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'A Mind to Copy': Inspired by Meissen
‘A Mind to Copy’: Inspired by Meissen Anton Gabszewicz Independent Ceramic Historian, London Figure 1. Sir Charles Hanbury Williams by John Giles Eccardt. 1746 (National Portrait Gallery, London.) 20 he association between Nicholas Sprimont, part owner of the Chelsea Porcelain Manufactory, Sir Everard Fawkener, private sec- retary to William Augustus, Duke of Cumberland, the second son of King George II, and Sir Charles Hanbury Williams, diplomat and Tsometime British Envoy to the Saxon Court at Dresden was one that had far-reaching effects on the development and history of the ceramic industry in England. The well-known and oft cited letter of 9th June 1751 from Han- bury Williams (fig. 1) to his friend Henry Fox at Holland House, Kensington, where his china was stored, sets the scene. Fawkener had asked Hanbury Williams ‘…to send over models for different Pieces from hence, in order to furnish the Undertakers with good designs... But I thought it better and cheaper for the manufacturers to give them leave to take away any of my china from Holland House, and to copy what they like.’ Thus allowing Fawkener ‘… and anybody He brings with him, to see my China & to take away such pieces as they have a mind to Copy.’ The result of this exchange of correspondence and Hanbury Williams’ generous offer led to an almost instant influx of Meissen designs at Chelsea, a tremendous impetus to the nascent porcelain industry that was to influ- ence the course of events across the industry in England. Just in taking a ca- sual look through the products of most English porcelain factories during Figure 2. -
Japan Ese Pottery Being a Native Report with an Introduction And
S OUTH KENSINGTON MUSEUM ART HANDBOOK JAPANESE POTTERY J A PA N E S E POTT E RY BE IN G A N ATIV E REPORT WITH A N I NTROD U CTION A N D C ATA LOGU E w R N M A . P. A U GUS T US F A KS , . , S A . WITH I LLUSTRATI O N S AN D MARKS ” ’ ‘ ' P ublic/zed f or 1113 Commz z fee of Counc il on E duc alz on BY L . LOND ON : C HA PMA N A N D HA LL, D F . M . E V N S A N D c o . L I M IT E D C RYS T L P L CE A , , A A A , CON TEN TS . H isto ry Tec hnique S hapes and uses o f vases Dec o rati on Marks REPORT A N D CATA LOGU E A nc ient wares Karatsu ware Seto ware Xi- Seto ware Shin o ware Ge m pin ware Oribe ware S eto - Suke ware Seto - Kuro ware I nu- yam a ware Mi no ware Bizen ware vi jA P A N E S E P OTTE R Y. hi araki 0 0 S g ware 0 I ga ware Tamba ware Shito to ware Zeze A sahi ware Takatori ware Hagi ware Matsum o to ware idsum o ware Fujxna ware A kahada ware Minato ware Yanagawa ware T oyo - ura ware Raku ware Ohi ware H oraku ware [A sakusa] Raku ware [To kio] Raku ware [Osaka] Raku ware [Dfihac hi] Raku ware Fushimiware I mado ware Ki6to ( S aikiyo ) fac tories N inseiware A wata ware Kenz an ware Kiyom idz u ware Ye iraku ware O to ware N T T CO E N S . -
Antique Store Auction (417)
09/29/21 04:57:26 Antique Store Auction (417) Auction Opens: Mon, Mar 29 8:00am PT Auction Closes: Wed, Apr 7 6:07pm PT Lot Title Lot Title 0100 LISA LAMONTHE Signed Native American 0129 Antique Wood Fishing Tackle Box Clay Sculpture Art 0130 Antique Crock Pot 0101 Vintage Clay Pottery Vase Hand Painted 0131 Star Wars Galactic Heroes Figurines collection 0102 Vintage McCoy Teapot with Lid NIB 0103 McCoy Pottery Canyon Bowl 0132 Southwest Artist Signed Pottery 0104 Beaded Iguana Pottery Art 0133 Vintage Poker Chips and Tray 0105 Vintage Asian Apothecary Box 0134 Vintage CARNIVAL GLASS Dishes 0106 Vintage Japanese Tanuki Racoon Dog Incense 0135 Vintage 1973 WALT DISNEY Spinning Top Burner Sculpture Toy 0107 Vintage Barney Rubble FLINSTONES Toy 0136 Vintage Tin Toy Ducks on Wheels, Japan 0108 Vintage Ceramic Majolica Cockatoo Pitcher 0137 Vintage Tin Toys 0109 Vintage Mickey Mouse WALT DISNEY 0138 Vintage Glazed Pottery Bowls Jewelry Music Box 0139 Vintage Cast Iron Dentist Bank 0110 Retro Mickey Mouse Radio Watch 0140 Vintage Signed L.D. Smith Bronze Coyote 0111 Japanese Geisha Ware Ceramic Pitcher Tea Desert Bookend Carafe 0141 Ceramic Jester Figurine 0112 Vintage VernonWare Carafe 0142 Vintage Golfer Bookends 0113 Vintage Depression Glass Compote and 0143 Two Vintage Wood Sewing Machine Drawers Condiment Dishes 0144 Vintage Wind Up Music Box Thorens 0114 Miniature Guatemalan Paper Mache Masks Movement 0115 Old School Snoopy Bank 0145 Vintage Glass Paper Weight Seal 0116 Mid Century Style Desk Clock 0146 Comey's Sherlock Holmes Ceramic -
Ceramics Monthly Mar93 Cei03
William Hunt..................................... Editor Ruth C. Butler................. Associate Editor Robert L. Creager...................... Art Director Kim Nagorski..................Assistant Editor Mary Rushley................ Circulation Manager MaryE. Beaver ....Assistant Circulation Manager Connie Belcher.........Advertising Manager Spencer L. Davis............................Publisher Editorial, Advertising and Circulation Offices 1609 Northwest Boulevard Box 12448 Columbus, Ohio 43212 (614) 488-8236 FAX (614) 488-4561 Ceramics Monthly (ISSN 0009-0328) is pub lished monthly except July and August by Profes sional Publications, Inc., 1609 Northwest Bou levard, Columbus, Ohio 43212. Second Class postage paid at Columbus, Ohio. Subscription Rates: One year $22, two years $40, three years $55. Add $10 per year for subscriptions outside the U.S.A. Change of Address: Please give us four weeks advance notice. Send the magazine address label as well as your new address to: Ceramics Monthly, Circulation Offices, Post Office Box 12448, Columbus, Ohio 43212. Contributors: Manuscripts, announcements, news releases, photographs, color separations, color transparencies (including 35mm slides), graphic illustrations and digital TIFF images are welcome and will be considered for publication. Mail submissions to Ceramics Monthly, Box 12448, Columbus, Ohio 43212. We also accept unillustrated materials faxed to (614) 488-4561. Writing and Photographic Guidelines: A book let describing standards and procedures for sub mitting materials is available upon request. Indexing: An index of each year’s articles appears in the December issue. Additionally, Ceramics Monthly articles are indexed in the Art Index. Printed, on-line and CD-ROM (computer) index ing is available through Wilsonline, 950 Univer sity Avenue, Bronx, New York 10452; and from Information Access Company, 362 Lakeside Drive, Forest City, California 94404. -
Volume 18 (2011), Article 3
Volume 18 (2011), Article 3 http://chinajapan.org/articles/18/3 Lim, Tai Wei “Re-centering Trade Periphery through Fired Clay: A Historiography of the Global Mapping of Japanese Trade Ceramics in the Premodern Global Trading Space” Sino-Japanese Studies 18 (2011), article 3. Abstract: A center-periphery system is one that is not static, but is constantly changing. It changes by virtue of technological developments, design innovations, shifting centers of economics and trade, developmental trajectories, and the historical sensitivities of cultural areas involved. To provide an empirical case study, this paper examines the material culture of Arita/Imari 有田/伊万里 trade ceramics in an effort to understand the dynamics of Japan’s regional and global position in the transition from periphery to the core of a global trading system. Sino-Japanese Studies http://chinajapan.org/articles/18/3 Re-centering Trade Periphery through Fired Clay: A Historiography of the Global Mapping of Japanese Trade Ceramics in the 1 Premodern Global Trading Space Lim Tai Wei 林大偉 Chinese University of Hong Kong Introduction Premodern global trade was first dominated by overland routes popularly characterized by the Silk Road, and its participants were mainly located in the vast Eurasian space of this global trading area. While there are many definitions of the Eurasian trading space that included the so-called Silk Road, some of the broadest definitions include the furthest ends of the premodern trading world. For example, Konuralp Ercilasun includes Japan in the broadest definition of the silk route at the farthest East Asian end.2 There are also differing interpretations of the term “Silk Road,” but most interpretations include both the overland as well as the maritime silk route. -
01-32 Errol Manner Pages
E & H MANNERS E & H MANNERS A Selection from THE NIGEL MORGAN COLLECTION OF ENGLISH PORCELAIN THE NIGEL MORGAN COLLECTION THE NIGEL MORGAN E & H MANNERS E & H MANNERS A Selection from THE NIGEL MORGAN COLLECTION of ENGLISH PORCELAIN incorporating The collection of Eric J. Morgan and Dr F. Marian Morgan To be exhibited at THE INTERNATIONAL CERAMICS FAIR AND SEMINAR 11th to the 14th of JUNE 2009 Catalogue by Anton Gabszewicz and Errol Manners 66C Kensington Church Street London W8 4BY [email protected] www.europeanporcelain.com 020 7229 5516 NIGEL MORGAN O.A.M. 1938 – 2008 My husband’s parents Eric J. Morgan and Dr Marian Morgan of Melbourne, Australia, were shipwrecked off the southernmost tip of New Zealand in 1929 losing everything when their boat foundered (except, by family legend, a pair of corsets and an elaborate hat). On the overland journey to catch another boat home they came across an antique shop, with an unusual stock of porcelain. That day they bought their first piece of Chelsea. They began collecting Oriental bronzes and jades in the 1930s – the heady days of the sale of the dispersal of the Eumorfopoulos Collections at Bluett & Sons. On moving to England in the 1950s and joining the English Ceramic Circle in 1951, their collecting of English porcelain gathered pace. Nigel, my husband, as the child of older parents, was taken around museums and galleries and began a life-long love of ceramics. As a small boy he met dealers such as Winifred Williams, whose son Bob was, in turn, a great mentor to us. -
The Auction Barn Pty Ltd Catalogue Antiques, Collectables, Mid Century
The Auction Barn Pty Ltd Phone 02 6239 2095 9 Wiluna Street www.theauctionbarn.com.au Fyshwick ACT 2609 Catalogue Antiques, Collectables, Mid Century & Retro (S4) Auction Date and Time: 2021-04-11 10:00:00 Auction Type: Online To be held at: 10 Wiluna St, FYSHWICK Terms: Cash, EFTPOS, Visa and MasterCard (a 1.6% surchargeapplies to Credit Card Payments) Lot Description Closing Time Lot 1 A Chinese Carved Jade Cabbage (Baicai), 21cm (H) x 13cm (W) x 6cm (D) weighs 1,217g; w/ Box 10:00 AM Lot 2 A Jade Bangle in Shades of Green and Lilac, 7cm (dia.) 10:00 AM Lot 3 A Carved Ivory Horse on Wooden Stand 6.5cm, As Found 10:00 AM Lot 4 Two Waterford 'Colleen' Crystal Hock Glasses in Original Packaging 10:00 AM Lot 5 Royal Doulton Burslem 'Stratford Upon Avon' Blue and White Vase Height: 13.5 cm Repaired to Rim 10:00 AM Lot 6 A Complete Lion Skull with Teeth, Approx 30cm 10:08 AM Lot 7 Two Pairs of Antique Chinese Ceramic Green Parrots Heights: 20.5cm & 14 cm 10:00 AM Lot 8 Antique Leather Traveling Bar with Two Crystal Bottles (with Contents). Case Monogrammed P. H. V 10.5 x 7 10:00 AM x 11 cm Lot 9 A Swarovski Disney 'Mickey Mouse' Crystal Figurine, 10cm, no. 1118830 (Retired) New in Box w/ Authenticity 10:00 AM Certificate Lot 10 Original 1960's Blonde Lady Head Vase with Pearl Necklace 18 cm Tall 10:00 AM Lot 11 Set of Four Reverse Glass Painted Snuff Bottles with an Image of 'Along the River During the Qingming 10:00 AM Festival' in Fitted Case Lot 12 A Large Doulton Lambeth Grapevine Vase, Marked on Base '1878' Rim of Vase has been Previously 10:00 AM Repaired, Flawed Glaze Around Base Approx. -
PDF Download Japanese Export Ceramics: 1860-1920 Ebook, Epub
JAPANESE EXPORT CERAMICS: 1860-1920 PDF, EPUB, EBOOK Nancy N. Schiffer | 224 pages | 01 Mar 2000 | Schiffer Publishing Ltd | 9780764310430 | English | Atglen, United States Japanese Export Ceramics: 1860-1920 PDF Book Fine Satsuma porcelain with distinctive crackle. All items are well packaged- I make the assumption that gorillas may handle them at some point along the way. Please keep in mind, most of our items are over years old and normal age should be expected. Repairs, or signs or normal use. Creamy or off-white and sometime beige appearance. There is some wear to the. As the goma melts, it becomes a substance that looks like a flowing glassy glaze, which is called "tamadare" egg dripping. All shipments are made via Israeli Post registered airmail. Sort by highest price first. And my hours upon hours of research has found nothing close! Pottery coated with the white glaze of rice straw ash are known as Madara Karatsu. Firing the iron-rich soil at high temperatures, creates a pottery featuring a rustic and rugged finish. She was an avid collector of Japanese antiques and woodblocks. Extra Notes The figure wearing long elaborate robes is seated in front of a banana plant and tree with his accoutrements gathered around him. Sort by newest results first. The signature I have unable to track down. However, the kiln was not managed well and ended up being consigned by the domain to private management. The discovery of white clay was an extremely important event for Shiro Satsuma, which exclusively relied on precious Korean white clay. Olive Green In the late edo period, enamel coating technique was imported from China. -
Antique Pair Japanese Meiiji Imari Porcelain Vases C1880
anticSwiss 29/09/2021 17:25:52 http://www.anticswiss.com Antique Pair Japanese Meiiji Imari Porcelain Vases C1880 FOR SALE ANTIQUE DEALER Period: 19° secolo - 1800 Regent Antiques London Style: Altri stili +44 2088099605 447836294074 Height:61cm Width:26cm Depth:26cm Price:2250€ DETAILED DESCRIPTION: A monumental pair of Japanese Meiji period Imari porcelain vases, dating from the late 19th Century. Each vase features a bulbous shape with the traditional scalloped rim, over the body decorated with reserve panels depicting court garden scenes and smaller shaped panels with views of Mount Fuji on chrysanthemums and peonies background adorned with phoenixes. Each signed to the base with a three-character mark and on the top of each large panel with a two-character mark. Instill a certain elegance to a special place in your home with these fabulous vases. Condition: In excellent condition, with no chips, cracks or damage, please see photos for confirmation. Dimensions in cm: Height 61 x Width 26 x Depth 26 Dimensions in inches: Height 24.0 x Width 10.2 x Depth 10.2 Imari ware Imari ware is a Western term for a brightly-coloured style of Arita ware Japanese export porcelain made in the area of Arita, in the former Hizen Province, northwestern Ky?sh?. They were exported to Europe in large quantities, especially between the second half of the 17th century and the first half of the 18th century. 1 / 4 anticSwiss 29/09/2021 17:25:52 http://www.anticswiss.com Typically Imari ware is decorated in underglaze blue, with red, gold, black for outlines, and sometimes other colours, added in overglaze. -
Fluted and Faceted Porcelain
Rochester Institute of Technology RIT Scholar Works Theses 5-1-1982 Fluted and faceted porcelain Barbara Greever Follow this and additional works at: https://scholarworks.rit.edu/theses Recommended Citation Greever, Barbara, "Fluted and faceted porcelain" (1982). Thesis. Rochester Institute of Technology. Accessed from This Thesis is brought to you for free and open access by RIT Scholar Works. It has been accepted for inclusion in Theses by an authorized administrator of RIT Scholar Works. For more information, please contact [email protected]. ROCHESTER INSTITUTE OF TECHNOLOGY A Thesis Submitted to the Faculty of The College of Fine and Applied Arts in Candidacy for the Degree of MASTER OF FINE ARTS FLUTED AND FACETED PORCELAIN By Barbara C. Greever May, 1982 APPROVALS Advisor: Robert D. Aelmity Da te: / d ·//· 87- Associate Advisor: Graham Mark Dat e: $.ygZ Gradu ate Academic Cou ncil Rep resentat ;ve; Fred Meyer--''-- --,~ Dat e: / f) 1/..,h ""2 7 Dea n. Co l lege of r ' Fi ne & App l ied Ar ts: Dr. Robert H. Johnston Dat e : D dJ4--- L8. 11ll:L- j I. Bar bara C. Greever , prefer to be contacted each t ime a request for re producti on i s made . I can be reached at the fol 1ow- i ng addre ss . Date :May , 1982 i i CONTENTS I. HISTORICAL BACKGROUND 1 II. AESTHETIC CONCERNS 7 III. TECHNIQUES 10 IV. ASSESSMENT OF THESIS POTS 16 APPENDIX: CLAY AND GLAZE RECIPES 38 BIBLIOGRAPHY 43 in ILLUSTRATIONS 1. Surform Blades 12 2. Pressure Cracks 13 3. Covered Jar Glazed in English Celadon 17 4. -
Local Structures and Electronic Band States of Α-Fe O Polycrystalline
223 Cerâmica 55 (2009) 223-232 Local structures and electronic band states of α-Fe2O3 polycrystalline particles included in the red-color overglazes and the transparent glazes of the Kakiemon-style porcelains by means of X-ray absorption spectra (П) (Estruturas locais e estados de banda eletrônica de partículas policristalinas de α-Fe2O3 inclusas em esmaltes vermelhos e transparentes de porcelanas do estilo Kakiemon por meio de espectros de absorção de raios X (II)) M. Hidaka1, H. Horiuchi2, K. Ohashi3, R. P. Wijesundera1,5, L. S. R. Kumara1, Nark Eon Sung4 1Department of Physics, Graduate School of Science, Kyushu University, 33, Fukuoka 812-8581, Japan 2Archaeological Research Unit, The University of Tokyo, Tokyo, Japan 3The Kyushu Ceramic Museum, Arita, Saga, 844-8585, Japan 4Beamline Department, Pohang Accelerator Laboratory, Pohang University of Science and Technology, San31, Hyoja-doing, Pohang, 790-784, Korea 5Department of Physics, University of Kelaniya, Kelaniya, Sri Lanka [email protected] Abstract Kakiemon-style porcelain is mainly characterized by the porcelain body of white color or milky-white color and the elegant and bright patterns of the colored overglazes on its white body. The porcelains were first developed and completed by Kakiemon-kiln family in 1650-80’s. The red-color overglazes and the transparent glazes of the present porcelain pieces, which were produced in the early 17th century to the middle 18th century, have been investigated by means of X-ray absorption spectrum using synchrotron radiation. The structure of α-Fe2O3 as red-color emission element is slightly deformed in the red-color overglazes by the other surrounding oxides (SiO2, Al2O3, K2O, Na2O, MgO, PbO), and/or the new complexes of (SiO2-Al2O3,) systems constructed by the raw materials. -
Fine Japanese and Korean Art I New York I March 20, 2019
Fine Japanese and Korean Art and Korean Fine Japanese I New York I March 20, 2019 I March I New York 25415 Fine Japanese and Korean Art New York I March 20, 2019 Fine Japanese and Korean Art New York | Wednesday March 20 2019, at 1pm BONHAMS BIDS INQUIRIES CLIENT SERVICES 580 Madison Avenue +1 (212) 644 9001 Japanese Art Department Monday – Friday 9am-5pm New York, New York 10022 +1 (212) 644 9009 fax Jeffrey Olson, Director +1 (212) 644 9001 bonhams.com [email protected] +1 (212) 461 6516 +1 (212) 644 9009 fax [email protected] PREVIEW To bid via the internet please visit ILLUSTRATIONS www.bonhams.com/25415 Thursday March 14 Takako O’Grady, Front cover: Lot 247 10am to 5pm Administrator Inside front cover: Lot 289 Friday March 15 Please note that bids should be +1 (212) 461 6523 Back cover: Lot 390 10am to 5pm summited no later than 24hrs [email protected] Inside back cover: Lot 287 Saturday March 16 prior to the sale. New bidders 10am to 5pm must also provide proof of Sunday March 17 identity when submitting bids. REGISTRATION 10am to 5pm Failure to do this may result in IMPORTANT NOTICE your bid not being processed. Monday March 18 Please note that all customers, 10am to 5pm irrespective of any previous activity Tuesday March 19 LIVE ONLINE BIDDING IS with Bonhams, are required to 10am to 3pm AVAILABLE FOR THIS SALE complete the Bidder Registration Please email bids.us@bonhams. Form in advance of the sale. The SALE NUMBER: 25415 com with “Live bidding” in form can be found at the back the subject line 48hrs before of every catalogue and on our the auction to register for this website at www.bonhams.com CATALOG: $35 service.