Basic Guidelines Iaido & Budo
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Birankai Bokken Training Guide
Birankai WEAPONS BOKKEN TRAINING GUIDE BASIC FOOTWORK STANCES 1) Footwork a. Suri ashi (forward and backward) b. Ushiro tenkan c. Ushiro tenkan with forward suri ashi d. Ayumi ashi 2) Stances a. Gedan b. Waki gamae c. Jodan d. Hasso e. Seigan EXERCISES 1) Katate Suburi a. Kesa / Gyaku kesa b. Shomen c. Yoko giri d. Nukitsuke variations of above 2) Morote Suburi (using above footwork) a. Shomen b. Tsuki c. Kesa 3) Shihogiri a. Right and left hamni b. Without and with tsuki 4) Happogiri a. Right and left hamni b. Without and with tsuki 5. 8-count Suburi a. Tachi-waza b. Suwari-waza 6. Uchi komi a. Shomen b. Tsuki PRINCIPLES c. Kesa 1. Execution i. Suri ashi with back foot 2. Extension ii. Suri ashi with front foot 3. Focus iii. Ayumi ashi 4. Distance Birankai WEAPONS BOKKEN TRAINING GUIDE TECHNIQUES 1) Kiriotoshi a. Exercises (with timing and distance variations for each) b. Variations i. Jodan i. Shomen (jodan) Suriotoshi 1. Slow / Medium / Fast 1. Inside (uchi) 2. Close / At a distance 2. Outside (soto) ii. Chudan ii. Tsuki (chudan) Suriotoshi iii. Gedan iii. Kote (uchi) Suriotoshi iv. Tsuki iv. Kote (soto) Makiuchi 2) Kirikaeshi a. Kirikaeshi Exercises (Partner work – from horse stance) i. Mawashiuchi ii. Suriotoshi iii. Uchiotoshi iv. Suriage b. Kirikaeshi Exercises (Partner Work – from hamni) i. Above four exercises ii. Variations 1. Any attack, above four exercises c. Kirikaeshi Applications (Tai-no-Atari) 3) Kumi Tachi (five encounters) a. Ichi no Tachi b. Ni no Tachi c. San no Tachi d. Yon no Tachi e. -
Anleitung Für Die Kendo Rüstungen Handhabung Und Pflege Von Shinai, Kendokleidung Und Rüstung
Anleitung für die Kendo Rüstungen Handhabung und Pflege von Shinai, Kendokleidung und Rüstung (Vielfältigung dieses Buches ist unzulässig) INHALT Vorwort Kendo ohne Gefahr…………………………………………………………………………………………1 1. Das Shinai (chikutou)竹刀 1-1 Allgemeine Beschreibung(Gewicht und Länge)…………………………………………………………………2 Shinai-Pflege nach jedem Training nicht vergessen !…………………………………………………………3 & Zur Kenntnis: Über das Shinai…………………………………………………………………………………3 1-2 Shinai auseinander bauen………………………………………………………………………………………5 1-3 Splitter entfernen…………………………………………………………………………………………………6 1-4 Gebrauchte Shinai-Teile zusammen bauen.……………………………………………………………………7 1-5 Sakigawa (Leder-Spitze) zusammenbauen………………………………………………………………………8 1-6 Tsuru (Schnur) zusammen binden………………………………………………………………………………9 1-7 Das Binden der Nakayui (Lederschnur)…………………………………………………………………………12 1-8 Tsuba und Tsubadome…………………………………………………………………………………………13 1-9 Wie man das Shinai trägt…………………………………………………………………………………………13 & Zur Kenntnis: Shinai / Bokutou Bokken(Holzschwert) / Katana (Schwert)…………………………………14 2. Das Kendogi (Jacke) 剣道衣 2-1 Allgemeine Beschreibung)………………………………………………………………………………………15 & Zur Kenntnis: Warum Baumwolle, warum Indigo-blau? ……………………………………………………15 2-2 Anziehen…………………………………………………………………………………………………………16 2-3 Waschen…………………………………………………………………………………………………………16 2-4 Zusammenfalten…………………………………………………………………………………………………17 3. Das Hakama (Hosenrock) 袴 3-1 Allgemeine Beschreibung…………………………………………………………………………………………18 & Zur Kenntnis: Interessantes über das Hakama………………………………………………………………18 3-2 -
First Encounter with Iai in Japan, the Days of Sword-Wielding Battles Are A
PROMENADE In Japan, the days of sword-wielding battles are a thing of the past. However, one of the techniques of wielding swords is being passed on from generation to generation. It is iaido (iai for short), the art of drawing a sword in one stroke to cut down the opponent or ward off an attack. “Why use a sword in this peaceful era?” you may ask. However, iai does not train people to kill one another. Iai is being handed down because one of its purposes is to train the soul – a world of great depth. First Encounter with Iai States also participated. I was filled with anticipation because it was hard to imagine how these people, so different in statures and looks, Recently, I had a chance to see a demonstration of iai for the first would perform with a Japanese sword, dressed in traditional formal time. Even in Japan, not so many people watch iai demonstrations Japanese attire – a kimono with a family crest and a full-length, unless they are particularly interested. Even though I took some pleated and divided skirt worn over it. lessons in kendo (Japanese swordsmanship) when I was a child, I I learned that these people practice in five southwestern cities in had nothing to do with iai except that my grandfather, Osamu the United States – Phoenix (Arizona), Lancaster and Austin (both Toyoda, was a master of iai. Kendo and iai are on the same line of California), Las Vegas (Nevada), and El Paso (Texas). And there are Japanese martial arts featuring the use of swords, but a real sword is also many women practitioners. -
Train Driver and Master Iaido Swordsman
People Train Driver and Master Iaido Swordsman aido is a martial art based on use of Takeshi Kawaguchi, chief driver in the The founder of iaido is believed to be I the Japanese sword (nihonto), said by Narashino Train Crew Depot of the JR East Jinsukeshigenobu Hayashizaki, a retainer many to comprise the origin of all martial Chiba Branch Office is one of many avid of the Mogami feudal clan in Oshu (cur- arts in Japan. During the samurai era, followers of iaido in Japan today. rent-day Yamagata Prefecture in northern members of the warrior class trained in Kawaguchi was raised in a rural district Honshu) during the Eiroku Era (1558–69) this discipline as a means of developing of Ibaraki Prefecture. Growing up in a whose school of fencing came to be their fencing skills. But today, it is referred rich natural environment, he was active known as the Hayashizakimuso School, to as, ‘The path for spiritual strength in sports, and trained hard in baseball, his or the Shigenobu School. Nearly two cen- through training in sword lore’. In other first love. At graduation from senior high turies later during the Kyoho Era (1716– words, iaido has come to be pursued as a school, he joined the Chiba Railway Op- 36), Shuze Hasegawa, a swordsman of means of self-refinement and self-devel- erating Division of the former JNR. One unprecedented prowess, fused his unique opment. of the key reasons for choosing this job technique into the art, and changed the Kendo (Japanese fencing), one of the tra- was the chance to continue to pursue his name of the school to the Musojikiden ditional arts passed on from generation- love of baseball. -
Seminar on Japanese Swords 7 February 2005
Tsurugi-Bashi Kendo Kai University of Cambridge Kendo Society Seminar on Japanese swords 7 February 2005 Revised proceedings Proceedings editor: Nicholas Taylor Copyright c Tsurugi Bashi 2005 http://www.cam.ac.uk/societies/kendo/ Table of Contents Preface FrankStajano....................................... ...............3 A visit to a sword polisher's workshop FrankStajano....................................... ...............4 The parts of the Japanese sword NeilHubbard........................................ ..............7 Katana and Kendo: Background and Reigi HyoWonKim.......................................... ...........9 Functional differences between European medieval and Japa- nese swords SabineBuchholz...................................... ............11 Manufacture of Japanese swords RichardBoothroyd..................................... ...........13 Zen and the Way of the Sword KristiinaJokinen................................... ...............15 Metallurgy and the Japanese Sword NicholasTaylor..................................... ..............17 2 Preface On a sunny morning in December 2004 I happened to pass by the British Museum and my attention was caught by an elegant black poster featuring a beautiful Japanese sword blade. I immediately went in and was delighted at the chance to admire a won- derful exhibition of the Museum’s magnificent collection of about a hundred Japanese blades, all recently restored in Japan. Once back in Cambridge, I set out to organize a visit to the exhibition for members of our kendo dojo, Tsurugi-Bashi. Although, as one might expect, many of our kendoka have an interest in Japanese swords, none of us is really knowledgeable, let alone an expert or collector. We therefore needed some preparation and guidance in order fully to appreciate the visit. In the spirit of encouraging people to find out more about the subject, I there- fore requested that members wishing to join the guided tour carry out a little research about some aspect of the Japanese sword, write it up as a short essay and present it to the others. -
About Zen Bu Kan
About Zen Bu Kan Zen Bu Kan is an iaido dojo of the Muso Jikiden Eishin Ryu lineage located in Salt Lake City, Utah. Zen Bu Kan was started by Jules Harris Sensei. Having studied in New York, Harris Sensei moved to Utah to study Zen at the renowned Kanzeon Zen Center in Salt Lake City. A scholar, warrior, and spiritual leader; Harris Sensei taught without thought of personal gain, only to pass on the lineage. He moved back East, to Pennsylvania, to further his spiritual studies. Zen Bu Kan is now led by his students Jason Hankins Sensei and Dick Beckstead Sensei. More recently, Zen Bu Kan has begun to teach kendo under the direction of Robert Stroud Sensei, 7th dan renshi. Stroud Sensei leads a dojo in Boise, Idaho, and serves as a kendo mentor and instructor to Zen Bu Kan’s sensei. Iaido students at Zen Bu Kan begin by learning the basic fundamentals of iaido. Having learned the fundamentals, students then begin to learn the twelve Seitei kata. The Seitei kata are the standard by which iaido practitioners (iaidoka) world-wide begin their training and upon which they are tested. Eventually, students move on to learn the Omori-Ryu and Muso Jikiden Eishin Ryu kata. Zen Bu Kan does not operate for profit and is solely supported by its students at cost. This allows the school to keep the price of tuition to a minimum, but it also means that the school is heavily dependant upon its students to remain in operation. The students form both the body and the support staff of the school. -
Japanese Sword Buying Guide
THE SAMURAI SWORD GUIDE Learn what to look for when planning to buy www.samurai-sword-shop.com JAPANESE SWORD BUYING GUIDE With the inception of the powerful and highly modernized internet, searching for and buying hard‐to‐find gadgets, gizmos and watchamacallits have never been easier than it was 10 years ago. And this includes finding a good katana. If one wants to buy a katana way back in the good ‘ol days, he had to go out and look for a brick and mortar store where some actual katana swords were being sold. But sometimes, after having traveled quite a distance, the store owner would tell you that they don’t have any katana in stock! What a big disappointment! All of these have changed though with the birth of the World Wide Web. Now you can find ten or more different katanas with just a few clicks and in just a fraction of time. You can quickly compare katanas that range from as low as 100 euro up to a few thousand euro while a real nihonto would probably cost around 10.000 , 20.000 and up to +100.000 euro and more. Well, don’t be shocked! Even a simple antique tsuba can actually cost much more than a regular sword! Nevertheless, the emergence of modern technology cannot quite replace the actual buying process that we have been earlier exposed to – one that allows us to examine closely and even touch and smell the product before we decide if it’s worthy of our penny. Copyright © 2010 www.samurai-sword-shop.com 1 It’s really hard to tell if the katana on your computer screen is worth the price and if it’s really what you are looking for. -
A History of Our Okinawan Martial Arts Weapons
A History of Our Okinawan Martial Arts Weapons Preface: A Continuity of Generations At the start of my martial arts journey, I felt something that I couldn’t quite put into words at the time. It was as if I were joining a brotherhood of mankind that not only spanned geographic barriers, but also the barrier of time itself. I had no knowledge of martial arts history in those early days, but I sensed a continuity of generations, as if the martial artists of centuries past were practicing alongside me. I wondered how many had come before me and learned these same forms, practiced these same techniques. It was probably this perception of continuity that spawned my interest in the history of the forms and techniques that we practice within our Moo Duk Kwan Taekwondo association. What I found during my research is that this subject is apparently of interest to many others as well. Several excellent documents have been published on this subject, both within our association and elsewhere. One of the most complete texts I’ve found is Dan Segarra’s “Untold History of Tang Soo Do” Version 2, which is available as a PDF download on Facebook. Because so much had already been written on the history of the Moo Duk Kwan, Taekwondo, and Tang Soo Do, I decided that my paper should take a less travelled route. Instead, I have focused on the history of the weapons practiced by our association. Although, it should be noted that any attempt to trace the history of our weapons is going to be somewhat speculative, because there isn’t much hard evidence to document their history. -
6−4.How to Keep Your Men Well
6-4.How to keep your men well. When you have finished using the "men", immediately wipe it with a well- wrung damp cloth and then dry it. Sweat and dirt breed germs and will smell. Even when the outside dries it is hard to dry the inside, so you should hang it in a well ventilated place, or put newspaper or a desiccant inside. When the cloth on the inside of men futon and the edge of men futon rubs against each other to the shoulder can thin completely, let's have Mr. protector shop apply the cloth and leather before inside cotton and the rug are seen. Adjusting the lengths of the men cords Put your "men" on and tie the cords. Adjust the cords so that they are hang 40cm below the knot, and then cut off any excess. ① Unthread the ② Wrap the two ③ Tie them tightly ends for 3 or 4 cm. strands once and arrange them Take two or three round the whole neatly. of the threads and cord. twist them into two strands. - 41 - 7.The kote ‘gauntlets'小手・甲手 7-1.The construction of the kote Kashira ‘hand part' namako ‘sea slugs' (There may be none, one or two, they add flexibility) kote-bu or hiji ‘elbow' ‘forearm part' (Cylindrical section) The kote is made of indigo dyed cloth and deer hide, silk (or equivalent) ornamental thread, cotton or blanket material, the hand-part is made of deer hair (or equivalent) and two cords. Size; It is not easy to use when it is too large, and when it is small, can <hand> do the diligence. -
34 St Dojo Flier for Web, Both Pages
Legend doesn’t teach Martial Arts Legend teaches Champions of Martial Arts [email protected] | (212) 279-DOJO (3656) | 347 West 34th Street New York, NY | http://www.34stdojo.com/ The 34th Street Dojo is a unique opportunity to learn martial arts from an incredible group of masters! Grandmaster Richard Lenchus 10th Dan from Japan »62 years of training in the Martial Arts »Founder of Legend Karate »One of the recognized founding fathers of American martial arts »Received 10th Dan in Shotokai Karate from Kawanabe Sensei in Japan »Decades of full contact fighting experience »Interservice Boxing Champion in the USMC »First learned to box from heavyweight legend Jack Dempsey Sifu Ruben Torres (Tai Chi and Kung Fu) »Decades of training in Tai Chi, Northern Shaolin Kungfu (Seven Star Praying Mantis and Longfist), Hapkido, and Aikijujitsu te ... culminating in his own synthesis of Kidoryu. »Years studying Yang Tai Chi under Master Shia Lun Dun »One of the few teachers offering genuine combat Tai Chi applications »Acclaimed programs for young children and in Women’s Self-Defense Shihan James Berkley Founder of Tactical Studies (Aiki JuJitsu) »Lived and trained in Japan for 10 years as Steven Seagal’s training partner before coming to America. Personal trainer to the stars. Master of traditional and modern weapons. Tactical classes in knife and firearm defense. Hanshi Stephen F. Kaufman- 10th Dan Founder of Dojo No Hebe Hanshi James Keller - Stickfighting » Sensei Maury Englander - Iaido/Sword Sensei Stewart Ratzker - Fencing » Shihan Doel Rivera - Goju Ryu Karate Never before have so many respected martial artists taught in one school! Under one roof, the 34th Street Dojo brings together: Aiki Jujitsu, Karate, Kung-Fu, Tai-chi forms and Combat Taijiquan, Traditional Chinese and Japanese Swordsmanship and Iaido, as well as Kickboxing, Mixed Martial Arts, Stickfighting/Eskrima, and Tactical Firearm and Knife Defense. -
Standard Guideline for Dan/Kyu Examination
STANDARD GUIDELINE FOR DAN/KYU EXAMINATION INTERNATIONAL KENDO FEDERATION (Objective) Article 1: These regulations pertain to Kendo/Iaido/Jodo promotion examinations and the awarding of Dan grades administered by the International Kendo Federation. (General Provision) Article 2: The Dan/Kyu stipulated in this Standard Guideline shall be from 1 Kyu (Ikkyu) to 10 Dan (Jyu Dan), shall be granted by the President of Organization according to the overall ability of an applicant, and shall be mutually recognized as being equivalent among Organizations. (Applicant’s Qualifications) Article 3: 1. An applicant shall be a registered member of Organization and shall have the following periods of practice. Examination Grade Practice Periods Lowest Ages 1 Kyu (Ikkyu) - - 1 Dan (Sho Dan) 1 Kyu holder 13 years old and over 2 Dan (Ni Dan) One year or more after 1 Dan 3 Dan (San Dan) Two years or more after 2 Dan 4 Dan (Yon Dan) Three years or more after 3 Dan 5 Dan (Go Dan) Four years or more after 4 Dan 6 Dan (Roku Dan) Five years or more after 5 Dan 7 Dan (Shichi Dan) Six years or more after 6 Dan 8 Dan (Hachi Dan) Ten years or more after 7 Dan 46 years and over 9 Dan (Kyu Dan) After granting of 8 Dan 65 years and over 10 Dan (Jyu Dan) After granting of 9 Dan 2. Those who desire to apply for a 6, 7 or 8 Dan examination, 60 years old or older and have practiced for a certain years as below shall be allowed to apply. -
The Etiquette & Customs for Sword Appreciation & Viewing
The Etiquette & Customs For Sword Appreciation & Viewing Clive Sinclaire Bexley, Kent June 2012 If you practice any of the sword related martial arts, such as Kendo or Iai‐do, then from the very first day, before you even pick up the wooden practice sword, you will be made aware of reigi. This has been defined as covering such areas as “courtesy, decorum, etiquette, civility, propriety and discipline”. Such things are reflected in how one conducts oneself in the dojo, how one relates to both higher and lower grades and is the thing that prevents these martial ways from becoming uncivilised and brutal. A fundamental precept of reigi in this context is respect for the sword, even in its imitated form of a bokuto or wooden substitute which is customarily wiped with a clean cloth, before and after use. They are placed on the dojo floor with respect and care, avoiding noise or clatter and they should never be placed on the hakama (traditional clothing) as this is considered a blatant breach of etiquette. There are correct ways of bowing when entering or leaving the dojo and carrying a sword. These practices are sometimes a surprise to the novice who might view the activities as purely sport, but they are of great importance from both a cultural and safety point of view. Formal Rei at Iai‐do shia. Reigi was a natural and accepted thing in old Japan and one’s behaviour when handling swords was of great importance as the consequences of inappropriate actions might have serious consequences. Today in Japan, there are occasions when swords are viewed by large numbers of people at the same time, such as at a To‐ken Taikai or sword convention.