dall'imperatore ma amministrato dallo SHOGUN , la più alta carica militare che veniva eletto dall'imperatore. Lo SHOGUN era per cui il rappresentante politico e amministrativo dell'impero che era diviso in piccoli feudi guidati dai signori locali detti DAIMYO signori locali che amministravano in maniera del tutto indipendente l'economia e la legislazione interna. Dare una data esatta per quanto riguarda il periodo SENGOKU è piuttosto difficile, gli stessi studiosi sono in contrasto tra loro, io ho deciso di utilizzare la teoria che coincide con gli ultimi anni del dominio della dinastia Ashikaga (1467-1603) come SHOGUN. Il "periodo degli stati combattenti" , questo è il significato di Sengoku in italiano, è un epoca che vede la grande crisi del potere centrale causata da lotte intestine al clan Ashikaga a cui era demandato il ruolo di Shogun che permette l'affermazione di Daimyo sempre più potenti. Possiamo identificare l'inizio del periodo Sengoku con l'inizio della guerra di Onin , una guerra civile che vede lo Shogun assistere inerme a lotte intestine tra clan di Daimyo, lotte che porteranno alla quasi totale distruzione di Kioto la capitale dell'impero. L'immobilità dello Shogun nella capitale diede il via a una serie infinita di guerre tra Daimyo , guerre che fino a quel momento erano state frenate da un potere che lo shogun ora dimostrava non avere. In questo periodo si avrà l'affermazione di casate meno rappresentative ma più aggressive spesso fondate da samurai non nobili che con esperienza e tenacia battono gli stati comandati da Daimyo di origine nobile ma meno avvezzi alla guerra e prima protetti dallo Shogun ora ormai inerme. -
Grandmaster Book of Ninja Training
The Grandmaster's Book of Ninja Training Dr Masaaki Hatsumi Translated by Chris, W. P. Reynolds Library of Congress Cataloging-in-Publication Data Hatsumi, Masaaki, 1931- The grandmaster's book of ninja training / Masaaki Hatsumi. p. cm. Includes index. ISBN 0-8092-4629-5 (paper) 1. Hand-to-hand fighting, Oriental. 2. Ninjutsu. 3. Hatsumi, Masaaki, 1931- I. Title. U167.5.H3H358 1987 613.7'1—dc19 87-35221 CIP TRANSLATION NOTE Although some of the Japanese of these interviews was capably translated at the time it was given by Doron Navon, the entire text has been retranslated from the original. Unnecessary repetitions, inaudible phrases, etc., have been edited out. Dr. Hatsumi's manner of speak- ing is by no means always straightforward, and little attempt has been made to reproduce it, since it was felt that this would be too confusing and barely read- able. However, efforts have been made (including consultation with Hatsumi Sensei himself) to clarify the many points that required it. Only a few of his very frequently used interjected phrases (expressions Published by Contemporary Books A division of NTC/Contemporary Publishing Group, Inc. like "you see," "right?," etc.) have been retained, just 4255 West Touhy Avenue, Lincolnwood (Chicago), Illinois 60712-1975 U.S.A. for the sake of naturalness; and for the same reason, Copyright © 1988 by Masaaki Hatsumi some of the broken sentences and changes of direc- All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, tion characteristic of informal speech have been re- photocopying, recording, or otherwise, without the prior written permission of tained, as long as the meaning is clear. -
Japanese Sword Buying Guide
THE SAMURAI SWORD GUIDE Learn what to look for when planning to buy www.samurai-sword-shop.com JAPANESE SWORD BUYING GUIDE With the inception of the powerful and highly modernized internet, searching for and buying hard‐to‐find gadgets, gizmos and watchamacallits have never been easier than it was 10 years ago. And this includes finding a good katana. If one wants to buy a katana way back in the good ‘ol days, he had to go out and look for a brick and mortar store where some actual katana swords were being sold. But sometimes, after having traveled quite a distance, the store owner would tell you that they don’t have any katana in stock! What a big disappointment! All of these have changed though with the birth of the World Wide Web. Now you can find ten or more different katanas with just a few clicks and in just a fraction of time. You can quickly compare katanas that range from as low as 100 euro up to a few thousand euro while a real nihonto would probably cost around 10.000 , 20.000 and up to +100.000 euro and more. Well, don’t be shocked! Even a simple antique tsuba can actually cost much more than a regular sword! Nevertheless, the emergence of modern technology cannot quite replace the actual buying process that we have been earlier exposed to – one that allows us to examine closely and even touch and smell the product before we decide if it’s worthy of our penny. Copyright © 2010 www.samurai-sword-shop.com 1 It’s really hard to tell if the katana on your computer screen is worth the price and if it’s really what you are looking for. -
Types of Japanese Folktales
Types of Japanese Folktales By K e ig o Se k i CONTENTS Preface ............................................................................ 2 Bibliography ................................... ................................ 8 I. Origin of Animals. No. 1-30 .....................................15 II. A nim al Tales. No. 31-74............................................... 24 III. Man and A n im a l............................................................ 45 A. Escape from Ogre. No. 75-88 ....................... 43 B. Stupid Animals. No. 87-118 ........................... 4& C. Grateful Animals. No. 119-132 ..................... 63 IV. Supernatural Wifes and Husbands ............................. 69 A. Supernatural Husbands. No. 133-140 .............. 69 B. Supernatural Wifes. No. 141-150 .................. 74 V. Supernatural Birth. No. 151-165 ............................. 80 VI. Man and Waterspirit. No. 166-170 ......................... 87 VII. Magic Objects. No. 171-182 ......................................... 90 V III. Tales of Fate. No. 183-188 ............................... :.… 95 IX. Human Marriage. No. 189-200 ................................. 100 X. Acquisition of Riches. No. 201-209 ........................ 105 X I. Conflicts ............................................................................I l l A. Parent and Child. No. 210-223 ..................... I l l B. Brothers (or Sisters). No. 224-233 ..............11? C. Neighbors. No. 234-253 .....................................123 X II. The Clever Man. No. 254-262 -
The Etiquette & Customs for Sword Appreciation & Viewing
The Etiquette & Customs For Sword Appreciation & Viewing Clive Sinclaire Bexley, Kent June 2012 If you practice any of the sword related martial arts, such as Kendo or Iai‐do, then from the very first day, before you even pick up the wooden practice sword, you will be made aware of reigi. This has been defined as covering such areas as “courtesy, decorum, etiquette, civility, propriety and discipline”. Such things are reflected in how one conducts oneself in the dojo, how one relates to both higher and lower grades and is the thing that prevents these martial ways from becoming uncivilised and brutal. A fundamental precept of reigi in this context is respect for the sword, even in its imitated form of a bokuto or wooden substitute which is customarily wiped with a clean cloth, before and after use. They are placed on the dojo floor with respect and care, avoiding noise or clatter and they should never be placed on the hakama (traditional clothing) as this is considered a blatant breach of etiquette. There are correct ways of bowing when entering or leaving the dojo and carrying a sword. These practices are sometimes a surprise to the novice who might view the activities as purely sport, but they are of great importance from both a cultural and safety point of view. Formal Rei at Iai‐do shia. Reigi was a natural and accepted thing in old Japan and one’s behaviour when handling swords was of great importance as the consequences of inappropriate actions might have serious consequences. Today in Japan, there are occasions when swords are viewed by large numbers of people at the same time, such as at a To‐ken Taikai or sword convention. -
I May Not Use the Japanese Terms for Everything in This Document, Or Spell Them the Way You Think They May Be Spelled
Please note: I may not use the Japanese terms for everything in this document, or spell them the way you think they may be spelled. Deal. Different sources happen. Sources will appear at the end of this document. Oh, and I hereby give permission for AEG and any forum moderators acting as representatives thereof to post this (unmodified and in its entirety, except as directed by me) as a reference document anywhere they need to do so, if they feel so inclined. SECTION ONE: INTRODUCTION AND ARMOR Armor exists in a constant state of flux, always attempting to protect the wearer against an ever-more lethal variety of battlefield threats. There are many reasons NOT to wear armor. It’s expensive. It’s high-maintenance. It is hot and smelly (sometimes to the point of causing heatstroke). It restricts your mobility. It dulls your senses and slows your reflexes. It’s never perfect, 100% protection. Therefore, it is reasonable to assume that if armor did not perform some valid battlefield function, people would not have worn it. People aren’t stupid. We may be more educated today, but people have a long history of seeing a problem, and then devoting all of their time and technological progress to that point in history finding a way to SOLVE that problem. Again, it stands to reason that, especially in a culture like that of Japan, where weaponry and armor simply did not evolve after reaching a certain level of technological development, there must be a rough balance between weaponry and protection. If armor was useless against battlefield weaponry, it would not have been worn. -
Fine Japanese and Korean Art I New York I March 20, 2019
Fine Japanese and Korean Art and Korean Fine Japanese I New York I March 20, 2019 I March I New York 25415 Fine Japanese and Korean Art New York I March 20, 2019 Fine Japanese and Korean Art New York | Wednesday March 20 2019, at 1pm BONHAMS BIDS INQUIRIES CLIENT SERVICES 580 Madison Avenue +1 (212) 644 9001 Japanese Art Department Monday – Friday 9am-5pm New York, New York 10022 +1 (212) 644 9009 fax Jeffrey Olson, Director +1 (212) 644 9001 bonhams.com [email protected] +1 (212) 461 6516 +1 (212) 644 9009 fax [email protected] PREVIEW To bid via the internet please visit ILLUSTRATIONS www.bonhams.com/25415 Thursday March 14 Takako O’Grady, Front cover: Lot 247 10am to 5pm Administrator Inside front cover: Lot 289 Friday March 15 Please note that bids should be +1 (212) 461 6523 Back cover: Lot 390 10am to 5pm summited no later than 24hrs [email protected] Inside back cover: Lot 287 Saturday March 16 prior to the sale. New bidders 10am to 5pm must also provide proof of Sunday March 17 identity when submitting bids. REGISTRATION 10am to 5pm Failure to do this may result in IMPORTANT NOTICE your bid not being processed. Monday March 18 Please note that all customers, 10am to 5pm irrespective of any previous activity Tuesday March 19 LIVE ONLINE BIDDING IS with Bonhams, are required to 10am to 3pm AVAILABLE FOR THIS SALE complete the Bidder Registration Please email bids.us@bonhams. Form in advance of the sale. The SALE NUMBER: 25415 com with “Live bidding” in form can be found at the back the subject line 48hrs before of every catalogue and on our the auction to register for this website at www.bonhams.com CATALOG: $35 service. -
1 the Alternate Path: Martial 3
The Alternate Path: Martial 3 Credits -PRODUCER- SCOTT GLADSTEIN -DESIGNERS- SCOTT GLADSTEIN AND IAN SISSON -EDITORS- IAN SISSON AND BRYNN PETANO -ART- JORGE ZAPATA, FERNANDO CORREA, DAVID REVOY, JUSTIN NICHOL, RICK HERSHEY, ANDREW “VIKING” BORTNIAK, MOHAMMED AGBADI, TONY MOW, STORN COOK, FELIPE MOREIRA, GARY DUPUIS, IGNATIUS ANTONI T, SANTIAGO IBORRA (VIA WTACTICS), ALEXANDER (THIRTEENTHAUTUMN), “LUNSTREAM”, “LEKSA”, “KILLY ONE”, “WARPAINTCOBRA”, “BUSONE”, “DOMINICK” -GRAPHIC DESIGN/LAYOUT- SCOTT GLADSTEIN Compatibility with the Pathfinder Roleplaying Game requires the Pathfinder A Product of Little Red Goblin Games, LLC Roleplaying Game from Paizo Publishing, LLC. See http://paizo.com/pathfinderRPG Questions? Comments? Contact us at: for more information on the Pathfinder Roleplaying Game. Paizo Publishing, LLC [email protected] does not guarantee compatibility, and does not endorse this product. http://littleredgoblingames.com/ © 2018, All Rights Reserved OGL Compatible: Open Game License v 1.0a Copyright 2000, Wizards of the Coast, Inc. System Reference Document. Copyright 2000, Wizards of the Coast, Inc.; Authors Jonathan Tweet, Monte Cook, Skip Williams, based on material by E. Gary Gygax and Dave Arneson. PathfinderSample RPG Core Rulebook. Copyright 2009, Paizo Publishing, LLC; Author: Jason Bulmahn, based on material by Jonathan fileTweet, Monte Cook, and Skip Williams. Pathfinder is a registered trademark of Paizo Publishing, LLC, and the Pathfinder Roleplaying Game and the Pathfinder Roleplaying Game Compatibility Logo are trademarks of Paizo Publishing, LLC, and are used under the Pathfinder Roleplaying Game Compatibility License. See http://paizo.com/pathfinderRPG/compatibility for more information on the compatibility license 1 Chapter 0: Introduction What is This Book? EXPANDED MARTIAL CHARACTERS This book is designed for experienced players and Historically the fighter has been the class people presents alternate rules and classes that are more use to wholesale define professional fighters.