Japanese Sword Buying Guide
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Images and Words. an Interdisciplinary Unit for Sixth-Grade Art and Language Arts Classes
DOCUMENT RESUME ED 391 771 SO 026 096 AUTHOR Lyons, Nancy Hai,:te; Ridley, Sarah TITLE Japan: Images and Words. An Interdisciplinary Unit for Sixth-Grade Art and Language Arts Classes. INSTITUTION Smithsonian Institution, Washington, DC. Arthur M. Sackler Gallery. PUB DATE 94 NOTE 66p.; Color slides and prints not included in this document. AVAILABLE FROM Education Department, Arthur M. Sackler Gallery, Smithsonian Institution, Washington, DC 20560 ($24 plus $4.50 shipping and handling; packet includes six color slides and six color prints). PUB TYPE Guides Classroom Use Teaching Guides (For Teacher) (052) EDRS PRICE MF01/PC03 Plus Postage. DESCRIPTORS Area Studies; *Art; Art Activities; Art Appreciation; *Art Education; Foreign Countries; Grade 6; *Interdisciplinary Approach; Intermediate Grades; *Japanese Culture; *Language Arts; Painting (Visual Arts) ;Visual_ Arts IDENTIFIERS Japan; *Japanese Art ABSTRACT This packet, written for teachers of sixth-grade art and language arts courses, is designed to inspire creative expression in words and images through an appreciation for Japanese art. The selection of paintings presented are from the Freer Gallery of Art, Smithsonian Institution. The interdisCiplinary approach, combines art and language arts. Lessons may be presented independently or together as a unit. Six images of art are provided as prints, slides, and in black and white photographic reproductions. Handouts for student use and a teacher's lesson guide also are included. Lessons begin with an anticipatory set designed to help students begin thinking about issues that will be discussed. A motivational activity, a development section, clusure, and follow-up activities are given for each lesson. Background information is provided at the end of each lesson. -
No.766 (November Issue)
NBTHK SWORD JOURNAL ISSUE NUMBER 766 November, 2020 Meito Kansho: Examination of Important Swords Juyo Bijutsuhin, Important Cultural Property Type: Tachi Mei: Unji Length: 2 shaku 4 sun 4 bu 7 rin (74.15 cm) Sori: 9 bu 6 rin (2.9 cm) Motohaba: 9 bu 2 rin (2.8 cm) Sakihaba: 5 bu 9 rin (1.8 cm) Motokasane: 2 bu (0.6 cm) Sakikasane: 1 bu 2 rin (0.35 cm) Kissaki length: 8 bu 9 rin (2.7 cm) Nakago length: 6 sun 7 bu 3 rin (20.4 cm) Nakago sori: 7 rin (0.2 cm) Commentary This is a shinogi-zukuri tachi with an ihorimune. The width is standard, and the widths at the moto and saki are slightly different. There is a standard thickness, a large sori, and a chu-kissaki. The jigane has itame hada mixed with mokume and nagare hada, and the hada is barely visible. There are fine ji-nie, chikei, and jifu utsuri. The hamon is a wide suguha mixed with ko-gunome, ko-choji, and square features. There are frequent ashi and yo, and some places have saka-ashi. There is a tight nioiguchi with abundant ko-nie, and some kinsuji and sunagashi. The boshi on the omote is straight and there is a large round tip. The ura has a round tip, and there is a return. The nakago is suriage, and the nakago jiri is almost kiri, and the newer yasurime are sujichigai, and we cannot determine what style the old yasurime were. There are three mekugi-ana, On the omote, under the third mekugi-ana (the original mekugi-ana) there is a two kanji signature. -
Department of Art and Art History the University of Utah GRAFFITI, ART
GRAFFITI, ART, AND IDENTITY: EXPLORING GAJIN FUJITA’S HOOD RATS by Patricia Kathleen Guiley A thesis submitted to the faculty of The University of Utah in partial fulfillment of the requirements for the degree of Master of Arts in Art History Department of Art and Art History The University of Utah May 2015 Copyright © Patricia Kathleen Guiley 2015 All Rights Reserved The University of Utah Graduate School STATEMENT OF THESIS APPROVAL The thesis of Patricia Kathleen Guiley has been approved by the following supervisory committee members: Winston Kyan , Chair 10/13/2014 Date Approved Paul Monty Paret , Member 10/13/2014 Date Approved Wesley Sasaki-Uemura , Member 10/13/2014 Date Approved and by Brian Snapp , Chair/Dean of the Department/College/School of Art History and by David B. Kieda, Dean of The Graduate School. ABSTRACT While contemporary historians have explored the advent of graffiti as well as its link to the social and financial world, little attention has been given to overarching lenses that attempt to encompass the new global contemporary form of graffiti. In a recent catalogue of street art, Carlo McCormick argues that many of the fundamental motives and aesthetics of graffiti have transformed, requiring new lenses of analysis when comprehending the work. One of the main outcomes in the art-world system of the global contemporary is the dissolving of geographical distances that once divided art worlds from each other. As a result of evolving cultural paradigms, new parameters are required when analyzing contemporary art. It is here, in the global contemporary climate, that Gajin Fujita’s Hood Rats shows how representations of American identity have transformed. -
Samurai Life in Medieval Japan
http://www.colorado.edu/ptea-curriculum/imaging-japanese-history Handout M2 (Print Version) Page 1 of 8 Samurai Life in Medieval Japan The Heian period (794-1185) was followed by 700 years of warrior governments—the Kamakura, Muromachi, and Tokugawa. The civil government at the imperial court continued, but the real rulers of the country were the military daimy class. You will be using art as a primary source to learn about samurai and daimy life in medieval Japan (1185-1603). Kamakura Period (1185-1333) The Kamakura period was the beginning of warrior class rule. The imperial court still handled civil affairs, but with the defeat of the Taira family, the Minamoto under Yoritomo established its capital in the small eastern city of Kamakura. Yoritomo received the title shogun or “barbarian-quelling generalissimo.” Different clans competed with one another as in the Hgen Disturbance of 1156 and the Heiji Disturbance of 1159. The Heiji Monogatari Emaki is a hand scroll showing the armor and battle strategies of the early medieval period. The conflict at the Sanj Palace was between Fujiwara Nobuyori and Minamoto Yoshitomo. As you look at the scroll, notice what people are wearing, the different roles of samurai and foot soldiers, and the different weapons. What can you learn about what is involved in this disturbance? What can you learn about the samurai and the early medieval period from viewing this scroll? What information is helpful in developing an accurate view of samurai? What preparations would be necessary to fight these kinds of battles? (Think about the organization of people, equipment, and weapons; the use of bows, arrows, and horses; use of protective armor for some but not all; and the different ways of fighting.) During the Genpei Civil War of 1180-1185, Yoritomo fought against and defeated the Taira, beginning the Kamakura Period. -
How Religion and Belief Influenced the Way of the Samurai
Sword and Spirit: Bushido in Practice from the Late Sengoku Era through the Edo Period Joe Lovatt Seminar Paper Presented to the Department of History Western Oregon University in partial fulfillment of the requirements for the degree of Bachelor of Arts in History Spring 2009 Approved Date Approved Date Hst 499: Prof. Max Geier & Prof. Narasingha Sil 2 Sword and Spirit: Bushido in Practice from the late Sengoku era through the Edo period By Joe Lovatt The Samurai possessed a strict code of ethics known as Bushido (the way of the warrior), which allowed them to become some of the greatest warrior the world has ever known. However, there were different embodiments of this system, personifications that two Samurai themselves have documented in two of the most well known books ever written by Samurai; The Book of Five Rings by Miyamoto Musashi and Hagakure, by Yamamoto Tsunetomo. Bushido has usually been considered an ethical code that was set to a certain standard, just as the ten commandments are. This analysis suggests that it was in fact not a set of moral laws, but that bushido was embodied differently by every Samurai. Bushido was ultimately a guideline, just like rules in religion. It was a path that one was to adhere to as well as they could, but history has made it clear that it depended upon the circumstances in which a Samurai lived; the life of a Samurai in the twelfth century would filled with fighting for their master and practical use of the code; far different from that of a Samurai living during the first half of the 1800’s, who would be keeping track of the business operations of their master instead of fighting. -
SAMURAI and ASHIGARU –Espansione Lords & Servants
SAMURAI AND ASHIGARU –Espansione Lords & Servants Il Giappone feudale era uno stato comandato dall'imperatore ma amministrato dallo SHOGUN , la più alta carica militare che veniva eletto dall'imperatore. Lo SHOGUN era per cui il rappresentante politico e amministrativo dell'impero che era diviso in piccoli feudi guidati dai signori locali detti DAIMYO signori locali che amministravano in maniera del tutto indipendente l'economia e la legislazione interna. Dare una data esatta per quanto riguarda il periodo SENGOKU è piuttosto difficile, gli stessi studiosi sono in contrasto tra loro, io ho deciso di utilizzare la teoria che coincide con gli ultimi anni del dominio della dinastia Ashikaga (1467-1603) come SHOGUN. Il "periodo degli stati combattenti" , questo è il significato di Sengoku in italiano, è un epoca che vede la grande crisi del potere centrale causata da lotte intestine al clan Ashikaga a cui era demandato il ruolo di Shogun che permette l'affermazione di Daimyo sempre più potenti. Possiamo identificare l'inizio del periodo Sengoku con l'inizio della guerra di Onin , una guerra civile che vede lo Shogun assistere inerme a lotte intestine tra clan di Daimyo, lotte che porteranno alla quasi totale distruzione di Kioto la capitale dell'impero. L'immobilità dello Shogun nella capitale diede il via a una serie infinita di guerre tra Daimyo , guerre che fino a quel momento erano state frenate da un potere che lo shogun ora dimostrava non avere. In questo periodo si avrà l'affermazione di casate meno rappresentative ma più aggressive spesso fondate da samurai non nobili che con esperienza e tenacia battono gli stati comandati da Daimyo di origine nobile ma meno avvezzi alla guerra e prima protetti dallo Shogun ora ormai inerme. -
Grandmaster Book of Ninja Training
The Grandmaster's Book of Ninja Training Dr Masaaki Hatsumi Translated by Chris, W. P. Reynolds Library of Congress Cataloging-in-Publication Data Hatsumi, Masaaki, 1931- The grandmaster's book of ninja training / Masaaki Hatsumi. p. cm. Includes index. ISBN 0-8092-4629-5 (paper) 1. Hand-to-hand fighting, Oriental. 2. Ninjutsu. 3. Hatsumi, Masaaki, 1931- I. Title. U167.5.H3H358 1987 613.7'1—dc19 87-35221 CIP TRANSLATION NOTE Although some of the Japanese of these interviews was capably translated at the time it was given by Doron Navon, the entire text has been retranslated from the original. Unnecessary repetitions, inaudible phrases, etc., have been edited out. Dr. Hatsumi's manner of speak- ing is by no means always straightforward, and little attempt has been made to reproduce it, since it was felt that this would be too confusing and barely read- able. However, efforts have been made (including consultation with Hatsumi Sensei himself) to clarify the many points that required it. Only a few of his very frequently used interjected phrases (expressions Published by Contemporary Books A division of NTC/Contemporary Publishing Group, Inc. like "you see," "right?," etc.) have been retained, just 4255 West Touhy Avenue, Lincolnwood (Chicago), Illinois 60712-1975 U.S.A. for the sake of naturalness; and for the same reason, Copyright © 1988 by Masaaki Hatsumi some of the broken sentences and changes of direc- All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, tion characteristic of informal speech have been re- photocopying, recording, or otherwise, without the prior written permission of tained, as long as the meaning is clear. -
Seminar on Japanese Swords 7 February 2005
Tsurugi-Bashi Kendo Kai University of Cambridge Kendo Society Seminar on Japanese swords 7 February 2005 Revised proceedings Proceedings editor: Nicholas Taylor Copyright c Tsurugi Bashi 2005 http://www.cam.ac.uk/societies/kendo/ Table of Contents Preface FrankStajano....................................... ...............3 A visit to a sword polisher's workshop FrankStajano....................................... ...............4 The parts of the Japanese sword NeilHubbard........................................ ..............7 Katana and Kendo: Background and Reigi HyoWonKim.......................................... ...........9 Functional differences between European medieval and Japa- nese swords SabineBuchholz...................................... ............11 Manufacture of Japanese swords RichardBoothroyd..................................... ...........13 Zen and the Way of the Sword KristiinaJokinen................................... ...............15 Metallurgy and the Japanese Sword NicholasTaylor..................................... ..............17 2 Preface On a sunny morning in December 2004 I happened to pass by the British Museum and my attention was caught by an elegant black poster featuring a beautiful Japanese sword blade. I immediately went in and was delighted at the chance to admire a won- derful exhibition of the Museum’s magnificent collection of about a hundred Japanese blades, all recently restored in Japan. Once back in Cambridge, I set out to organize a visit to the exhibition for members of our kendo dojo, Tsurugi-Bashi. Although, as one might expect, many of our kendoka have an interest in Japanese swords, none of us is really knowledgeable, let alone an expert or collector. We therefore needed some preparation and guidance in order fully to appreciate the visit. In the spirit of encouraging people to find out more about the subject, I there- fore requested that members wishing to join the guided tour carry out a little research about some aspect of the Japanese sword, write it up as a short essay and present it to the others. -
An Introduction To: Backyard Cutting
An Introduction to: Backyard Cutting By Paul Southren (c) 2007, All Rights Reserved This ebook is freeware and you are welcome to distribute, give away or otherwise share (though not sell) to anyone you wish on the condition that none of the material within is changed or edited in any way. OBLIGITORY LEGAL DISCLAIMER: This ebook is written as a general guide only and is in no way a recommendation to use a sword for backyard cutting purposes. While every effort has been made to provide accurate information on the targets described here, there are many situational variables that this work cannot cover. It is STRONGLY RECOMMENDED to receive proper training from a qualified instructor before attempting test cutting as SWORDS ARE NOT TOYS and the hobby/sport of Backyard cutting can potentially result in severe permanent injuries or even death. Despite all precautions being taken, unexpected accidents can and DO happen and it is the responsibility of the reader to exercise common sense and respect for the blade at all times. Sword Buyers Guide and it’s publisher and affiliates are NOT responsible for the abuse or the improper application of the information contained herein, nor is it responsible for injury, loss of health or loss of life. Page 1 of 8 Introduction SO, WHAT IS BACKYARD CUTTING? With the resurgence of interest in collecting swords (both Eastern and Western) and the ease of buying sharp and fully functional swords on the internet, its no secret that there is a growing number of people with an interest in ‘cutting stuff up’ in the backyard… :-) From what I jokingly refer to as doing the old nutty ‘Samurai Gardening Services’ pruning job to simply chopping up the box your new sword came in, it’s a fun (if slightly wacky) hobby thousands of people across the world enjoy. -
Feudal Japan
The Japanese had a deep respect for nature due to their geography Tsunami Tsunami 2 • How do you think that played into their early religion? • How do you think that played into their early religion? • Polytheistic • SHINTOISM Yamato Period: 300-710 Began promoting the adoption of Chinese culture: Confucianism. Language Buddhism Chinese art & architecture. Strong Government “Great Kings” era Heian Period: 700’s-1100’s Characteristics: Growth of large estates.(Nobles) Arts & literature of China flourished. Elaborate court life [highly refined] . ETIQUETTE. Great novel The Tale of Genji by Lady Murasaki Shikibu [1000 pgs.+] Heian Court Dress Tale of Genji (first novel) Tale of Genji Scroll (first novel) Heian Period: Selective Borrowing 1.Chinese writing. 2.Chinese artistic styles. 3.Buddhism [ZEN]. 4.BUT, not the Chinese civil service system! Feudalism A political, economic, and social system based on loyalty, the holding of land, and military service. Europe: King Land - Fief Loyalty Land - Fief Loyalty Lord Lord Food Knight Knight Knight Protection Peasant Peasant Peasant Peasant Feudalism A political, economic, and social system based on loyalty, the holding of land, and military service. Japan: Shogun Land - Shoen Loyalty Land - Shoen Daimyo Daimyo Loyalty Samurai Samurai Samurai Food Protection Peasant Peasant Peasant Peasant The emperor reigned, but did not always rule! Feudal Society Medieval Warriors vs. European knight Samurai Warrior Medieval Warriors vs. Knight’s Armor Samurai Armor Code of Bushido * Respect for -
NBTHK SWORD JOURNAL ISSUE NUMBER 711 April, 2016 Meito
NBTHK SWORD JOURNAL ISSUE NUMBER 711 April, 2016 Meito Kansho Examination of Important Swords Juyo Bunkazai Important Art Object Type: Tachi Mei: Aritsuna Owned by the Tokyo Fuji Museum Length: 2 shaku 3 sun 5 bu 3 rin (71.3 cm) Sori: 9 bu 1 rin (2.75 cm) Motohaba: 1 sun 6 rin (3.2 cm) Sakihaba: 6 bu 7 rin (2.05 cm) Motokasane: 2 bu 1 rin (0.65 cm) Sakikasane: 1 bu 3 rin (0.4 cm) Kissaki length: 1 sun 2 rin (3.1 cm) Nakago length: 7 sun 7 bu 2 rin (23.4 cm) Nakago sori: 1 bu (0.3 cm) Commentary This is a shinogi zukuri tachi with an ihorimune, a standard width, and the widths at the moto and saki are a little different. There is large sori, the tip has sori, and there is a short chu-kissaki. The jihada is itame mixed with abundant mokume, and the hada is visible in places. The bottom half has jifu type jihada. There are ji-nie, frequent chikei, and mizukage below the machi. The entire hamon is low, and is primarily komidare mixed with ko-gunome. There are ashi, thick uneven rough nie, kinsuji, niesuji, sunagashi, and in some places, nijuba type yubashiri and tobiyaki. The boshi is straight, and the omote has togariba with a komaru and return; the ura is straight mixed with kuichigaiba, and the tip is yakizume. The horimono on the omote and ura are bo-hi carved through the nakago. The nakago is ubu, the tip is is slightly ha-agari with a shallow kurijiri, and the yasurime are o-suji-chigai. -
Literature of Bushidō: Loyalty, Honorable Death, and the Evolution of the Samurai Ideal
International ResearchScape Journal Volume 1 Article 2 February 2014 Literature of Bushidō: Loyalty, Honorable Death, and the Evolution of the Samurai Ideal David A. Coldren Bowling Green State University, [email protected] Follow this and additional works at: https://scholarworks.bgsu.edu/irj Part of the Arts and Humanities Commons, and the International and Area Studies Commons Recommended Citation Coldren, David A. (2014) "Literature of Bushidō: Loyalty, Honorable Death, and the Evolution of the Samurai Ideal," International ResearchScape Journal: Vol. 1 , Article 2. DOI: https://doi.org/10.25035/irj.01.01.02 Available at: https://scholarworks.bgsu.edu/irj/vol1/iss1/2 This Article is brought to you for free and open access by the Journals at ScholarWorks@BGSU. It has been accepted for inclusion in International ResearchScape Journal by an authorized editor of ScholarWorks@BGSU. Coldren: Literature of Bushid?: Loyalty, Honorable Death, and the Evolutio Coldren 1 Literature of Bushidō: Loyalty, Honorable Death, and the Evolution of the Samurai Ideal David Adam Coldren ABSTRACT This essay will address the evolution of the samurai warrior code (bushido), concentrating on its depiction in several prominent works of Japanese literature from 1185 to 1989. This essay will argue that rather than a concrete set of principles, bushido was actually a malleable set of romanticized qualities supposedly possessed by the samurai that were repeatedly adapted to a changing Japanese society in order to maintain a national identity predicated on the warrior class. Beginning with the introduction of the samurai through the Tale of the Heike, this essay will then proceed to discuss the blatant romanticization of the samurai until the early 1900’s as illustrated in such prominent works and mediums as the house codes of various feudal lords, Yamamoto Tsunetomo’s Hagakure, and Nitobe Inazo’s Bushido.