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Piese De Artă Decorativă Japoneză Din Colecţia Muzeului Ţării Crișurilor
Piese de artă decorativă japoneză din Colecţia Muzeului Ţării Crișurilor și colecţiile particulare din Oradea TAMÁS Alice* Japanese decorative art pieces from the collections of Criş County Museum and private properties in Oradea - Abstract - The history of japanese pottery reveled the evolution of ceramic arts styles and technics and also the activities of many masters, craftsmans, artists by the different periods of Japan history like Jomon (8000B.C.- 300B.C.), Yayoi (300B.C.-300A.D.), Kofun (300A.D.- 710A.D.), Nara (710-794), Heian (794-1192), Kamakura (1192-1333), Muromachi (1333- 1573), Momoyama (1573-1603), Edo(1603-1868), Meiji (1868-1912), Taisho (1912-1926) and Showa (1926-1988). The most beautiful Satsuma pottery that found in the collections of the Criș County Museum and private properties in Oradea, was made in Meiji periode, for the occidental art consumers and described historical scenes, that was painted with many technics like underglase, overglase, Moriaje (rice) Keywords: Japanese pottery, tradition, industry, Satsuma, art styles, În urma investigaţiilor arheologice şi a datării cu carbon radioactiv s-a ajuns la concluzia că arhipeleagul japonez, cândva parte din continentul eurasiatic a fost locuit din Pleistocen (Era glaciară), uneltele din piatră găsite datând dinainte de 30.000 î. Hr., iar meș- teșugul și arta ceramicii se practica de mai bine de 12.000 de ani. Istoria culturii și civilizaţiei din arhipeleagul Japonez cunoaște o împărţire pe perioade. Urmărind perioadele istorice din cele mai vechi timpuri și până azi se poate constata o evoluţie a spiritualităţii, a mentalităţilor precum și a diverselor tehnici de execuţie a ceramicii japoneze, având perioade incipiente, de apogeu și declin de-a lungul timpului. -
Volume 18 (2011), Article 3
Volume 18 (2011), Article 3 http://chinajapan.org/articles/18/3 Lim, Tai Wei “Re-centering Trade Periphery through Fired Clay: A Historiography of the Global Mapping of Japanese Trade Ceramics in the Premodern Global Trading Space” Sino-Japanese Studies 18 (2011), article 3. Abstract: A center-periphery system is one that is not static, but is constantly changing. It changes by virtue of technological developments, design innovations, shifting centers of economics and trade, developmental trajectories, and the historical sensitivities of cultural areas involved. To provide an empirical case study, this paper examines the material culture of Arita/Imari 有田/伊万里 trade ceramics in an effort to understand the dynamics of Japan’s regional and global position in the transition from periphery to the core of a global trading system. Sino-Japanese Studies http://chinajapan.org/articles/18/3 Re-centering Trade Periphery through Fired Clay: A Historiography of the Global Mapping of Japanese Trade Ceramics in the 1 Premodern Global Trading Space Lim Tai Wei 林大偉 Chinese University of Hong Kong Introduction Premodern global trade was first dominated by overland routes popularly characterized by the Silk Road, and its participants were mainly located in the vast Eurasian space of this global trading area. While there are many definitions of the Eurasian trading space that included the so-called Silk Road, some of the broadest definitions include the furthest ends of the premodern trading world. For example, Konuralp Ercilasun includes Japan in the broadest definition of the silk route at the farthest East Asian end.2 There are also differing interpretations of the term “Silk Road,” but most interpretations include both the overland as well as the maritime silk route. -
The Auction Barn Pty Ltd Catalogue Antiques, Collectables, Mid Century
The Auction Barn Pty Ltd Phone 02 6239 2095 9 Wiluna Street www.theauctionbarn.com.au Fyshwick ACT 2609 Catalogue Antiques, Collectables, Mid Century & Retro (S4) Auction Date and Time: 2021-04-11 10:00:00 Auction Type: Online To be held at: 10 Wiluna St, FYSHWICK Terms: Cash, EFTPOS, Visa and MasterCard (a 1.6% surchargeapplies to Credit Card Payments) Lot Description Closing Time Lot 1 A Chinese Carved Jade Cabbage (Baicai), 21cm (H) x 13cm (W) x 6cm (D) weighs 1,217g; w/ Box 10:00 AM Lot 2 A Jade Bangle in Shades of Green and Lilac, 7cm (dia.) 10:00 AM Lot 3 A Carved Ivory Horse on Wooden Stand 6.5cm, As Found 10:00 AM Lot 4 Two Waterford 'Colleen' Crystal Hock Glasses in Original Packaging 10:00 AM Lot 5 Royal Doulton Burslem 'Stratford Upon Avon' Blue and White Vase Height: 13.5 cm Repaired to Rim 10:00 AM Lot 6 A Complete Lion Skull with Teeth, Approx 30cm 10:08 AM Lot 7 Two Pairs of Antique Chinese Ceramic Green Parrots Heights: 20.5cm & 14 cm 10:00 AM Lot 8 Antique Leather Traveling Bar with Two Crystal Bottles (with Contents). Case Monogrammed P. H. V 10.5 x 7 10:00 AM x 11 cm Lot 9 A Swarovski Disney 'Mickey Mouse' Crystal Figurine, 10cm, no. 1118830 (Retired) New in Box w/ Authenticity 10:00 AM Certificate Lot 10 Original 1960's Blonde Lady Head Vase with Pearl Necklace 18 cm Tall 10:00 AM Lot 11 Set of Four Reverse Glass Painted Snuff Bottles with an Image of 'Along the River During the Qingming 10:00 AM Festival' in Fitted Case Lot 12 A Large Doulton Lambeth Grapevine Vase, Marked on Base '1878' Rim of Vase has been Previously 10:00 AM Repaired, Flawed Glaze Around Base Approx. -
Antique Pair Japanese Meiiji Imari Porcelain Vases C1880
anticSwiss 29/09/2021 17:25:52 http://www.anticswiss.com Antique Pair Japanese Meiiji Imari Porcelain Vases C1880 FOR SALE ANTIQUE DEALER Period: 19° secolo - 1800 Regent Antiques London Style: Altri stili +44 2088099605 447836294074 Height:61cm Width:26cm Depth:26cm Price:2250€ DETAILED DESCRIPTION: A monumental pair of Japanese Meiji period Imari porcelain vases, dating from the late 19th Century. Each vase features a bulbous shape with the traditional scalloped rim, over the body decorated with reserve panels depicting court garden scenes and smaller shaped panels with views of Mount Fuji on chrysanthemums and peonies background adorned with phoenixes. Each signed to the base with a three-character mark and on the top of each large panel with a two-character mark. Instill a certain elegance to a special place in your home with these fabulous vases. Condition: In excellent condition, with no chips, cracks or damage, please see photos for confirmation. Dimensions in cm: Height 61 x Width 26 x Depth 26 Dimensions in inches: Height 24.0 x Width 10.2 x Depth 10.2 Imari ware Imari ware is a Western term for a brightly-coloured style of Arita ware Japanese export porcelain made in the area of Arita, in the former Hizen Province, northwestern Ky?sh?. They were exported to Europe in large quantities, especially between the second half of the 17th century and the first half of the 18th century. 1 / 4 anticSwiss 29/09/2021 17:25:52 http://www.anticswiss.com Typically Imari ware is decorated in underglaze blue, with red, gold, black for outlines, and sometimes other colours, added in overglaze. -
Fine Japanese and Korean Art I New York I March 20, 2019
Fine Japanese and Korean Art and Korean Fine Japanese I New York I March 20, 2019 I March I New York 25415 Fine Japanese and Korean Art New York I March 20, 2019 Fine Japanese and Korean Art New York | Wednesday March 20 2019, at 1pm BONHAMS BIDS INQUIRIES CLIENT SERVICES 580 Madison Avenue +1 (212) 644 9001 Japanese Art Department Monday – Friday 9am-5pm New York, New York 10022 +1 (212) 644 9009 fax Jeffrey Olson, Director +1 (212) 644 9001 bonhams.com [email protected] +1 (212) 461 6516 +1 (212) 644 9009 fax [email protected] PREVIEW To bid via the internet please visit ILLUSTRATIONS www.bonhams.com/25415 Thursday March 14 Takako O’Grady, Front cover: Lot 247 10am to 5pm Administrator Inside front cover: Lot 289 Friday March 15 Please note that bids should be +1 (212) 461 6523 Back cover: Lot 390 10am to 5pm summited no later than 24hrs [email protected] Inside back cover: Lot 287 Saturday March 16 prior to the sale. New bidders 10am to 5pm must also provide proof of Sunday March 17 identity when submitting bids. REGISTRATION 10am to 5pm Failure to do this may result in IMPORTANT NOTICE your bid not being processed. Monday March 18 Please note that all customers, 10am to 5pm irrespective of any previous activity Tuesday March 19 LIVE ONLINE BIDDING IS with Bonhams, are required to 10am to 3pm AVAILABLE FOR THIS SALE complete the Bidder Registration Please email bids.us@bonhams. Form in advance of the sale. The SALE NUMBER: 25415 com with “Live bidding” in form can be found at the back the subject line 48hrs before of every catalogue and on our the auction to register for this website at www.bonhams.com CATALOG: $35 service. -
Mikawachi Pottery Centre
MIKAWACHI POTTERY CENTRE Visitors’ Guide ●Mikawachi Ware – Highlights and Main Features Underglaze Blue ─ Underglaze Blue … 02 Skilful detail and shading Chinese Children … 04 create naturalistic images Openwork Carving … 06 Hand-forming … 08 Mikawachi Ware - … 09 Hand crafted chrysanthemums Highlights Relief work … 10 and Eggshell porcelain … 11 Main Features ● A Walkerʼs guide to the pottery studios e History of Mikawachi Ware … 12 Glossary and Tools … 16 Scenes from the Workshop, 19th – 20th century … 18 Festivals at Mikawachi Pottery ʻOkunchiʼ … 20 Hamazen Festival /The Ceramics Fair … 21 Visitorsʼ Map Overview, Kihara, Enaga … 22 Mikawachi … 24 Mikawachi-things to See and Learn … 23 Transport Access to Mikawachi … 26 ʻDamiʼ – inlling with cobalt blue is is a technique of painting indigo-coloured de- Underglaze blue work at Mikawachi is described signs onto a white bisque ground using a brush as being “just like a painting”. When making images soaked in cobalt blue pigment called gosu. e pro- on pottery, abbreviations and changes occur natural- cess of painting the outl9 of motifs onto biscuit-red ly as the artist repeats the same motif many times pieces and adding colour is called etsuke. Filling in over – it becomes stylised and settles into an estab- the outlined areas with cobalt blue dye is specically lished ʻpatternʼ. At Mikawachi, however, the painted known as dami. e pot is turned on its side, and a designs do not pass through this transformation; special dami brush steeped in gosu is used to drip the they are painted just as a two-dimensional work, coloured pigment so it soaks into the horizontal sur- brushstroke by brushstroke. -
In HARMONY Open from June 22 to September 16
An illuminating JUNE / JULY 2019 summer Get ready to be wowed this summer. In collaboration with the creative company NAKED Inc., we will be putting on a lightshow to remember at our restaurant All Day Dining Jurin, from June 19 to September 30. The lightshow will fi ll the restaurant with realistic, 3D plaza projections of traditional Japanese summer images, such as wind chimes and fi reworks. To create an even more romantic atmosphere, we will set up an Art Tree that will be lit up with Luminara candles and lanterns. The illumination experience will change with the seasons, and a new show is planned for the winter. Make reservations early for this truly innovative dining ONLY AT KEIO PLAZA experience, called Candle Beer Night in Collaboration with NAKED, which includes dinner life The greenery at Jurin and free-fl owing drinks, for ¥6,600 per person. Through the large fl oor-to-ceiling windows of our restaurant All Day Dining Jurin, you can enjoy the luscious and magnifi cent greenery of the garden — designed in 1971 by the landscape guru Koki Fukaya. The space was infl uenced by Fukaya’s unique sense of beauty and his strong desire to reproduce the original landscape of Musashino, which is located in western Tokyo and blessed with beautiful, lush greenery. He wanted his creation to become a such as East Asian oak, Japanese elm, symbol of nature within the skyscraper and Japanese maple. Relax and enjoy forest of Tokyo. your meal while looking out on the In the garden, there is a natural-stone charming elegance of our Musashino- The Old Let the summer go promenade covered by deciduous trees, inspired woodland at Jurin. -
Kutani Ware: World-Famous Pottery
GALLERY Kutani Ware: World-Famous Pottery By Toshioka Kosen ENTURIES ago, small quantities of gold were authorities sent a man named Tamura Gonzaemon, along C discovered in Kutani, a part of Kaga City, Ishikawa with the goldsmith Goto to Saga, which was known as a Prefecture. The local Daishoji Domain daimyo (feudal center of ceramic production, and had them study pottery- lord), Maeda Toshiharu, invited an expert goldsmith called making techniques. Later, they brought back potters from Goto Saijiro from the Shibata Domain in Echigo, Niigata, Karatsu, another pottery manufacturing area near Imari, to develop the gold mine. While he was working on the and built the first Kutani kiln in 1655, exactly 350 years mine, a clay suitable for making pottery was discovered. ago. This was the beginning of the Ko-Kutani (Old Nagasaki was the only place in Japan where trade was Kutani) style. The problem, though, was that permitted at that time. Having a strong interest in arts Tokugawa Shogunate suspected that some potters were and crafts, the Kaga Domain, the main domain of from the Korean peninsula. The Shogunate’s policy of Daishoji, opened a purchasing office in Nagasaki to satisfy the time was to keep foreign influences out of Japan. the demand for artistic collectors’ items from abroad, Kaga officials did not want the Shogunate “meddling” including pottery made in Europe and Persia. Beautiful in the domain’s business, so in 1692 it destroyed the Imari ware (also called Arita ware) was made near two climbing kilns in Kutani. The kilns operated for Nagasaki, and the feudal lord of Daishoji had wanted to only 37 years, and the pottery produced during the time is produce similar pottery in his own domain. -
By Colin Pearson
November 1986 1 2 Ceramics Monthly William C. Hunt........................................ Editor Ruth C. Butler....................... Associate Editor Valentina Rojo...................... Assistant Editor Robert L. Creager........................ Art Director Mary Rushley................ Circulation Manager Mary E. Beaver. .. Circulation Assistant Jayne Lohr .................... Circulation Assistant Connie Belcher .... Advertising Manager Spencer L. Davis .............................. Publisher Editorial, Advertising and Circulation Offices 1609 Northwest Boulevard Box 12448, Columbus, Ohio 43212 (614) 488-8236 Ceramics Monthly (ISSN 0009-0329) is published monthly except July and August by Professional Publications, Inc., 1609 Northwest Blvd., Columbus, Ohio 43212. Second Class postage paid at Columbus, Ohio. Subscription Rates:One year SI 8, two years $34, three years $45. Add $5 per year for subscriptions outside the U.S.A. Change of Address:Please give us four weeks advance notice. Send both the magazine wrapper label and your new address to: Ceramics Monthly, Circulation Office, Box 12448, Columbus, Ohio 43212. Contributors: Manuscripts, photographs, color separations, color transparencies (in cluding 35mm slides), graphic illustrations, texts and news releases dealing with ceramic art and craft are welcome and will be con sidered for publication. A booklet describing procedures for the preparation and submis sion of a manuscript is available upon re quest. Send manuscripts and correspondence about them to: Ceramics Monthly, The Ed itor, Box 12448, Columbus, Ohio 43212. Telecommunications and Disk Media: Ceramics Monthly accepts articles and other data by modem. Phone us for transmission specifics. Articles may also be submitted on 3.5-inch microdiskettes readable with an Ap ple Macintosh computer system. Indexing:Articles in each issue of Ceramics Monthly are indexed in the Art Index; on line (computer) indexing is available through Wilsonline, 950 University Ave., Bronx, New York 10452. -
Contemporary Japanese Ceramics from the Gordon Brodfuehrer Collection, on View at the Woodson Art Museum Through August 27
Clockwise from top left: Yukiya Izumita, Sekakai, 2010, unglazed stoneware, photo courtesy of Ken Kondo; Shigemasa Higashida, Taki (Waterfall) Lidded Vessel, 2012, glazed stoneware, photo coutesy of Katie Gardner; Joji Yamashita, Jar, 2010, unglazed stoneware, photo courtesy of Tim Siegert all from the Collection of Gordon Brodfuehrer Celebrate summer with visit a to Nature, Tradition & Innovation: Contemporary Japanese Ceramics from the Gordon Brodfuehrer Collection, on view at the Woodson Art Museum through August 27. Enjoy the beauty of the season through the eyes of some of Japan’s most celebrated artists whose reverence for the natural world inspires their ceramics. Learn more through public programs and the Art Museum’s free audio tour app or try your hand at ceramic techniques featured in the exhibition through a guest-artist workshop or summer art sessions for ages 5-8 and 9-12. Satoru Hoshino, First Snow of Spring Vase, 2009, hand-formed glazed stoneware, photo courtesy of Tim Siegert; from the Collection of Gordon Brodfuehrer The following education materials developed by exhibition co-curator Meher McArthur Exhibition Overview Featuring 43 exceptional Japanese ceramists, Nature, Tradition & Innovation showcases ceramic objects of unsurpassed beauty made for Shingo Takeuchi, Sake Flask and Sake Cups, 2009, stoneware with everyday use. The 55 ceramic works chosen are zogan-inlay technique, photo courtesy of Katie Gardner; from the Collection of Gordon Brodfuehrer closely associated with Japan’s historical pottery centers, and reinterpret traditional methods in a modern context. Eleven digital photographs taken by photographer Taijiro Ito highlight their poetic connection to nature. The exhibition provides a dynamic survey of the diverse and innovative practices of ceramic-making in Japan — from exquisite flower vases and serene tea bowls to whimsical candle holders and robust platters — revealing the earthly beauty of Japanese ceramics. -
Japanese Painters' Pottery and Paintings
Oranda Jin Japanese painters' pottery and paintings ORANDA JIN Japanese paintings & painters’ pottery Jon & Senne de Jong orandajin.com Voor mijn lief, voor Marleen Short introduction Marleen, my wife, Senne’s mother, started the looking at artists, most of them unknown in the In the art historical field, the history of Japanese on the island of Kyūshū, especially known in the ceramics branch of Oranda Jin. West, from a reversed perspective, we found some potteries and their produce somehow still seems a West for the blue and white porcelain that was so During one of our visits to Japan, she told me she of them amazingly good and interesting. matter for the specialist, which is a shame, because popular in the Netherlands of the seventeenth and would like to have something to do herself, instead Japan has a rich ceramic tradition: from the mag- eighteenth century. Kyōyaki or kyō ware comes from of following me hunting scrolls. This made her feel Most painters’ ceramics were produced for the tea nificent pots that were already made during the the city of Kyoto and includes a wide variety of over like a dog she said – what does that say about me? ceremony, for special occasions, or in commemora- Jōmon period (– BCE) up until Japanese glazed stoneware that dates back to the eighteenth In line with our regular specialisation, she decided to tion of events and persons. This is why they are so ceramic art today. And sometimes a very special century. Bizen ware belongs to the group of red and look for pottery decorated or made by painters. -
The Japanese
Kitchen and Tableware Vol. 7 - www.korin.com www.korin.com 1 TABLEWARE Dear Customer, 2–21 SIMPLE PORCELAIN WARE BOWLS Since opening Korin in 1982, I’ve seen an ever-increasing 22–23 Small & Custard Bowls 24 Rice Bowls interest in Japanese food and culinary traditions. From 25 Donburi Bowls traditional Japanese ingredients to handcrafted knives, 26–28 Bowls tableware and utensils, all are more popular in Western restaurants and American homes than ever before. I believe PLATES this trend will continue because we live in what has become 29 Small & Medium Plates 30 Yakimono Plates a borderless culinary scene, filled with people seeking new 31–33 Medium & Large Plates and exciting dining experiences. SAUCE POTS & DISHES This catalog offers professional and home chefs the best of both modern and 34–37 Sauce Dishes 38 Sauce Pots traditional Japanese tabletop and culinary tools. These beautiful and practical 39 Spice Containers items enhance the preparation and presentation of a world of cuisine. 40–47 MELAMINEWARE I chose the porcelain, ceramic, lacquer, wood, bamboo, cast iron and glassware from CHOPSTICKS & SPOONS throughout Japan, as each region has its own specialty and tradition of artisan 48–49 Chopsticks & Accessories craftsmanship. Many of these items have been used in Japan for centuries – the 50 Spoons fact that they remain in use in modern kitchens is a testament to the beauty and functionality of their design. BEVERAGE AND SOUP SERVICE 51 Sake Glasses 52 Tokkuri & Sake Serving Vessels It is my hope that along with the inspiration and joy these products bring you, 53 Sake Cups the craftsman’s passion and spirit will create a deeper connection to Japan’s rich 54 Soup and Matcha Bowls culinary culture.