The Auction Barn Pty Ltd Catalogue Antiques, Collectables, Mid Century

Total Page:16

File Type:pdf, Size:1020Kb

The Auction Barn Pty Ltd Catalogue Antiques, Collectables, Mid Century The Auction Barn Pty Ltd Phone 02 6239 2095 9 Wiluna Street www.theauctionbarn.com.au Fyshwick ACT 2609 Catalogue Antiques, Collectables, Mid Century & Retro (S4) Auction Date and Time: 2021-04-11 10:00:00 Auction Type: Online To be held at: 10 Wiluna St, FYSHWICK Terms: Cash, EFTPOS, Visa and MasterCard (a 1.6% surchargeapplies to Credit Card Payments) Lot Description Closing Time Lot 1 A Chinese Carved Jade Cabbage (Baicai), 21cm (H) x 13cm (W) x 6cm (D) weighs 1,217g; w/ Box 10:00 AM Lot 2 A Jade Bangle in Shades of Green and Lilac, 7cm (dia.) 10:00 AM Lot 3 A Carved Ivory Horse on Wooden Stand 6.5cm, As Found 10:00 AM Lot 4 Two Waterford 'Colleen' Crystal Hock Glasses in Original Packaging 10:00 AM Lot 5 Royal Doulton Burslem 'Stratford Upon Avon' Blue and White Vase Height: 13.5 cm Repaired to Rim 10:00 AM Lot 6 A Complete Lion Skull with Teeth, Approx 30cm 10:08 AM Lot 7 Two Pairs of Antique Chinese Ceramic Green Parrots Heights: 20.5cm & 14 cm 10:00 AM Lot 8 Antique Leather Traveling Bar with Two Crystal Bottles (with Contents). Case Monogrammed P. H. V 10.5 x 7 10:00 AM x 11 cm Lot 9 A Swarovski Disney 'Mickey Mouse' Crystal Figurine, 10cm, no. 1118830 (Retired) New in Box w/ Authenticity 10:00 AM Certificate Lot 10 Original 1960's Blonde Lady Head Vase with Pearl Necklace 18 cm Tall 10:00 AM Lot 11 Set of Four Reverse Glass Painted Snuff Bottles with an Image of 'Along the River During the Qingming 10:00 AM Festival' in Fitted Case Lot 12 A Large Doulton Lambeth Grapevine Vase, Marked on Base '1878' Rim of Vase has been Previously 10:00 AM Repaired, Flawed Glaze Around Base Approx. 40cm Tall Lot 13 Coca Cola Die-cast Metal Toy Car C.1991 10:00 AM Lot 14 Egyptian Black Stone Carved Face, 18cm Long 10:00 AM Lot 15 Coca Cola Die-cast Metal Toy Van C.1991 10:00 AM Lot 16 19th Century English Majolica Green Glazed Plate with Oak Leaves and a Basket Weave Border 10:05 AM Lot 17 Brass Statute of Seated Accordion Player, Name and Date (1981) Marked to Base Height: 11.5 cm 10:05 AM Lot 18 The Skull of a Chimpanzee, 10:05 AM Lot 19 A Set of Vintage Cameo Jewelery, including a Filigree Style Necklace, Two Screw Back Earrings, and a 10:05 AM Pendant Brooch Lot 20 Brown Brothers Collectors Tawny Port Celebrating 100 Years 10:05 AM Lot 21 A Rare Elephant Molar Tooth, 11cm 10:05 AM Lot 22 19th Century Porcelain Cosmetic Pot with Illustration of Cupid 8 cm Diameter 10:05 AM Lot 23 A Jade Bangle, 7cm (dia.) 10:05 AM Lot 24 Green Jade Bangle, 6cm (dia.) 10:10 AM Lot 25 A White Jade Stretch Bracelet 10:05 AM Lot 26 Antique Majolica Green Glaze Leaf Serving Plate 23 x 30cm Wide (small Imperfections to Glaze on Base) 10:13 AM Lot 27 A Daniel & Arter w/ A. Saunders Sydney English EPNS Eagle Vase w/ Pink Glass Insert, 25cm 10:05 AM Lot 28 Wind up 'Super X' Tin Tank, Made in Japan 10:05 AM Lot 29 Antique Sailor Doll Marked 'Taras Shevchenko' on his Hat 20 cm Tall 10:05 AM Lot 30 Hand-Knotted Persian Kashan 300x200cm 10:14 AM Lot 31 Large Oriental Brass Planter with Tree and Bird Design, 28cm (H) 10:22 AM Lot 32 A Pair of Metal Art Nouveau Style Picture Frames (1 w/ Antique Photograph), 24cm x 19.5cm AF 10:10 AM Lot 33 Antique Majolica Barrel Jug 15 cm Marked '36' on Base Chipped Spout 10:10 AM Page 1 of 14 Lot 34 Antique Brass Kerosene Lamp 46 cm Tall 10:10 AM Lot 35 Antique Oak Hall Stand Features Three Shaped Mirrors and Glass Display Cabinet, 200 x 92 x 35 cm 10:10 AM Lot 36 Pair of Antique Carved Chairs, Buttoned Back Upholstery c1875 (AF) 10:10 AM Lot 37 An Oriental Style Painted Room Divider with a Pheasant in a Garden Scene, each panel 41cm (W) & 175cm 10:13 AM (H) Lot 38 A Walnut Burr Side Table w/ Marquetry Detail on Splayed Claw Legs 10:10 AM Lot 39 A Timber Cross Stitch Firescreen w/ Japanese Cockerel Design 10:10 AM Lot 40 A Vintage Collar Case w/ A Collection of Shirt Collars 10:10 AM Lot 41 An EPNS Condiment Jar w/ Fork, marked to Base (M c C B, in a Shield) 10:10 AM Lot 42 Vintage Depression Glass Dressing Table Set Including Ring Holder, Candle Sticks, Plate and Powder Bowls 10:10 AM Lot 43 An Original Miniature Floral Painting on Board (attr. to Jean Canacott), with a Hanging Ribboned Frame, 10:10 AM 12.5cm x 10cm Lot 44 Antique Oak Dresser with Large Mirror Surrounded by Carved Motifs. Features Two Long Drawers and Two 10:10 AM Small Upper Drawers. 112 x 53 x 180 Lot 45 A Timber Unusually Shaped Tower Drawer w/ 6 Draws, 38cm (W) x 34cm (D) x 103cm (H) 10:12 AM Lot 46 A Chrome & Brown Leather Mid Century Style Swivel Chair 10:15 AM Lot 47 A Chinese or Japanese Brown Agateware (Nerikomi) Jar w/ Handled Lid, 24cm (H) x 20cm (W) 10:15 AM Lot 48 Large Cast Iron Skull, 20x20cm 10:15 AM Lot 49 A Cowrie Shell & Coconut Wood Beaded Belt, AF, 82cm (L), with ties 162cm (L) 10:15 AM Lot 50 A Large Black Soapstone Carved Elephant with Multicoloured Engraving, 15cm x 12cm 10:15 AM Lot 51 A Black & Pink Soapstone Decorative Hand Cardholder 10:15 AM Lot 52 Vintage Tuscan Plant Pink Floral Teacups, Saucers, Side Plates and Biscuit Plate 10:15 AM Lot 53 Bendigo Pottery Salt Pig 10:15 AM Lot 54 Six Small Trinket Plates Including 'Shelley' and 'Empire'. 10:15 AM Lot 55 Vintage Perfection Silver-plated Salt and Pepper Shakers in Original Box, crystal cut bowl and Viceroy EPNS 10:15 AM Sugar Pot (repaired) Lot 56 Vintage White Enamelled Metal Fridge Crisper, 32x45x13cm. 10:16 AM Lot 57 Vintage Australian Stoneware Fowler Pot with Cork Topper 36 cm 10:15 AM Lot 58 Retro Coffee Set with Six Cups and Saucers, Creamer and Sugar Bowl. All in Mint Condition in Maroon and 10:15 AM Gold Pattern Lot 59 Two Bendigo Pottery Jugs 90mm and 110mm 10:15 AM Lot 60 Vintage Wind-up Musical Teapot Pot Made in Japan C. 1950's 10:15 AM Lot 61 Indigo and White Ginger Jar and Ceramic Figurine of Chinese Fisherman 10:20 AM Lot 62 Pretty Victorian Style Ceramic Lady Bust. 10:20 AM Lot 63 Four Vintage Porcelain Figurines in Soft Blues and Greys 10:20 AM Lot 64 Bendigo Pottery Casserole Dish and Lid 10:20 AM Lot 65 Collection of Interesting Shells 10:20 AM Lot 66 Fairfield Symphony Dinner Set for Eight Plus Milk Jug, Sugar Bowl with Lid ( Tiny Chip) and Oval Serving 10:20 AM Platter. (one Cup has Cracks). Lot 67 Grecian Plaster Statute of Two Embraced Lovers on Marble Base 25 cm 10:20 AM Lot 68 Black Chinese Turned Wood Lacquered Vase AF With Crack to Base 10:20 AM Lot 69 Three Retro Bedside Clocks Including Westclox Big Ben Clock, Equity and Jungham Germany 10:20 AM Lot 70 One Bendigo Pottery Wine Cooler and Two Bendigo Pottery Goblets 10:20 AM Lot 71 Imperial Porcelain Wedgewood England 60cm Serving Plate No. 6908 10:20 AM Lot 72 Well- Loved Antique Black and White Teddy with Leather Paws and Feet 29 cm Tall 10:20 AM Lot 73 A Vintage Leather Briefcase w/ Rustic Cast Iron Saucepan & Hand Mill 10:20 AM Lot 74 Vintage Wedgewood Pacific Blue Oven to Table Set and Coca Cola Glass Six Person Set, Missing One 10:20 AM Saucer Lot 75 Three Oriental Style Teapots Including Small Chinese Red Clay Teapot (with Repairs) 10:20 AM Lot 76 Four Bottles of the Dividend 2009 Langhorne Creek Shiraz Cabernet Sauvignon 10:25 AM Lot 77 Two Retro Soda Syphons with Mesh Sides (as Found) 10:25 AM Page 2 of 14 Lot 78 Orrefors (Sweden) Glass Karafe. 25cm (H) 10:25 AM Lot 79 Pair of Mid Century Italian Bormioli Faceted Glass Decanter Bottles 10:25 AM Lot 80 Set of Six Twist Stem Coupe Glasses 10:25 AM Lot 81 Vintage Pith Helmet and Mortar Board with Hood 10:25 AM Lot 82 Three Bendigo Pottery Jugs Various Sizes 10:25 AM Lot 83 Brass Horse Medallion Strap 56 cm 10:25 AM Lot 84 Two Vintage Pottery Wall Sconces Including Diana Cornucopia and Blue Glazed Marked W - 19 10:25 AM Lot 85 A Large Pottery Jar; and a Ceramic Earthenware Bowl with Purple Tone & Cherry Blossom Design, BM Stamp 10:25 AM to Bottom, 29cm Lot 86 Royal Crown Derby Derby Posies Coffee Duo and Shelley Queen Anne Trio (repaired) 10:25 AM Lot 87 Lot of Italian Handcrafted Ceramic Collection Includes Two Jugs Approximately Two Litres and One 30cm 10:25 AM Diameter Bowl Lot 88 Three Hand Carved Indonesian/Timorese Bamboo Betel Nut Containers, and a Vintage Brass Miniature Water 10:25 AM Hookah Lot 89 A Large Chinese Blue and White Conical Bowl with Dragon Design, Marked on Base Diameter: 40 cm Height: 10:25 AM 17 cm Lot 90 Cast Iron Pink Pig Letter Holder, 26x14cm.
Recommended publications
  • Volume 18 (2011), Article 3
    Volume 18 (2011), Article 3 http://chinajapan.org/articles/18/3 Lim, Tai Wei “Re-centering Trade Periphery through Fired Clay: A Historiography of the Global Mapping of Japanese Trade Ceramics in the Premodern Global Trading Space” Sino-Japanese Studies 18 (2011), article 3. Abstract: A center-periphery system is one that is not static, but is constantly changing. It changes by virtue of technological developments, design innovations, shifting centers of economics and trade, developmental trajectories, and the historical sensitivities of cultural areas involved. To provide an empirical case study, this paper examines the material culture of Arita/Imari 有田/伊万里 trade ceramics in an effort to understand the dynamics of Japan’s regional and global position in the transition from periphery to the core of a global trading system. Sino-Japanese Studies http://chinajapan.org/articles/18/3 Re-centering Trade Periphery through Fired Clay: A Historiography of the Global Mapping of Japanese Trade Ceramics in the 1 Premodern Global Trading Space Lim Tai Wei 林大偉 Chinese University of Hong Kong Introduction Premodern global trade was first dominated by overland routes popularly characterized by the Silk Road, and its participants were mainly located in the vast Eurasian space of this global trading area. While there are many definitions of the Eurasian trading space that included the so-called Silk Road, some of the broadest definitions include the furthest ends of the premodern trading world. For example, Konuralp Ercilasun includes Japan in the broadest definition of the silk route at the farthest East Asian end.2 There are also differing interpretations of the term “Silk Road,” but most interpretations include both the overland as well as the maritime silk route.
    [Show full text]
  • Antique Pair Japanese Meiiji Imari Porcelain Vases C1880
    anticSwiss 29/09/2021 17:25:52 http://www.anticswiss.com Antique Pair Japanese Meiiji Imari Porcelain Vases C1880 FOR SALE ANTIQUE DEALER Period: 19° secolo - 1800 Regent Antiques London Style: Altri stili +44 2088099605 447836294074 Height:61cm Width:26cm Depth:26cm Price:2250€ DETAILED DESCRIPTION: A monumental pair of Japanese Meiji period Imari porcelain vases, dating from the late 19th Century. Each vase features a bulbous shape with the traditional scalloped rim, over the body decorated with reserve panels depicting court garden scenes and smaller shaped panels with views of Mount Fuji on chrysanthemums and peonies background adorned with phoenixes. Each signed to the base with a three-character mark and on the top of each large panel with a two-character mark. Instill a certain elegance to a special place in your home with these fabulous vases. Condition: In excellent condition, with no chips, cracks or damage, please see photos for confirmation. Dimensions in cm: Height 61 x Width 26 x Depth 26 Dimensions in inches: Height 24.0 x Width 10.2 x Depth 10.2 Imari ware Imari ware is a Western term for a brightly-coloured style of Arita ware Japanese export porcelain made in the area of Arita, in the former Hizen Province, northwestern Ky?sh?. They were exported to Europe in large quantities, especially between the second half of the 17th century and the first half of the 18th century. 1 / 4 anticSwiss 29/09/2021 17:25:52 http://www.anticswiss.com Typically Imari ware is decorated in underglaze blue, with red, gold, black for outlines, and sometimes other colours, added in overglaze.
    [Show full text]
  • Fine Japanese and Korean Art I New York I March 20, 2019
    Fine Japanese and Korean Art and Korean Fine Japanese I New York I March 20, 2019 I March I New York 25415 Fine Japanese and Korean Art New York I March 20, 2019 Fine Japanese and Korean Art New York | Wednesday March 20 2019, at 1pm BONHAMS BIDS INQUIRIES CLIENT SERVICES 580 Madison Avenue +1 (212) 644 9001 Japanese Art Department Monday – Friday 9am-5pm New York, New York 10022 +1 (212) 644 9009 fax Jeffrey Olson, Director +1 (212) 644 9001 bonhams.com [email protected] +1 (212) 461 6516 +1 (212) 644 9009 fax [email protected] PREVIEW To bid via the internet please visit ILLUSTRATIONS www.bonhams.com/25415 Thursday March 14 Takako O’Grady, Front cover: Lot 247 10am to 5pm Administrator Inside front cover: Lot 289 Friday March 15 Please note that bids should be +1 (212) 461 6523 Back cover: Lot 390 10am to 5pm summited no later than 24hrs [email protected] Inside back cover: Lot 287 Saturday March 16 prior to the sale. New bidders 10am to 5pm must also provide proof of Sunday March 17 identity when submitting bids. REGISTRATION 10am to 5pm Failure to do this may result in IMPORTANT NOTICE your bid not being processed. Monday March 18 Please note that all customers, 10am to 5pm irrespective of any previous activity Tuesday March 19 LIVE ONLINE BIDDING IS with Bonhams, are required to 10am to 3pm AVAILABLE FOR THIS SALE complete the Bidder Registration Please email bids.us@bonhams. Form in advance of the sale. The SALE NUMBER: 25415 com with “Live bidding” in form can be found at the back the subject line 48hrs before of every catalogue and on our the auction to register for this website at www.bonhams.com CATALOG: $35 service.
    [Show full text]
  • In HARMONY Open from June 22 to September 16
    An illuminating JUNE / JULY 2019 summer Get ready to be wowed this summer. In collaboration with the creative company NAKED Inc., we will be putting on a lightshow to remember at our restaurant All Day Dining Jurin, from June 19 to September 30. The lightshow will fi ll the restaurant with realistic, 3D plaza projections of traditional Japanese summer images, such as wind chimes and fi reworks. To create an even more romantic atmosphere, we will set up an Art Tree that will be lit up with Luminara candles and lanterns. The illumination experience will change with the seasons, and a new show is planned for the winter. Make reservations early for this truly innovative dining ONLY AT KEIO PLAZA experience, called Candle Beer Night in Collaboration with NAKED, which includes dinner life The greenery at Jurin and free-fl owing drinks, for ¥6,600 per person. Through the large fl oor-to-ceiling windows of our restaurant All Day Dining Jurin, you can enjoy the luscious and magnifi cent greenery of the garden — designed in 1971 by the landscape guru Koki Fukaya. The space was infl uenced by Fukaya’s unique sense of beauty and his strong desire to reproduce the original landscape of Musashino, which is located in western Tokyo and blessed with beautiful, lush greenery. He wanted his creation to become a such as East Asian oak, Japanese elm, symbol of nature within the skyscraper and Japanese maple. Relax and enjoy forest of Tokyo. your meal while looking out on the In the garden, there is a natural-stone charming elegance of our Musashino- The Old Let the summer go promenade covered by deciduous trees, inspired woodland at Jurin.
    [Show full text]
  • Kutani Ware: World-Famous Pottery
    GALLERY Kutani Ware: World-Famous Pottery By Toshioka Kosen ENTURIES ago, small quantities of gold were authorities sent a man named Tamura Gonzaemon, along C discovered in Kutani, a part of Kaga City, Ishikawa with the goldsmith Goto to Saga, which was known as a Prefecture. The local Daishoji Domain daimyo (feudal center of ceramic production, and had them study pottery- lord), Maeda Toshiharu, invited an expert goldsmith called making techniques. Later, they brought back potters from Goto Saijiro from the Shibata Domain in Echigo, Niigata, Karatsu, another pottery manufacturing area near Imari, to develop the gold mine. While he was working on the and built the first Kutani kiln in 1655, exactly 350 years mine, a clay suitable for making pottery was discovered. ago. This was the beginning of the Ko-Kutani (Old Nagasaki was the only place in Japan where trade was Kutani) style. The problem, though, was that permitted at that time. Having a strong interest in arts Tokugawa Shogunate suspected that some potters were and crafts, the Kaga Domain, the main domain of from the Korean peninsula. The Shogunate’s policy of Daishoji, opened a purchasing office in Nagasaki to satisfy the time was to keep foreign influences out of Japan. the demand for artistic collectors’ items from abroad, Kaga officials did not want the Shogunate “meddling” including pottery made in Europe and Persia. Beautiful in the domain’s business, so in 1692 it destroyed the Imari ware (also called Arita ware) was made near two climbing kilns in Kutani. The kilns operated for Nagasaki, and the feudal lord of Daishoji had wanted to only 37 years, and the pottery produced during the time is produce similar pottery in his own domain.
    [Show full text]
  • By Colin Pearson
    November 1986 1 2 Ceramics Monthly William C. Hunt........................................ Editor Ruth C. Butler....................... Associate Editor Valentina Rojo...................... Assistant Editor Robert L. Creager........................ Art Director Mary Rushley................ Circulation Manager Mary E. Beaver. .. Circulation Assistant Jayne Lohr .................... Circulation Assistant Connie Belcher .... Advertising Manager Spencer L. Davis .............................. Publisher Editorial, Advertising and Circulation Offices 1609 Northwest Boulevard Box 12448, Columbus, Ohio 43212 (614) 488-8236 Ceramics Monthly (ISSN 0009-0329) is published monthly except July and August by Professional Publications, Inc., 1609 Northwest Blvd., Columbus, Ohio 43212. Second Class postage paid at Columbus, Ohio. Subscription Rates:One year SI 8, two years $34, three years $45. Add $5 per year for subscriptions outside the U.S.A. Change of Address:Please give us four weeks advance notice. Send both the magazine wrapper label and your new address to: Ceramics Monthly, Circulation Office, Box 12448, Columbus, Ohio 43212. Contributors: Manuscripts, photographs, color separations, color transparencies (in­ cluding 35mm slides), graphic illustrations, texts and news releases dealing with ceramic art and craft are welcome and will be con­ sidered for publication. A booklet describing procedures for the preparation and submis­ sion of a manuscript is available upon re­ quest. Send manuscripts and correspondence about them to: Ceramics Monthly, The Ed­ itor, Box 12448, Columbus, Ohio 43212. Telecommunications and Disk Media: Ceramics Monthly accepts articles and other data by modem. Phone us for transmission specifics. Articles may also be submitted on 3.5-inch microdiskettes readable with an Ap­ ple Macintosh computer system. Indexing:Articles in each issue of Ceramics Monthly are indexed in the Art Index; on line (computer) indexing is available through Wilsonline, 950 University Ave., Bronx, New York 10452.
    [Show full text]
  • Contemporary Japanese Ceramics from the Gordon Brodfuehrer Collection, on View at the Woodson Art Museum Through August 27
    Clockwise from top left: Yukiya Izumita, Sekakai, 2010, unglazed stoneware, photo courtesy of Ken Kondo; Shigemasa Higashida, Taki (Waterfall) Lidded Vessel, 2012, glazed stoneware, photo coutesy of Katie Gardner; Joji Yamashita, Jar, 2010, unglazed stoneware, photo courtesy of Tim Siegert all from the Collection of Gordon Brodfuehrer Celebrate summer with visit a to Nature, Tradition & Innovation: Contemporary Japanese Ceramics from the Gordon Brodfuehrer Collection, on view at the Woodson Art Museum through August 27. Enjoy the beauty of the season through the eyes of some of Japan’s most celebrated artists whose reverence for the natural world inspires their ceramics. Learn more through public programs and the Art Museum’s free audio tour app or try your hand at ceramic techniques featured in the exhibition through a guest-artist workshop or summer art sessions for ages 5-8 and 9-12. Satoru Hoshino, First Snow of Spring Vase, 2009, hand-formed glazed stoneware, photo courtesy of Tim Siegert; from the Collection of Gordon Brodfuehrer The following education materials developed by exhibition co-curator Meher McArthur Exhibition Overview Featuring 43 exceptional Japanese ceramists, Nature, Tradition & Innovation showcases ceramic objects of unsurpassed beauty made for Shingo Takeuchi, Sake Flask and Sake Cups, 2009, stoneware with everyday use. The 55 ceramic works chosen are zogan-inlay technique, photo courtesy of Katie Gardner; from the Collection of Gordon Brodfuehrer closely associated with Japan’s historical pottery centers, and reinterpret traditional methods in a modern context. Eleven digital photographs taken by photographer Taijiro Ito highlight their poetic connection to nature. The exhibition provides a dynamic survey of the diverse and innovative practices of ceramic-making in Japan — from exquisite flower vases and serene tea bowls to whimsical candle holders and robust platters — revealing the earthly beauty of Japanese ceramics.
    [Show full text]
  • An Overview of the Evolution of Japanese Ceramics (For the Southeast Asian Ceramic Society)
    An Overview of the Evolution of Japanese Ceramics (For the Southeast Asian Ceramic Society) Christopher P. Wells, SEACS Lifetime Member January 27, 2021 Hokusai, Potters at Work, Imado (1805) Early Japanese Ceramics (15,000 BCE to 600 CE) Incipient/Early Jomon Period (15-13,000 BCE) • Jomon pottery dates from as early as 15,000 BCE. • There is speculation that Jomon pottery was produced by the Caucasian ancestors of the Ainu people (now on living reservations in Hokkaido) who originally inhabited most of Japan until gradually pushed North. • “Jo-mon” means “cord pattern” because most pottery from this time has designs impressed by strings. • Incipient Jomon pottery vessels have pointed bottoms and flaring lips • Some vessels are highly polished covered with iron oxide or lacquers. • Vessels were produced without potter’s wheel and firing took place at temperatures between 400-500 Centigrade in open (pit) kilns. • Ceramics of the Jomon pottery were remarkably strong and are outstanding productions of human Neolithic Age and the oldest scientific evidence of a pot for cooking is of Jomon origin. Middle Jomon Period Ceramics (3,000 to 700 BCE) • Vessels from this period were lower and wider and designed for utilitarian purposes • There are many thousands of examples and tens of thousands of fragments from this and Late Jomon periods • So-called “Fire Pots” (1500-500BCE) below are characteristic of the period appeal to modern abstract curators and artists. • Simple “dogu” figures (heads, torsos etc.) are also from this period such as the
    [Show full text]
  • Japanese Ceramics Latest Acquisitions
    HANSHAN TANG BOOKS • L IST 161 NEW PUBLICATIONS MING CERAMICS JAPANESE CERAMICS LATEST ACQUISITIONS H ANSHAN TANG B OOKS LTD Unit 3, Ashburton Centre 276 Cortis Road London SW 15 3 AY UK Tel (020) 8788 4464 Fax (020) 8780 1565 Int’l (+44 20) [email protected] www.hanshan.com CONTENTS N EW & R ECENT P UBLICATIONS / 3 M ING C ERAMICS / 6 J APANESE C ERAMICS / 12 F ROM O UR S TOCK / 25 S UBJECT I NDEX / 60 T ERMS The books advertised in this list are antiquarian, second-hand or new publications. All books listed are in mint or good condition unless otherwise stated. If an out-of-print book listed here has already been sold, we will keep a record of your order and, when we acquire another copy, we will offer it to you. If a book is in print but not immediately available, it will be sent when new stock arrives. We will inform you when a book is not available. Prices take account of condition; they are net and exclude postage. Please note that we have occasional problems with publishers increasing the prices of books on the actual date of publication or supply. For secondhand items, we set the prices in this list. However, for new books we must reluctantly reserve the right to alter our advertised prices in line with any suppliers’ increases. P OSTAL C HARGES & D ISPATCH United Kingdom: For books weighing over 700 grams, minimum postage within the UK is GB £10.00. If books are lighter and we are able to charge less for delivery, we will do so.
    [Show full text]
  • Earth, Air, Fire & Water
    THE FOUR ELEMENTS IN JAPANESE ARTS Earth, Air, Fire & Water ASIA WEEK 2020 | ONISHI GALLERY THE FOUR ELEMENTS IN JAPANESE ARTS Earth, Air, Fire & Water Exhibition Dates: March 12-21, 2020 Onishi Gallery is proud to present The Four Elements in Japanese Arts: Earth, Air, Fire and Water – a stunning exhibition to take place during Asia Week 2020. For generations upon generations, Japanese people have appreciated and incorporated natural elements into their everyday lives. They have adorned the interiors of their homes with natural forms, designed spaces that capture the natural world in the frame of a garden, decorated art objects with subjects found in the wild, and penned haiku poetry about details of the natural environment. In this landmark exhibition, featured artists draw upon the four central elements of earth, air, fire, and water in metalwork and ceramic creations to communicate core themes and creative visions that ground Japanese art and life. In concert with this original exhibition, Onishi Gallery is organizing a year-long Japanese metalwork show to open in October 2020 as part of The Metropolitan Museum of Art’s (MET’s) 150th anniversary program. Onishi Gallery is the only gallery in the United States that represents contemporary Japanese metalwork artists, striving to foster a strong market for this precious art form abroad. Monika Bincsik, Diane and Arthur Abbey Assistant Curator of Japanese Decorative Arts at the MET, notes that, “In East Asia, 2020 is the year of the Metal Rat. Each of the 12 Chinese zodiac years is governed by one of the five elements—wood, fire, earth, water, and metal—and the last of these is particularly associated with firmness, persistence, rigidity, strength, and determination, yet simultaneously admired for the fact that when heated it turns flexible and collaborative.” 1 The Asia Week 2020 exhibition provides a visual foundation for the Japanese creative tradition of artwork based on natural elements, and the MET exhibition will deepen in that exploration through focus on magical metalwork design.
    [Show full text]
  • ASIA WEEK 2018 New York Japanese Ceramics in Contemporary Design
    ASIA WEEK 2018 New York Japanese Ceramics in Contemporary Design In celebration of Asia Week New York 2018 and its 12-year anniversary as a leader of Japanese arts in the international art market of New York City, Onishi Gallery is proud to present a unique new exhibition to Western audiences: Japanese Ceramics in Contemporary Design. The traditional arts of Japan may be described in many ways, but distinguished beauty, meticulous creative techniques, refined aesthetics, and legacies of heritage are some of the defining characteristics that unite them all. From one generation of artists to the next, Japanese creative tradition is passed down and reinterpreted in new designs and forms. For thousands of years, shared customs have reinforced creative structures within which artists seek to express their particular visions and thus, the tradition is renewed. In this process, histories, aesthetics, theories, and passions about beauty are reconceived; and, as this landmark exhibition illustrates, these innovative re-conceptions redefine the maker, the muse, and the meaning of the artwork in new social and cultural contexts. Bringing numerous leading ceramic artists from the Japanese contemporary art scene, Onishi Gallery works with both renowned and emerging Japanese artists to introduce their work to American audiences, connect them with museum collections, and enable American arts and cultural institutions to discover and partner with these international talents. In 2017, the Metropolitan Museum of Art acquired the work of Onishi Gallery artist Ito Sekisui V, and Detroit Institute of Arts acquired the works of Konno Tomoko and Ohi Toshio Chozaemon XI. In 2018, Onishi Gallery continues to connect Japanese artists with American audiences by serving as a bridge between U.S.
    [Show full text]
  • Japanese Pottery, Being a Native Report. with an Introduction And
    SOUTH KENSINGTON MUSEUM ART HANDBOOK JAPANESE POTTERY JAPANESE POTTERY BEING A NATIVE REPORT WITH AN INTRODUCTION AND CATALOGUE AUGUSTUS W. FRANKS, M.A., F.R.S., F.S.A. WITH ILLUSTRATIONS AND MARKS Published for the Committee of Council on Education BY LONDON: CHAPMAN AND HALL, Ld. F. M. EVANS AND CO., LIMITED, CRYSTAL PALACE, S.E. ^^7-2nz^ vi JAPANESE POTTERY. VAGE Shigaraki ware ... ... ... ... , ... 40 Iga ware ... ... ... ... ... ... ... 42 Tamba ware ... ... ... ... ... ... 42 Shitoro ware ... ... ... ... ... ... 43 Zeze ware... ... ... ... ... ... ... 43 Asahi ware ... ... ... ... ... ... 44 Takatori ware ... ... ... ... ... ... 44 Hagi ware ... ... ... ... ... ... 4^ Matsumoto ware ... ... ... ... ... ... 46 idsumo ware ... ... ... ... ... ... 47 Fujina ware ... ... ... ... ... ... 48 Akahada ware ... ... ... ... .. ... 49 Minato ware ... ... ... ... ... ... 50 Yanagawa ware .. ... ... ... ... ... 50 Toyo-ura ware ... ... ... ... ... ... 51 Raku ware ... ... ... ... ... ... 51 Ohi ware ... ... ... ... ... ... ... 55 Horaku ware .. ... ... ... ... ... 55 [Asakusa] Raku ware ... ... ... ... ... 56 [Tokio] Raku ware ... ... ... ... ... ... 56 [Osaka] Raku ware .. ... ... ... ... ... 57 [Dohachi] Raku ware ... ... ... ... .. 58 Fushimi ware ... ... ... ... ... ... 58 Imado ware ... ... ... ... ... ... 59 Ki6to (Saikiyo) factories ... ... ... .. ... 59 Ninsei ware ... ... ... ... ... ... 61 Awata ware .. ... ... ... ... ... 63 Kenzan ware ... ... ... ... ... ... 64 Kiyomidzu ware ... ... ... ... ... 65 Yeiraku ware ... ... ... .,. ..
    [Show full text]