Catalogue of the Magnificent and Unique Collection of Japanese Art
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Historia Y Genealogía Nº3 (2013) | 1 Revista Digital Del Equipo De Investigación Historia Social En La Edad Moderna |
Historia y Genealogía Nº3 (2013) | 1 Revista Digital del equipo de investigación Historia Social en la Edad Moderna | www.historiasocialmoderna.com www.historiaygenealogia.com Nº 3 | Año 2013 | Universidad de Córdoba Director Enrique Soria Mesa, Universidad de Córdoba, España Secretario Antonio J. Diaz Rodriguez, CIDEHUS-Universidade de Évora, Portugal Consejo de Redacción Juan Jesús Bravo Caro, Universidad de Málaga, España José Miguel Delgado Barrado, Universidad de Jaén, España Manuel Fernández Chaves, Universidad de Sevilla, España Antonio Míguez Santa Cruz, Universidad de Murcia, España Raúl Molina Recio, Universidad de Extremadura, España Rafael Pérez García, Universidad de Sevilla, España Ángel María Ruiz Gálvez, Universidad de Extremadura, España Luis Salas Almela, EEHA de Sevilla, España Enrique Soria Mesa, Universidad de Córdoba, España Antonio Urquízar Herrera, Universidad Nacional de Educación a Distancia, España Consejo Asesor Francisco Andújar Castillo, Universidad de Almería, España Fernando Bouza Álvarez, Universidad Complutense, España James Casey, Universidad de Norwich, Reino Unido Francisco Chacón Jiménez, Universidad de Murcia, España Fabricio D’Avenia, Universidad de Palermo, Italia Manuel Herrero Sánchez, Universidad Pablo de Olavide, España José María Imízcoz Beunza, Universidad de País Vasco, España Alberto Marcos Martin, Universidad de Valladolid Nuno Monteiro, ICS de Lisboa, Portugal Fernanda Olival, Universidad de Évora, Portugal María José de la Pascua Sánchez, Universidad de Cádiz, España María de los Ángeles -
Piese De Artă Decorativă Japoneză Din Colecţia Muzeului Ţării Crișurilor
Piese de artă decorativă japoneză din Colecţia Muzeului Ţării Crișurilor și colecţiile particulare din Oradea TAMÁS Alice* Japanese decorative art pieces from the collections of Criş County Museum and private properties in Oradea - Abstract - The history of japanese pottery reveled the evolution of ceramic arts styles and technics and also the activities of many masters, craftsmans, artists by the different periods of Japan history like Jomon (8000B.C.- 300B.C.), Yayoi (300B.C.-300A.D.), Kofun (300A.D.- 710A.D.), Nara (710-794), Heian (794-1192), Kamakura (1192-1333), Muromachi (1333- 1573), Momoyama (1573-1603), Edo(1603-1868), Meiji (1868-1912), Taisho (1912-1926) and Showa (1926-1988). The most beautiful Satsuma pottery that found in the collections of the Criș County Museum and private properties in Oradea, was made in Meiji periode, for the occidental art consumers and described historical scenes, that was painted with many technics like underglase, overglase, Moriaje (rice) Keywords: Japanese pottery, tradition, industry, Satsuma, art styles, În urma investigaţiilor arheologice şi a datării cu carbon radioactiv s-a ajuns la concluzia că arhipeleagul japonez, cândva parte din continentul eurasiatic a fost locuit din Pleistocen (Era glaciară), uneltele din piatră găsite datând dinainte de 30.000 î. Hr., iar meș- teșugul și arta ceramicii se practica de mai bine de 12.000 de ani. Istoria culturii și civilizaţiei din arhipeleagul Japonez cunoaște o împărţire pe perioade. Urmărind perioadele istorice din cele mai vechi timpuri și până azi se poate constata o evoluţie a spiritualităţii, a mentalităţilor precum și a diverselor tehnici de execuţie a ceramicii japoneze, având perioade incipiente, de apogeu și declin de-a lungul timpului. -
Antique Pair Japanese Meiiji Imari Porcelain Vases C1880
anticSwiss 29/09/2021 17:25:52 http://www.anticswiss.com Antique Pair Japanese Meiiji Imari Porcelain Vases C1880 FOR SALE ANTIQUE DEALER Period: 19° secolo - 1800 Regent Antiques London Style: Altri stili +44 2088099605 447836294074 Height:61cm Width:26cm Depth:26cm Price:2250€ DETAILED DESCRIPTION: A monumental pair of Japanese Meiji period Imari porcelain vases, dating from the late 19th Century. Each vase features a bulbous shape with the traditional scalloped rim, over the body decorated with reserve panels depicting court garden scenes and smaller shaped panels with views of Mount Fuji on chrysanthemums and peonies background adorned with phoenixes. Each signed to the base with a three-character mark and on the top of each large panel with a two-character mark. Instill a certain elegance to a special place in your home with these fabulous vases. Condition: In excellent condition, with no chips, cracks or damage, please see photos for confirmation. Dimensions in cm: Height 61 x Width 26 x Depth 26 Dimensions in inches: Height 24.0 x Width 10.2 x Depth 10.2 Imari ware Imari ware is a Western term for a brightly-coloured style of Arita ware Japanese export porcelain made in the area of Arita, in the former Hizen Province, northwestern Ky?sh?. They were exported to Europe in large quantities, especially between the second half of the 17th century and the first half of the 18th century. 1 / 4 anticSwiss 29/09/2021 17:25:52 http://www.anticswiss.com Typically Imari ware is decorated in underglaze blue, with red, gold, black for outlines, and sometimes other colours, added in overglaze. -
Raid 06, the Samurai Capture a King
THE SAMURAI CAPTURE A KING Okinawa 1609 STEPHEN TURNBULL First published in 2009 by Osprey Publishing THE WOODLAND TRUST Midland House, West Way, Botley, Oxford OX2 0PH, UK 443 Park Avenue South, New York, NY 10016, USA Osprey Publishing are supporting the Woodland Trust, the UK's leading E-mail: [email protected] woodland conservation charity, by funding the dedication of trees. © 2009 Osprey Publishing Limited ARTIST’S NOTE All rights reserved. Apart from any fair dealing for the purpose of private Readers may care to note that the original paintings from which the study, research, criticism or review, as permitted under the Copyright, colour plates of the figures, the ships and the battlescene in this book Designs and Patents Act, 1988, no part of this publication may be were prepared are available for private sale. All reproduction copyright reproduced, stored in a retrieval system, or transmitted in any form or by whatsoever is retained by the Publishers. All enquiries should be any means, electronic, electrical, chemical, mechanical, optical, addressed to: photocopying, recording or otherwise, without the prior written permission of the copyright owner. Enquiries should be addressed to the Publishers. Scorpio Gallery, PO Box 475, Hailsham, East Sussex, BN27 2SL, UK Print ISBN: 978 1 84603 442 8 The Publishers regret that they can enter into no correspondence upon PDF e-book ISBN: 978 1 84908 131 3 this matter. Page layout by: Bounford.com, Cambridge, UK Index by Peter Finn AUTHOR’S DEDICATION Typeset in Sabon Maps by Bounford.com To my two good friends and fellow scholars, Anthony Jenkins and Till Originated by PPS Grasmere Ltd, Leeds, UK Weber, without whose knowledge and support this book could not have Printed in China through Worldprint been written. -
Japanese Other Easily
CO VER STORY Tsukai-ban They have an important job that many do not know of. In any army, communication is very important. Different groups far away must be able to send messages to each JAPANESE other easily. This group of WARRIORS warriors were the messengers of the battlefield. By Tasha Lim For work, they had to wear a special type of uniform. A tsukai-ban could When we hear ‘warriors be identified by his uniform of Japan’, we immediately known as ‘horo’, usually made think of ‘samurais’ and ‘ninjas’. with beautiful colours. If not, But, did you know that there he had to wear a uniform were other warriors that called a ‘sashimono’ which resided in early Japan as had small flags. well? Here are 6 other types of warriors that existed then: These messengers were very good horsemen. They would carry a message and give it to the correct person in a short time. They sometimes had to fight robbers or ninjas sent to steal the messages. 1 CO VER STORY A warrior wearing the horo (red), a garment used as a defense against arrows. Sashimono poles were attached to the backs of the chest armor. 2 CO VER STORY Ashigaru They may not be famous for their fighting skills but the ashigaru was strong when many were needed. These were your usual foot soldiers that would make up most of the army. They were usually normal people who worked as soldiers for war. Usually, the Ashigaru fought with spears, swords and bows. Later in the 16th century, gunpowder guns became a part of their weapons. -
Official Gazettegazette づ
F゛゛ ・ OFFICIAL GAZETTEGAZETTE づ GOVERNME^rrPRiNTINSBORBy ENQLISHGOVERNMENT PRINTINGBORBU ENGLISH EDITIONEDITION昭和こヤ一年十一月三十日 第三aa便物認可 jafc^+--^-f--≪=+a m=asa≪5B^ .1● No. 745 WEDNESDAY, SEPTEMBER 22, 1948 Price 28.00 yen Cabinet Order No. 298 CABINET ORDERS The Cabinet Q*der regarding a Transfer of Houses, etc. on Allied Nations Property I hereby promulgate tha Cabinet Order for amending a Part of the Budget, S2ttlement of Ac- In accordance with the Ordinance concerning the countsand Accounts Regulations. Orders to be issued in consequence of the Acceptance Signed: HIROHITO, S?al of the Emperor of the Potsdam Declaration (Imperial Ordinance No. This twenty-second day of the ninth month of 542 of 1945), the Cabinet hereby establishes the the twenty-thirdyear of Showa (Ssptember 22,1948) Cabinet Order regarding a transfer of houses, etc. Prime Minister on Allied Nations' Property. ASHIDA Hitoshi (Purport of the Present Cabinet Order) Art. 1. In cases where the Minister of Finance Cabinet Order No. 297 orders, in pursuance of the provisions of the Cabinet Order for amending a Part of Ordinance on Returning, etc. of Allied Nationals' the Budget, Settlement of Accounts Property under the Imperial Ordinance concern- and Accounts Regulations ing the Orders to be issued in consequence of the In accordance with the provisions of Article 25 Acceptance of the Potsdam Declaration (Imperial of the Account Law (Law No. 35 of 1947), the Cabinet Ordinance No. 294 of 1946), the restitution to hereby establishes the Cabinet Order for amending a Allied Nations or their Nationals (hereinafter Part of the Budget, Settlement of Accounts and referred to as Allied Nationals) which were the Accounts Regulations. -
Matsuo ■ Basho
; : TWAYNE'S WORLD AUTHORS SERIES A SURVEY OF THE WORLD'S LITERATURE ! MATSUO ■ BASHO MAKOTO UEDA JAPAN MATSUO BASHO by MAKOTO UEDA The particular value of this study of Matsuo Basho is obvious: this is the first book in English that gives a comprehen sive view of the famed Japanese poet’s works. Since the Japanese haiku was en thusiastically received by the Imagists early in this century, Basho has gained a world-wide recognition as the foremost writer in that miniature verse form; he is now regarded as a poet of the highest cali ber in world literature. Yet there has been no extensive study of Basho in Eng lish, and consequently he has remained a rather remote, mystical figure in the minds of those who do not read Japanese. This book examines Basho not only as a haiku poet but as a critic, essayist and linked-verse writer; it brings to light the whole range of his literary achievements that have been unknown to most readers in the West. * . 0S2 VS m £ ■ ■y. I.. Is:< i , • ...' V*-, His. -.« ■ •. '■■ m- m mmm t f ■ ■ m m m^i |«|mm mmimM plf^Masstfa m*5 si v- mmm J 1 V ^ K-rZi—- TWAYNE’S WORLD AUTHORS SERIES A Survey of the World's Literature Sylvia E. Bowman, Indiana University GENERAL EDITOR JAPAN Roy B. Teele, The University of Texas EDITOR Matsuo Basho (TWAS 102) TWAYNES WORLD AUTHORS SERIES (TWAS) The purpose of TWAS is to survey the major writers — novelists, dramatists, historians, poets, philosophers, and critics—of the nations of the world. -
The Samurai Armour Glossary
The Samurai Armour Glossary Ian Bottomley & David Thatcher The Samurai Armour Glossary www.nihon-no-katchu.com The Samurai Armour Glossary Nihon-No-Katchu.com Open Library Contributors Ian Bottomley & David Thatcher Editor Tracy Harvey Nihon No Katchu Copyright © January 2013 Ian Bottomley and David Thatcher. This document and all contents. This document and images may be freely shared as part of the Nihon-No-Katchu Open Library providing that it is distributed true to its original format. Illustrations by David Thatcher 2 The Samurai Armour Glossary www.nihon-no-katchu.com This glossary has been compiled for students of Japanese Armour. Unlike conventional glossaries, this text has been divided into two versions. The first section features terminology by armour component, the second is indexed in alphabetical order. We hope you will enjoy using this valuable resource. Ian & Dave A Namban gusoku with tameshi Edo-Jindai 3 The Samurai Armour Glossary www.nihon-no-katchu.com Contents Armour Makers! 6 Armour for the Limbs! 7 Body Armour! 9 Facial Armour! 16 Helmets! 21 Neck Armour! 28 Applied Decoration! 29 Chain Mail! 30 General Features! 31 Lacing! 32 Materials! 33 Rivets & Hinges! 34 Clothing! 35 Colours! 36 Crests! 36 Historic Periods! 37 Sundry Items! 37 Alphabetical Index! 38 4 The Samurai Armour Glossary www.nihon-no-katchu.com Armour Kabuto Mengu Do Kote Gessan Haidate Suneate A Nuinobe-do gusoku with kawari kabuto Edo-Jindai 5 The Samurai Armour Glossary www.nihon-no-katchu.com Armour Makers Bamen - A small but respected group of armourers that worked during the Muromachi period until the 1700s. -
Read Book Samurai, Warfare and the State in Early Medieval Japan
SAMURAI, WARFARE AND THE STATE IN EARLY MEDIEVAL JAPAN PDF, EPUB, EBOOK Karl F. Friday | 256 pages | 01 Feb 2004 | Taylor & Francis Ltd | 9780415329637 | English | London, United Kingdom Samurai, Warfare and the State in Early Medieval Japan PDF Book If Samurai had such a small, medium sized shields. What Entropy Means to Me. They were outclassed in every way by however things did not go according to plan for the foreign invaders J Asia 6, 1 1 gold badge 18 18 silver badges 40 40 bronze badges. And yes, they cut through medieval European shields like butter. Industrial Burners Handbook Industrial Combustion. You can deduct from the look of the armor I previously showed that the armor itself fits with bow attack. Between and , various daimyos led their clans in a fight for national dominance, and nearly all of the provinces were engulfed in the fighting. When the shogun, Ashikaga Yoshimasa, resigned in , a dispute between backers of his younger brother and his son ignited even more intense fighting among the daimyo. Skin Aging. Samurai warriors wore two swords, the katana, and the wakizashi, which were banned from use by non-samurai in the late 16th century. By using our website, you agree to the use of cookies as described in our Privacy Policy. After making a search, even Japanese Wiki says, Horo was originally used for the protection from the attack by bows and stone throwing. Get A Copy. Please provide us with the source of "Some argue" Eliot Prose. Or the Japanese emperor forbids the use of shields, or that shields promote defensive temperaments, or maybe to block without skill, is the way of the coward and not a true warrior, not worthy. -
Japanese Painters' Pottery and Paintings
Oranda Jin Japanese painters' pottery and paintings ORANDA JIN Japanese paintings & painters’ pottery Jon & Senne de Jong orandajin.com Voor mijn lief, voor Marleen Short introduction Marleen, my wife, Senne’s mother, started the looking at artists, most of them unknown in the In the art historical field, the history of Japanese on the island of Kyūshū, especially known in the ceramics branch of Oranda Jin. West, from a reversed perspective, we found some potteries and their produce somehow still seems a West for the blue and white porcelain that was so During one of our visits to Japan, she told me she of them amazingly good and interesting. matter for the specialist, which is a shame, because popular in the Netherlands of the seventeenth and would like to have something to do herself, instead Japan has a rich ceramic tradition: from the mag- eighteenth century. Kyōyaki or kyō ware comes from of following me hunting scrolls. This made her feel Most painters’ ceramics were produced for the tea nificent pots that were already made during the the city of Kyoto and includes a wide variety of over like a dog she said – what does that say about me? ceremony, for special occasions, or in commemora- Jōmon period (– BCE) up until Japanese glazed stoneware that dates back to the eighteenth In line with our regular specialisation, she decided to tion of events and persons. This is why they are so ceramic art today. And sometimes a very special century. Bizen ware belongs to the group of red and look for pottery decorated or made by painters. -
Japanese Marks and Seals
Cooper-Hewitt Museum Library Smithsonian Institution Libraries j^ijjxvxo CooperUnion Museum FOR THE Arts of Decoration GIVEN BY 6E0^^eE C. STONE IN t I fi/’ a ?" A APANESE MARKS AND SEALS. KUTANI. Nine Valleys. Upon Kaga Pottery. DEDICATED BY DIRECT PERMISSION TO HIS IMPERIAL MAJESTY THE MIKADO, WITH EVERY FEELING OF RESPECT, BY HIS MAJESTY’S OBEDIENT SERVANT, THE AUTHOR. ' 1 5 ^ . : Japanese Marks and Seals Part I POTTERY. Part 1 1 ILLUMINATED MSS. AND PRINTED BOOKS. Part III. LACQUER, ENAMELS, METAL, WOOD, IVORY, &c. Ink ';A7 , C7r 1 r, a."' , BY .. f,, JAMES LORD BOWES, Joint Author of Keramic Art of Japan. LONDON HENRY SOTHERAN & CO., 36, PICCADILLY; 136, STRAND; 77 & 78, QUEEN STREET, CITY. MANCHESTER : 49, CROSS STREET. MDCCCLXX^:!!. \The Right of Translation is reserved. Printed by D. Marples & Co. Limited, Lord Street, Liverpool. CONTENTS. PAGE. Preface ........ Map of Japan ....... face I Pottery. Introductory remarks I Marks and Seals upon Pottery— Hizen 43 Satsuma . 87 Kaga 93 Kioto • 123 Owari. 159 Ise • 179 Tokio. i8g Ota • 205 Bizen 207 Mutsu . 210 Kii. 211 Yamato . 212 Awaji 213 Soma . 214 Mino . 215 Chikuzen . 215 Idzumo 216 Idzumi . 216 Higo 217 Omi . 217 Yamashiro . 218 Nagato . 218 Illuminated MSS. and Printed Books. Introductory remarks . 2ig Marks and Seals ..... 236 CONTENTS. PAGE. Lacquer, Enamels, Metal, Wood, Ivory, &c. Introductory remarks . 271 Marks and Seals upon Lacquer Ware 283 Cloisonne Enamels 291 Metal Work 297 Wood and Ivory Carvings, &c. 319 The Zodiacal Cycle and Year Periods. Introductory remarks 339 The Jikkwan Characters 343 The Jiuni Shi Characters 344 The Zodiacal Cycle 345 The Year Periods . -
2019 Cosmos Catalog.Indd
521 West 26th Street, New York, NY 10001 212 695 8035 / [email protected] onishigallery.com ASIA WEEK 2019 New York COVER IMAGE: ŌSUMI Yukie (1945-), Living National Treasure (2015) Silver Vase Zuiun (Auspicious Cloud), 2018; hammered silver with nunome zōgan (textile imprint inlay) decoration in lead and gold; h. 8 7/8 x w. 18 1/8 x d. 9 7/8 in. (22.5 x 46 x 25 cm) The Cosmos Within: Contemporary Japanese Metalwork and Ceramics In celebration of Asia Week New York 2019 and its 10-year anniversary as a leader of Japanese arts in the international art market of New York City, Onishi Gallery is proud to present a unique new exhibition to Western audiences: The Cosmos Within: Contemporary Japanese Metalwork and Ceramics. In this collection of contemporary Japanese kōgei arts (a class of artistic creations produced in close association with the needs and conditions of everyday life), Onishi Gallery demonstrates the vast cosmos and intimate nature that may be communicated through a delicate work of art. While European arts often express the wonders of the universe through dynamic artistry, Japanese kōgei artists use subtle techniques to represent the cosmos within—imagine the world that unfolds when one looks through the small lens of a kaleidoscope. Bringing numerous leading metalwork and ceramic artists from the Japanese contemporary art scene, Onishi Gallery works with both renowned and emerging talents to introduce their work to American audiences, connect them with museum collections, and enable American arts and cultural institutions to discover and partner with these international talents.