Japan Ese Pottery Being a Native Report with an Introduction And

S OUTH KENSINGTON MUSEUM ART HANDBOOK

JAPANESE POTTERY

J A PA N E S E POTT E RY

BE IN G A N ATIV E REPORT

WITH A N I NTROD U CTION A N D C ATA LOGU E

w R N M A . . P. . A U GUS T US F A KS , . , S A .

WITH I LLUSTRATI O N S AN D MARKS

” ’ ‘ ' P ublic/zed f or 1113 Commz z fee of Counc il on E duc alz on

L . LOND ON : C HA PMA N A N D HA LL, D F . M . E V N S A N D c o . L I M IT E D C RYS T L P L CE A , , A A A , CON TEN TS .

H isto ry

Tec hnique

S hapes and uses o f vases

Dec o rati on Marks

REPORT A N D CATA LOGU E

A nc ient wares

Karatsu ware

Seto ware

Xi- Seto ware

Shin o ware

Ge m pin ware Oribe ware

S eto - Suke ware

Seto - Kuro ware

I nu- yam a ware

Mi no ware

Bizen ware vi jA P A N E S E P OTTE R Y.

hi araki 0 0 S g ware 0

I ga ware Tamba ware

Shito to ware Zeze

A sahi ware

Takatori ware Hagi ware

Matsum o to ware

idsum o ware

Fujxna ware

A kahada ware

Minato ware

Yanagawa ware

T oyo - ura ware Raku ware Ohi ware

H oraku ware

[A sakusa] Raku ware

[To kio] Raku ware

[Osaka] Raku ware

[Dﬁhac hi] Raku ware

Fushimiware

I mado ware

Ki6to ( S aikiyo ) fac tories

N inseiware

A wata ware

Kenz an ware

Kiyom idz u ware

Ye iraku ware

O to ware N T T CO E N S . vii

A wajl ware

S atsuma ware

Yatsu - shiro ware

Soma ware

Banko ware

Yedo Bank o ware

I se Banko ware

H iz en fac tories

S honsuiware A rita ware

Okawajl ware

- Shim ishi ware . .

Kameyama ware

S anda ware

Tozan ware

Ota ware

A dditional Spec imens

LI ST OF POTT ERS A N D DE CORATORS WHO EXH I BITED TH E PARI S I N 1 8 EXH I BIT O , 87

I N DEX 0 0 0 0 0 0

I N LI S T OF I LLU S T RA T O S .

PAG E B m o o sk and o n d s o o n s d in c m o ni s a b whi j i te p , u e the tea ere e

k - Ino n m d o f n om n s Ki u , the i perial ba ge Japa (fr a Japa e e peerage)

Badge o f the To kugawa fam ily (fro m a Japanese roll)

’ - m o n o f k o f m f o m n s Kiri , the badge the Mi ad s a ily ( r a Japa e e peerage)

n s c n an m m Of on om n o o dc Japa e e ra e, e ble l gevity (fr a ative w ut)

1 A nc n s c c B . C. 6 0 . ie t va e, ir a 4

2 . k c c . D . 0 Flas , ir a A 7 3

k o n s 3. Mar Karat u ware

T ea o f o 4 . jar Set ware

I nc n s n o f o 5 . e e bur er Set ware

o f Fukuroku iu o f Ki- S o 6. Figure j et ware

k o n o - uké 7 . Mar Set S

k o n n o 8 . Mar Mi ware

I n c o n o n B n 9. s ripti ize ware

k o n B n 1 0 . Mar ize ware

I I .

Mark on A sahi ware

Mark o n F ujina ware

Mark on A kahada ware

Mark on Minato ware

Mark o n To yo - ura ware TTE R [ A PA N E S E P O Y.

Mark o n Raku ware (Franks c atalogue)

T e a o R k b wl , a u ware

Mark o n Raku ware

' Mark on papier - mﬁc he Raku ware

Mark o n Ohiware from the Franks c ollec tion

Mark o n Olii ware

Mark o n A sakusa Raku ware

Mark o n Toki o Raku ware

Mark o n Osaka Raku ware

Mark on I mado ware

Mark on N i nsei ware (Franks c atalogue)

Cake b o x o f N i nsei ware

Brazier fo r warming hands of A wata ware

Mark on A wata ware

Mark on Kenzan ware (Franks c atal ogue)

Mark o n Kiyomidz u ware

Figure of c o c k Of Kiyomidz u ware

Figure Of lien Of Kiyo midz u ware

Mark on Kiyom idz u ware (Franks c atal ogue)

Mark on Ye iraku ware (Franks c atalogue)

I Water vessel Of Yeiraku ware

Mark o n Yeiraku ware (Franks c atalogue)

(Franks c atalogue)

Mark on A waj iware

k n Kishiu nk c o 45 . Mar o ware (Fra s atal gue)

6 I nc ns n o f S m a 4 . e e bur er atsu a w re

k n s m 47 . Mar o Sat u a ware [ LL US TRA TI N O S . xi

- . 8 o v f Fig 4 . Fl wer ase o Yatsu shiro ware

M k s - 49. ar o n Yat u shiro ware

Mark o n Kutani ware (Franks c atalogue)

k o n B nko 54 . Mar a ware

5 5 °

56.

Kushit n 5 7 . é patter

I nc n urn 58 . e se b er of A rita ware

k on A 59. Mar rita ware

60 .

6 1 .

6 k on Okawa i 5 . Mar j ware

6 Of on Of Mikawa i 6 . Figure a li j ware

k o n Mikawa i 67 . Mar j ware

6 k o n To n 9. Mar za ware

0 k o n A n Tok o 7 . Mar rita ware, pai ted at i

k on Ki omidz u 7 1 . Mar y ware

7 2.

7 3

d ho rsc d of nc o f om A tethere , ba ge the Pri e S a

’ Daikoku s hammer and rat (fro m a native wo odc ut)

P R E FA CE .

‘ 1 7 m ay be w ell to s ay a f e w w ords as to ﬁ le origin and sc ope

o t/z is ublic ation and to ex lain w/i it dz ers s om ewb at f p , p y ﬂ

rom a n ordina r lzand f y boob .

PVb ile p repa rations w ere being m ade f or Me P b iladelpnia

E x iiibition it oc c u rred to t/te antb orities o tb c S out/c K ens in , f g

‘ ton qs eum t/zat it would be an in teres ting f eature in the japa nes e S ec tion of iliat E x nibition if a rep resentative series

r w a res w ere to rm art o t of tb e olde f apanes e Ceram ic f o p f i .

T/ze japanese autlzorities readily e ntered into t/ze p roposed

arra n em en t and m uc /i c redit is due to t/ze m or t/ze adm irable g , f

m anner in w/zic /i t/zis in teres tin c ollec tion was m ade w it/z in g ,

a limit o ric e b obtain in rom t/ce various arts o t/ze f p , y g f p f

m s nt r s t I t w as arran ed tno t japanes e E mpire spec i en of i e e . g

a/ter tb e E x b ibition t/ze c ollec tion s b ould bec om e t/ze property

T/z is a rran em en t of Me S out/i K ens ing ton M us eum . g was

itz unl e wen at t/ca t im n a litated b M r. F r C O t e i tb e f c i y iﬁ ,

a anese servic e a nd residin in Tob io and a R e ort on j p , g , p xiv jA PA N E S E P OTTE R Y.

a anese eramic s was re a red b M r. ill . S kioda and j p C p p y ,

translated b M r. T. A s a mi to ac c om an and illus trate the y , p y

c ollec tion .

Tkis R eport form s t/z e m os t important portion of tb e p resen t volume ; tke only alterations tkut lzave been m ade in

editing it are to b ring t/ze japanese names to a un iform and

acc e ted m ode o s ellin and to c orrec t t/te /z raseolo s o as p f p g , p gy

to m ake t/ze m ean ing of tile w riter m ore c lear. I n doing

tkis 1 kave kad t/ze as s is tanc e of my japanese frie nds

M r r . B . N an io and M r. K . K asawa a and to tkes e entle j , g

m en a m indebted f or m uc k otker kelpf A s/zort lis t of tb c

s ec im ens ac c om anied tb c c ollec tion w/z ic k kas urn is/zed m p p , f os t

o tb c dates . A s it see m ed indis ensable in order t/zat f p , t/ze

R e ort kt be m ade in telli ible and use ul t/zat tb c s ec im p n g f , p

tkems elves s kould be ull des c ribed a new c atalo ue lias been f y , g

/z m m ade of t e .

Tke otker japanese spec im ens in tb c M useum m tg/it kave

b een inc luded b ut tb is w ould Iz ave des tro ed t/ze value o t/ze , y f

c ollec tion as a re resentative series ac c ordin to a anese views p g j p ,

and it would Izave been diﬁic ult in all c as es to c lass ify objec ts

’ r rom s o m an dz eren t s ur s g at/ze edf y ﬁ o c e .

N ina awa o Tokio lias ublis/zed a work on a anese M r. g f p p

” otter entitled K wan ko dz u sets u in ve arts wilk p y , , ﬁ p ,

illustrations and a trans lation o tke tex t kas a eared in , f pp

F renc k b is work lzas been m ade use o t a ert in x nt . T f o c a e te

in tke I ntroduc tion and notes but in a less de ree t/za n J , g P RE FA CE . xv

s uld k e wisked as tb c ac c urac o tke Frenc /i trans lation ko a v , y f

s eems doub ul zb e a ut/zor bein unac uainted wit/i zb e tf , g q

lan a e into whic k kis work was trans lated and tbc gu g ,

rm translator evidently unfam ilia r wit/z t/ze tee/ mic a! te s .

kets Tb c additions to tke R eport are indic ated by s quare b rac .

T/ze only otlze r w ork on japanese p ottery t/zat need be

ra mic A rt o a an o M ess rs . m en tioned is Tke K e f j p , f

A udsle and B owes now c om leted in wkic /t will be ound y , p , f

illus tra tions of tke m ore ornate spec im ens of japa

t is sc arc ely nec essary to allude to tke w orks of t/ze dis

’ tin uis/zed w riter M ac uem art as I dz er entirel rom g j q , ﬁ y f

liim witk reg ard to m os t of tke p orc elain w/zic k b e kas

attributed to a an . H is orean orc elain is old a anese j p C p j p ,

“ kis Ckinese c kry sant/z em o-pceon ien ne w are is likew is e

a anese s om ewkat later in date w/z ile lz is a anese e [ p , , j p gg

s /zell a nd m anda rin vases are u n ues tionabl kinese q y C .

E x c ellen t illus trations of japanese vases may be found in

lzis books rom ike kan d o tkut talen ted artist M ules , f f . j

ac uemart j q .

I kave tkou kt it o interes t to add as an A endix a g f , pp ,

lis t of tke potters andfac tories tkat ex /iibited at tke Universal

E x /z ibition at P aris in I 8 8 m ore es ec iall as b tke kind 7 , p y y

ke o M r. K awara m a anese c ollea ue on tke era mic lp f , y j p g C

ur and kis obli in assoc iate da I was ena led t M . S no b o f y , g g ,

obtain tb c nam es of tke japanese potters in full and to

elim inate m ere ex kibitors .

jA P A N E S E P 0 TTE R Y

on e o o B. C. 2 to the end of the e e e e l g p ri d, fr m 7 s v nt e nth c ntury Of * our era.

A o o e e the oreans ma a a lth ugh, h w v r, C y h ve be e n bl e to te ach the a a e e o e the e e e a o e e e t as all the e J p n s s m Of l m nt ry pr c ss s, y sp ci

e we a e een Co ean o are e e and a e m ns h v s Of r w rk v ry rud unsh p ly, it is pro babl e that this co nstant importatio n Of Corean po tters was a ea ea e due to a o e a e to in gr t m sur n th r c us , which we shall

a e o a o e e t a h v cc si n pr s ntly o llude .

It is to the Chin e se that th e y are really indebte d for their Th greate st advance s . e ﬁrst go o d Japan e se glaz e d po tte ry was

a e at e o a o 1 2 0 TOshirO who had a h ar m d S t , b ut 3 , by , l e rnt t e t in

C a e e he e e o o e o f a a The hin , wh nc v n br ught s m his m teri ls . ﬁrst

o e a a e a a a e to Goro da u S h onsui who p rc l in m d in J p n is ttribut d y ,

a 1 1 Th re turn e d fro m China bo ut 5 3. e o nly po tte ry Of a supe rior kind which claims a Corean o rigin is the we ll- kn o wn Satsum a ware ; but the earlier specime ns Of that ware are no be tter than the o e o a a a e e o o and a e o c nt mp r ry J p n s pr ducti ns , it is qu sti n wheth e r the superior m e rits Of that po ttery are no t due to the

f e e a a e e a e and to the a o a e the o e in lu nc Of J p n s t st , p tr n g Of p w rful

e a a. The e e e at an a e a princ s Of S tsum ﬁn r sp cim ns , y r t , Of th t facto ry were made long after the Corean s were ﬁrst e stablishe d th ere . The fo ndn e ss Of the J apane se for foreign ware s is shown by the re lative value s place d by the ir co llecto rs o n differe nt kinds Of

‘

e . o e o e a e Co ea e e o po tt ry First c m s p tt ry m d in r its lf ; s c ndly ,

a e a a e e o e C e e o e a ve ry nci nt J p n s p tt ry ; thirdly, hin s p rc l in , e spe cially o f single col ours ; the ir own po rce lain they do no t

e e to o e to the a e e e . a the a a e e o e o s m c ll ct s m xt nt In f ct J p n s c ll ct r,

e o e and o e a are o e e a e e for i wh re p tt ry p rc l in c nc rn d, c r s littl h gh

a o a e o a e a o e ﬁnish or e l b r t rn m nt r ugh , sk tchy, but picture squ e de sign is far m ore pleasing to him th an the e legant forms and

a we are a o e to o rich de cor tio n which ccust m d h ld in e steem .

nk o c on x hi B n G n See Catalogue of the Fra s C lle ti e bited at eth al ree , z ud . 1 1 ed p . 4 . I N TR OD UCTI ON 3

T e a h a a o f th o e o o e his xpl ins t e no t ble f ct that in n o n e e c ll cti ns, f rm d

e o e the o f a a W e e 1 8 do we b f r pe ning o J p n to e ste rn co mm rc in 5 9,

an e e a a e e o e and a e o e an one ﬁnd y sp cim ns Of J p n s p tt ry, r r ly m r th

a o f a a e e o e a a a a e a o e e for ex cl ss J p n s p rc l in , cl ss m d lm st ntir ly ” ortation an d we o as Old a a . The ea ea o p , which kn w J p n r l r s n ,

o e e th e a a e e a a a a a e to C o e a h w v r, why J p n s tt ch such f nciful v lu r n

e e and e o e C o ea o e o a e e v ss ls , why th y imp rt d r n p tt rs l ng ft r th y

e e e had a s o e the art due to the th ms lv s m de o much pr gr ss in , is T ea C eremo nies and it may b e we ll to give a slight ske tch Of th na e ture Of the se peculiar institutio ns . “ The Tea C e e o e o n as the ha- n o- u do n ot r m ni s , kn w C y , a ea to a e ee o at an e an E o pp r h v b n n tice d y l ngth in y nglish w rk ,

o a o a o e a e o a o Ale a e th ugh sh rt cc unt Of th m , Obt in d fr m B r n x nd r ’ von e o m a b e th a a o Dr a or s Si b ld, y found in e English tr nsl ti n Of . J g

T a e the P A le e o r v ls in hilippin e s (p. much ful r d scripti n f O e has e e e Dr. in the a of th m b n publish d by Funk, sixth p rt “ the Mittheilunge n der de utsche n Ge sellschaft fur N atur und

” V Olkerkunde O a e Yo o a a 1 8 o o ur st si ns, k h m , 7 4 , fr m which a o e has ee o e e o e a o a cc unt Of th m b n c nd ns d, with s m dditi n l

a o n e Mr a a a inform ti n ki dly furnish d by . K s w ra. The cultivati o n o f tea is said to have b ee n intro duce d into

a a o C a A . D . 8 0 o not a e o J p n fr m hin in 5 , th ugh it did t k ﬁrm h ld

a till l ter . It is uncertain wh en the tea ceremoni e s or clubs first c om m enc ed and the y do no t appear to have adopte d fixe d rule s till the e o f the ee e e e a e a middl fift nth c ntury . These rule s w r m d by

a a e e na e Shuko e th a o a e o f the o J p n s m d , und r e p tr n g Sh gun Yo simasa ( 1 443 1 4 7 3) later the famo us Taiko H ideyosi a o e a o e a a e e na e Rikiu to e e th e o ld pp int d n th r J p n s , m d , r vis s a e and the e aw u ar e e t tut s , rul s dr n p by him e still o bs rv d .

T e e are or a e e e e e a a e e the e a e h r , r th r w r , s v r l v ri ti s in Obs rv nc o f the e e o e the a are e Ru c r m ni s, Of which princip l S nke, shu,

- O M a - O and Ya n o— U e the e e é e ribe, tsu , bu uchi . nd r pr s nt r gim th ey are n othing m ore th an friendly réunions the ce re m o nie s in

B 2 A P A N E E E R 4 j S P OTT Y.

a are out an o a a e e e a ea e f ct dying , d will pr b bly h v ntir ly dis pp r d f in a ew years . The place destin ed for the ce remo nies is e ither a s eparate

or an a a o the e the o e and building, p rtme nt remove d fr m r st Of h us ,

was o e the a e Kakoi the e o e o r S uki a . it kn wn und r n m s Of ( ncl s d), y

as o e e e and o e a o o a It w c v r d with shingl s , c nsist d Of r m usu lly

ea a a mat a o 6 ee or a o t m suring 4% m ts ( b ut by 3 f t), , b u

a ee on o ne e was a o e m a e o o a e 8 1 squ re f t ; sid n th r s ll r r m , c ll d

' de n- a a e - o o e e the e e e a a e on M y (w t r r m), wh r ut nsils w r rr ng d the o th er side was an o ther small roo m for re ceiving the gu ests .

th o e or a a e was a a en Ro- i e Surro unding e h us p rtm nt g rd , j (d wy gro und) . T wo m o des Of conducting the cere mo nie s were Observed— the

th h a as winter and summ er m o de s . In e forme r t e g rde n w strewn

ea e the e e a e e o e and the a e for with ﬁr l v s, gu sts r t in d th ir sh s, furn c

h w a it in th o o e a e . th a e th e t e ke ttle as p e ﬂ r ﬁll d with sh s In e l tt r,

a e was e e out o e the e o o Off e oe g rd n d ck d with ﬂ w rs, gu sts t k th ir sh s ,

z r and a po rtable earth enware furn ace (ﬁ o) was use d.

The e o f the oo was to b e as a as o e o h insid r m pl in p ssibl , th ug co stly wo o ds might b e e mployed if the means of the ho st

a e . The a had a a o e a e and n dmitt d it w lls d d Of whit p p r, o one

e was a e toko an e o and o e the sid nich ( ), with inscrib d r ll ﬂ w rs,

a a a Th latte r s o m e times pl ce d in h nging vase . e h ours ﬁxe d fo r

the a o e e to 6 A . M . o o or 6 R M . The e invit ti ns w r 4 , n n , gu sts,

‘ a e a a on mac/ziai in the a e a o e e r ss mbling in p vili ( ) g rd n , nn unc th i a a o n a oo e a e b an or he e the o rriv l by striking w d n t bl t ( ) ll , wh n h st

r a h a himself o a s ervant ppears to co nduct the m into t e ch mb er.

The e a e e o ee ee a e the o ee and ntr nc b ing nly thr f t squ r , h st kn ls

T e e ea e a le ts the gu ests creep in b efo re him . h y b ing s t d in

e h o oe to the o o the e o o the s micircle, t e h st g s d r Of sid r m in which

e ar a am e a a o u are o e and ut nsils e kept, s ying I v ry gl d th t y c m ,

. no w o to a e u the ﬁ re . H e e thank you much . I g m k p th n brings in a baske t ( sumi— tori) co ntaining charcoal in pi e ce s Of a prescribe d

e a mitsu— ba a e ee ea e a a o l ngth , brush ( ) m d Of thr f th rs, p ir Of t ngs I N TR D CTI O U ON . 5

the stand Of the ke ttle (kanza iro n handles for * the e e a a e b ox o a e e kobako and o e k ttl , l cqu r c nt ining inc ns r( ), s m

a H e a a ea e th e a e to a e e p per. g in l v s ch mb r bring in v ss l with

- to and oo . H e en ashe s (b aiki) ( se e N o s. 7 4 7 7 ) its sp n th make s u ﬁ re and e e to o e o e the e th e p the burns inc ns , v rp w r sm ll Of W h th a o a . e e o e e e b e to b e a o e ch rc l hil is thus ccupi d, gu sts g ll w d t the e e - b ox e e a an e a e o inspe ct inc ns , g n r lly Obj ct Of v lu , which

a o a to a and the a e to th p ss es fr m h nd h nd, l st gu st re turns it e

o T o e the a the e e o an o o h st. his cl s s ﬁrst p rt Of c r m ny, d b th h st and gu e sts withdraw .

The e o a o e e ea and as a s c nd p rt c mm nc s with ting, , it is rule

’ a o o b e ef the e a Oﬂ a e u th t n thing sh uld l t, gu sts c rry , wr pp d p in

a e an a e a e a . The e e in a p p r, y fr gm nts th t r m in ut nsils us d this p rt Of the cerem o ny are as follo ws

1 A n o e e kama a CO er r on . ir n k ttl ( ) with pp o ir lid, re sting o n a stand (kama

2 A a e o r a e o o two . t bl st nd Of mulb rry w d, fee t high .

- . Two tea a clza ire o a the ﬁ ne o e e t 3 j rs ( ) c nt ining p wd r d ea,

a an d e nclo se d in bags Of bro c de .

A e e o ain e a e midz n saski 4 . v ss l c nt ing fr sh w t r ( ), which is

a place d under the dais .

A tea o o f o e a o r ea e a e cka- wan o r n 5 . b wl p rc l in rth nw r ( , , wh e

a e z e temmoku e o e a a e f O f l rg si , ), simpl in f rm , but r m rk bl or its

a antiquity o r historical asso ci ti o ns .

B eside s these th ere is a bam bo o whisk ( c/za- sen) a silk cl o th

ukusa a e for the e a o o cita (f ), usu lly purpl , wiping ut nsils ; sp n ( s kaku to a e the tea o ut the cka- ire and a a e a e skaku ) t k Of ; w t r l dl ( ) . All th ese Obj ects are brought in singly by the h ost in th eir pre scrib e d order. 1 A fte r s olem n salutatio ns and Ob eisances the utensils are wipe d

in mm m od n n l n o r This is used the su er e. I the wi ter a porc e ai ko o m o earthenware b ox ( g ) is e pl yed.

' ' I n w n O o f o s n in mm n ood. l the i ter d ri er u pastilles are bur ed, the su er sa dal w

” 1 The wo odc ut o n the next page represents a bamboo whisk and a spoo n in c on bel o ngi ng to a tea apparatus the Christy Co lle ti . R 6 jA P A N E S E P OTTE Y.

e t a a h tea o hot and some Of the po wder d e is pl ce d in t e b wl ,

o e on and the o e o o e the wate r is p ur d it, wh l is vig r usly stirr d with whisk until it l o o ks like thin spinach a b oy the n carri e s the bowl

o o a e o the a to the a to the chie f gu e st, fr m wh m it p ss s r und p rty l st,

t the b o The e o e a e who return s it e mpty o y. mpty b wl is th n p ss d

a h m The e s r ound o nce m o re th t t e gu e sts ay admire it . ut nsil

the o and the e e o at an end. are then washe d by h st, c r m ny is

an o e a o n o e The rul e s forbid y c nv rs ti n o w rldly subj cts , such a o or a a a e a o o e and o e s p litics sc nd l , ﬂ tt ry is ls f rbidd n , , pr p rly

ea the ee o no t a o e an two o . N O sp king, m ting sh uld l st l ng r th h urs distinction of ranks is Obse rve d .

n o e e b e no o a ea Th ere c a , h w v r, d ubt th t in rly times these

B m o o k d o a b Whis an J inted Spo on.

o e e e e e o a e the e a e e a e s s ci ti s w r nc ur g d by princ s , th t th ir r t in r might have an Opportunity Of quie tly pro mo ting the political e d signs Of their lords . The cerem onial de scrib e d ab ove ‘ is that known as the

” Ko i- c ha n a d Dr. a h a n one Of , Funk st tes that e w s pres ent o the se o ccasio ns wh e n the tea b owl and wate r jar were exh ibite d with much pride as Old C o rean the h o st dilate d o n the age and o n o f the a o e and e o e fo r a e a rigi v ri us ut nsils , m nti n d, inst nc , th t the b ag Of o ne Of the tea j ars was made fro m the dress o f the

e e a e a e K o aru who e th e of Ta o c l br t d d nc r g , liv d in e tim ik

H ide o si y .

T e e a o e o the tea e e o e the U su- c ha h r is n th r f rm Of c r m ni s ,

ea tea ffe far (w k ), which di rs fro m the ﬁrst in s ome re spe cts . It is I N TR OD UC TI ON .

e e e o o th e tea e and e o a an l ss c r m ni us , is thinn r Of inf ri r qu lity , d the o e a e for ea e e o ut b wl is ﬁll d fr sh ch gu st , b ing rinse d with

a e a e . The tea ar a o ffe e e a natsu w t r e ch tim j is ls di r nt, b ing mi

a e a e m d Of l cqu r.

The tea e o e e e e o e o e o U I ea us d in b th th s c r m ni s c m s fr m J , n r

io o the o e e a e te a a a and f K t , m st c l br t d district Of J p n , is dif e rently prepare d fro m the comme ncement according to the cere m o ny for i which it is nte nde d . Th e se cere m o nie s were the cause Of the large price s o ccasi on ally

a for the e e o f o e in e e a p id v ss ls p tte ry us d the m, sp ci lly while they

e e in the e of a o e e we ea a the w r h ight f shi n , h nc h r th t, in time Of

T a o H ide o si a e tea o e o a e was o f r ik y , singl b wl Of S t w r s ld o

o e o a o a s s m th us nd d ll rs ( ee p .

I T H S ORY .

We must now consider somewhat m o re in de tail the histo ry of

a a the C eramic art in J p n . It will b e s ee n that the Japan es e writers re fer the o rigin Of

o e to a e o e e o a e o to B .C. 660 the m aking Of p tt ry r m t p ri d, nt ri r ,

for the o e e e ea o in a a and a the ir date c mm nc m nt Of r l hist ry J p n, spe cime n co nsidere d to b e o f this perio d is to b e fo und in the

N The a e a e to m u of o e b e co lle ctio n ( o . d t ssign d it st c urs

e o e a . a e are o a e o and pur ly c nj ctur l Such v s s f und in nci nt t mbs, fro m th e ir s o m e time s co ntaining claw- lik e o rnam ents in h ard “ o e e are o as ma atama tsubo or e o e e st n , th y kn wn g , pr ci us j w l

T e are o a the a a a e e e vase s . h y pr b bly rem ins Of r ce which pr c d d the e a a e e o e a to a e a e e e e xisting J p n s , th ugh p rh ps c rt in xt nt m rg d

it— a a e o e e the A inos and who are o n to in r c c nn ct d with , kn w

a e o ed e e o e th o e a o f the h v ccupi , v n in hist ric tim s , e n rth rn p rt

a a . b e e e a the o a e a e m in isl nd It will s n th t po ttery is c rs ly m d , and e e a h o e o f r s mble s so m ewh t t e early po tte ry o f Europe . S m the e e o e e a e a o a e affi to e sp cim ns, h w v r, h v c nsider bl nity v ss els

o e e N o A e a h a a f not disc v r d in rth m ric , t e e x ct ge o which is

e s e ttl d. 8 A PA N E S E P E R Y [ OTT .

During the ﬁrst two ce nturie s Of o ur era Co rean potters cam e to a a and no o o e o e o e e o ne J p n , d ubt intr duc d s m impr v m nts ; Of the ea e o e e was due to a e a e e t gr t st, h w v r, n tiv t l nt, b ing he intro ’ o the o e ee Gi o i a a e th ducti n Of p tt rs wh l by y g , n tiv Of e provm c e

o f Idz umi o the a N O. 2 a to a e , by wh m ﬂ sk is s id h v b ee n m ade .

T O reve rt to the C o teaus— it must b e rem e mb ere d that the

a Co ea o e as oe o the o - peninsul Of r , pr j cting it d s fr m n rth eas t Of

a o a the a a e e a has e e the o Chin t w rds J p n s isl nds, b n r ute by which

a the a and e e a e a e e to the a m ny Of rts sci nc s h v tr v ll d l tter country,

e a o a a e to the a th o ugh p rh ps rigin ting still f rth r we st . It w s

e o ee o ao Pe and a anciently divid d int thr kingd ms, K li, tsi, Sinr ,

o o ie a o th h which were unite d int r b ut e middle Of t e tenth ce ntury. Its pe culiar po sition bro ught upo n it a limite d subj e cti o n to bo th

' C a and a a a o e to e and e e e hin J p n , v rying fr m tim tim , n v r w ll deﬁne d .

the e a a the e o f the E e o n B. C. 2 In rly p rt Of r ign mp r r Sui in , 7 ,

h e the Co ea e A a o H ib o ko e e at t e foll o w rs Of r n princ m n , s ttl d

a a a o e Omi e e e a a e a H s m , pr vinc Of , wh r th y m nuf ctur d kind Of

a a e o a po ttery so me what harde r th n th t pr vi usly m de . A fter the succe ssful invasio n Of Corea by the Japan e se Empre ss

in O A . D . z o o e e a Coreans e e a a an d ade J g , in , s v r l s ttl d in J p n , m

e po tt ry. In 463 some Japan e s e princes intro duce d fro m Petsi a numb e r

o o a o o e e o e o e e e e e a e Of c l nists, m ng wh m w r s m p tt rs ; but th s w r st t d

a a to have belonge d to Chine se corpor tio n e stablishe d in C o rea. C oreans were like wise co nce rn e d in e stablishing the factory

a a z e at the end the e e e the Ra at K r tsu ( H i n) Of s v nth c ntury, ku

a at KiOto a o 1 0 a o e at e o a o 1 0 and f bric b ut 5 5 , n th r S t b ut 5 9 ,

n a Th a a s o m ewhat later o e at H gi . e princip l f bric ho wever which

ha t do the e - o o ne o f a a th th ey d o with is w ll kn wn S tsum , wh e re e

n o ea o e and the o e o e a a kilns we re built o C r n m d ls , p tt rs f rm d cl ss

” a a no t e a o e to a o ut e o wn o f p rt, b ing ll w d m rry Of th ir c mmunity .

“ to has h in T ns c ons Of A s c Mr. Ernest S a w publis ed the ra a ti the iati n n n c o n o f s to s o S o c iety o f Japan [ 1 8 7 8] a i teresti g ac u t his vi it the e p tteries.

A P A N E E P TE I o [ S OT R Y.

e n t h h a e is vidently o bo rrowed fro m t e Chine se. T e se ts Of v s s

o b e e e a a a e e o e e e e no a e on w uld us l ss in J p n s h us , th r b ing pl c which they co uld b e stoo d ; and the ir rarity in that co untry is

o e e e o n o w e e e and the es sh wn by th ir b ing s ld m r c iv d, by high pric

are a e fo r e for a e the a e a e N O. 1 6 which sk d th m 5 inst nc , l rg v s 9,

o the o e has een o e e e a was e at th ugh c v r b c mpl t d in m t l , pric d

8 0 1 . The a o e z e a e not o e e a f, 3s f ct ri s Of H i n h v l st th ir Old r put

’ o and the Pa E o o f 1 8 8 e o e e ti n , in ris xhibiti n 7 num r us sp cim ns,

e a a e for z and e o a e e . r m rk bl si e d c r tio n , w re xhibite d

We a e o e o f the o e o f e o o e a has h v sp k n p tt ry S t , but its p rc l in

o e a e e and o the a o o e e e c nsid r bl m rit, , th ugh f ct ry is Of m r r c nt

a o e z e has o e o a e to o rigin th n th s Of H i n , it ddly n ugh give n its n m

o e a e o a a as S etomono o r e o a e . p rc l in , which is Oft n kn wn in J p n S t w r The Kutani facto ry was founde d in the s eventee nth ce ntury by

a a Gonz a em o n and was o e o tO aiiro who had T mur y , impr v d by G S j ,

o e a - a in z e ea e ar a studie d p rc l in m king H i n . Its rli r pro ductio ns e

o a e o f o e a e o a e o o o a e c rs kind p rc l in , d c r t d in str ng c l urs ; but, l t r,

a e wa to the e - o re d e o a o a a s this g v y w ll kn wn d c r ti n , f mili r to u

h a Ka a c hieﬂ e o n a ﬁ ne e o e t e e . o und r n m Of g , y us d y ll w p ttery.

The a a a e so e e e e E o ea o S tsum w r , much st m d by ur p n c lle ctors, was m ade at ﬁrst in small quantitie s for the use Of the Prince o f

T a o n t Satsuma and his friends . he de cor ti n in colo urs was o

h Mo the e e s intro duce d till t e e nd o f the last century. st Of sp cim n s o ld as Old Satsuma have b ee n made at Ota and A wata in re ce nt

time s .

Th a a at io o b N e and o o e e v rious ware s m de K t , y ins i his f ll w rs,

e z a an d o e are o e the R e o . A ll e e o o K n n , th rs , n tic d in p rt th s Ki t

a ar a a e for e a and a o o f brics e re m rk bl th ir qu int f nciful f rms, wing,

n to e e a e at the the M a o o do ubt, th ir b ing m d city in which ik d

and for the use o e . reside d, Of his c urti rs Of th e history Of the o ther facto ries it is scarcely n ec e ss ary to

ea e o f e o a e a o e we a e e o e sp k, b ing l ss imp rt nc th n th s h v m nti n d ,

and sufﬁ ci e ntly describe d in the R ep ort. I N TR OD UCTI ON 1 1.

T HN I EC ! UE .

' The Ceramic ware s o f Japan e xhibit great diﬂerenc e s in th eir

o o o e e and a e a a e ma b e o a e c mp siti n , t xtur , pp r nc , but y r ughly cl ss d

e e e a ea 1 e and o e a e und r thr princip l h ds . Co mm o n po tt ry st n w r ,

h a ge n erally o rname nted simply by scoring and glaz ing t e surf ce .

’

- 2 . A ea o o e aie e a az e e a e and cr m c l ur d f nc , with gl , Oft n cr ckl d ,

a o e a . delicately painte d in co lo urs . 3. H rd p rc l in

‘ T th o f e e a e e o th a e o f z e Old O e ﬁrst th s cl ss s b l ng e w r s Bi n ,

e o S hi araki and o e a a u the Ra S t , g , th r sm ll f brics , incl ding ku

a w re s .

The a a o e the e o a are A a a a a princip l f ct ri s Of s c nd cl ss w t , S tsum , and the e a o th a t an r ce nt imit ti ns Of e l tter a Ota d e lse wh ere .

A o the o e a the oa e a a e at a m ng p rc l in c rs st is th t m d Kut ni , but the o e e a e a are the o e o f z e at e o , m st c l br t d f brics in pr vinc H i n , S t

an Ki mi u a KiOt O a d o dz e O. in w ri , y n r

The substance s use d by the J apane se in making th eir ware s . are e e o and a e and to e e e v ry num r us v ri d , d scrib th m fully h ere

a a o m a . would take mo re space th n is de sir ble . S e cco unt Of the m

’ a th n M e a a th may b e found t e e d Of . Juli n s tr nsl tio n Of e H istory

” the Po e a of - te - o a e D r o f a Of rc l in King chin , c mmunic t d by . H f m nn , . but th ey are tre ate d Of more fully in the s e co nd part Of Le Japo n ’ al Ex po sition universelle de publishe d under the auth ority

f h a o t e J pan e se C ommission. It may b e sufﬁcie nt to re mark that the po rce lain Of Japan is

a e a e e wa o a o f a. a ee a o e m d in diff r nt y fr m th t Chin H ving b n f shi n d,

a e a a e e a e o o as . it is b k d in biscuit st t , th n p int d with such c l urs

e e a ea a and the az e a e e a a at a. r quir gr t h e t, gl ppli d th n burnt g in

a e an e o a o e am e o o much higher te mper tur y furth r de c r ti n in n l c l urs ,

o r e e e e in a f e . T e e gilding, b ing subs qu ntly fir d mu fl kiln h s numero us firings sho w that the clays use d in Japan are less tena c io us a o e e C a e e a a e e e e are th n th s us d in hin , h nc J p n s sp cim ns

e o ut a e and e ee to e e o s fre qu ntly slightly Of sh p , th y s m r quir numer u

o the a e e o e a o n the az e ow . supp rts in kiln , which h v l ft th s sc rs gl kn n u A PA N E E P E R Y j S OTT .

“ as a a a ar a to a o e spur m rks . S gg rs e s id h ve b een ﬁrst intr duc d

o the a a o at A a 1 0 and are o e o e for int m nuf ct ry rit in 7 7 , nly mpl y d th m e cho ice r spe ci e ns . The J apan ese have appli ed cloisonné e n am e l an d lacqu er to

s o e o f e a e and e e ee to a e o for e e m th ir w r s , , ind d, s m h v s ught v ry

o e a e e fe so as to e e an a a o p ssibl v ri ty Of f ct , r nd r y cl ssiﬁc ti n Of th eir

o a a e T n a pr ducts m tt r Of great difﬁculty. his is o doubt p rtly due

to the a a a e a a e e art o f the o e individu l ch r ct r Of J p n s , much p tt ry

b e o e in e a a e a . ing pr duc d v ry sm ll kilns, worke d by singl f mily

H A N F V S APES D USES O ASES.

We have already m e ntio n e d the vase s used in the tea cere mony

t he a e a e e e ar to o the o e e tea an for furn c , w t r v ss l , j h ld p wd r d , p

a e and tea o . The a e uro a e o e a in sh s , b wl furn c (f ) v ri d s m wh t

f a o f a a o n ee e orm ; it ge ner lly c nsiste d o gl obul r v essel thr l gs, and with Ope nings in the upper part to create a draught ; into this uppe r part ﬁtte d the vesse l in which the water was

o e a a e e e o o f the a e o w two a e b il d, sm ll r r p titi n s m f rm , ith h ndl s

an Th a a e midz u- sas/zi to o a o f d a lid . e w ter v s ( ) h ld supply w a e for a the e was e e a e a e and t r w shing ut nsils , g n r lly rud ly m d ,

- o e a a e o e N 0 5 . 6 The tea ar cka ire ft n with l cqu r c v r ( 4 9, 5 , j ( ),

e o e e e o e o e e a Of which num r us sp cim ns xist in this c ll cti n , is g n r lly

a a o o a e o f ha o e no e o a o e o sm ll vif rm v s rd p tt ry, with d c r ti n b y nd

its o e az e and a ﬂat o . T o e m ttl d gl , with lid Of iv ry his is ft n

n a e a b a a aih o a o al e o e e c s d in rich silk g, which g is cc si n ly ncl s d

r a a a b ox an o e b a a oa e e a . in l cqu er , with ut r g Of c s r m t ri l

T r all a z e as the ee tea e o a e he y a e Of sm ll si , gr n which th y c nt in d

‘ as o e and e o e e e e o . The w p wder d v ry str ng, b sid s b ing v ry c stly

t a o cka- wan o e e e a e and o f o e e b wl ( ) is purp s ly v ry rud ly m d , s m

a a e a e o e e e a o o e e wh t v ri d sh p s, s m b ing v ry sh ll w b wls, r s mbling

a e o e ea a . A s the tea was n o t o a e s uc rs , th rs n rly cylindric l nly m d

in th o o ut ea a e was a e at the e e e b wl but drunk Of it, gr t c r t k n th dg s

s o b e o o to the . The e o a o as b e ee h uld sm th lips d c r ti n , will s n , is ‘ N TR D UCT] 01V. 1 I O 3.

so e s a e Th sh an kai- ki v ry slight a to scarcely des e rve the n m . e a p ( )

a a o w an az e a e e e e a . is sh ll p Of ungl d w r , with dg curv d inw rds

W e e n ext co m e to ve ss els employe d in ince ns burning, which , as we a e ee o a o f the tea e e mo was e h v s n , f rms p rt c r ny, but lik wise a favourite pastime am o ng the Japan e se n o ble s Of Old times . The game co nsiste d in gue ssing the n ame o f the pe rfume which w W e as e the a o e etc . e e e e b ing burnt, with usu l f rf its, ﬁnd h r inc ns

o e ko o o f the o a e o e e a a z e . b x s ( g ) m st v ri d f rms, g n r lly sm ll in si

The e e e koro a ie a o o e a o e e . inc ns burn r ( ) v r s ls c nsid r bly, s m tim s

a the o m en a a o r . The o e a t king f rms Of , nim ls , birds l w r p rt Of th wa ash o n a e e e ve ssel s ﬁlle d with a ﬁ ne white , which pi c Of

e a o a was a e and a a n o the e e . light d ch rc l pl c d, g i up n this inc ns This arrange ment will account for fe w o f the ince ns e burn ers

n a o f ﬁ r o n th e a o e . showing a y m rks e e low r p rt, th ugh pl ntiful traces Of smoke may b e Observe d o n their lids and e ls ewh ere .

The o nly vessel conn ecte d with tobacco sm o king which is .

- a e o e the ﬁ re o e o the o e s . m d in p tt ry is h ld r, fr m which sm k r light

e T e e e a a z e and a his pip . his v ss l is g ner lly Of sm ll si , cylindric l in o to o the a e o - b ox in the a a e e f rm , ﬁt int l cqu r sm king which J p n s

l a kee p al their pparatus for sm oking. For ke eping the hands warm a small earth enware braz ier

s/ziu- ro was e o e a ea - a e in an e ( ) us d, s m wh t p r sh p d form , with Op ning T o n one side . his ve ss el is s o m e tim e s ve ry quaintly sh ape d for

a e N O. 1 1 the o o f an inst nc , 5 , in f rm extrem ely fat w o man. A no ther

a e b e o e N O. 1 0 sh p will f und und r 7 .

The Obj e cts for use at the writing- table consist Of small o rna

en a e e e a o as a e e a e for a the m t l scr ns, us d ls p p r w ights, v s s w shing

e o r e e a r e and brush s p ncils us d in writing, v se s fo ho lding th m ,

a o e e e for a T e e sm ll cl s d v ss ls supplying water to the inkst nd . h s

a are e a o o b u all a e o to . l st v ry v ri us in f rm , t h ve a diminutiv sp ut a o the a e to e o o and a a o e o n h ll w w t r issu dr p by dr p , sm ll h l whic to a e the e to e a e the ﬂ pl c ﬁng r r gul t ow.

’ The a e for a e are e e a e v s s s k drinking chi ﬂy bo ttl s, e ith er squ r ,

o o r o ona and s r und, p lyg l , jugs with spouts s omething like kettle A P A N E TTE R x 4 j E S P O Y.

’ or t a o The a e e e a out o f a o e a e p ts . s k is g n r lly drunk sm ll p rc l in c e a a z ups, som tim es gr du t e d in si e . The tea po ts (dobin) are ge nerally of two forms— one like the o a E o ea e e the o e kin - su a o o an e rdin ry ur p n v ss l , th r ( ) with h ll w h dl

at a h T a e was o e right ngle s to t e spout. his l tt r ﬁrst intr duc d in

“ the ee e ﬁft nth c ntury.

Th ar o f the o a o a e a e cups e rdin ry form, but with ut h ndl s ;

a e e e o ne e o as a an for the c u . A t s ucer, wh n th r is , s erv s nly st d p

e ea a e and e are e o f a a e a e th ir m ls pl t s dish s used , but chi ﬂy s uc r sh p ,

a the ﬂat e dge be ing made o nly to suit European habits . Sm ll

o are e for ea e an a a e ea e o f a a a e e b wls us d ting ric , inv ri bl f tur J p n s

ea th e e e e in a a e oo e or a e o . m l , but ric is s rv d l rg w d n l cqu r b wl

o to o a a e m a b e o th o e o o f a e B xe s c nt in c k s y f und in e c ll cti n , v ri d

an a f a a ar c omﬁ ts. d el eg nt o rms . Sm ll s ucers e use d to hold

o a e o er a a e o f r all of e e C rs p tt y is n tur lly mpl ye d o kinds kitch n us s ,

a e and a e a o o e f r e n e and g rd ning gricultur , m ng th rs o st epi g ric o ther grains (N O.

am e a e e we a e o f u e o of m e n In Orn nt l pi c s ﬁnd numb r ﬁg r s , b th

and a a Th o e a a A s na nim ls . e ﬂ w r v se s form a large cl ss . in Chi

so a a the e o e a e a ea a a o for o e and in J p n , p pl h v gr t dmir ti n ﬂ w rs , it is co nsidere d that e very seaso n o r festival is to b e m arke d by

the e e e o f a o a e o a e o a o . T e o a pr s nc its ppr pri t ﬂ r l d c r ti n h ir n seg ys ,

o e e are e e e o o — a e e o h w v r, v ry diff r nt fr m urs pictur squ disp sitio n

! o f a pi e ce o f old ﬁ r- tre e and o ne or two o ther plants b eing th e e nd

t a a e e a to e e th o o b e att in e d . It is sc rc ly n e c ss ry d scrib e rdin ary

o e a e lzana —ike o ne a the a o e a e ﬂ w r v s s ( ) ; but cl ss, h nging ﬂ w r v s s

a a e to the ea the o o e e e o e o e a tt ch d b m Of r m , d s rv n tic fr m th ir qu int

an a a a a Th ar f r d f nt stic ch r cte r. e m o st vari e d fo rms e sought o

a u o f e a u i an e o e a e o o f a o o b nch wist ri (f j), Old pin c n , s cti n b mb ,

a o a e a a o ea as e e a a the a g urd, ﬁr ﬂy, sw ll w b ting it w r g inst w ll ,

m a a e o are de signs that y b e fo und in the se vas es . It is qu sti n whe th er what we are please d to call de corative vases b elong to the proper n ative Japan ese taste 5 they are e ith er Copies of Chine se a a o riginals or made for the Europe n m rket. Such obj e cts wo uld D I 1 I N TR O UCT ON . 5

a M o eove a o f b e quite o ut o f place in a J pan e se interi o r . r r, p irs e o a to a a e e a a o s vase s w o uld b e quit c ntr ry J p n s f ncy, which bh r

e s ymm try. D TI N ECORA O .

T o make cl ear th e m otive s o f de co rative o rname nt am ong th e J apan e s e I t I s n e ce ssary to give s ome idea o f th e principles which

and the e e e are o e e . guide th em , inﬂu nc s by which th y g v rn d

ar w a e o a a the old n a onal Th ere e t o princip l r ligi ns in J p n , ti

o the a o and — the a e e religi n , K mi w rship, Buddhism l tt r subdivid d

f the o e we a e an r r int o num ero us s ects . O f rm r r r ly ﬁnd y ep e

s ntatio ns on the Ce a a e n or e e e do we e r mic w r s, , xc pting in ﬁgur s,

o e an o f a o r o o e . T e e are o e e ft n ﬁnd y Buddh his f ll w rs h r , h w v r, s eve n divinitie s in J apan who have b e e n partially adopte d by the

and who ee to o e the ea o a o o Buddhists , s m c nstitut r l p pul r myth l gy

f a o and e e or e o are e e e o th t c untry, th s th ir symb ls fr qu ntly d picte d f n o er . T e e are the e e o o o o o e o p tt y h s s v n g ds G d F rtun , Of which the nam e s are as follows

1 ukuroku iu the o d Lo e a . F j , g Of ng vity, distinguish e d by n

a e e o e o f ea a o ea and a a bn o rm l d v l pm nt h d, l ng b rd, c rrying a

aff e a e are a a e o o e and a ro ugh st ; his chi f ttribut s s cr d t rt is stork,

an h e o e e a e e a e a . S ee . 6 . d is s m tim s tt nd d by whit st g ( Fig , p 3

2 . Yeb is o e o f the the o d o f D a B ea re re , br th r Sun , g ily r d, p

as a e a o a o a a a a s ente d ﬁsh rm n , cc si n lly with l rge ﬁsh ttach e d to

ro d e a a o e o o o f the a a e e. his , ﬁsh b ing f v urit f d J p n s

. D a o the o d of R e a o o a 3 ik ku , g ich s, sh rt ﬁgure, h lding ’ a e and ea e o n o r ea a e f min er s h mm r, s t d n r b l s o rice he o fte n has

b a and a e o n a large g, , qu intly n ugh , is ot unfrequently attende d by

a o e are o e e to o e a r ts , th ugh th y m r lik ly imp v rish th n e nrich the

h a own ers o f t e rice . H is ttributes are emblems of the great

e o f ea a an ric e a o an so urc s w lth in J p , cultiv ti n d min e s . In form er

time s the wealth o f the Daim io s was calculate d by the number o f

kokas o f e e e a e o and the ric th ir st t s pr duced , quantity o f

r an d o o a e o e COppe g ld bt in d fr m th ir min es . ‘

o e the od o f C o e e a fat old man 4 . H t i , g nt ntm nt, with a bare 1 A P A N E E E 6 j S P OTT R Y.

e o a b a and a a ee . H e o e a o a ed b lly, h lding g h nd scr n is ft n cc mp ni

e who a all n of o o - na re by childr n , pl y ki ds tricks with this g d tu d

D o e f i gen s o Japan .

. uro in a e e the o e a ea e man 5 J j , digniﬁ d ﬁgur , in c stum Of l rn d ,

a n o o f o n the nd o f a aff and o a a c rryi g r lls writing e st , h lding h nd

ee a o a o o scr n y ung st g f ll ws his fo o tsteps .

6 Bisham n h f M a a . o t e o d o o as a o , g ilit ry Gl ry, dress e d w rri r . an a e a and a a d holding sp r sm ll pago da.

. e e the o e o f Lo e o e s. 7 B nt n , g dd ss v , richly dressed ; s m time

e f ee o her e atte nd d by ﬁ t n b ys , childr n .

Of e e e the o are the o o a and th s diviniti s ﬁrst f ur m st p pul r, few Japan e se h ouseh olds are with out ﬁgure s o f s om e o f the m on

N o a n a ltu th eir dome stic altars . twithst ndi g this univers l c u s their devo tees are apt to treat the m with great familiarity in th eir repte

e ntations e e e o a e and o e . s , Oft n d picting th m in ridicul us ttitud s c stum s M o st o f the m may ge nerally b e reco gnis ed as supernatural be ings by a great devel opme nt o f the l ob e s of the ears .

a e a e o and o o n e e of H istoric l subj cts but r r ly ccur, nly sp cim ns

e e o o e co mparatively m o de rn o rigin . Sc n s fr m d m stic life are

M a o e o o . a a e the Pee e o u i ama m r c mm n In l ndsc p s rl ss unt in , F jy ,

e b e e en e a a e o - a m ay fre qu ntly s , with its r m rk bl sn w c ppe d co n e .

The beautiful lake and river scen e ry Of J apan furnish the materials .

r o of the a a e e o a o o as a e e e fo m st l ndsc p d c r ti n , th ugh , rul , pr f rence

o f a a a is given to de signs simple r ch r cter. In drawing quadrupeds it cann o t b e said that the Japan ese

a Th a o f o sho w a m rke d succe ss . e princip l th se repre se nted are W e ffa o ee e and o . e a o al a the h ors , bu l , d r, tig r, d gs Occ si n ly lso ﬁ nd the two animals about which the J apan e se have inve nte d a " f e o o e the a e tanuki and th f x number o sup rstiti us st ri s , b dg r ( ) e o

a a r h f a wh o se tr nsform tions a e t e subj e cts o m ny a tale. In their repre sentatio n Of birds the J apanes e are pree min e nt the

as th e e of o e o o o e e e e cran e e mbl m l ng vity is m st c mm nly r pr s nt d ,

a o the We a o ea e and s ometime s in flo cks flying cr ss sun . ls find gl s

' - / r t r c n zd s This is really the Rac oon fac ed dog (l c te eu es p o y o o e ).

R 1 8 . jA P A N E S E P OTTE Y.

A nyone familiar with J apan e se po rcelain will have n o tice d the exquisite delicacy with which the grasse s and o the r ﬂ o we rs o f the

a e o r th e are e e ed. The e or a g rd n e ﬁ ld r nd r n lumbium , s cre d

e - as an e e of a e e o h wat r lily, mbl m Buddh , fr qu ntly ccurs t e

C a e a ma b e a e the e a a hrys nth mum, furnishing wh t y c ll d imp ri l rms o f a a the the eo o f e a e ar e e ar J p n iris p ny, which innum r bl v i ti s e

a e . o a o a ea e o e e to a e a cultiv t d G urds ls pp r, b ing c nn ct d c rt in extent with longe vity .

e o a en we o a a e o to the n ne In simpl rn m ts, sh uld c ll tt nti n fo d ss o f the Japane s e for dispo sing th eir de signs in pan e ls o f strange and e a a e e e e e e o e a ea o and irr gul r sh p , Oft n r pr s nt d v rl pping ch ther,

‘ k - mon B of Ki u , adge the I B o f m mperial adge Japan. Tokugawa Fa ily.

an a to e . A n a e a e o e s e c . without y reg rd symm try y sp r sp c s, b rd r , t , are e a e of the a e e e all o e ﬁll d with di p rs, which v ri ty is ndl ss, p ss ssing

a an a o f e a A o e e are to qu intn e ss d m ny th m gre t beauty. m ng th s b e o the e e e and o e a e n we are a t to f und Gr k fr t th r p tt r s, which p a a e a sso ci t with cl ssic times . A m ong these o rnaments we occasio nally ﬁnd in a co nspicu ous po sitio n so me o f the b adge s that co nstitute J apan e se heraldry.

The C a e o r kiku- mon the a e o f the E ie o f hrys nth mum, , is b dg mp r

a a see o o . rea e a e o e o a a e J p n ( w dcut) It is t t d in v ry c nv nti n l m nn r,

n o ea th a The a o f the by m ns re sembling e n tural ﬂo wer. f mily

M a o the o s a e e a the o has as a ik d ( m t nci nt r igning f mily in w rld) ,

a e ee ea e and o e of the P aulownia im erialis ow b dg , thr l v s ﬂ w rs p , kn n I N TR OD UCTI ON .

- as th kirimon a o rea e o e o a . S ee o o . Th e e , ls t t d c nv nti n lly ( w dcut )

a e to the T o a a a and e e o e o e l te r Shoguns b e lo ng d kug w f mily, th r f r b r

a e e a o ea e n a e e o their o wn rms, thr m ll w l v s withi circl , th ir p ints

h e The P e o f o a had as o a mee ting in t e centr . rinc S m his c gnis nce

a a o e e e e a onto a e ma o e pr ncing h rs , t th r d, in llusi his n m ( h rs )

see . as e as e a o a a e e a o ne ( p w ll ight b lls surr unding l rg r c ntr l . A ll the o th er n oble s had cognisance s o f a like characte r with which they distinguishe d the ir furniture and acco utre m ents ; but

o e o n o e and o e a n o i they o ccur le ss ft n p tt ry p rc l i , th ugh n so me

a a e e e the o o f the o na n c ases they m y h v sugg st d m tif r me t.

i i- m o n K r , ’ The B o f adge the Mikado s Family.

M ARKS .

On C ine e o a n th f a a e the h s p rcel i e marks chieﬂy consist o d t , i n a e of the a at was a e o o e n m s h lls which it m d , inscripti ns c mm ndi g

the e e o r o a e a e e o o f o an sp cim ns, rn m nt l d vic s , n ne which thr w y

on the e a o a o f th a a light x ct l c lity e m nuf cture.

Th e a ane a ar f Da e ee J p s e m rks e ar m ore instructive . t s ind d

are e e e a the e e e o a o a l ss fr qu nt th n with Chin s , but w cc si n lly ﬁnd

the a a e e nen o e the C e e nien- kao an a a J p n s g , which lik hin s , is rbitr ry

a e e to the e or a o o o f the e n o f an e e o . n m giv n r ign , p rti n r ig , mp r r

’ L o f e n n s a n in S ieb old s N i o n ists thes Japa ese engo m y be fou d p , “ ” c m e t L Blant o o c n o o and l s J a que art e , Hist ire de la P r elai e , H per Phil ip , ” n o f k and in n . E . o Ma ual Mar s, the list pri ted by Mr Sat w. 20 [ A PA N E S E P OTTE R Y

“ We frequently ﬁ nd the names Of place s at which the wares

e e a e o r o e e the na e e are o f r w r m d , s m tim s m s by which th y kn wn , o

n an e A sa M na tc o e . i st c , hi, i t ,

The o o o a o e e on a a e e a e the m st c mm n m rk, h w v r, J p n s w r s, is

a e o f the o e a a e e the C e e n m p tt r (in this p rticul r v ry unlik hin s ), o in no o to the a a a e e th w g, d ubt, individu l ch r ct r giv n by e Japan ese

o m an to o o and to the z w rk his pr ducti ns, small si e o f the facto ry at a a which they were m de . In Chin every pie ce pass e s through the an of a e o e ea o h ds numb r Of w rkm n , ch c ntributing his fraction to th a A ll e o a e de cor tio n . th se de c r tors b eing o the r than the ,

o te who e th e a e and the o a who az e it n p t r turn d v s , w rkm n gl d , o

e e o b e a e as the o o f o n ma I n singl spe cim n c uld m rk d w rk e n .

a a far o e e the a o a a e n J p n it is th rwis ; f ct ry is sm ll, c rri d o by a

e o e and o wn a an d he a a e e o e was singl p tt r his f mily, n tur lly th r f r

a a o f pro ud to add his name as a gu r ntee its origin . This is m ore

a a th in the e are a e e for o p rticul rly e case Old r w s, m d chi ﬂy h me

ons on The o e a e o e to E o e had ia c umpti . rich p rc l in xp rt d ur p

e a e or a ev e o f no scribe d o n it a false Chines d t , d ic m eaning

na e a e e as a e e e Or m ents wer r r ly us d m rks, xc pt wh re it was

a intende d to imitate Chines e porcel in .

The a a e e a e use of ee o e o f i all e e J p n s m k thr m d s wr ting, d riv d

a th e T e use th e to a cert in e xte nt fro m e Chin se . h y e tru Chin ese

a e in the c /zuan o r ea o or in the kien sku char cte r e ith r s l f rm, or

o a a e and e e are o e e to b e m et co mm n ch r ct r, th s m st fr qu ntly

a o the kata kana a l a with as marks but we ls ﬁnd , sy l bic writing

' f o - e a a e e e the a a e e from ortions o f rty ight ch r ct rs , inv nt d by J p n s p

and e e the lzira kana an a e a e and of Chin e s e words, lik wis , bbr vi t d

a o o e o the ine e the a a e e running fo rm, ls m diﬁ d fr m Ch s , ch r ct rs b ing

- also forty eight in number.

e e a e o e e e e h The mark is s om tim s scr tch d, s m tim s impr ss d Wit

a a o e e a e . l b e o e in the R e o t at se l , s m tim s p int d It wi l n tic d p rt h o c c as io nally s o me o f the princes b estowe d o n potters of n o te seals . to b e use d on their ware s . It is much to b e regrette d that the Japan ese have bee n so much I N TR OD UC TI ON . 2 1

n the a o n e o o the C ne e a e i h bit Of inscribing th ir pr ducti ns hi s d t s, which has b ee n do n e witho ut the slighte st regard to the age of the

The C e e a e S euen tilt and C/zin kwa ar s pe cime ns . hin s d t s g e b o th

o o n a a e e o e a o o o f e had a to b e f und J p n s p rc l in , th ugh b th th m p sse d away be fo re the art o f making p o rce lain had b e e n intro duce d into

was a e l M . a a th J apan . It th ese d t s which ed J cqu em rt into e e rro r o f attributing to the Chin e se the large class o f porce lain which he ” ha c hr santhém O- ae o nienne and he o at a s te rm e d y p , which sh uld glance have se e n to b e to tally different fro m the productions o f the

C el estial Empire.

P N E C N E JA A ES RA ,

Em m f L n ble o o gevity. J A PA N E S E RE PO RT

CA TA LOGU E OF T HE S PE CIME N S .

N A CI ENT WARES.

OLD Japan es e Lege nds attribute th e inventio n of po tte ry to

Oo sui- who e the e o f anamuc hi- no — mikoto o tsumi, liv d in tim O , l ng f h e o e t e o a e o o f a a a e o B . C. 660 . b r hist ric l p ri d J p n , which d t s fr m

M r. N ina awa a aeo o the e a M e a To g , rch l gist in Imp ri l us um t kio, “ e : We e ha o e was a e e o o e writ s t stify t t p tt ry m d in tim s m st rem t ,

o the a a a e the e a e a ane e o fr m f ct th t it is st t d in rli st J p s hist ry,

‘ ’ e e Nihon i a S o sanowo - nO- mikoto o e of A a a ntitl d g , th t , br th r m ter su

- - a T na suc hi to e a e o ffe e s o ho mi kami, dvis e d e t pr p r fr m di r nt fruit ’ W a i e a e . H e a : e are a a n e dr nk , in ight v s s dds un cqu i t d with

” an of e e a e o T S osan owo y spe cim ens th s nci nt pr ductions . his n - k as o e o a sui- The E o mi oto w c nt mp r ry with Oo tsumi . mpero r f the ea o e B. C e an Jimmu , in ﬁrst y r his r ign ( . instruct d oﬁ c ial of the name o f Wakanetsu- hiko - no - mikoto to m anufac ture various kinds o f po ttery to b e use d in the temple for

H e ee e o a oa re ligious s ervice s . succ d d in pr ducing c rse kind o f e ar e a e o a a o at A manokaku— a a in the th nw r fr m cl y f und y m ,

o e o f Ya a o . T a e e e a e o its pr vinc m t his w r , which d riv s its n m fr m

a e n o as I iI raka and I tsuka. A t o was sh p , is k wn this tim e p ttery E 1 A N CI E N T WA R S . 1 3

was a e a it th probably fashio n e d by hand. It pl c d in p in e

was e W gro und and covere d with timber which th n ﬁre d . he n the heat had r eache d a ce rtain inte nsity the timb e r was re moved

v r ' with r a and e to an d the co nte nts c o e e d d y e rth l ft co ol . In co nse que nce o f the impossibility o f o btaining an e qual

a o o the e e e no a art e temper ture thr ugh ut kiln , th r b ing dr ught, icl s

. 1 . A nc n V s c irc a B C 6 0 . N O . 1 . Fig ie t a e, . . 4

o the a e a are o e of ff in fr m s m b king ft n di e re nt colours . There is this colle ctio n a spe cime n which appears to have b ee n made by

E ue o e N o . e at th the e e this pr c ss . ( v n e pre sent day v ss ls s d

the e e the a e of H a n ki- n - a the in t mpl s Of vill g s taye o o mur , in

o e o f Ya a o and Kasu a the o e o f Ya a o pr vinc m shir , g , in pr vinc m t , ' are a o a f shi ned by h nd and bake d in small kilns . In the e arly part of the reign o f the Empero r Suinin 2 7 ) the 2 4 jA P A N E S E P OTTE R K

Co ea e H ib oko e e at a a a the ro e of Omi r n princ , , s ttl d H s m , in p vinc , where his fo ll owers m anufacture d a kind o f ware s o m ewhat harder han the e e and a e o n the e e o a e t pr c ding, m rk d xt ri r with sm ll lin s . A fter the Co rean InvaS IOIl by the Empre ss J ingO Kogo

A D . 2 0 0 e e al Co ea o e e e a a e ( ) s v r r n p tt rs s ttl d in J p n , sinc which

th a a ha a Wa f e o time e m nuf cture s progre ss e d r pidly. re o this p ri d is marke d o n the b o tto m with a ﬁgure re se mbling wave s . In

the e o f the E e o Yuriaku A D . an Oﬂic ial a e tim mp r r in 4 7 3, n m d

H aji - no — muraji was co mmande d to provide po tt e ry fo r use at the

- a e e e o f the art a i o an a dining t ble . In vid nc h v ng de vel pe d d spre d

o o the o r e o e a the E e o thr ugh ut c unt y, it is r c rd d th t mp r r re ce ived o ffers for the supply o f such vessels fro m m any diffe re nt place s

~ Kusasa mura the o e o f e U i- a an , in pr vinc S ttsu jmur d Fushimi

a the o e o f Ya a o Fu ikata- a th ro mur , in pr vinc m shir ; j mur , in e p

e o f and o a fa o e the o e o f Ta a vinc Ise fr m m nu ct ri s in pr vinc s mb ,

Ta a etc . jim ,

M a o f e e a e a ny th s pl c s still pre serve th e ir o ld tr ditio n . A kind o f unglaz e d e arthe nware is made by the pe ople o f

Kusasa- a and the an e art a e o n at U i e e mur ; ci nt is c rri d j, wh r

- — A a a a e N O. N O. a a and s hi y ki is m d ( Fushimi ( Fuk kus ,

e o oo an d a o the o e o f Ta a and na a. n ighb urh d, ls in pr vinc s mb I b

A t Fujikata- mura pie ce s of this anci e nt p o tte ry are o ccasionally

h a h u o t e o t e a o . dug p, c nﬁrming l c lity Of f ct ry

the ea o f the E e o M o mmu A D a In ﬁrst y r mp r r ( . . special o fﬁcer was appointe d to supervise and e ncourage the trade

f o er - a and a e a e Gi o i a a e o f the o p tt y m king, pri st n m d y g , n tiv ’ o e o f Idz umi e e the o e ee and e pr vinc , inv nt d p tt r s wh l , instruct d

f a e o f ea e a e the peopl e in the m e tho d o using it . S mpl s rth nw r

are to b e e e the em e of T o daii . in actually made by him s n in t pl j,

f Y a the pro vince o am to .

The i o i a as a e e e a e e o f a o G y g y ki , this w r is g n r lly t rm d , is gl ssy

a o and o f ea o . N O . A n o e a e d rk c lour, gr t s lidity ( ld r w r is

a u the a e o a and has o e e een o ccasio n lly dug p in s m l c lity, s m tim s b

f r mistake n o it .

2 6 jA P A N E S E P OTTE R Y.

KARAT SU WARE.

The manufacto ry is situate d at the fo o t Of a hill n ear the

a o a a the o e o f z e and ee to a e h rb ur Of K r tsu , in pr vinc H i n , s ms h v m a b ee n fo unde d t o wards the e nd o f the sev e nth century. It y h b e co nside re d as the earli e st glaz e d po ttery made in J apan ; t e s a e o f th o e o e e o . The o o n m e f und r, h w v r, is unkn wn ﬁrst pr ducti n

e e a o f aie e o e are was a o a e o e e w r kind f nc , but st n w ls m d b th th s

a r a ar a e a o to the w re s a e Of great r rity. They e cl ssiﬁ d cc rding

h a o of the a I st. o t e o p erio ds o f th e ir manuf cture . Fr m f und ti n

n h A D 1 2 2nd. o the po ttery to the perio d K e c O ( . . 49 Fr m om perio d Ke ncho to the perio d Ye iroku ( 1 5 5 8 3rd. Fr the perio d Ye iroku to th e b eginning o f the perio d Ke ic hO

r Ko- K aratsu ea s and a e comm o nly calle d , which m n

“ ” “ ” old a a o r Yoné- lzakari e a e ea e a K r tsu , , d sign ting ric m sur ,

na e a a o fo r ea e ea etc . in m pplie d to a l rge b wl m suring ric , b ns , , use b e fore the e xact m easure Of capacity had be e n ﬁxe d by the

E M m mu A D . 0 2 . The I st a o o e ex mpe ror o in . 7 cl ss is c mp s d

e e o f e a e ea the z ud a o f e o r red a . lusiv ly whit cl y, wh r s cl ss is whit cl y

The a o was o a e e e Coreans who e e f ct ry pr b bly r ct d by , fr qu ntly

a e to a a a o e o and the a e o e c m J p n b ut this p ri d, w r pr duc d much

a f a a a N O. th e o f re se mbl e s th t o C o re n m nuf cture. ( In e tim

KOji and Ye iro ku ( 1 5 5 5 — 69) the tea cere mo ny had be com e in

a o and had ea e the e a for C o ea o e h f v ur, incr s d d m nd r n p tt ry, whic was e e a T a e th a a th n v ry r re . his c us d e K ratsu m nufacture r to

a e an m a o o f the C o ea wo n ow a e m k i it ti n r n rk, which is c ll d

” - Oku korai N O . ea Co ea o e to h ( m ning Old r n , in rd r distinguis i h t o t e e C o ea a a e . A e al a e a e fr m tru r n m nuf ctur sp ci v ri ty, c ll d

Ye— a rat u a K s e a a was a e A . D 1 0 Th ( p int d K r tsu), m d in . 5 9 . e

e e e the Co ea no t o e d signs , r s mbling r n , but gl ssy, w re under the glaz e . In the Olde st spe cime ns the y are no t sufﬁci e ntly clear to

— b e a e o ut. a e a e e ee e a A . D 1 6 . m d W r m d b tw n the y rs . 0 0 5 4 is ” k o as C/z iu- ko- K aratsu or e o ld a a N n wn , ~ middl K r tsu ( o s: 6 and.

e the e are e e a c a e a a a N whil lat r w is g n r lly ll d K r tsu y ki ( O. WA RE 2 5 R A RA TS U . 7

W the an a o o f C - ko— a a was in e a o a hilst m uf ct ry hiu k r tsu Op r ti n , clay was importe d fro m C o rea fo r the purpo se o f making tea

e fo r the use o f o e o the tea e e o had ut nsils , th s with wh m c r m ny

o P a be co m e a favo urite cust m . o ttery m de Of this clay is ve ry

C/zos en K arats u Co ea ara light and is calle d ( r n K tsu). Fro m

A D 1 6 0 to 1 0 the e o f a o e had e ea . . 9 7 3 numb r f ct ri s v ry much incr sed,

n a o e had a e o o e a a d m ny skilful p tt rs ris n , m st pr min nt mong the m i e Taro em o n Yo ib ei and Kihe i son o f Taro e m on . The b ing y , j , j ( y ) trade was alm o st e ntirely co nﬁn e d to the manufacture of tea

n an d e a e io was a to the e o a e f ute sils, littl tt nt n p id nc ur g me nt o

‘ art in o e e e o f has e e . T e e are at , c ns qu nc which it much d clin d h r

e e no o o o en and the a a e has ee t a , pr s nt g d w rkm , m nuf ctur b n o great e xte nt susp ende d.

or e e ea e o e eo e e ea o Sixty s v nty y rs sinc , s m p pl , in nd v uring to

h art to ea e e e o e e e a o f Co ean bring t e gr t r p rf cti n , succ d d in m king, r

a a a e a to the e e N O . o e o I n cl y, w r simil r sp cim n 9 in this c ll cti n .

a a a o f h a f A a the Middle A ge s Chin m n t e n me o b o m nufactured.

” a o a e a az e a e o A b o az . w re c t d with bluish gl , c ll d fr m him gl e

T EA B c ka - w a n o o 3. OWL ( ) ; red ware , c vered inside, and partly utside , . k m t c e o e . with a thi ish gr y glaze, s ewhat granular in t x ure

- R o o Of c KO u o f 1 000 . epr ducti n the an ient Karats ware , years u A D 1 00 m a o . at a o ...... g M ade K ratsu , ab t 7 H 3 in dia 4 % in

T EA B c b a - w a n - o o 4. OWL ( ) ; reddish br wn ware, c vered with a drab

o n o . m o o f Old Co a glaze, blistered the utside I itati n rean w re, . '

c Oku- ko m at Karatsu o 1 0 a . . alled rai , ade b ut 5 5 H in .

diam . 5 % in.

A el m- w a n . TE B m m o . 5 OWL ( ) , slightly di inishing at the uth, which has

a m rim - o c o s all ; reddish br wn ware , vered inside, and partly

o a inkish- m c c k utside , with p drab glaze, inutely ra led round the

u c o - pper part are rudely painted three s r lls in g reyish black.

- m K Ye a ab ou A D . 1 0 . . Karatsu ware, ade at ar tsu, t 59 H 2 ih . . / m . dia 4 54 in.

- - 6. T BA B el m w an off c o o o OWL ( ) ; c ee l ured ware, c vered with a thim

- o n o ne a a sugary drab glaze ; side is rep ir ﬁxed with lacquer.

- - C ko u m Ka o A . D . 1 6 0 hiu Karats ware, ade at ratsu, ab ut 5 . H . m 3 in. dia . 4 % in. ' A P E S E P TTE R 2 8 j A N O Y.

- H T EA A R c b a - ire of o o o 7 . S ALLOW J ( ) with hinged lid iv ry and w d ; o o o ut o br wn ware , c vered inside , and partly , with a deep yell wish

- - o . C kO m a o br wn glaze hiu Karatsu ware , de at Karatsu , ab ut

A . D . 1 6 0 1 in . m . . 5 . H . % , dia 3% in

‘ - 8 . T C IN IC T E A B na a c lza w an o ALL YL DR AL OWL ( g ) ; br wn ware,

c o o - o o o n c vered with a st ne c l ured glaze , whi h are rudely painted

o o . m a ﬂ wers in br wn Karatsu ware , ade at Kar tsu ,

o A . D . 1 20 . in . m . ab ut 7 H . 3% , dia 3 in .

T A R midz u - ire o f 9. WA ER J ( ) depressed globular

fo rm ; o f pale reddish - brown sto neware ; entirely o c o c vered , in the ﬁrst instan e, with a pale br wn m o o glaze, then ttled with a deep br wn with slight o c o f o ar t u hes sage green . Round the b dy e

o C o m o a incised scr lls and ircles , r und the uth

G k o V and ke . ree fret , and r und the base a y pattern A ll o m these rna ents are ﬁlled in with white paste ,

o n o o m Fig. 3. Karatsu . under a transparent glaze the b tt a spiral

N O. and m k c S kic lzi- zz ui sai in relief a ar scrat hed , j

lvi- aku s aku N k o f r , Made by ira u at the age ” - u m a at a a o A . D . 1 80 0 . seventy two . Karats ware , de K ratsu , b ut

m . 8 . H . 594; in . dia in

T SE O WARE .

ls m a a e at a a e a e e o the This ware nuf ctur d vill g c ll d S t , in

‘ e of O a . o o f ea a and a o pro vinc w ri Its rigin is gr t ntiquity , c nn t

- a e . o e e a e the Ye a n ow b e ascert in d It is, h w v r, st t d in ngi shiki (

o o f the e o Ye i o e in A . D . 2 cere mo nial re c rd p ri d ng , c mpil d 9 7 )

f o e had ee e to th E e o that a kind o p tt ry b n submitt d e mp r r, but

a f a a e th ere are no kno wn e x mple s . G eat progre ss w s m d by * - h f r ﬁ v hir z a emo n w o e to C a A . D . 1 2 2 o e Kato S o y , w nt hin , in 3,

ea a e a e D o e fo r th e o e o f y rs , with pri st n m d g n , purp s studying

- o a a the art of po ttery making . S o n after his re turn he st rte d

th e o e of z e ffo e e unsuc manufacto ry in pr vinc Bi n , but his e rts w r

H e e a e e the a a e o f o e a n at . c essful. th n tt mpt d m nuf ctur p rc l i v ario us place s in the pro vince Of Yamashiro an d als o in a

h urin t o an ete e . The ne t meig b o g dis rict, but with ut y b t r succ ss x

N ina awa n m - mo n [ g gives the a e as Kato S hiroye . ] S E TO WA RE . 29

e e o f was i o ld e e e o o a a and e o . sc n his nt rpris K t ( c pit l) its nvir ns ,

. an d as far as the o e o f a and M pr vinc s Ow ri in o . Eve ntually he

i o e e a o o a at a a e a e Ob a~ a~futo koro the d sc v r d g d cl y pl c c ll d g , in

ag f e H e e he s t u a a e e - a an vill e o S to . r e p kiln c ll d H ishi k ma d

Wa a e u again co mme nce d work. re m d with clay b ro ght fro m

C a a e the tea— e a a- o o ea hin is c ll d by drink rs K r m n , m ning Chin e se

” a e e a a e o e o a o n as K O- w r , whil th t m d fr m S t cl y is kn w S e to .

Previously to his visit to China Kato- S hiro z ayem on had been .

’ ‘ e ngage d atA gatsu- mura in making a po tte ry kn o wn as H oriaas/ utéﬁ

ha a th a- e T . which d b een very much dmire d by e te drink rs. his

a was e o to a he a e a o e w re much inf ri r th t which ft rw rds pr duc d .

e and o a a e o was tea e as . H is ﬁn st m st v lu bl w rk in ut nsils , ,

for a c e tea a and tea o o e e e e no t . inst n , his j rs b wls, which , h w v r, w r ea o e a o f a of o e a e i e . r l p rc l in , but kind st n w r dist nguish d in

a a the a e o f I s/ti- aki J p n by n m y . H e had pro bably not b e co m e well initiate d in the art:

in C a fo r the o o e e e a o . hin , m st pr min nt Chin s f ct ri e s w ere in

e i e an d e for i was the ir d cl n , his tim study ng limite d . A lth o ugh his pro ductio ns w ere n o t Of such ﬁ ne porcelain as that made in .

na et he e e e e e ea a o a a Chi , y t y w r r c iv d with gr t f v ur, in smuch s o ne small tea bowl co st s o me thousand dollars in the time of Taiko ,

e o en the tea e e o had e o e o e a o a H id y shi, wh c r m ny b c m m r f shi n ble and e e now o o e e as D ai- mei—B utsu ean v n his w rk is c nsid r d , m ing ,

” mo st valuable thing.

a e a o - Shiro z a em on has ee a a t His n m , K t y , b n bbrevi te d o

- T o o e a e e S hiun kei. The a e a oshir , his th r n m b ing w r m de by

- a t e e a the o e e a n . him is c lle d Xc S e o. H is d sc nd nts until f urth g n r ti o a e the a a e and e o e re ssum d s me n m , th ir w rk is distinguish d by p

a Th a e a e h ﬁxing the number of the ge n er ti o n . e w r m d by t e

o a e and not e a t . se c nd TOshiro is calle d simply by his n m , is qu l o h ~ that of t e third T65 hiro . 1

[Hm das/z ité really signiﬁes the c astaways found o n the sites o f anc ient

T i t i TOS hiro is c N ina awa TOirO and o k kno n. [ h s h rd alled by g j , his w r is w

- n m o f M a nn aka Kobutsu . The fo was c d Tosab uro under the a e urth alle . ] ° E 3 jA P A N ES E P OTT R Y.

f a o I n A . D 1 8 0 1 amikic hi a o e o e o . Kato T , p tt r, br th r K t

Kic hiz a em on e t A a the o e o f z e e e he y , w nt o rit , in pr vinc H i n , wh r m arri e d the daughte r o f a porce lain manufacture r e stablishe d

e e th r .

H e re main e d for fo ur years for the purp o se o f studying

o e a - a n e e to the o e o f O a p rc l in m king, a d the n r turn d pr vinc w ri,

e e he a a a he had o wh r succe e de d in m king, with cl y f und,

o e a n the az e and p rc l i de corate d with blue painting under gl ,

. Tea o . N o . 1 1 Fig 4. Jar, Set ware .

’ o a sometsuke n a ha o e kn wn s . Si ce this time the tr de s c ntinu d to a incre se . The pro min ent makers o f the present day are Kawamo to

H ansuké a a Ma uki hi c Th a e e e o o s c tc . et . e , K w m t , e l tt r is sp

c iall a a a f sometsuki o e o f y skilful in m king l rge pl tes o r table s o , s m

has are o . to 1 0 . T an a o which fr m 5 ft ft in diam ete r. his m uf ct ry

in a the o o o for z f ct m n p ly works Of this great si e .

1 0 . T BA elza - ts ubo o f o a o m o c k o JAR ( ) gl bul r f r , with sh rt ne and f ur

o o o n o o o c o r l p handles the sh ulders br wn st neware, ve ed with o k o f a k o o a br wn glaze , with strea s lighter and d r er c l urs ; the . S E O WA RE . 3 T .

m to a o a e g laze e xtends inside the outh and within sh rt dist nc m o of the - o m a o o f the fo o t . KO Set ware, de at Set , in i itati n

D. his e o o o A . work Of the ﬁrst T oshiro b y s c nd success r, ab ut 3 m. 8 . 0 . 1 0 . 1 31 . H in dia 4 in

N O. 1 . I nc n B n o . 3 Fig. 5 . e se ur er, Set ware

o - uff - f o o m I ; T EA JAR ( c ka ire) o gl bular f r , with v ry lid reddish b

k o z . o c o st neware, partially vered with a light and dar br wn gla e k o On the bo ttom the c o ncentric m arkings n wn by the Japanese

' ' -* D 1 60 . . 2 in . u z rz o o A . . 3 % as itog . Made at Set ab ut H [ Figure 4 ] 2 A P A E E 3 j N S P OTTE R Y.

1 2. C katana kake for two o o h r SWORD RA K ( ) sw rds ; p rcelain , wit

o m o n k- o o k rna ents in relief a dar blue gr und , c nsisting o f trun

c o f th e . a e o a o A D . 1 820 and bran hes prunus M d at Set b ut . .

. 1 1 8 . H 3% in . l . % in 1 N C N B N kor 3. I E SE UR ER ( o) in th e fo rm o f a cylindrical cage o f c c on a m interla ing cir les, resting stand with three s all feet . o c ol on White p r elain , with scr ls the stand painted in blue.

o o A . D . 1 8 0 . . . d m. Made at Set ab ut 3 H 7 % in ia 4 % in. [Figure 1 f E . T B o o o m c a to m od. 4 A LE ur pean f r ircul r p , baluster ste , with trip o o o c o n to fi m o f t ; p r elain , p ainted in blue ; the p shes a ng waves ; o n the stem and fo o t are s c attered c irc les c o ntaining

a e tc . o m o o ! waves , her ldic badges, Made at Set , by Kawa t

M asukic hi A .D . 1 8 . 2 8 m . 0 , 7 5 H . M in. dia 3 in .

‘ 1 I kana- ike c o o 5 . PA R OF FLOWER VASES ( ) , cylindri al b dies, r unded o o c k two o c o sh ulders , sh rt ne , and handles p rcelain, vered with

- off o o z o m . a brilliant c ee c l ured gla e, with rna ents left white ; on o Of c two o f o o n the b dy ea h sprigs large ﬂ wers ; the shoulders, a m Ma uki c o . o a o o s c hi A . D . 1 8 l uds , etc Made at Set by K w t , 7 5 .

m . 6 . H . in . dia % in

K I - T SE O WARE .

a a a th o f Th e This w re is ls o m de in e pr vince o Owari . facto ry was fo unde d in the p erio ds Onin or Bunm ei( 1 467 — 8 6)

a m an f th a f a - an a e by o e n m e o H ku . Only six tea bo wls m d by him are no w kn o wn th ey are in the po ss essio n of a Japane s e

- o e an . The a e the a e R iS eto ea e o n bl m n m Of w r , , m ning y ll w

” e o e e o the o o the az e . The ea e o . S t , is d riv d fr m c l ur Of gl rli st w rks are co vere d with a ve ry fusible transparent glaz e thro ugh which

A e a a a e az e was. the b o dy c an b e se e n . ft rw rds thin but Op qu gl

e e e e a a a e o of a e o ou . us d , r li v d by sm ll tr nsp r nt sp ts v rdigris c l r

a o o f the o e e - e e a e Repre se nt ti ns plum ﬂ w r, ch rry tr , chrys nth mum,

— an ee a e e a o e e o a . The d cr ping gr ss, w r ls us d in d c r ting it

m a e e e ow o o are o e e the e and. spe ci e ns Of d p y ll c l ur c nsid r d b st,

t a- are ve ry much appre ciate d by e drink ers .

- mm H TEA B nats u c ka w an i. e . I 6. S ALLOW OWL ( , su er tea

o m e n u o ne o o f irregular f r , b ing be t p at side ; br wn ware,

A E E E [ A P N S P OTT R Y.

SHIN O WARE.

T he This was anoth er manufactory in the province of Owari .

' as a of is/u aki or o e a e az e a e pro duce w kind y , st n w r , gl d with v ry

a a e and e e a a e o thick white e n mel , cr ckl d, g n r lly p int d with g ld

T o the e en da tea e and o e a e are powder. pr s t y ut nsils th r rticl s

Th na e e e o S hinos o shin of the ftee made there . e m is d riv d fr m ( ﬁ nth

a a a e o f the a e . The e e ens are in century) , gre t dmir r w r b st sp cim

a the poss essio n of a merchant in the city of Osak .

wo N G I b i- r a o e 1 . T T i e e 9 ! UADRA ULAR F RE PO S ( ) pal w re, c v red

a - a k a e t e with sugary light grey glaze, cr c led, and p int d wi h rud

o o am e o n. o e m a e the o i e ﬂ ral rn nts in br w Shin war , d in pr v nc

Of O a a o A .D . 1 0 . . m. w ri, b ut 57 H 354

GEMPI N WARE .

This ware was made in the province of Owari by a C orean * a e em in who e e the a e o f e o a o A . D . 1 0 . c ll d G p , s ttl d in vill g S t b ut 5 9

a e e o o a n e the az e It is p int d v ry r ughly with c b lt u d r gl , which is

‘ - l u o f a whitish grey c o o rﬂ (N O.

The art e e the o e and f h a p rish d with f und r, spe cim e ns o t e w re

are o f ea a . T e e e e e a a a ot 1 . h gr t r rity h r is pr s rv d in J p n p ( in igh,

a e e as an - 3 in . di m t r) us ed incens e burn er it is e steeme d a rare an d

a a e e . o f a of az e ea a a v lu bl Obj ct It is kind ungl d rthenw re, nd is engrave d with o ne petal o f the ﬂower o f N elumbo nuaﬂra an d b o th o n the revers e and obverse are e ngraved lines Of writing

' ‘ ‘ so e xact and so ﬁ ne as to b e co nsidere d a masterpie ce o f pe nmanship.

20. C LIN I C T EA B el m- wan e e Y DR AL OWL ( ) ; gr y war , with rudely p ainte d o rnam ent in palé bluish - green and covered with a gre y

a . at e o a o 1 0 a o am m gl ze Made S t b ut 59 by C rean n e d Ge pin. am / H . in . di . 394 in .

[The KojeiS hiriyo says that he c ame to Japan as a refugee in ‘ ' Co n n had c fo and was n ot Co n l balt pai ti g been pra tised years be re, a rea n n o i ve ti n. A RE ‘ ORI B E W . 35

ORI BE WARE.

T a was a e at a a o the ov n e o f a his w re m d f ct ry in pr i c Ow ri ,

o e the e the e e e e e in a o an e f und d in b ginning Of s v nt nth c ntury, cc rd c with the re qu e st o f a H atam oto (subj e ct o f the Sh ogu n o r ~ under

- - o a o e a e was a e no sho hi eka su . his c mm nd), wh s n m Furut Orib S g t

The o f the e o az e was not n o and was o thickness s c nd gl u if rm , fte n

e an a e of a o o o a o f fus d with en m l verdigris c l ur. S me rticl es

a e are e o a e o e t o not the o a a e this w r d c r t d ; th rs , h ugh m st v lu bl , are a e a o e and a e a ar o n p int d with plum ﬂ w r l ttic d b rs in d k br w ,

h - f- f h a l f which de sign forms t e coat O arms o t e f mi y o Furuta.

A t e tea e and o e e o and a e a e pres nt, ut nsils th r inf ri r sm ll r rticl s ar e m ade th ere .

2 1 TW T sara o f o m o n m . O RAYS ( ) pec uliar rectangular f r , three s all f a e o a h c k a o f two eet ; p l ware, c vered with t i sugary gl ze

o o a k e - m o k e a c o c l urs , d r sag green and sal n pin , divid d by r ss line ; the pink p o rti on is o rnam ented with a whitish V andyke

e and a o o . O e pattern insid , n rr w vertical bands utside rib ware,

m th e o e o f O o A . D . 1 6 0 . . I ade in pr vinc wari , ab ut 7 H % in.

l . 491 in . w. 4 in.

ET — R E S o SU WARE .

T was a e a a e of the o n e of a i who his ﬁrst m d by n tiv pr vi c Ow r , s e th e a a u e o f o e a n at e o and ho a a tudi d m nuf ct r p rc l i S t , w fterw rds in the e o Meiwa and An 1 6 s t u p ri ds ye i ( 7 4 e p jifﬁ a a a o at Yo a in the e . m nuf ct ry kk ichi, provinc Of Ise

T e o e a - a n had a ea e e a e ru p rc l in m ki g lr dy b n pr ctis d, but F there is no doubt that the art was developed and pro

o e Tam ikic hi who se e in the ovin o f m t d by , ttl d pr ce

z f r f n a 30 e o th e o e o as o e a . S ee H i n purp s studyi g it, f r s id ( a nte Fig. 7 . , p.

2 2 . TEA B el m- w an o e o a e OWL ( ) ; c ars p rcel in , paint d in N o. 2 2 , col o urs with a band o f Sixteen seated ﬁgures ; the

- - ‘ m . a k m S e to s uke the am sa e repeated inside M r i pressed , , n e

of the o . u okk o n c of I e fact ry [Fig re Made at Y aichi , pr vi e s ,

a o A .D . 1 80 2 am . b ut 7 . H . 54 in . di 4% in .

D 2 36 [ A PA N E S E P OTTE R K

- SETO KURO WARE .

T was a e ra a a o a na f o in his m d by H i s w Kur , tive o Set ,

the o e of O a who a mm i pr vinc w ri, live d bout the peri o d T e e ( 1 7 8 1 H e was ve ry skilful in imitating different kinds o f an e o er o e e a o o f a and o so ci nt p tt y fr m v ry f ct ry Ow ri , his w rk is

i e t a fﬁ l k h t it is very di cult to distinguish it fro m the o riginal .

2 - - 3. CRESCE N T SHAPED FLOWER VASE for suspensio n (ﬁ c na g ata ’

- - kana ike i.e . e o f a o , shap reddish br wn ware , partially

- o e m o o e . o o m e c ver d with a ttled br wn glaz Set Kur ware , ad by

o a e o f e o a o A . D . 1 0 . . Hirasawa Kur , nativ S t , b ut 7 9 H 5 in . 1 . in.

- I N U YAMA WARE .

This factory is situ ate d in the village Of I nakimura (near the

as e of - a a the o of N iwa o i e of O a i c tl Inu y m ) , in c unty , pr v nc w r , but

the a e o a o o . o e e e a n d t Of its f und ti n is unkn wn It is, h w v r, c rt i that i D 1 8 1 0 e e was a e e e an a o o f C e e n A . . th r m d h r imit ti n hin s poree

ain so- al e A ka- é e o a e red o e and a o o a l ( c l d y ) , d c r t d with chr ls c b lt

i The a e o e . paint ng. tr d still ﬂ urish s

- - 2 . I V E I B for c ke kwasiz i bac ki oa e o a 4 F S DED OWL a s ( ) ; c rs p rcel in, rudely painted with red ﬂ owe rs and green le aves ; inside is ‘ “ a kuw az a o on the o om the the char cter, , chief bel w, b tt , “ ” - c c in . I nu m a a A .D . 1 860 . . 2 . hara ter , seal ya w re , H % in

diam . 54% in .

M I N E O WAR .

T a e a e at e e a a e the o e of M o his w r is m d s v r l vill g s in pr vinc in ,

a r in at Ta - a h was r the chief m nufacto y b e g jimi mur . T e art ﬁ st intro duce d fro m the provin ce o f Owari into a village calle d Kushiri

a e e ea to ffe e a o f the o i e . D n mur , wh nc it spr d di r nt p rts pr v nc uri g the se ve nte enth ce ntury the Emperor e nco urage d the factory with an

T e ha on e o o rde r to make s o me pie ce s. he pro duc d b ee n c ﬁn d t

f a a 1 8 1 0 e th a o f ea orc e a kind o e rth e nw re until , wh n e m king r l p “ k - sc i n th a wa . o n as in e na e l in s comm ence d It is kn w S , d sig ti g N A B I ZE W RE . 37

” n w are 1 1 0 e e o e o e a e thing . There still kilns , wh r is pr duc d p rc l in

a n e the az e o e a e de corate d with cob lt u d r gl , which is s m wh t m o r

h f a translucent than that made in t e province o Ow ri . S ome o f the ware is de corate d with a design similar m B t Ki midz u KiOto the e e o that in vo gu e at yo in , w st rn

N o . capital of Japan. ( g 21:

2 I OF kana- ike o o m o 5 . PA R FLOWER VASES ( ) ; vif r b dies, a e o r o f o c o and h ndl s in the f m ﬁshes p rcelain , vered 3T. a e . k with r ticulated pattern painted in blue M ar , ' N i— on M i- no kuni K a - to o- suke s ei p G , Made by

o f o . a o Go suké o e , p K t , in the pr vinc Min Ja an ﬁﬁ WE

8 . [Figure Made in 1 7 5 . H . 5 % in 2 I N IC P A N D C o c e 6. CYL DR AL CU SAU ER ; p r elain, p aint d

o e c a o . k $4 with ﬂ wers in blu , deli tely t uched M ar ,

m as . 1 8 . . of c u sa e the last M ade in 7 5 H p Fig. 8 . Min o .

. m . Of . N 2 3x in dia saucer 5 K in o . 5 .

B IZEN WARE.

z en a e o e the o e o f z n an o Bi w r is pr duc d in pr vinc Bi e , d c nsists

’ f iz z ki m k - o ree v . B i en a I be a i and ta suke. The th kinds, , y , y , If i

a a e o f e the a e the a a a e ffe e . ch r ct r th m is s m , but ppe r nc is di r nt The date o f the co mme nce ment of the factory is not kn own it is

h f h M a — 0 s o e a o t e e o t e o hu in B. upp s d th t fr m tim ik d S j ( C. 9 7 3 )

e e was er o a a e e e a o f e a n a f r th r v y pr b bly m d th r kind rthe w re, o the ware now pro duce d pre se rve s the Shape s o f the vases us e d for

a o e e T e a in religious festivals at rem t p rio d . h re is n other pro o f

o f eo the a e e e a a o e e e support this th ry, in vill g wh r f ct ry xist d b ing

- a e in the a e e a. e e the e c ll d Old di l ct Imb mur B sid s which , in t nth

a o f h M a o S hu in e e was a e a a e a e ye r t e ik d j , th r m d v s c ll d

e for e use we ma a e to a e ee n a e Imb t mple , which y ssum h v b m d h ere .

A a e o e the ea 1 0 e th a l rg kiln , f und d in y r 39 , still xists in e vill ge a o e - e o e the o o f A ki e a b v m nti n d in pr vince , wh re six f milie s are

h Th a a h pursuing t e trade . e w re m d e h ere has t e sam e charact er

as z en a e a e N 0 5 . 1 n Bi w r , but is littl smoo th er. ( 4 , O E E TTE R 38 jA P A N S P O Y.

h o f Kuma ama the o f e - a are to b e ee t e hill y , in vicinity Imb mur , s n

h n f an . The an a e of o e a e i t e rui s o Old kiln m uf ctur st n w r , which s

o i e u to the e e e was o e e in 1 2 1 0 and an c nt nu d p pr s nt tim , c mm nc d ,

o o f a was a for a a o e as inferi r kind w re m de gricultur l purp s s , such th a fo r e and e a ee are e v s es us ed ke ping g rmin ting s ds , which

” now al e [ fa- B iz en ea z e o a o c l d , m ning Old Bi n , in c ntr distincti n to B iz en Yaki o r the a e o the a a e of was , l t r w rk, m nuf ctur which

Th o f a tea o A . D . 1 8 0 . o o comm e nce d in 5 e pr ducti n sm ll p ts ,

a and a e for o e use a e o the e o ﬂ o we r v se s , v s s d m stic , d t s fr m p ri d

f r us T nsh A . D . 1 and an e o e o e e e o ( 5 7 3 inf ri r kind, chi ﬂy kitch n ,

The o o o e o f two viz . is still made . w rk is c mp s d kinds, biscuit

- h a e o f a e o r and thinly glaz e d ware . T e b e tter kind is m d whit

a and e a e o e to e e e the red- o n light bluish cl y, w ll b k d in rd r r c iv br w

r a T e are colour ; wh ereas the co mmo n er kind is of a ed cl y . h y

a and o an d e to o . N os. 2 6 very h rd s lid , well ﬁtt d h ld liquid (

a a o as M akité No s . 8 There is n other kind Of w re kn wn g ( 37 , 3 )

a an d o e spe ci lly solid gl ssy .

The Hitasuké so a e o e e n a no e , which is c ll d fr m its r s mbli g k tt d

r o was a a e o a the o e of the o twiste d c rd, ﬁrst m nuf ctur d t w rds cl s

a e of e an a and e sixte e nth century . It was m d v ry s dy cl y, is v ry

o s. N o s. por u ( 39,

- 2 . TEA A R el mire o e e on one e 7 J ( ) ; r ugh grey war , redden d Sid ;

o m c a o o . The m a k cylindrical in f r , de reasing in size t the f t r s .

of the w o m o o and k . heel f r h riz ontal lines . Iv ry lid Sil bag

- KO m the ro e of e a o 1 0 . Bizen ware, ade in p vinc Biz n , b ut 37 am H . 354 in . di . 3% in .

2 8 . I H sara m m a o a a o o n the D S ( ) , uch issh pen, pr b bly a c staway f und e o f k o a o e sit a iln c arse red ware, partly glazed r und the inn r

- e e a of e . Ko m e th o e dg band dull gr en Bizen ware, ad in e pr vinc f 0 o a o 1 m . I r . Bizen, b ut 37 . Dia in

2 . C IN I C T midz u - ire c o a r d dis 9 YL DR AL WA ER JAR ( ) ; rse e ware ,

' col oured in the ﬁring ; round the outside e dge is a broad a the li o and a th irregul r ridge ; p is bent d wn inwards, t e bo ttom is stamped twice a triﬁd object like a water- plantain

Ko - . m o 1 00 . 6 m i leaf Bizen ware, ade ab ut 4 H . % in . dia . 7 nu B I E N WA RE . Z . 39

0. C I N IC TEA A R c ka- ire - 3 YL DR AL J ( ) ; greenish grey ware, with a h o f o n one e m patc red side ; rud ly ade , and with verti c al and o o a c o n o r h riz nt l lines in ised the sides . Iv y lid . Bizen ware , e a o 1 620 2 2 mad b ut . H . yﬁ in. diam. in.

1 . N C N B N koro the o m of a u o f o th od 3 I E SE UR ER ( ) in f r ﬁg re H tei, e g o f o m a c ntent ent, se ted and laughing red ware, covere d with a

. a m a e o 1 680 . . thin glaze Bizen w re, d ab ut H in .

2 I N - 3 . CYL DRICAL WATER J A R (mide n ire) with a handle on each s e of e a ide rudely shap d, and red ware defectiv ly gl zed square

’ a a . La e o . z e a e m o se l st mped inside cqu r c ver Bi n , w r , ade ab ut

1 0 8 . 7 4 . H . in

N N - 33. OR AME T (aki m ono) in the form of Kinkosen (a Chinese saint) ea e o n a Rat ﬁ sh and o a o o o s t d h lding r ll ; br wn st neware,

. z e a e m a o 1 0 . . 8 . slightly glazed Bi n w r , ade b ut 7 7 H in 1 1 l . % in .

N ki- 34 . OR AMEN T ( o m ono) ; ﬁgure of a fantastic lion with large e ars

and a red o e a a e . e t il ; st n w re , slightly gl z d Biz n ware, made

o 1 0 . 1 1. 2 . ab ut 7 7 H . 3 in . ft . 7 in

. N C N B N koro the o of a C e o 35 I E SE UR ER ( ) , in f rm an ncient hin se trip d c u tseo an o a o e the p ( ) with v l b wl pinch d in at sides, and

e . e a m a o 1 820 . . . thre splay legs Biz n w re, ade b ut H in

1. 434 in . ’ - 6. C Box u kum z o o 3 AKE (j ) in f ur stages , square in f rm ; bright o o a a a I c o o f ch c l te w re, Slightly gl zed . t nsists four trays ﬁtting o ne o o has a o int the ther, and c ver with bevelled e dges ; on the sides are incised branches o f the m o o k o to pine , prunus, and ba b , n wn the Japanese

' in c ombinati o n as s ko- c / uku - bai; o n the cover the

o o On o ne c Ro- kei sacred t rt ise . side is ins ribe d ” sc i a Rokc . e , M de by i [Figure Biz n ware, m e o 1 8 0 8 6 ad ab ut 4 . H . % in . w . 5A in .

- . TEA B elm w an o e e o 37 OWL ( ) hard st n war , c vered with

- a m o e red and . . . B n. thin ttl d glaze, greenish grey Fig 9 ize O 6 Mi akité e m the o e o f N 1 3 g war , ade in pr vinc Bizen,

o 1 6 0 am . . ab ut 7 . H . in . di 374 in

- 8 . T A R midz u ire f o m o 3 WA ER J ( ) o gl obular f r , with ribbed sh ulders

and ﬂat cover dark steel - grey st oneware ro und the lip studs

k m o o . in relief. M ar i pressed on cover and b tt m [Figure

Mi akité m h o e of e o 1 60 . g ware, ade in t e pr vinc Biz n, ab ut 7

6 m . H . 56 in . dia in . 0 A PA N E S E P T 4 j O TE R Y.

- . A S H B W Iz aiki e at th 39 O L ( ) , us d e tea cerem ony ; spec kled drab

e o e k . k m war , m ttl d with bric red Mar sta ped, two bars in a

' e . H itasuké circl [Figure ware , e o o f z A 1 mad in the pr vince Bi en, .D . 57 9 . 2 a H . 56 in . di m . 5 K in .

0 T - 4 . WA ER JAR (kata kuc ki) with sh ort spout o n one e a e ad sid ; grey w r , rudely m e , and with ho riz ontal furro ws outside ; it is o rnam ented with a few stre aks of light

red u o e . H itasuké , irreg larly disp s d ware , o f e a o 1 8 0 in made in the province Biz n, b ut 5 . H . 4 % a di m . 7 % in .

1 T - I TEA A R c ka - ire o o e are az e an d 4 . WELVE S DED J ( ) ; ch c lat w , gl d, f o n having o n o ne Side a patch o yell w. O th e bo tto m the m e a m a h o f ito i . o c o . t e o gu ri Iv ry ver I b w re , de in pr vince

o 1 6 0 . . . Bizen, ab ut 4 H 3 in

2 Izana - ike in the a e o f a e b ox e a 4 . FLOWER VASE ( ), sh p dic ; gr y w re,

or e and o e a h r - h izontally ribb d, c v red with t in g e enish grey

a . m e e a e the o e of iz e a o 1 20 . gl ze I b war , m d in pr vinc B n, b ut 7 i H . 9 n.

I S HI GA RA K WARE .

a e o a a e na e Na ano - a This w r is pr duce d in vill g m d g mur , in

S hi araki the o n of o a o n e o f Omi. The o g , in c u ty K g , pr vi c rigin o f the a o o o e to a e ee f ct ry is unkn wn , but it is supp s d h v b n

A D 1 0 0 A t o e o a e fo r founde d ab o ut . . 3 . ﬁrst nly inf ri r rticl s

- m t us a T e e are a e Ro kz araki. do e s ic e were m de . h s c ll d S g

N o s. A t the e o f the een en the ( 43, b ginning sixt th c tury,

e e o a n e o e o e a o a e the a a e c r m ny h vi g b c m m r f shi n bl , m nuf ctur o f tea utensils was intro duce d h ere as ' it had already been at o a A a e tea r o f h th er f cto rie s . b out this time re n own d d inke r t e n ame o f S ho - o enco urage d the m anufacturer to make tea j ars and

a e o e for use at the tea e e o e and th e a e t e ﬂower v s s s l ly c r m ni s , w r h n

’ — e a e S ka o S izz araki. a e o o f I ski akz pro duc d is c ll d g It is d scripti n y ,

' or o e a e e a and ea and az e t an e na e o f st n w r , v ry h rd h vy, gl d wi h m l a e e e o - red a a o e e a o ri d p y ll wish , which is g in c v r d in p rts by p u ng on to an e a e o e a a a e and o f a e it n m l , s m wh t tr nsp r nt, v rdigris

o a th a- a e c lour. It is re co rde d th t e te drinkers we re much s tisﬁ d

2 A PA N E E P 4 [ S OTTE R Y.

I GA WARE .

T a o at Mamb ashira o e o f I a a his f ct ry, which is , pr vinc g , dj o in s

a o f S hi araki the o e o f Omi and a th t g in pr vinc , ppears to have ee o e a o the a b n f und d b ut s me time . Th ere is a ware call e d Ko

I a o e a e to Shi araki a e g , which is cl s ly lli d g w r , but b eing bake d

a e a e a e . a a e o l ar h rd r it is r th r d rk r Sm ll rticl s n y e no w made .

- 4 6. kana ike e m FLOWER VASE ( ) , v ry rudely ade, and with two pro e c tin e o j g ears as handles ; pal grey st neware, c overed with a c of greenish glaze , and with irregular pat hes brown . On the o m e m b dy a sta p thre ti es repeated, being an Obl ong with two f o o c o f c do t. I a r ws squares , in ea h whi h is a g ware, m ade in

h o o f Omi o 6 0 . t e 1 . I O . m . pr vince , ab ut 5 H K in dia 5 in .

T EA c b a - ire a - 47 . JAR ( ), b rrel shaped ; pale red ware , the upper part and c o a o m o inside vered with br wn glaze , ttled with green , e tc .

o c o . I a m e o c of Om i Iv ry ver g ware, ad in the pr vin e , about

0 . . m . 2 . 1 65 . H in dia % in

8 I N C N BOX ko- o e c o 4 . S ! UARE E SE ( g ) ; v ry arse grey ware, rudely

m a e o w . I a e d , c vered ith a transparent glaze g war , made in the

c o f Om i o 1 6 0 . . 1 . provin e , ab ut 5 W % by in

T B AM A WARE .

A kind o f sto n e ware similar to that made in Corea and in

th a f a. The a e n t a a a e s outh ernmo st p rt o Chin surf c is o lw ys pl in ,

o e a e e and o e e e n a o s m p rts b ing wrinkl d th rs sw ll d, givi g it curi us a a a a e a e e e e e e 1 2 0 and 1 8 0 a e ppe r nce . W r m d h r b tw n 5 5 is c ll d

' - m n w a a az e o Ta ba. T a o o o e o o e his f ct ry pr duc s c mm n w r , gl d

t ff o na for th f the o e a o f wi h di e re nt co l ure d e mels, e use o l w r cl ss

e peopl .

’ . T A R m z dz u - ire o f m nd 49 WA ER J ( ), irregular c ylindrical fo r a rudely

m e - o - o f ad ; pale red ware , c vered with a sage green glaze i a c k o n o o L r rregul r thi ness the utside verti c al sc rings . acque

lid. T am a m a a o 1 620 6 . 6 . ba w re, de b ut . H . in . w 34 in

0. T EA el m- ire m o c ove redl 5 JAR ( ) with wide uth ; red ware , entirely H I R A RE S TO O W . 4 3,

’ ‘

i a m o e o o li . I to u z rz w th a brown gl ze, ttl d with yell w r und the p g 1 6 0 om . or . T m a m o . lines o n the b ott Iv y lid a b ware , ade ab ut 7

2 . m . 2 . H . % in dia % in

T R S HI O O WARE .

This ware was ﬁrst made in the perio d Shoho ( 1 644- 4 7 ) in

- a a e a hit ro a in the o e o f TOtOmi. The vill g c lle d S o mur , pr vinc

h o f trade now co nsists in tea ute nsils . T e b o dy is co mpo se d ’ red a and o e e a az e o a a a a o t cl y, c v r d with gl c nt ining sm ll m un o f e the a e o f the a o e e e ea the Ochr ; n m f ct ry is impr ss d, Wh r s earlier Spe cime ns were marke d by engraving with a spatula.

1 N C N B N koro th e o m o f 5 . I E SE UR ER ( ) in f r an elephant , with an

O e on k o - o p ning his bac cl sed by a lid ; reddish br wn ware,

o e o . hioro c vered with an irregular glaz , red and br wn S t ware,

m e at S hito ro - m o of TOtOm i o 1 6 0 ad ura , in the pr vince , ab ut 7

6 . . H . 94 in . l 9% in

ZEZE WARE .

T a e o e the a o n of ez e ea the his w r is pr duc d in sm ll t w Z , n r f mi lake o O . The facto ry was founde d ab out the Shoho perio d ( 1 644— 4 7 ) for

a a i on a a e a T e c on the purpo se o f m king te utens ls l rg sc le . h y

f a k n o f o e a e the az e e o e siste d o i d st n w r , gl v ry str ngly res mbling

- t a a a the Ko S e o. There is still sm ll kiln in oper tio n .

- - 2. T BA A R c ka ire o o e o an 5 J ( ) ; br wnish grey st newar , c vered inside d.

out a o e m o a k . I to uz rt with br wn glaz , ttled with dar er tint g

e on o om . o lid. at Z o c o f lin s the b tt Iv ry Made eze, pr vin e

Omi o 1 6 0 . . . am. 2 , ab ut 4 H 3% in di n in .

T EA c /za - ire the o m o f o 53. JAR ( ) in f r a d uble bulb ; grey ware ,

c o e a e - o o o k v red with pale liv r c l ured glaze , m ttled with dar

o . I to uiri o n o o m . o . at Z br wn g lines b tt Iv ry lid Made eze ,

o e of Omi a o 1 00 . . 2 . m . 2 pr vinc , b ut 7 H in dia 94 in . E S E P OTTE R Y. 4 4 jA PA N

I A SAH WARE .

The factory from which this ware emanated was founded in

1 6 and a e at U i in the ro th e Sh oh o peri o d ( 44 is situ t d j, p

h na A sa/ii Yaki or A a a e vince of Yamashiro . T e me , s hi w r , is * the o n as oe a o derive d from its col our resembling m r ing light, d s ls

a k s n - n - - k the fam ous C o rean tea bo wl distinguished s C o e o go on . This facto ry was celebrated from the earli est times for making the

a ve ssels in which gr ound te was store d .

~ o o Masakatz u son of o o TOtOmi- no It is said that K b ri , 1 K b ri

a o e o f one a of the tea e e o K mi , f und r br nch c r m ny , e ncourage d th e manufacturer by ho n ouring him with a

r a A t th s eal to b e use d fo m rking his pro ductions . e

e e e tea a and tea a e o f e e e o i 1 2 pr s nt tim j rs v s s v ry d scripti n F g. .

a a e e e . the n at Ta a a A sahi . are m nuf ctur d h r In vici ity w r is

N ' O‘ 54 an o ther factory fo unded ab out the sam e time ; its pro

tea o e U i the f duce consiste d m o stly Of p ts us d in j, centre o the

- a tea cultivating district in J ap n .

B el m- w an e e c o e a - 5 4. T EA OWL ( ) ; gr y war , ver d with greenish grey ” k m A sa- Iii o glaze . M ar i pressed , , M rning light . [Figure A m U i o e of m a o o 1 0 0 sahi ware , ade at j, pr vinc Ya shir , ab ut 7 .

2 . m . . H . 94 in dia 5% in

T R T I A A OR WARE .

The a o a e a a e a e o a - f ct ry is situ t d in vill g c ll d S b ra mura, in the

o e o f Chikuz en e e an a o f h pr vinc , wh r imit ti n o Chin e se ware ad already been made in the perio ds Onin and Bunmei ( 1 467

The o e ne a e a to a Hac hiz Th e ee o . e a m st mi nt m k r is s id h v b n w re, for a red- o o e a was e - T which c l ur d cl y us d, is kn o wn as R o akatori.

The az e a e a o n and a e ﬁrst gl is r th r light br w , is m rbl d by Spread in o e it a o e az e o f ee e o o r a N g v r n th r gl d p y ll w bl ck . ( o .

[N inagawa says that it is so c alled from the mountain A sahi Yama to the e s of U i a t j. ] ' ' T n d o n o f c m on in 1 6 l [ his disti guishe patr the tea ere ies died 4 7 , aged TA KA TORI WA RE . 4 5,

I n the perio d Shoh o ( 1 644— 47 ) a clay o f light yellowish or

- Th az f r c o n greyish white colour came into use. e gl e use d o it taine d a a a o of o e of i o and a e two or ee sm ll m unt xid r n , , ft r thr

a a o o e a e ﬁ ne eta e . T ar pplic ti ns, pr duc d v ry m llic lustr his p

' ti e as Yem /zz u Takatori c e e c ular ware is distinguish d , whi h is d riv d from the n ame of the ab ove - m entio n e d Kob o ri Masakatz u or

Y h a a e and e o a e a a e. enshiu, w o gre tly dmir d it nc ur g d its m nuf ctur

a f t mi ( Yenshiu is an abbrevi tio n o To o . ) I n 1 61 4 a priest made here for the ﬁrst time statue tte s repte

a z a s e nting the Chin ese saint K n n .

6 0 a a ihei e e the a e and has In 1 9 Ig r shi J r sum d tr d , it descended

a e of Ta a o and Ya a- o e h in two f mili s k t ri m kuchi, t g ther with t e art o f manufacturing utensils for the tea cere m o ny and o th er

N o s 6— articles. ( . 5 5

. - H TEA el m- ire o o e r 5 5 BARREL S APED JAR ( ) ; ch c lat ware, the uppe

- o az part o f outside covered with a bright reddish br wn gl e .

‘ ‘

[ to m n m k on o om . o . T k o m g ar s b tt Iv ry lid a at ri ware, ade

- f hi u o a a o e o C k z en a o 1 20 . . . at S bar mur , pr vinc , b ut 5 H 3% in

a 2 . di m. 34 in

‘ 6. C I ND I C T mz dz u o e 5 YL R AL WA ER JAR ( br wn war , covered with

a e e o - o o e thin glaze, gr y inside, y ll wish br wn utside, wher it is

o m o z o a o . L rna ented with h ri nt l sc rings acquer lid . T akatori

r m at o a - m o e of Chikuz en a o 1 6 0 wa e , ade S b ra ura, pr vinc , b ut 4 .

6 . m 6 H . % in dia . % in .

- . G B T EA aha ire ﬁ ne o - r 57 LO ULAR JAR ( ) ; br wnish g ey ware, partly o e e a o c o a k o o c v r d with ch l te glaze, with dar er lines h riz ntally o o e the o a o f o disp sed v r sh ulder is patch yell wish green glaze .

T aka o m o - m o e of Chikuz n t ri ware, ade at S bara ura, pr vinc e ,

o 1 6 0 . . 2 . m . 2 ab ut 9 H in dia ié in .

- 8. TEA B aka wan c o ee - 5 OWL ( ) red ware , vered with a pale gr nish grey az e o e c o li a of o gl , v r whi h , r und the p, is run glaze yell wish k Two brown o n the sides two stor s rudely incised . nicks c ut

- - out o f the o o rim . T k o m a e o a m f t a at ri ware , d at S b ra ura,

ov e of Chikuz en a o 1 0 . . . a . pr inc , b ut 7 7 H 3% in di m 476 in . A N E E P TTE 4 6 jA P S O R Y.

I W H AG ARE .

Th of the o e at a the o e o f N a ato e o rigin p tt ry H gi , in pr vinc g ,

A o the f w a is unkn own. t ﬁrst nly commo n kind o ware as m de

a e a the e o Yeisho 1 1 0 the an there. It is st t d th t in p ri d , in 5 , m u facture o f tea ute nsils was co mmence d ; it appears h owever to

a ee o e to tea o . A e a e a o an na h ve b n c nﬁn d b wls c ntury l t r, C re me d

R e who e a a a o e the a e of o a S ai em on ik i , wh n in J p n d pt d n m K r i y ,

‘ s t e at H a and e a a a of aie e . A a f et l d gi , b g n by m king kind f nc p rt o the raise d edge at th e b o tto m of each pie ce made by the Co rean

o ut ea a a e o f a a o . T a ia is cut , l ving sp c tri ngul r f rm his is pe cul rity

nto th o e o e o h c omm o e p tt ry imp rt d fr m Corea. T e same o ccurs

a e a e the a o f T a and in the in w r s m d in Isl nd sushim , province s

f an a a e e the art ha a o H igo d S tsum , wh r d lso b een intro duce d

Th o e u t th fro m C o rea. e pr duc p o e pe rio d S ho ho is gen erally

’ c all e d K o- lz agz ; whereas the article s manufacture d by Korai Saiye

n ar o na N a m o e kn wn by his me . ( o . H is de sce nd nts o f the

e e a o are the e e a a r e ighth g n r ti n pr s nt m nuf ctu ers .

- - . T EA el m wan m o a o r 5 9 BOWL ( ) rudely ade ; pale br wn w re , c ve ed m a o az k . Two with a dull s l n gl e, slightly crac led ni c ks c ut in

- o o rim . at o c o f N o o 1 60 the f t Made Hagi, pr vin e agat , ab ut 7 m o of o k of o a S ai em on o f in i itati n the w r K r i y , abo ut 1 620

. am . . H . 3% in di 5 94 in

T EA elm - wan f 60 . BOWL ( ) o c oarse and irregu lar m ake ; cho colate

ar o e ac k e . A w e , c v red with a pale greyish glaze, cr l d nick in

- - o o rim . Ko m a o e of N a o the f t Hagi ware, ade at H gi , pr vinc gat ,

6 0 . o 1 . . m . ab ut 4 H 3% in dia 5 % in .

M T - T A SU MO O WARE .

T a e was a e at Ma - o o the f his w r m d tsu m t , in pro vince o N agato .

The a o was o n e M a Kiusetsu a a f f ct ry f u d d by iw , n tive o the

o e o f Ya a o who e e e e a i e o pr vinc m t , s ttl d h r , h v ng pr vi usly been

a H e ng ge d in an attempt to pro duce Raku ware . e e re cte d a kiln

n o the Co rean syste m. H is pro ductions were kn own as Matsu

o o a o e e e of e e e an e to H a m t y ki but, in c ns qu nc th ir r s mbl c gi

M aﬁ a- moto a M a Ki a e ar n o e as H i. u w r , e w distinguish d g iw 1 0 5 07 11 A RE 0 W . 4 7 s etsu die d inthe peri o d H oyei( 1 7 0 4 at th e age o f m ore

a a The o th n eighty ye rs . w rks are kept up by his descendant

Toz o o f the e a . , s ev nth gene r ti o n

6 1 . TWO S HA S for s aw o n LLOW BOWL fruit ( ), each three feet ; dark

e o o - e gr y ware, c vered with paque pale gr y glaze , with tinges o f

k and c c k . a Kiuse tsu pin light blue , ra led M de by Miwa , at m o o o c o f N o ou 1 1 0 Matsu t , in the pr vin e agat , ab t 7 . Diam . 6 in .

- 6 2 . B o c o f a OWL br wn ware, vered with a greyish bu f gl ze , sho wing the paste through in spe c ks ; slightly ribbe d o n the

o e . a m o o o e o f N o a o 1 0 utsid M de at M atsu t , pr vinc agat , b ut 7 7 .

. 1 H 5 in . diam . 5 in .

m Ins u o WARE .

T a e was a e the a e o f M atsu e the ro his w r m d in vill g y , in p v e of I dsum o th av e a e the e o inc , e kiln h ing b ee n st blish d in p ri d

Man 1 6 8 — 60 Go mb ei a o e o f a the o n e o f j i 5 ) by , p tt r H gi , in pr vi c

N a a o . A s he e the a d a the o had o f g t us d H gi y, pr ducts much

th N o . A o the e c haracter o f the tru e H agi ware . ( b ut

e o d a an Bunk h n o f the e ee d wa i. a t e e p ri ds Ki w , . in b gin ing nin t nth

e a a a h a e o f H anroku e e e c ntury, skilful m nuf cture r o f t e n m r c iv d

( o n e e a o a o M a - a a I dsum o - no - karrn s v r l cc si ns o rders fro m tsu d ir ,

in e o f the o e and o ne o f the e m en o f the p r c pr vinc , distinguish d

tea e e o e t a o f the an e a e . H e c r m ni s, o m ake imit tions ci nt w r s ee e a e e o f art ucc d d in pro ducing s o m e ve ry t steful sp cim ns his ,

— w ar N o . hich e e ve n n ow much valu ed by the tea drinkers . (

T he a e o n w o as Rakuz an - a a w r fr m this kiln, which is o kn wn y m , c o not on o f tea e a o of a e for e e a nsists ly ut nsils, but ls w r g n r l u se e e h a pr s rving t e e rli e r characte ristics .

6 - - . TBA elm w an o e o 3 BOWL ( ) ; pale br wn war , partly c vered with an

o l o - f a and e o n o n paque ye l wish bu f gl ze, gr en e side . Made

Gonb e i M atsu e o e of Idsum o o 1 660 by , at y , pr vinc , ab ut .

. 2 m H % in . dia . 5 % in .

- 6 . T BA el m wan o e o e 4 BOWL ( ) ; br wn war , c ver d with a green glaze passing into yello w and m inutely c ra c kled ﬂattene d in on two

e . a e H anroku at Matsu e o e o f Idsum sid s M d by , y , pr vinc o, in 8 A P A N E 4 j S E P OTTE R Y.

1 80 m o of a a a a . . . 3, in i itati n the e rlie r w re o f th t pl ce H 3 in

m . dia 5 7g in .

FU I N A J WARE .

A s are a o a e in Matsu e o o a e this w is ls m d y , it is c mm nly c ll d

I dsumo a h a e P e y ki . T e f cto ry was found d by rinc

a A a o f th a o o e of Fum i . l rge pr po rtio n o e w re is c mp s d

a o e o a an oa a e s ft but v ry t ugh cl y, d c te d with fusibl

az e of ffe en o a e gl di r t colours . It is so me time s d e c r t d

i 1 ~ F g. 3 h e t e az e . I n a a o o a to an und r gl l ter ye rs , c nf rm bly

o e of o o Masakatz u a e tea- in e rd r K b ri , distinguish d dr k r, N 0 . 66.

a de coratio n in imitatio n of the Satsuma ware was c om ! m enc ed and now a , is c rrie d on on an extensive scale.

’ ‘ 65 . ! UADRAN GULAR WATER VESSEL (m z dz u - z re) with a ﬂat bar acro s s

m o a - o c o a the uth as handle dull red st neware, vered with thin

o has c k - a red glaze , ver which be en spread a thi sage green gl ze , c to o om and a o n c e a k rea hing nearly the b tt , h ving ea h fac strea o f k o o e dar br wn and grey . A t ea c h angle vertical furr ws insid

a - Fu ina pearly grey glaze . Lacquer lid in two pieces . j ware, m a M e atsu e ov c e of Idsum o o 1 820 . . . d at y , pr in , ab ut H in

66. I IC T C N I s k c d PA R OF PR KE A DLEST CKS ( lzo u grey ware, overe

a e - - k with p al sea gree n gl aze the base be ll shape d . M ar ’ ’ - m Un az ke am e . e Fu ina e i pressed, y , ma r s n [Figur j war ,

m M atsu e o Idsum o a o 1 8 0 . . 1 . ade at y , pr vince of , b ut 3 H 5 5 in

- 6 . T m m the o m of a fan m o on ee m az 7 RAY ( ) in f r unt, thr s all feet, gl ed

e white b uff - c o o and in thre irregular bands, p , and liver l ured ,

o m e o w e o . rna ent d with ﬂ ers in whit slip, with br wn leaves Fu ina a m e a Matsu e o e of Idsum o o j w re, ad t y , pr vinc , ab ut

1 8 0 L 6 . 3 . . % in

I N I C T EA B W aim- w an o a 68 . CYL DR AL O L ( ) drab ware , c vered with k am o o white crac le glaze, and painted in en el c l urs with gilding Chrysanthem um s and o ther ﬂ owers ; b order of hexagons and

a o . m o of m a ma o o f qu tref ils I itati n Satsu ware, de by rder

o o i S o c hiu Matsu e o e of I dsum o o 1 8 0 . K b r , at y , pr vinc , ab ut 4

H . 336 in . diam . 4% in .

Fx RE hi- ire o e e a e- r e o 69. VESSEL ( ) , d ubl bulb shap p l g ey war , c vered

E E TTE R 5 o jA RA N S P O Y.

- . N C N BOX Ra o o m o f o od of c o e 7 3 I E SE ( g ) in the f r H tei , the g nt nt

1nent ale - o k o o n c o k . ; p br wn ware, with dar br wn glaze the l a

- k m in o A ka Izaak . e Mar sta ped a g urd shaped panel, [Figur

' A kahada m o m o c e o f am o o ware, ade at K riya a , pr vin Y at , ab ut

1 8 0 . H . 2 4 8 in .

M I N T A O WARE .

The factory is situate d n ear the t o wn o f Sakai in the province

o f I dsumi. o o f ea a and e e a Its rigin is gr t ntiquity, it is v n s id

’ a Gi o i the e o o f the o e e e was the th t y g , inv nt r p tt r s wh l , ﬁrst t e o Th a a th e o o comm enc w rking here. e w re m de in e p ri d

T ensho 1 — 1 was a o f an d was e ( 5 7 3 9 ) kind biscuit, v ry

A e wa a az was o e a brittl e . ft r rds thin gl e intr duc d simil r

to a o n the Co e e a e an d at the e e th t chin Chin s w r , pr s nt

n r time bo th biscuit a d glaz e d “ are s a e pro duce d. In

the a e e o a a Ge nsai o e a o e e e s m p ri d H chit f und d p tt ry h r , .

1 1 “ F g. 5 . where h e made e arth e nware ﬁ re — h olde rs for use at tea M n o i at .

N c eremom es . T e are k o as Gam a: akz an d are o . 74, h y n wn y ,

a a h M a o a T a o a a e e to t e . simil r in pp r nc in t y ki his f ct ry,

o e e has ee o e . O e are o to a e h w v r, b n disc ntinu d th r kilns kn wn h v

e e e o a t has n ot e e e e e . xist d, but th ir l c li y b n d t rmin d

A H I i - 7 4 . S BOWL ( m used in the tea c erem onies bis c uit like yell o w o m k o f o m ware , unglazed , sh wing ar s the wheel, and rna ented h m o of c o k. k m wit three i pressed l zenges latti e w r M ar sta ped, ' ” M znalo aki o . k y , Minat ware [Figure Made near Sa ai, f I d u i m o c o s m o 1 0 . . pr vin e , ab ut 77 Dia in .

Y N G A A AWA WARE .

T a e e of e a- o a o a a o the own o f his is sp ci s t rr c tt , fr m f ct ry in t

Ya a a a in the o e o f hikuz en o e th e e o n g w pr vinc C , f und d in p ri d

e 1 6 and i a K ich o ( 5 9 still n o per tio n .

A H I mi o n m c e in 7 5. S BOWL ( three s all feet, with edge urv d

c u - k o i o f ow an d wards ; bis it li e yell w ware, w th tinges br n , m at with scratched and i pressed p atterns M ade Yanagawa ,

c o f Chikuz en o 1 820 . m . 1 . provin e , ab ut Dia 3 in TOY0 UR A WA RE . 5 1

6 A S H M i- kt o n m 7 . BOWL ( ) , three s all feet, with edge curved in

o - o o c o a - wards ; st ne c l ured ware, vered with bluish grey glaze e c c e o n the dge in ised hat hing, and leav s applied in white. f Chikuz n 1 8 a o e o e 1 m . 1 M ade at Yan gawa , pr vinc , in 4 . Dia 3 in.

2 33-7 7

— W R . A R TOYO U A E .

The factory at which this ware is pro duced is Suppos e d to h ave been fo unde d in th e Ki6ho perio d ( 1 7 1 6 It

o o f th o f T o o - ura a a is situate d at the fo t e hill y y m ,

f a a o The a e was o n a in the pro vince o N g t . tr d rigi lly

f r use at the tea e e o e now in ash b o wls o c r m ni s , but is

a a e az e for o e in an inferio r w re with whit gl , d m stic

h are a and e o n. use. T e works sm ll but littl kn w

- e k - c - k . A S H Ad il i ; o 7 7 BOWL ( ) pin ish yell w bis uit li e ware, T o yo ﬂ m .

k m k on . unglazed, with three blac ar s the sides N O. 7 7

k m To o - ura am a m o f M ar sta ped, y y , the na e the

T o o - m a o o f fac tory. [Figure Made at y ura ya , pr vince

N o 1 8 6. m . . agat , 4 Dia 7 % in

R U AK WARE .

The m anufacture o f this ware was intro duce d in th e p e ri o d

Yeiroku 1 8 a Co ea a e A e a who e e th e ( 5 5 by r n n m d m y , s ttl d in

H e om e e o a a o o ld capital KiOto . c m nc d w rk with cl y f und a t uraku a o f o o o n a o the are J , district Ki t , which cc unt w might b e tter b e called J uraku yaki but Taiko H ideyo shi

a in o o e the a a e the son o f A e a a o h v g h n ur d m nuf ctur r, m y , with g ld “ ” s eal on was e a e the a a e Ra which ngr v d ch r ct r ku , signifying “ ” ’ e o e has e e a e R aku aki. A m e a s o nj ym nt, it b n c ll d y y w rk is

V a e and a e a e . H e e 1 ea a ery r r much ppr ci t d di d in 5 7 4, l ving ’ s on a e Ta a a Cho iro who o o e a e a e and n m d n k j , f ll w d his f th r s tr d his de sce ndant o f the el eve nth gene rati o n n o w carri e s o n the

i e . The are o f a o o a e o bus n ss w , which is c mm n bl ck d scripti n ,

a az e o a ea o o f a a e ea with gl c nt ining l d, c nsists sm ll v s s, ch be ing

e a a e a e and the a e was e tea o a s p r t ly b k d 3 tr d chi ﬂy in b wls , sh pe d

E 2 at E E R T TE R Y 5 2 ﬂ PA N S 0 .

a a o a o o e e e a e — as e e by h nd l ne, lth ugh th r things w r m d such inc ns

ha a wa a a o h o lders and water pitche rs . It s l ys b ee n in gre t f v ur in th tea e o e n o t o on a o o f a a ear e cer m ni s , nly cc unt its rtistic pp a e a o o ea o o e and e a for nc , but ls fr m its gr t sm thn ss its sp ci lity

ee n the a e ho t. The son o f A e a o r Cho iro who k pi g w t r m y j , is

a h o f a e for a the t a o the kn own s t e ﬁrst this f mily, us d m rking e b wls go ld s eal given him by Taiko but in the time o f the s e co nd Chojiro .

al was o a e ea a fa e e o wn . this s e l st , ft r which ch m nu ctur r us d his

h e e a o a e Tan- was o o e a The te nt g n r ti n , n m d niu , h n ur d with

th e o f o f the a of the o . A no e s eal by e princ Kii , f mily Sh gun th r ea the a a e o f Ra was o a o a e e e s l , with ch r ct r ku , cc si n lly us d, impr ss d in a do uble circle .

the o e o are e e e a e ea e e a o In c ll cti n includ d pi c s m d by ch g n r ti n , e xce pt the ﬁrst th e ir name s are as fo llows

h ir o o . 1 . C j

2 . h ir C oj o .

D o - 3. niu .

— . o r b 4 Ichi niu ( Sa ei) .

- 5 . S o niu .

a- 6. S niu .

h - 7 . C o niu .

- 8 . Toku niu .

- Ri n iu. 9. yo

1 0 T an - . niu .

1 Ki hiz 1 . c ay em on ( the pre s ent make r)

8 8 was a e a r h N o . m d by sword conn o isse u call e d t e

H onnamiK o — idsu who in 1 6 H e was , die d 37 .

a ea a e of Ra a e an gr t dmir r ku w r , d hims elf

e e e a o o o r ct d kiln but his pr ducti ns, th ugh h a to t e e a e ar o e a a . simil r tru w r , e s m wh t h rder

a o e the tea- It is much f v ur d by drinkers .

A a e o f o o a e a I kkan a i 1 R k n tiv Ki t n m d H ir i , Fg . 7 . a u. a e o f a e a o f a oa o th m k r p culi r kind c rdb rd w rk, e art f e to o an an o which had descend d him fr m ces tor, succeeded RA K U WA RE . 5 3 l ast year ( 1 8 7 5 ) in making an imitati on of the old Raku yaki by p asting to ge ther num ero us layers o f thin paper and co vering them

a o a h t a as the with lacqu er. Th es e imit ti ns will st nd o w ter as well Raku bowls ; and it was co nsidere d that a spe cimen of it wo uld

t th . N b e an intere sting additio n o e C o lle ctio n ( o .

8 T A el m- wan e a a o k a 7 . E BOWL ( ) , irr gul r cylindric l f rm ; dar w re co ve red

- a o a e . a e the z ud Cho iro o with deep br wn gl z M d by j , ab ut

0 . . a . . 1 63 . H 334 in di m 354 in

TEA B aha - wan oa e e o a e o e e w a r 7 9. OWL ( ) ; c rs y ll w w r , c v r d ith g itty ” o f a . k m Raku E o glaze brilliant red M ar i pressed, , nj yment .

. 1 8 . Tea Bo R k . N o 8 Fig wl, a u ware . 3.

a to e a r o o D o - o [Simil r ﬁgur M de by the 3 d Ch y r [ niu], ab ut

1 6 0 . . 2 . a . 5 H % in di m 5 % in . I t is possible that this spec imen and the last may have bee n t n ra spo sed.

C I N I C TEA aka- w an o e o e a YL DR AL BOWL ( ) ; c arse war , c ver d with

- k k o om k . a thic dar b ttle green glaze, s ewhat spec led M de by

- the th Cho iro c o 1 6 0 . . a . . 4 j [I hi niu] , ab ut 9 H 3% in. di m 476in

2390 7 7 .

TEA BOWL ( el m- w an) with r o unded base and sm all foo t - rim ; dark

- c k . the greenish bla ware , thinly glazed and granular M ade by

- th Ch o iro S o o 1 1 0 . . . m . . s j [ niu] , ab ut 7 H 3 in dia 4% in PA N E E R T E R 5 4 jA S O T Y.

- 8 2. T EA rim w an m c o a BOWL ( ) ; rudely ade ware , vered with reddish

- a 6th Ch o iro S a o 1 0 . in. glaze. M de by the j [ niu], ab ut 7 3 . H 3%

diam . 4% in .

8 T EA aka - w an r e m m oo - rim e - red 3. BOWL ( ) ud ly ade, with s all f t ; pal

c o o e a o - red ware, vered inside and partially utsid with yell wish

o o n the . k am Raku glaze ; bro ad sc ring sides Mar st ped, , “ ” h h r E nj o ym ent. [Figure Made by the 7 t C ojio [Cho

o 1 0 . . . m . . e niu], ab ut 7 5 H 3% in dia 394 in [Figur

8 T EA rim- w an m c o m n on a m 4. BOWL ( ) , he ispheri al f r , resti g s all o e c o a ee rais e d f o t ; rudely mad pale ware, vered with d p

- o c o e o ut and yello wish br wn glaze ; irregular s ring insid and , o a a an insc ripti n painted in red, pparently verse . M ade by

- h iro T ok o 1 0 . . . m the 8th C oj [ u niu], ab ut 7 7 H 4 in dia . 4% in.

I N I C T EA aim- wan e m e o 8 5 . CYL DR AL BOWL ( ) ; rud ly ad pale s ft ware, k c c o c k . covered with a thi ri h br wn glaze, spe led with white “ ” R aku E o m . e e M ark stamped , , nj y ent [Figur M ad by

- h iro Ri o o 1 0 . . . am . . the 9th C oj [ y niu], ab ut 7 9 H 3% in di 4}é in

244—7 7 .

el m- w an m c o 86. T EA BOWL ( ) rudely ade , vered with red and green c o n glazes arranged in large pat hes , which plants are incised “ ” k m d Raku E o m and gilt. Mar sta pe , , nj y ent. [Figure

ir T n - mu h l o th Cho o a a o 1 8 1 0 . . M ade by t e j [ j, b ut H in .

diam . 456 in . N IC T E A aha- wan n o m o 87 . CYLI DR AL BOWL ( ), irregular i f r ; r ugh

- k o a a c k stone colo ured ware, thic ly c vered with brilli nt bla “ ” T wo m k m Raku E o e glaze . ar s sta ped, , nj yment [ﬁgur

and S en - rakuy m Made ” th nraku at e S e garden . [Figure Made by the 1 1 th Chojiro [Kic hiz aye

m on o 1 8 0 . . ], ab ut 4 H

m . in . dia . 4 56 in C I N I C TEA 88. YL DR AL BOWL

el m- wan of c ( ) thin substan e, u m a h but r dely de, and wit sharp edges and slight fo ot

rim a - f c o a k - o ; p le bu f ware, irregularly vered with dar br wn H o nnam i Ko idz u an a a o f o o glaze. M ade by the , m teur Ki t ,

m . in. about 1 630 . H . 3V3 in. dia 5 011 1 WA RE . 5 5

8 . C I N I C TEA rim- wan of - m a e 9 YL DR AL BOWL ( ) papier ch , entirely

c overed with rich dark - brown lac quer three ni c ks in the fo o t “ ” - rim k S idEa m i The of ko. . Mar painted in red , , study Shi

. m . . [Figure H . 3% in dia 4 % in

0 111 WARE .

f at Chi- a on the o This ware is the pro duce o a kiln m chi, b un

a a was dary of the town o f Kan az awa in the pro vince of K g . It

o e o n th Ra e m 1 68 0 a m an a e C oz a' f und d e ku syst , in , by n m d h

e o an d was e o a e y m n , nc ur g d by

o e o f the tea- n e as s m dri k rs , such hi l e o S o s dsu and o e . A S ns , , th rs th o ugh the ware pro duce d is similar in i to th Ra has no t k nd e ku , it

e the am e a ea a e e quit s pp r nc , b ing so mewh at re dder and denser ; the

az e o o and o f a gl e is v ry sm th ,

- re d a e a ye llo wish , with lustr simil r

a to the fo reign platin a lustre . A t o ne tim e a mark re se mbling

o o was use . The a e a the o Cho z a em on whirlp l in w r m de by f urth y ,

a o f the o e ea a the a a e of a de scend nt f und r, b rs a s e l with ch r ct r

hi e The a a o f the a e are n ow ea O . [Figur inh bit nts vill g n rly all e a e o e - a ea o e o e a and ng g d in p tt ry m king, ch h us p ss ssing kiln ,

a a a e fo r m king o rdin ry w r do me stic use .

0 . T EA c iza w an m c o a 9 BOWL ( ) rudely ade, pale ware , vered with

o - o Ohim o c o f bright yell w br wn glaze . Made at achi , pr vin e / o 1 0 . 2 . m ln. Kaga , ab ut 7 9 H . % in dia . 4 5

1 . C I N I C TEA aim- w an o o 9 YL DR AL BOWL ( ) ; s ft reddish ware, c vered

- ro o o with a bright b wn glaze , irregular in tint ; r und the utside

o f li of m c c k c c S en - ti p a band i pressed ir les . M ar s rat hed, , ’ - m ak m . O him c o c o f er s na e [Figure M ade at a hi , pr vin e

a o 1 8 20 . . m K ga , ab ut H 3% in . dia . 4% in.

H ORA KU R WA E .

The factory fro m which this ware e manate d was also erected o n the Ra e in 1 8 2 0 a man a To suké and ku syst m, , by n me d yo , is E E E R Y 5 6 jA RA N S P OTT .

f situate d near the t o wn o f N agoya in the province o Owari .

La e a o o the o e of o e e tt rly, pr ducti n , utsid which is c v r d with a an a a e - a has o e o l cqu er, d de cor te d with l cqu r p inting, c m int

k a the e o and e a a o . a e To o su é e f v ur It is c ll d y , ft r inv nt r, ting

a f fo r a use are not and drinking utensils are m de o it d ily , but use d at the tea cerem o ni e s .

[ Th e spec imen o f this ware m enti oned in the li st is wanting ]

A S A KUS A R [ ] AKU WARE.

A e H aridsu a a e o e o o was In the Middl e g s, , l cqu r w rk r in Ki t , in the habit 0 1 co vering the Raku ware made by himself with a

a e e e of o we uniqu e and splendid l cqu r, incrust d with ﬁgur s ﬂ rs ,

e e tc . ins cts , This art was afterwards fo ll owe d by a n ative o f K1o to na me d

Mi- ura e a who e e at A sakusa K ny , s ttl d , in

the o e a o f T o o o e e t n rth rn p rt ki , s m tw n y

ea a o . H e is n ow o f ea a e and y rs g gr t g , his late r work do e s n o t appear to e qual his

ea e o o ar e o e rli r pr ducti ns, which e v ry c rr ct

H a an d na a . N o . h s 2 . R k . N o . 2 e ee Fig. 3 a u 9 . tur l ( b n suc

c e e de d the a e o z a a in tr d by K w B enshi , A about wh o m m ore informati o n will b e give n . n o th er po tter

z a ha f a e e s e o e a e o to a o o . n m d K n n , giv n s m tt nti n this br nch w rk

- 2. B o o k az o OWL yell w ware , c vered with a dar green gl e , ver c are c o whi h s attered large white ﬂ wers with yello w centres . ' “ ” k K en n arz I t . Mar in purple, , i s Ken [Figure Said

m - to o f o o 1 8 0 . m be ade by M i ura Kenya , Ki t , 5 H . 4 in. dia . 8 in .

T s c m n o c d in n c o to n a his pe i e , th ugh as ribe the Japa ese atal gue Ke y , ’ doe n o t s m to h is s o f s o k c is s ee agree with w at aid that arti t s w r , whi h ’ stated to be lac quered ; it c losely resem b les Kenz an s work bo th in c n and m k exe uti o ar .

To m o R [ ] AKU WARE .

oz a a e e o e e the a k of the K w B nshi , just m nti n d, liv s by b n

' r e S umida awa To o and has o ee e a e the iv r g , in ki , l ng b n ng g d in

8 A P A N E E R 0 TTE 5 j S R Y.

d o o o k his left han ; yell w ware , glazed in vari us col urs. Mar ' ' ’ - - m K z tz u ko o r K z k Iz o m k m e . 2 sta ped , , the a er s na [Figure

O k 1 860 . . . Made at sa a, H in

A el m- w an o c o 8. C I N I C TEA B 9 YL DR L OWL ( ) ; r ugh grey ware, vered

c k - o m c k o n th e with a thi deep br wn glaze , inutely spe led ;

e e c . k am sides are ngrav d ircular designs with bars Mar st ped, ' ’ K z tz u - ko o r K ik ko m k m , a er s na e . [ Figure M ade at

O k o . . . sa a. M dern H 3% in

DOH A CH I R [ ] AKU WARE .

A o e e o o f Ra a e a e Ta a a n th r d scripti n ku w r , m d by k h shi

D6hac hi the e o of Te o H e was e on , in p ri d mp hims lf e o f the tea- e and a e e an a o o f Ra drink rs, tt mpt d imit ti n ku fro m two

o f a red and e . o k e e o o a e and kinds cl y, Whit H is w r s w r in g d t st , in

ea e a o e a e e a a a al gr t d m nd his p rc l in sp ci lly displ ying his rtistic t e nt .

’ ' I N I C T m z dz u - z re c o o n 99 . CYL DR AL WA ER VESSEL ( ) and ver, three m m m o o f o o o f s all feet, ade in i itati n w d ; glazed a bright

o - o o n w C m yell wish br wn, which are hite hrysanthe ums in relief,

to m T k D Ohac hi 1 8 0 . tinted green . Said be ade by a ahashi , 3

6 . H . 94 in

I n o t n is c m n t is quite c ertai whether this the right spe i e , as it is “ ” u I t om a t m desc rib ed in the Japanese list as a jg. s ewh rese bles ’ ikko s o k K w r .

FU SH I M I WARE .

A s state d n ear the beginning o f this Fushimi

a th o e o f Ya a o had ee the e o f a mur in e pr vinc m shir , b n sit

th e e e po tte ry at a ve ry re m o te perio d . In e sixt nth c ntury a manufacture r n am e d K oyem on co mm ence d to make human

e a a and e are a e the a ﬁgur s with pl stic cl y, th y still m d by inh b itan T e e e are a e a ts o f the n eighb o urho o d . h s ﬁgur s m d in cl y

o ea a e a a e e o e o e e an d a e m ulds , ch p rt s p r t ly, th n j in d t g th r p int d

ffe e o o n o t az e . N o . with di r nt c l urs, but gl d ( The unglaz e d cups or po ts us e d in t emple s for religiou s fe stivals are als o made here The trade is carrie d o n in the n eighbo uring village o f Fukakusa.

2 Page 4. [ M A D O WA RE . 5 9

' O N N T okz m on o o m o f o f ukuroku u R AME ( ) in the f r a ﬁgure F p , the o d o f o b o c in g l ngevity, with an attendant y white lay, painted o c o o o n c k o b dy l urs the ba an inscripti n signifying, February, ” d of - o k o Ko - e - m o n i r . e A D 1 the 3 year Bun r u , wr ught by y , . . . 594. m 1 8 0 m o o f o f Ko n Made at Fushi i , in 4 , in i itati n the ﬁgures yem o .

H . 7 in.

I MA D W o ARE .

A t a o - a in the o e n o f To o are a Im d m chi , n rth r district ki , situ te d a e o f a e e an n e r o f a numb r sm ll kilns , wh r i f i r kin d o e rthe nware f r n o o e use a d o o e are a e . Th d m stic , r ﬁng til s , m d e manufacture o f the mottle d ware by mixing re d and a o r e and a a as a o a bl ck whit bl ck cl ys, ls kind

' o f aie e a e e az e a to Ra f nc with v ry fusibl gl , simil r ku ,

f w a a The o o f dat e s fro m a e ye rs b ck . rigin these

k o n w b e a e a e . o e e e ilns cann t o sc rt in d H w v r, th ir histo ry and pro cess o f manufacture may b e asc er tained h e reafter.

1 I N IC B I c 1 0 . CYL DR AL RAZ ER with pier ed lid ;

k o o c r ﬁne blac ware, p lished ; r und the upper part are ﬁve cir ula

o c o f c o o m . penings, and the pier ings the ver f r a radiating pattern

d k fo r o . k m o Go Re sil sling suspensi n Mar i pressed in an val, ’ saburo m k m . m o m , a er s na e [Figure I ad ware, ade at

m o - m c o o f T o k o 1 8 0 . . 8 . . I ad a hi , n rthern part i , 4 H % in diam m in

KI T S A I - I CT I O o ( K YO) FA OR ES ,

- n Nin sei a e A a a a e Ki o midz u a e e tc . includi g w r , w t w r , y w r ,

- — o f the a of N ono - a a e a a no Daiio A po tte r f mily mur , n m d H rim j

u iwara- n - Fu im asa and e e N in - sei who was n a o F j o j , ntitl d , livi g b ut the perio ds Sh oh o and Ke ian ( 1 64 4 ere cte d kilns in

a o a e at A a a the e a e a o f the e e v ri us pl c s ; w t , in st rn p rt city, wh r

A a a a e Om uro the o e e e th ey now make w t w r , in n rth rn district, wh r

Miz o ro Kinko z an e e a e o e a he himself live d ; , wh nc r n wn d m k er,

o e e e his e S e ikan i e e e e e a Kinkoz an S h i, d riv d titl j, wh r w r st

b lished the Go jio z aka and Kiy o midz u manufacto rie s ; and Iwa 6 0 A PA N E E R OTTE R j S Y.

kuraz an . Since this perio d many o ther facto rie s have sprung up

N arutaki — K m at u ni — Ta a Yo a O o o s da etc . , k mine, shid , shi k ji , , but

‘ o t iz N aru akian a. wo o f th r n w e n v . t d Yo nly ese a e o in xiste ce, shid The kiln in N arutakiwas e re cte d by a brother o f the fam ous

a e O a a o a e o wh o a e e p int r g t K rin , n m d Shinsh , mus d hims lf in his e e o l isur h urs by making tea utensils in imitatio n o f N inse i yaki .

The a e of N arutaki e e was e e e a e at th e vill g , wh r his r sid nc , is situ t d ’ o o o f the of A a o to the o - e o f the E e o a a e f t hill t g , n rth w st mp r r s p l c ,

” o r th n a o he in e dire ctio n calle d Ken in Chin e se . O this cc unt

” was a e e z a ea ea e o n m d Shisui K n n , m ning b utiful blu hill in n rth

- e a . H e e 1 2 e e o ea and w st p rt di d in 7 4 , in his ighty s c nd y r, his

h - N o 1 1 1 — 1 o e t a . w rk is much ste eme d by e te drinke rs ( s .

The ware kn own as N insei yaki was of two kinds — faie nce

— and s emi - porcelain and was m ade with clay fro m S higaraki an o a a he The o e no w a e A a a d th e r pl ce s n e r t city . f rm r is c ll d w t

a e and the a e no w e e o f o e a o w r , l tt r, which is ntir ly p rc l in , Kiy

m idz u a e . A a a a e a a e at A a a th e w r w t w r is m nuf ctur d w t , in

h a h e a e o f o o . T e e o o to t e a st rn district Ki t d c r ti n , within l st six o r e e ea was o e o e to e e o f N 6 or s v n y rs , c nﬁn d s l ly light sk tch s ,

em o a o e a e o a e a few e a o o c er ni l p r tic p rf rm nc s , in n utr l c l urs sur ro unde d by a bro ad go ld o utlin e ; lately succe ssful e fforts h ave

a e o a e w e e e e o e b e e n m d in rn m nting ith d signs r pr s nting ﬂ w rs, birds ,

or a a e . N os . 10 6 e tc . T e e are n ow e e a e l ndsc p s ( , ) h r tw lv f mili s

the a e ea a has a and e o a e a n foll owing tr d ch f mily kiln , mpl ys c rt i

The e o w f a a numbe r o f wo rkme n . b st kn n o th e se m nuf cturers

Kinkdz an o e T a z a S eikai o z a z o who are are S h i , n n , H n Bun , d e sce ndants o f the o riginal po tte rs ; and Taiz an Yohei and

I wakuraz an e who e e e o e to Kichib i , r c ntly r m v d this district from

Miz r T a e a of aie o as A a a o o . e e a h y m k kind f nc kn wn w t w re .

a T anz an als o pro duces porcel in . Othe r de scriptio ns o f po tte ry and porce lain are made at G0j10 z a a and Ki o midz u a a o a e t wa k y , f ct ry st rt d by O o ya K urob ei an d o e who a e o S eikan i- a the H oreki th rs, c m fr m jmur , in peri o d

1 1 N o . the e o f the e e ( 7 5 ( In b ginning pr s nt century, E ] WA RE N I N S . 6 1

’ Ta a a D Ohac hi Wa e Kitei and MidsukoshiYo so b e i c o m k h shi , k , m enc e d to a e S o m e tsuké o r o e a e o a e o a m k , p rc l in d c r t d with c b lt

e ea the az e a o o f A a a e o a m o e und rn th gl , in imit ti n rit w r , fr m cl y i p rt d

om I dsumi- a a A a the o e o f z e M o o f the fr y m , in rit , in pr vinc Hi n . st

o o e e a e a an d oo a e a e pr ducti ns w r sh p d by h nd , in such g d t st th t th y

’ a o a f t a r a N 5 1 1 h ve gr wn into f vo ur with drinke rs o e o s ke . ( 0 . 5

1 The a o e a e e e e o e and ea e e f ct ri s h v sinc d v l p d incr s d in numb r,

and e e are now e e e a e of o e a a e o f om th r l v n f mili s p rc l in m k rs, wh

the o e o e are — a z a D enshic hi M a a ab e and m r pr min nt K n n , ruy S i ,

’ a e a Bun ei and e - o ne a e o f aie e a e K m y p tw nty f mili s f nc m k rs, includ

h T ar een ing t e re n o wn e d D o se n and Kisu . h ere e b e side s thirt

il e e a e the a a e o f o o e a an d aie e fam i s ng g d in m nuf ctur b th p rc l in f nc ,

’ o a Ta a a D 6hac hi e o e e a o Wa e K ite i n t bly k h shi ( s c n d g n r ti n) , k

e o e e a o Ki o midz u e Ki omidz u Rokub ei (s c nd g n r ti n) , y Kichib i, y ,

e u Yohei and M ashimidsu Zo roku. T o e e m a b e a e d S if , th s y dd

r k Ea a a . Miyata Kamej i and H asegawa T o asu e . ch f mily h s its

f nd a a e e e o o e a e o . o wn f cto ry ind p nd nt th rs , but r r ly in c mmo n

e o f a o e e - on Ea The to tal numb r f ct ri s in this district is tw nty e . ch

f o r e e i a e e e Th o is fo rme d o six s v n k lns r ng d sid by sid . e pr duce

o e o f tea and a é e and o a o a o f c nsists chi ﬂy s k ut nsils , cc si n lly

a e a o e as o e a e or e e e T o rn m nt l bj cts , such ﬂ w r v s s inc ns burn rs . hey

o to the S o m e tsuké a e e ff mo stly bel ng cl ss, but r c ntly di erent

e e a e a e ee e for e e a Th col o ur d n m ls h v b n us d th ir d cor tio n . e

a e o e e n o t e a to the o e the e e o o f l tt r, h w v r, is qu l f rm r, with xc pti n

the o of a z a D e nshic hi who e o a e o o n re d w rk K n n , d c r t s with g ld

a o of Yeiraku see . 6 and has ground ( N o . in imit ti n ( p 7 )

a o e e a an e of e e e orc e lam 1ron a ls inv nt d m n r r pr s nting, in p , inl id

with go ld. N E 1 N 1 S WARE .

N ko o o m o f o 1 0 2. IN CE N SE BUR ER ( r ) in the f r a c nch shell ; I c o c o c u grey ware with bro wn spo ts . t en l ses a pper p

' '

- c . k m N z n sez to h o ld the burning in ense Mar sta ped, , ’ F 2 N o no m ura “ 7 ° m aker s nam e . [Figure Made by ! N lnse “ N inse i o f mo o o 1 6 0 . L. 1 0 . , t , ab ut 5 % in GLO BULAR WAT ER VESSEL (midaa - ire) and c over ; very rough 6 2 A RA N E E R TTE R ] S 0 Y.

' b uﬂ a e k e m o f and a o e w r , spec l d with frag ents quartz , p rtly c v red a ello h k with y w glaz e t e inside glaz e d grey and c rackled . Mar ' ' ’ m N z fz - sc z m k m sta ped, , the a er s na e . [Figure N o nom ura N o f Kidto a o 1 6 0 Made by insei , , b ut 5 , in

m o f o . i itatio n C rean ware H . 5 in . l ' 1 0 . C BOX kw arz z re o f o o m 4 AKE ( ) gl bular shape, in the f r o f o ﬂo id o r tam a a preci us ball ( r ), with pierced c over

a - o c o a c c k z p le yell w ware , vered with ra led gla e three ridges in the fo rm o f ﬂam es zigzag bo rders in nd a . k m green red with gilding ; inside gilt Mar sta ped, ' ’ ’ - N z n sez m ke m . , a r s na e [ Figure M ade by N o no m ura

N of o o o 1 6 0 . insei , Ki t , ab ut 9 H . 4E in . [Figure

Fi . 2 . C k Box N insei . N o . 1 0 . g 9 a e , ware 4

1 0 . N C N BOX ko o o m o f oo e 5 I E SE ( g ) in the f r a g se ; pale gr yish ware ,

- o az an d k o . k c vered with a drab gl e, bill eyes dar br wn Mar ' ' ’ - m o N z ﬂ sez m k m . u sta ped in an val, , a er s na e [Fig re Made

N onom ura N insei of o o a o 1 6 0 . L . . by , Ki t , b ut 9 3% in A WA TA WA RE . 63

A T WA A WARE .

N NC B N (koro) the a e of I E SE UR ER in sh p a building, with an e at c m entranc ea h side, and sur ounted by a platfo rm with a m o f r ilings, in the iddle which is a c ube with Openings at the e ; f m e e and sid bu f ware, ena ell d blu green . M ade at A wata ,

o 1 20 . . 1 2 ab ut 7 H 56 in.

. 0 . B for 3 m n . A N 0 Fig razier war i g hands wata ware. o. 1 7 .

BRAZI ER for warming the hands (slut- f a) in the fo rm o f a lam a

or f e o e w - Buddhist jewel ; bu f war , c v red ith grass green glaze r o o o k amm of kok va i us symb ls in high relief, rain cl a , h er Dai u ,

e o c o o o purs , etc. , partly gilt and t u hed with red and ther c l urs .

e A o 1 0 . . . m . . Mad at wata , ab ut 7 9 H 7 % in dia 7 76 in [Figure

o o am - o o a c o FRUIT TAZZA (9 am ) o n tripo d f t ; cre c l ured w re, vered k and ai e o o with a thin glaze, crac led p nt d in c l urs with gilding ; 4 jA RA N E S E R 0 TTE R Y

d insi e a garland o f fruit o n a gro und o f go ld do ts ; o utside

o o . On o o c o ﬂ ral bands in g ld the f t, s r lls in c o l o urs and the l ’ o a o o a N z on - - - inscripti n, in h riz nt l line, ﬁ Kidto K zn ko z an

55 : 111 ah éfi fifi fii Zli E

. 1 A N o 1 08 Fig 3 . wata. . .

s kum ” l u Kinkoz an of o o . e , Made by , Ki t , in Japan [Figur

A 1 8 m . 8 M ade at wata in 7 5 . H . 4% in . dia % in.

1 0 . TWO C A N D C of E o m f 9 UPS with handles, SAU ERS ur pean fo r buf

o a n m - c o ware, c vered with thi crea l oured glaz e c k and m c o o j: cra led, painted in ena el l urs with ﬂying oo T wo m k o ne d birds and trees in bl m. ar s, painte ' ’ “ D az N i- o z Tan - z an sez T z in red, p r , Made by an an ” L“ H o f Great Japan [ﬁgure the o ther impressed ’ o Tan z zm m k m A 1 8 . , a er s na e . Made at wata , 7 5 f . o 2 . m o f c . ! j: H cups in dia . sau ers 5 ;g in 0 C I C i o n th 1 1 . R ULAR CAKE BOX (kw as p orcelain ; e

cover three heart - shaped panels with pho to graphi c V o o n a o o f the iews in br wn, gr und blue diapers ; o ff o n m o b dy has three di erent views a si ilar gr und . ’ k - o e the T( tn 2 am m k r m . e Mar in blue, v r glaze, , a e s na e Mad

A a 1 8 m . . at wat , 7 5 . Dia 5 % in

N N KE ZA WARE .

1 1 1 . I for o a m o n m b uﬂ BRAZ ER b iling water (j ) , three s all feet ware,

c o o c c k c o o h vered with yell w glaze ra led, and painted in l urs wit

c o f c c k gilding ; bran hes a reeper with bla , blue, and green

. O a o a o 1 0 . . . leaves Made by gat Shinsh ( Kenz n), ab ut 7 3 H 7 in m 1 0 dia . % in . 1 B a 1 2. OWL with straight sides ; pale ware c o vered with k o drab glaze crac led, and b ldly painted

- d in enam el c ol o urs with snow co ve re

- k o o n e pine trees . Mar in br wn a whit ’ - K en 2 6172 m k r m . m panel , , a e s na e [Si ilar

0 . to Figure Made ab out 1 7 3 . H

m . 8 . 4 % in . dia % in 1 1 3 CYLI N DRI CAL FIRE - VESSEL fo r sm oke rs A . N o . 1 1 2. Fig. 33. wata b i- ire o a ( ) buff ware , c vered with a p le o k e and o : o n one a yell w glaze, crac l d painted in br wn side

N o . 1 1 6. C oc k . Ki omidz u . Fig. 35 . y ware

1 1 6. Ki omidz u . N o. 6. H en. Fig . 3 y ware A 6 YE I RA R U W RE . 7

k k an d rudely painted with plants in bla c . Mar m k ’ m B alzac / u, the a er s na e . [ Figure Made

m idz u a o 1 8 0 . . . m . . , b ut 3 H 3% in dia 4% in

m o f Ki om idz u see Fo r o ther speci ens y ware ,

— N o s. 2 1 1 2 1 4.

YEI RA K U WARE .

T a e a e o o a a h his w r is m d in Ki t . In p st ye rs t e t a e o e o o f ea e az e a D - o at th e r d c nsist d nly rth n br i rs, c lled o Bur but beginnin g o f the 1 9th ce ntury Zengoro Riyoz en (the te nth gen era

o e e a o e a H e was o l e o tio n) c mm nc d m king p rc l in . m st skilfu in r pr duc in the o ld a e o o f C a and a an e e a in g w r b th hin J p , sp ci lly

o a e o f a e oa - of- a o o e dec r ting with d signs nci nt c ts rms, in g ld utlin o n a e ro o o e o e of o a e e o f e o a o r d g und c l ur d with xid ir n , sp ci s d c r ti n ﬁrst used in the o rn am entatio n of Chin e se porcelain made in the

C e e e o Yeiraku Y - lo 1 0 T a a ro hin s p ri d [ ung , 4 3 his p rticul r p

o a e Yeiraku Kinranté o e to ducti n is c ll d , in rd r distinguish it

o N ishikité la to th A a fr m , which is simi r e rit ware . B o th the se ware s derive their n am e fro m the ir de coratio n resembling that

o f o a e . The P e o f of the a o f th e o br c d s rinc Kii, f mily Sh gun ,

o o u e th e a a t e the o f Yeiraku he h n r d m nuf c ur r with title , which

a o e as a a e an d e e a e to th a e he d pt d his f mily n m , v n ppli d e rticl s

a e — e h a a o k é H e o e m d h nce t e ppell ti n Yeira u Kinm nt . is s m

e o e e as the o f th a a i a o e th e tim s c nsid r d ﬁrst e f mily , h v ng d pt d

na e of Yeiraku. e e o f o o e o f are o f m Sp cim ns his w rk , s m which

Z n r ea a e are the Co e o . N o s . 1 1 e o o gr t v lu , in ll cti n ( 9 g H oz en (the twelfth gen eratio n) s ettle d som e s eve ntee n o r e ighte e n

ea a o at a the o e o f a a and y rs g Kut ni, in pr vinc K g , did much to wards e ncouraging and instructing the m anufacturers of that

place in the m e th o d o f making and de corating po rcelain .

( N o .

The e e a e i e e e e a o ea o o f pr s nt m k r (th rt nth g n r ti n), by r s n his

a a has o e e a e the a a o gre t t lent, c mpl t ly sust in d f mily f m e ; his w rk

F 0 A TT R 68 j PA N E S E R0 E Y. still o utrivals the b e st pro ductions o f the Kutani factory and of

Ki mi z u N 0 5 1 2 and anz a o f o d . . K n , y ( 3

- - 1 1 . V H T midz u ire o a e 9 ASE S APED WA ER VESSEL ( ) , yell w w r with

‘ c c k o am koz ra led glaze, gilt rn ents in relief ; ﬁshes

u o f L o . M k m leaping o t waves. a c quer c ver ar sta ped ’ ' “ - - K a lzz n sizi rtw The c c o o f . , bran h fa t ry the river o o the l o th Zen o ro [Figure Made at Ki t by g ,

Ye iraku Ri oz en o 1 8 1 0 6 . am . . y , ab ut . H . % in di 7 in igu 39 8. [ Fig. 3 F re

' ' ' A gold seal with the insc ription K a/z z n rﬁ zrzu is stated by N o . 1 1 9. N inagawa to have been given to the l o th Ze ngoro by the nc of w n n in 1 8 2 to o k for him Pri e Kii , he he we t 7 w r ; he c d f o m nc n raku also re eive r the Pri e a silver seal i sc ribed Fei .

i V Y iraku . N o . 1 1 F g . 39. Water essel . e ware 9.

W C m m - 1 20 . T O SAU ERS ( ) ; p ale buff ware, with design in relief

’ covered with a dull - blue glaze ; the koz ﬁsh leaping from WA RE 6 YE I RA R U . 9

om a e el o . k a o . The o waves, clouds b ve b tt gl z d y l w Mar the 1 0 th Z n oro - e e m Yei m ku. Mad by g , sta ped , [Figure i oz en at o o a o Ye iraku R y , Ki t , b ut

0 D m . . 1 8 1 . ia 5}4 in

P saka- dz uki and a 1 2 1 . SAK E CU ( ), its st nd porc elain ; the sau c e r and the o utside of the c up o rnam ented o o with scro lls, ﬂ wers , and ph enixes n o m a in gold o a red gr und , i it ting gold brocade inside the r h c up a e t e ﬁr, prunus , and bam b oo trees painte d ’ k on c u D az in blue . Mar , the p,

’ l - ra/ m sez Ye iraku o f G [ Vi15071 Yez , Made by reat Japan o n the o o f o th e [Figure stand, a representati n a c in with ’ ‘ ” - n o F u - kz rhdm ez R o o a d e. fo ur c haracters, , iches, h n ur, a l ng lif ’ ’ K z m ante m a [ Figure ware , de at h 1 0th Ze n o ro Yeiraku Kioto by t e g ,

Ri oz en o 1 8 1 0 . m . o f c u y , ab ut Dia p

2 in o f a . % . , st nd 5 % in B I N C N B N koro 1 22. GLO ULAR E SE UR ER ( ) , po rcelain painted in red and green o n the b o dy m o nstrous lions and sacred pearls ; o n th e cover scrolls on a o and in gold red gr und , with k m e Yei raku o penings . Mar sta p d, , ’ m k m . s igu 2. Ye iraku. a er na e [ F re M ade Fig. 4 1 2th Zen oro Ye iraku H oz en N o 5 2 1 by the g , , . ,

o o a o 1 8 0 . . . at Ki t , b ut 5 H 3% in

I OF hand - flee o o a o d PA R FLOWER VASES ( ) ; p rcelain , dec r ted in g l o n a bright - red gr ound on the body phoenixes am ong fo rmal o o n th e c k o o om k scr lls ; ne and f t ge etri c al designs . Mar in

' ’ o o n red D az [ Vi- an Yei- m ku set e g ld a panel, p , Mad by ” ' Yeiraku of G . K z n ran té e a e reat Japan [Figure war , m d

the 1 Zen oro Yeiraku T okuz en o o 1 8 . by 3th g , , at Ki t , 7 5 H

1 1 % in . W E C saka o 1 24 . T O SAK UPS ( sim ilar in fo rm to E ur pean egg o o o c o cups p rcelain, c vered utside with a elad n glaze with gilt

’ '

- - ' o . k o D az [ Vi rm Yei ra/lu sez b rders Mar in g ld ﬁ , Made by 1 Ye iraku o f Great Japan . [ Figure M ade by the 3th Y iraku T okuz n Zen oro e e o o 1 8 . . 2 . g , , at Ki t , 7 5 H % in 7 6 jA P A N E S E R OTTE R Y.

OTo WARE .

T f To a Th e a o his ware is pro duce d in the pro vince o s . f ct ry was fo unde d during the peri o ds Manj i or Kwamb un 1 65 8 - 1 67 3)

in i h a man a e S hohaku who had e e N se . T e by n m d , studi d und r pre sent trade consists in vari ous do mestic articl e s o f an inferior f kind or use in the n e ighb ourh o o d .

Nina awa a e a Oto a a e the o n o f o [ g st t s th t is pl c in t w K chi ,

o e o f T o a an d a S hohaku was a Co ea o e who pr vinc s , th t r n p tt r a e to a a Choso ab e M oto c hika e o f the o i e c m J p n with g , rul r pr v nc of To a a e the a o o f o ea Ta o e o 1 2 s , ft r inv si n C r by ik H id y shi ( 5 9

H e o e o ea a e a and a e a o ere ﬁrst w rk d with C r n m t ri ls , ft rw rds disc v d and e the a of N o a a a ea Kﬁc hi H al o a e us d cl y ch y m n r . e s st t s that s o me say that the po tter Ninse iwas the pupil o f S hohaku]

ka- w an - - 1 2 . T EA a o o i a 5 BOWL ( ) , light br wn ware, c vered w th pale drab

c c k - c k m o a glaze ra led, and painted in bluish bla with sy b ls , r in

c o k m m of koku e tc . Oto m e l a , ha er Dai , ware, ad in the

o e o f T o a o 1 800 . . . m pr vinc za, b ut H 394; in dia . 4 % in

A WAJ I WARE .

T his ware com e s fro m a small facto ry in the Village o f Igan o h a t e a o f A a o o e Hio o . Th n was mur , in isl nd w ji, pp sit g e kil e e e o ea a o K ashiu Mim e a a e of the a r ct d f rty y rs g , by p i , n tiv isl nd, ’ who e a e the o e art o a a hiuh i o i z aka l rn d p tt r s fr m Og t S e , in G jo

ea Kidto . o f a e e a e o A a a a e n r It is v ry d lic te y ll w tint, like w t w r , ha a ea az e o e e ﬁ ne a and are ving b utiful gl c v r d with cr cks, c fully

a e o e or a a A o e n p int d with m r le ss tr nsp re nt e nam els . n th r ki d is of a t o - a e az e a e e f s r ngly b k d biscuit, gl d with v ry fusibl mixture o

a an d o e o f ea the a o of o e i s nd xid l d which, by dditi n c pp r ox de, or e a a a o o e a a e a ee e ow or c rt in n tur l c l ur d cl ys , ssum s gr n , y ll ,

- T az e so e a brown red colo ur. his gl is fusibl th t it can n o t b e

f a Th a again bake d in a mu ﬂe fter painting. e w re is so me time s

o as M m e a o the a e o f the o son kn wn i p i y ki , fr m n m f under, whose

an e now the a e a e . S p i , is pursuing s m tr d 10 5 111 0 WA RE . 7 1

- 1 26. b and ﬂee o m o f o of m oo FLOWER VASE ( ) , in the f r a secti n ba b ; o c a c o o m o o p r el in , vered with a yell w glaze, and with a ba b in

o o o o o . relief, c l ured green at the f t a purple spr ut Made by i Min o 1 8 0 . 1 1 . m . Ka n e . . shi p , ab ut 3 H 73 in dia 4 7 ; in

1 2 . C I H ram o c o m o 7 SAU ER D S ( ) p r elain, with rna ents incised in utline n o n N k o o and glazed gree and purple, a an in yell w gr und ; in

the centre a phoenix surro unded by conventi onal sprigs . Made

n Min e i o 1 8 0 . m . 1 2 . by Kashi p , ab ut 3 Dia % in 8 W C u o 1 2 . T O UPS with straight sides , ﬂuted half way p the b dy

o o . k o of the C o p rcelain, yell w glazed Mar in br wn hinese peri d

- - Wan 1 1 620 . leih , 57 3 [ Figure a Kashiu Min e i o M de by p , ab ut

8 0 2 . m . 2 . 1 3 . H . in dia % in

ﬁ rm er 1 29. FLOWER VASE ( with ﬂat expanding m outh in a separate two m piece, and s all handles in ’ the fo rm of elephants heads w c c k c ream y ware ith ra le glaze , painted in enam el c ol o urs with o n to oe o n gilding ; the p ph nixes , k m o o the b o dy pea c o c s a ng pe nies .

' k o N i- on A w a- z K a N o . 1 2 . M ar in g ld, p j 9

' sl uu S an-pet, [Made by] Kashiu ” A 1 8 . m Sanpei in waji, Japan , 7 5 [Figure H . 7 % in . dia .

o f top 7 in .

f - 0 . T EA I C o o o ot c 1 3 SERV E , c nsisting a g urd shap e tea p , su rier and c o m k two c c o f E o ver, il jug, and ups and sau ers, all ur pean shapes ;

a - c o o c o h c k cre m l ured ware, vered with a t in cra le glaze, and m o o o o om painted in ena el c l urs with ﬂ wers , pe nies , p egranates ,

' ’ k o [ Vi- an A w a - z K a- sﬁ z u S an - 8 2 etc . M ar in g ld , p j p , [Made

Ka n A . n by] shi Sanpei in waji , Ja pan [Figure O the

- S an d o . 1 8 . . o f 6 in . saucers p nly Date , 7 5 H tea pot % , jug

in m . o f c in . 496 ., dia su rier 5 94 , saucer 4 94 in .

K I S H I U WARE .

The a o ate in a a a a in the o e o f K11 f ct ry is situ d W k y m , pr vinc ,

and e to a e ee o e 20 0 ea a o A th is suppo s d h v b n f und d y rs g . fter e re ceptio n by the prince o f the province o f the fam ous po tter 2 A P A N E S E P OTTE 7 j R Y.

Ye iraku Ze n oro a e e was to th art g , fr sh impuls give n e . How e e as e e was n o o o a to b e had a a e was t v r, th r g d cl y , its dv nc o a certain e xte nt limite d ; and at the pre se nt day o nly an infe ri o r

o f o m e a e o T e e a az e kind d stic w r is pr duce d . his is g n r lly gl d

e e ffe e e na e o f e e o and e i with thr di r nt m ls purpl , y ll w , blu , giv ng it a o e a ea a m ttl d pp r nce . [A ccording to N inagawa th e m anufacture o f Kishin ware dates fro m the perio d Bun - kwa ( 1 8 0 4 In 1 8 2 7 the ware s were greatly impro ve d by Zengo ro H oz en from Kioto ( see

Y iraku a e . K zr ku en e w r , p The mark use d was a a y .

During the perio d Ka- yei ( 1 8 4 8 — 5 3) the factory

was a the a e o e rem ove d to Oyam in s m pr vinc ,

’ a nk am T and the ware s were inscribe d N z oy a. his

a 0 e e a o o f l ste d till ab out 1 8 7 . Sinc th n imit ti ns Kishiu ware have b een made at To ki o by a Fig. 4 5 . e f th P f Ki1 wh1c h are a e Kishin. subj ct o e rince o , m rk d

N O° an- raw en l o e e e a m an na e S y . Stil m r r c ntly m d Miyai S ajuro m ade po tte ry o f the sam e kind at Otamura n ear

Wa a a th k y ma. Th es e ware s all Sho w a gradual decline fro m e earlier fabrics ]

1 1 . V c k harm o c o m e 3 ASE with wide ne ( p r elain, with rna nts m o o o e o m ulded in raised utline , the gr und glazed purpl ; f r al

c fo r o e tc . k panels, circles with the seal chara ter l ngevity, Mar

' am K ai- raku en sez - k m st ped , y , M ade at the Kai ra u ( ingled o m The m o f enj y ent) garden . [Figure na e this garden m is o m c . n at derived fr the Chinese classi s Kishi ware, ade

k am o c o f o 1 800 . . 1 8 . Wa ay a, pr vin e Kii , ab ut H 94 in

T SA SUMA WARE .

a now a e the V a e of N awashiro awa in the This w re is m d in ill g g ,

a o a o e - ak was o provin ce o f Satsum . It is kn wn th t p tt ry m ing intr duc ed from Co rea in the peri o d Onin or Bumm ei ( 1 467 A t ﬁrst th e manufacture co nsiste d o f a kind o f sto n eware covere d

o e o f o an d ea and o a o a o f with a glaz e mixe d with xid s ir n l d , cc si n lly

a a the f h a white ware similar to Core n porcel in . In beginning o t e

R 7 4 jA PA N E S E R0 TTE Y. a n e o e e the e a e of the l nguage a d customs: Sinc , h w v r, st blishm nt C e ntral Go vernme nt th ey e nj oy the s ame rights and libertie s as

T a o 1 0 and are all e a e o the r subj e cts . hey number b ut 45 , ng g d in

- o a a A .D . 1 6 0 a C o ea a e o p o tte ry making. It is s id th t in 3 r n n m d K y , o f th a f o a a o o a e the e f mily o B oku, f und cl y in v ri us l c liti s in

o e and was the to a e the a e e o a e o pr vinc , ﬁrst m k w r d c r t d with g ld

o a was o N awashiro awa. o utlin e . A g o d cl y f und by him in g

A o e f a e o e o C o ea o o e of n th r kind o w r , intr duc d fr m r , is c mp s d a e - e a e o a e a e a a gr yish whit cl y, d c r t d by inl ying whit cl y in such

a N o . mann e r as to fo rm de sign . (

Nina awa a e a a o to Z orioku o o e de [ g st t s th t, cc rding , c l ur d

- — c r e the e o Bun kwa 1 8 0 1 . o ation was n o t introduc d until p ri d , 4 7 Oth er authoriti e s give a s o m ewhat earlier date ]

1 2 N N B N koro o - o n o m m 3 . I CE SE UR ER ( ), f ur sided , f ur s all feet ; crea c o o c o c k o n c l ured ware , vered with a thin cra le glaze ea h side

Ko - a is a gro wing ﬂo wer in natural co lours with gilding . chius

m C a o c o f O m o 1 660 . ware , ade at hius in the pr vin e su i , ab ut

. 2 . H 5 , in

1 V to o a slzaRru - 33. ASE h ld a te ladle ( pale yell ow ware with c k in c o o transparent cra le glaze, painted l urs with gilding ; on the b o dy are scattered sym bols ro und the nec k and fo o t fo rm al

- o . Ko c m C o e o f O m b rders hiusa ware, ade at hiusa , pr vinc su i , 1 6 0 6 about 9 . H . 7 in .

1 . N C N BU N koro o m o f 34 I E SE R ER ( ), in the f r a tripo d vase with two a c o m o o high h ndles , the ver sur unted by a li n ; white ware ,

o m c c k o m o o c vered with a crea y glaze ra led ; f r al dec rati n, o o m a o chieﬂy in red, green , and g ld, with f r l b rders . Made at N awashiro awa o c of m o 1 20 g , pr vin e Satsu a , ab ut 7 . H . 7 in . [Figure

- 1 . T midz u ire o m of a o c k n 35 WA ER VESSEL ( ) , in the f r shall w bu et o

m c m - c o o three s all feet, with straight bar handle rea l ured ware

c o m c k ar vered with a thin glaze, inutely rac led ; the staves e of c o o L represented by bands brilliant l urs with gilding . a c quer

. N awashiro awa o o f m o lids Made at g , pr vince Satsu a , ab ut

800 . 6 m . 8 . 1 . H 7 ; in . dia % in

0 N N T oh - m ono o m a 1 3 . OR AME ( ) representing a y ung n seated o n a o c k o c r , h lding a pen il in his right hand and a leaf in his left o o o k he is dressed in a ﬂ wered r be, and has l ng blac hair falling S A TS UM A WA RE . 7 5

c o a m e o n the shoulders white ware, vered with pale crea y glaz

k c o o . N cra c led , and painted in l urs with gilding Made at awa

wa o nc e o f m o 1 8 0 . . 1 0 . shiroga , pr vi Satsu a , ab ut 4 H in

294 -7 7 N BOX Bo a c o a e a e 1 37 . I CEN SE ( g ) and ver ﬁne p l ware , with cre my glaz

6 I nc n B n . m . N o . 1 . Fig. 4 . e se ur er Satsu a ware 34

c co o e e rac kled , and painted in l urs with gilding the surfac divid d

o o o n c . N int o gadr ns , whi h are varied diapers Made at awa ' h r awa o c of m o 1 8 20 . . 2 . s i og , pr vin e Satsu a , ab ut H 4 in 2 95 -7 7 . PA I R OF FLOWER VASE S (Erm a with cylindrical b odies A N E S E P T E 7 6 jA P O T R Y.

spreading lips and ﬂattene d gl obular bases ; cream - co l oure d ware with thin c rac kle glaze and painted in col ours with o n o am o gilding the b dies squirrels ng vines, o n the bases a prunus pattern in white and

- o m o . k N i on gold ; f r al b rders M ar in red , p

' ettsu - ma N aka ima sez N ka m S j , Mad e by a ji a ” m . e 1 8 o f Satsu a in Japan [Figur 7 5 .

H . 9 in.

B T EA POT do - bin 1 39. GLO ULAR ( ) , with three legs and l oops for o ver - arc hing handle ; reddish

c o a e - a e ware, vered with dull gre nish grey gl z , bene ath whi c h are incised ﬂying storks ﬁlled

. k am ea in with white Mar st ped, in the s l cha

rac ter e . N awashiro awa ro , ill gible Made at g , p

c o f m 1 8 0 . vin e Satsu a, 4 H . 4 94 in .

G B TEA P T dobin o o fo r o LO ULAR O ( ), with l ps verarching handle c o a buff ware, vered with drab glaze and painted in greenish

nd o k . k m grey ; cl ouds a ﬂying st r s Mar sta ped, in the seal

a e e . a e N awashiro awa o e o f char cter, ill gibl M d at g , pr vinc

a m 1 8 0 . . . S tsu a , 4 H 4% in B IT H C o OWL W OVER grey st ne ware , with patterns

c o o o o f o c o . in ised in utline, h riz ntal bands l zenges , inquef ils, etc ,

c and . N awashiro awa ﬁlled in with white lay glazed M ade at g ,

o of m a 1 8 0 . . 1 . m . 1 . in the pr vince Satsu , 7 H 574 in dia 5 in

b and - flee o o and e m o FLOWER VASE ( ), with gl bular b dy wid uth ; o e o a c c k e yell w war , c vered with thin glaze ra led, and paint d

- o f c in greenish brown with h o rizontal lines and bands hat hing ,

- ir o o m c o . e N awash o herring b ne pattern , and f r al s r lls Mad at

o e of m 1 8 0 . . 1 0 . gawa, pr vinc Satsu a , 7 H in

G B TEA POT do - bin o o for o LO ULAR ( ), with l ps verarching handle

- o a e o e . d buff ware , c vered with bright r ddish br wn glaz Ma e at

N awashiro awa o e of m 1 8 0 . . . g , pr vinc Satsu a, 7 H 474 in

Y T - S HtRo A SU WARE .

T a e a e at the a e of S hirno To a a ar the his w r is m d vill g yoh r , n e o o f Ya - a the o e of o e e the a o t wn tsu h shi , in pr vinc H ig , wh r f ct ry was h d Kwan i o r — r o e at t e e o e o o A . D 1 62 fo f und d p ri y Sh h ( . 4 4 7 ) the f d a e a to h purpo se o pro ucing w r Simil r t e Satsuma. It is o f a - A E YA TS U S H I R O W R . 7 7

o e a o o e o f e a an d e o a e a hard p rc l in , c mp s d gr y cl y, d c r t d by inl ying n so ﬁ ne and o o white clay in a small desig . It is in such g d

V u- o . N o. 1 4 . Fig. 48. Flower ase. Yats shir ware 5

U o a e the art. taste as to m ee t with universal appro val . nf rtun t ly

h a e and ﬁ ne e a o now b e has pe rishe d with t e m k r, such r sults c nn t

we h 0 e to e o a e e o a o . o btain e d . H owever, p nc ur g its r st r ti n

o m I A R o e , 1 44 . OV FORM J grey glazed p rc lain rna ented with 7 8 jA PA N E S E R0TTE R Y

k m s vertical line s, incised and ﬁlled in with white . Mar i pres ed o m the o o f not deciphered . Yatsushir ware, ade in pr vince 6 o o 1 20 . . 1 . Hig , ab ut 7 H 7 in

- 1 . lz an a o m of c k o 45 FLOWER VASE ( in the f r a wide ne ed b ttle , ’ with globular bo dy and two drago ns heads as handles bro wn o o m c st neware, glazed, with rna ents in ised in the paste, and ﬁlled c on e o o k in with white lay, with blue details a gr y gr und ; st r s

m o o . o m o of ﬂying a ng cl uds Yatsushir ware, ade in the pr vince

o 1 0 8 . H ig , 7 7 . H . 7 ; in [Figure

W fo r lzan a - 1 6. o a a o c o 4 ALL VASE ﬂ wers ( b rrel sh ped, ch late c c k o m o ware , glazed and ra led, rna ented with gr wing water o f G k r o n plantains, and a band ree f et in white a grey “ o . o . k m B aku gr und Br nze lining Mar sta ped , , a ” o m tree . [Figure Yatsushir ware, ade in the

o e of o o 1 800 . . . pr vinc Hig , ab ut H 7 in

- 1 . H TEA B el m wan o c o e 47 S ALLOW OWL ( ), ﬁne ch lat ware ,

c o - c c k o m a vered with a greenish grey glaze , ra led and m ente d o f o o inside with a band white ﬂ wers, utside

o of . o a m a br ad wavy band white Yatsushir w re, ade

f o 1 8 20 m . o c o . 1 . . in the pr vin e Hig , H . 7 ; in dia 47 in

T to an m o n of m c his appears be i itati Mishi a ware, whi h is said to

be of Corean origin.

SOMA WARE .

o a a e a e at Na a- a the o e o f a a S m w r , m d g mur in pr vinc Iw ki, is

of o e a e e o a e a a — kind st n w r , d c r t d in bl ck with vigorously ske tch e d

o e o e to a e ee a a o running h rs , supp s d h v b n p inte d ﬁrst by K n h N a nab u a e a w o was A . D . 1 Th o , distinguish d rtist living in 67 0 . e ware de rive s its name fro m the family n am e o f a princ e of the

o e and as th e o e a e ea o a - of- a pr vinc , ld r w r b rs his c t rms, it is

a probabl e that it was m de by his o rd er. The de co ratio n of the

s no t e the e o f c e o h o rse wa us d until tim his suc ss r.

ka- wan o f c m k 1 8. T EA B a o out and 4 OWL ( ), pe uliar a e , as th ugh riveted o a in three places in the edge ; yell w ware, thinly gl zed and c k o om o o Spe led in the b tt , and utside, is a running h rse faintly

o o . om . o 1 8 0 2 in utlined in br wn S a ware Made ab ut 4 . H . 7 .

diam . 4 7 in . 1 C I N I C N C o o n o n fo r 49. YL DR AL FUR A E with an pening e side K UTA N ] WA RE . 7 9

ﬁ re a c c o n k the , and pier ed dis inside whi c h to rest a ettle ; o k c a r ugh grey ware, thinly glazed, and s et hily painted with

o f o o . o m a 1 8 0 . herd h rses gall ping S ware . M ade ab out 4 1 0 m H . in . dia . 5 7 in .

T EA POT h a - m o lo o ( ) , with straight h l w handle, and sp ut at right

to of o o angles it grey glazed ware , with a herd gall ping h rses

o . o to c m utlined in gre y Pr bably belonging the preceding spe i en .

om o 1 8 0 . . S a ware . Made ab ut 4 H . 394 in This fo rm o f tea potwas n ot intro duc ed into Japan until the time o f

- Yo shimasa A k 1 1 1 . shi aga, 449 4 7

T N I KU A WARE.

a e na e o a a e a - a This w re de riv s its m fr m pl c c lle d Kutani mur ,

the o e o f a a e e the a o a e in pr vinc K g , wh r cl y fr m which it is m d is

o . A n o e o o o e e o e a f und th r supp siti n , which h w v r is inc rr ct, is th t

e e the a e a ea e a e o th a it rec iv d n m Kut ni , m ning nin v ll ys, fr m e f ct

are e a e th f h that th e re nin v ll ys in e vicinity o t e facto ry. Its o rigin da e o a o the e e ee e r an h a o a t s fr m b ut s v nt nth c ntu y, d t e f ct ry is s id to a e ee o e a e o f the P e f Da o a e h v b n f und d by subj ct rinc o ish ji , n m d

T a a Gonz a em on who had e th z o f mur y , studi d e H i en pro ce ss

- o e a a n . o an e a a o o f o a p rc l in m ki g Fr m x min ti n his w rk, which is de o o f S ometsuké e on the o a ea a scripti n gild d edge, it w uld pp r th t he had undoubtedly studie d the art intro duce d from Chin a by

r iu - h nsuio f z e o Go o day Go S o H i e n ( see p . Since th n pr gre ss has a e a e and az e o f ee ree e and e o t k n pl c , gl s d p g n , light purpl , y ll w

n o us the ea Kuz umiM orika é a o hu e s cam e i t e . In m ntim e g , m st

a e a e e e a a and ro e to a the o e a t l nte d p int r, s ttl d in K g , st v ssist p rc l in makers in the pro mo tio n o f their art ; and it is in co nse qu e nce o f h his succe ss that Kutani ware is kn own through out t e co untry. A bo ut the ye ar 1 65 0 a m an n ame d Go tO S aijiro ere cte d a kiln in a and o ee e to a fa e a a e a red o Kut ni, pr c d d m nu ctur w r with gr und

a de co rate d with gold o utlin e . The o rnam ent tio n was much a re the P e o f a a a e o a Daina on who dmi d by rinc K g , n m d K m tsu g , o n seve ral o ccasio ns o rdere d the making of articles de co rate d in

e o e o f are e a and o f ea a e . this styl , s m which still xt nt gr t v lu

T suna o shi the Ta o f the e era o a o a e en~ y , ikun ﬁfth g n ti n , ls g v A PA N E S E R TTE R 8 0 j 0 Y.

a a A c ouragem ent to the m nuf cture r. fter that time the facto ry

e a an d the e o T mm i r n de cline d co nsid r bly, in p ri d e e o Kwa sei

— ﬁ n D . 1 8 1 1 8 0 0 a e an e o o b e o e . o ( A . 7 ) sc rc ly y w rk c uld pr cur d S me

a a e the e o Bunkwa A .D . 1 8 0 a m an o f th ten ye rs l t r, in p ri d ( 4 e

a of Yo shida a e e e a at Ya a o - a and a e n m e y r ct d kiln m shir mur , m d

a ffo to e o e th e a e a a e h e o ea s gre t e rts r st r nci nt m nuf ctur , w il f rty y r ago a porcel ain painter calle d S ho z o re sume d the art of painting

M orika é or S aiiro e tc . T e e has a e ee a practis ed by g j , h r l t ly b n

th e a e and e e e now o e t n great advance in tr d , th r xist s m e kilns

- a n at a az a a- c ho the o e of Yenuma at T erai mur a d K n w , in c unti s

h a o e e not a a e o ne and and N o mi . T e Kut ni kiln , h w v r, is l rg , is

the a e e e the a o a so me distance fro m pl c wh r cl y is f und, n mely

- Th a e o f a a e in a o a Kutani mura. e vill g Kut ni is Situ t d m unt in ous e o e e the o a e Or and e e o e r gi n wh r sn w l sts until Jun July, is th r f r

h a me o f a e o e wa unsuitable for t e e st blish nt po tte ry. Fr sh pr gr ss s

n e e e e ea a o the o e a a e Ye iraku made whe s v nt n y rs g p rc l in m k r , a a e o e V e the a e and e S hoz o and Yuz an lre dy m nti n d, isit d pl c , lik ,

' taught the workm en the meth o d o f orn ame ntatio n calle d K z fzraﬂté

( see p .

The clay fro m Kutani is o f rath e r a dark- red co l o ur ; h e nce

a e o m h as a o T a f r th the ware m d fr it unif rm tint . h t use d o e

- a re a e o e o e e e e . A a e and d rk g y w r c m s fr m ls wh r thin , tr nsluc nt,

e e e a e o e e o a a o e e e p rf ctly whit w r is br ught h r fr m m ny p rts, m r sp

A a f r th o f c iall o o e e o e o a o . T a e a e y fr m rit , purp s d c r ti n his l tt r w r

ea a o the eo e the a a e e e th is in gr t f v ur with p pl , but m t ur pr f rs e o i a a a e o f a - re d and e - o The rig n l Kut ni w r d rk gr yish white c l o ur .

e e o e a a e are Yuz an o o S hi eharu pr s nt pr min nt m nuf ctur rs , Sh r , g ,

Kic hiz o an H kiz an dO. , d e

1 1 . H B o o 5 S ALLOW OWL c arse p rcelain, painted in purple, o c k o the c m green , and yell w, with bla utlines ; in entre a edal li o n with bam bo o and pine trees o n a yello w gro und with bla c k o o o f o o f d ts , surr unded by a band green, l zenge pattern edge

. k c k o n a F uRu purple graining M ar in bla square panel , , ” . m to a m o Happiness [Si ilar ﬁgure Kut ni ware, ade ab ut

1 620 1 . . D iam . 67 in

P A N E S E R0 TTE R Y 8 2 [ A .

- r d To z an no in o f T o . e seal in e , , Seal zan [Figure 5 Mad

1 6 . 1 . in 1 87 5 . H . in 3 4 7 7

N W BA KO ARE .

I n the perio d S ho - o or Manjl ( 1 65 2 a m an nam e d B anko Kichibe i e stablishe d a kiln

the a e o f o e - a on the o a e in vill g K um mur , b und ri s

f T o o was o e e a f ’ o as a o ki , which c nsid r d br nch ni 1 . 5 3. . F g Kuta 0 h 1 6 the Kutanl a o t e ro vm c e o f a a. The N o . 5 . f ct ry m p K g are o the a a e and o a w fr m this kiln , ch r ct r rn menta

e e in o e e ee the a a a e ar n w tio n of which res mbl s m d gr S tsum w r , e o

1 T a a a N o s. o ha kn own as Ye do B nko . ( 5 7 his m nuf ct ry s

and the a e o the na e of a o b ee n disco ntinu e d, rticl s g ing by m B nk

a a e are a e at a a Yokka- an w re in foreign m rk ts m d Kuw n , ichi, d h f I the n eighbo uring district in t e pro vince o se. The Kuwana factory was fo unde d thirty ye ars since by a po re e

a Yiusetsu a a e of the a e o f a lain maker n me d , n tiv vill g Obuke, n e r

a a who as e the a e o f a o . H e Kuw n , sum d n m B nk is still living,

l The o e o e of a e a n but is to o o d to wo rk . pr duc c nsist d p culi r ki d h a f o f o e a e e e a az e . T e a e o the a e st n w r , g n r lly ungl d ch r ct r w r , t e the e o o f a a a e ogeth r with m th d m nuf cturing it, is st t d in de tail

' in the Ofﬁ cial Catalogu e o f the Japan es e S e c tio n o f thePhiladelphia i E hi itio n N o s . r60 E x b . (

a o o Chiuhei a a e o f the a e o f awa a the H shim t , n tiv vill g K s ki, in

' rovince o f Shimodsuké e a of a a p , studi d this br nch m nuf cture with

a o Yiusetsu and a e ear e e a e a B nk , in l t r y s succ ssfully st blish d

a e a e e e he o e a a a e o kiln in his n tiv pl c , wh r pr duc s simil r w r fr m

a e a o the . o o e e not e a m t ri ls f und in vicinity H is w rk, h w v r, is qu l

to the o a T was a o a o e o f a o a e rigin l . here ls n th r kind B nk w r

a le a o e a o e a and e the c l d B nk c l d n , which is v ry brilli nt unlik

C e e. a a e has o e e e e o e . hin s Its , m nuf ctur , h w v r, b n disc ntinu d

A o toN ina awa the a o a o was no t e a e [ cc rding g , B nk f ct ry st blish d till the perio d H6reki( 1 7 5 1 — 6 and the ware was made in imita

tio n of the Chin e se po ttery o f the perio d Wan - leih ( 1 5 7 3- 1 62 0 ) B WA A N K 0 RE .

o as Ko- E ank Yiu it is kn wn o. setsu of the M o ri family was the so n o f a ea e a e a e an a a d l r in w st p p r, d ccide nt lly fo und am ong his ’

a e o the e e for az e tc . of the a f th r s st ck r c ipts gl ing, , ﬁrst B nko,

led to e o e a o e . T was a e a which him b c m p tt r his c ntury l te r . ]

YED o N BA KO WARE .

T midz u - Ro me m WA ER JAR ( ) , widening at the iddle ; pale ware , e red and o of o paint d in , green , blue, with t uches yell w ; . the o a o c o of o o c dec r ti n nsists f ur val panels, with lands ap es surrounded and connected with each o ther by red bands ; the intervening spaces ﬁlled with inscribe d scrolls and “ and . o a ko m e diapers in blue green Yed B n ware , ad by k a Ko um em ura Tok o a o t o 1 6 0 . Ban Kichibei , , near i , b ut 9

1 2 in . am . 1 . H . 7 di 47 in

‘ llam a - 2h o FLOWER VASE ( ), widening t wards the base buff ware . c o a ello wish c k vered with y glaze cra led ,

in re d m - k and painted , with te ple li e ‘ buildings am o ng clouds at the nec k of k o c a band sun lines , ab ve whi h a o m k row o f triangular rna ents . M ar ’ - m B an Ra m k m e. Fi sta ped, , a er s na g, 54,

‘ o ko m e B nko [Figure Yed Ban ware, ad a . 0 8 N O 1 8 ab o ut 1 75 . H . 7 in. 5

- H I H ram f FA N S APED D S ( ), bu f ware,

o e c k e o o c ver d with a dull glaze cra led, and paint d in c l urs, with ea e V the o a s sid iew ; at c rners diapers in red. Mark stam ped ’ in the c B an- Ro seal chara ter, with letters in relief, , m aker s

m . e o a ko m a a o 1 0 na e [ Figur Yed B n ware , de b ut 7 5 . Size '

n b 1 . 1 27 i . y 57 in

15 16 N BA KO WARE .

I H m m o o 0 11 m a e - o OBLON G D S ( ), in f ur l bes three s ll feet pal yell w ware p ainte d in imitatio n o f Chinese enam el in the c entre Chrysanthem um s and butterﬂies in brilliant col o urs o n a yello w

gro und ; b o rder of fret and diaper patterns in blue and green .

ko m e a o 1 8 0 . 1 1 . . Ban ware , ad b ut 4 3 in by 7 7 in I H ram c a S! UARE D S ( ) , with trun ted angles and circular centre

c o - a c c k brown ware, vered with a greyish green gl ze partly ra led ;

- acro ss one c orner is painte d a tree trunk in brown with red leave s . 0 2 8 4 jA RA N E S E R0 TTE R Y.

’ - k am B an R0 m ker n m e . ko m Mar st ped, , a s a Ban ware , ade

ou 1 8 0 . ab t 4 W . 4 94 in .

162. T E A POT kin - m o c m o e w and ( ) ; thin p r elain, uld d ith ﬁnger thumb ; inside is a wave pattern in slight relief ; the o utside o a o e c k t c vered with turqu ise glaz cra led , and painted wi h a branch o f po megranate in natural co l ours ; l oo s e ring attached a k o k m h to h ndle the n b o f co ve r revo lves . Mar s sta ped o n t e

e o n a c N i— on B an- Ra o sid spa e left unglazed, ﬁ , and in an val , ” S izion- ta tsukn r n a a ko , Made by Shibat B n , Japan .

[Figure 1 87 5 . H . 47 in .

- 1 6 . ke no ﬂee o el m 3 FLOWER VASE ( ) ; biscuit p rc ain , arbled o o n the e two o o a e br wn and white sid s vif rm white p n ls,

C e m m etc . e c with quails, hrysanth u s, , namelled in ol ours .

k m e N i- on B an - ko and an o al Mar sta p d, p , in v , S h oa ” ta ts nkum e a a a ko a a . , Mad by Shib t B n , J p n [Figure

1 8 . 1 2 . 7 5 H . 94 in 6 1 6 V fo r c the li o e to o m o n Fig. 5 . 4 ASE igars, p curling v r f r handles ’ B nk o . wo m o m of m a t sides, three s all feet in the f r onsters

N O 1 6 . . 3 he ads ; red unglazed ware ; on o ne side a bunc h o f e o m c o o on o c o p ny in ena el l urs the ther an ins ripti n , c a C the c hara c ters inlaid in white lay , being hin ese verse in

- of o botan . k m [ Vi on B an- Ea praise the p e ny ( ) Mar sta ped, j , ' o a S izz oa - ta tsnknru and in an v l , , Made by Shibata Banko, ” 1 8 . . 6 Japan. [Figure 7 5 H in .

T R E H IZEN FA C O I S .

A numbe r of kilns have b ee n ere cte d in vario us parts of the

o f z e — a a A a Okawa i Mikawa i o - province H i n K r tsu , rit , j, j, Shir ishi,

K shida Yo a M atsu a a an d a e a a ea N a a Shida, o , shid , g y , K m y m n r g

the ea o f A a are e the o f saki . U nder h ding rit includ d kilns

- o e N a awara Ou ho H okao K uro m uta and o e . Ichin o se, H ir s , g , , , , th rs

The o lde st o f all the se kilns is that of Karatsu [already m enti o n e d]

o e e o an e o of a e for o e use where , h w v r, nly inf ri r kind w r d m stic is

at A a now the o o a e e of the made . The wo rks rit , m st imp rt nt c ntr

a a a e e o e o a e the a a . po rcel in industry in J p n , w r f und d sh rtly ft r K r tsu a Okawa i o a K o shida The ware made at A rit , j, Shir ishi, Shid , ,

A A N E TTE R 8 6 j P E S R0 Y.

' M a - ura was and e for a the e o n e A a tsu , which is us d m king r n w d rit

a th o f an o ld e ta e e e he a e w re . From e ruins s blishm nt , wh r m d o e e e e are o a o a u e e of o e s m xp rim nts , cc si n lly dug p pi c s p tt ry , ge n erally earthenware a de fe ctive kind o f white porcel ain kn o wn a ca awa has a o ee o h is e a e . s ( st y) ls b n f und, but v ry sc rc

A a e of a the a e o ne a e a — a n tiv Im ri, in s m pr vi c , n m d Hig shi shim

To kuz a em on had ea e o a C n a a who e N a a a y , l rn d fr m hi m n visit d g s ki ,

f a e o o o o the az e and the m etho d o p inting with Vitr us c l urs up n gl , ,

a f a o e o e na e Go Go m b e i he with the assist nce o n th r p tt r m d su ,

c e a e a a o e er e s a o e m a suc eed d, ft r m king v ri us xp im nt , l sting v r ny

h - D Was a the e o ea o f S o h o A . . o e e ye rs . In s c nd y r ( c mm nc d h e o f e e o a e e o o e e a e o t e xp rt o pi c s rn m nt d with c l ur d n m ls, in g ld

H ac hikan i h a to a a a a e . and e e tc . n t e e C silv r, , ﬁrst pl c hin m n n m d

a The o f Busin e ss was th e n o pe n e d with the D utch m rke t . kind de co ration e mplo ye d at this fac tory‘ has b e co me its pe culiar * o o o and has ee a e e e a for the o e a e . m n p ly, b n m d sp ci lly f r ign m rk t

1 6 ( N o s. 7 The important to wn o f A rita is situ ate d in a valley n ear the l o f I dSum i- am a e e are to b e o d e e e th e hi l y , Wh r f un mb dd d in

o all the a e a e e a for the b fo r the o a o f r ck m t ri ls n c ss ry iscuit, c ting

the Wa e e o e az n for the az e an d o e r o e . e e r b f r gl i g, gl , th r pu p s s H nc e er a a e e e o an e he e v y m nuf ctur r h lps hims lf with ut y syst m, is und r

no o ro and c an a a at a e e he e e . c nt l , bring w y will wh t v r r quir s

O a e e e o e e for a o are e o e the nly l rg pi c s c nv ni nt tr nsp rt r m v d, broke n ro ck being m e re waste ; m oreo ver a great squandering

th a an a a o e to o e o o a e d e o . ccurs in tr nsp rt, st r g , pr p r ti n In rd r a o a e the a e e o f the o e o f the N a e v id such w st , l t princ pr vinc , b

a a who o e e the o b efore the e o o shim f mily, g v rn d c untry r v luti n, a o e an o f a to ac t as o ve e o f th in e pp int d ﬁci l rse r e quarry g ; furth r, b e set up a gate o n the ro ad to the hill to prevent un autho rise d

th a a had the a ea pe rso ns fro m e ntering e qu rrie s . Su ch step pp r a c e o f e a e o n the e e ra e o f the eo e was n b ing ch ck fr t d p pl , but it really n e ce ss ary for the pre se rvatio n o f the e xce llent materials .

[This is evidently what is kno wn in E urope as old H I E N RA T0R 1E Z 0 S . 8 7 nv

Since the e stablishme nt o f the Central Go ve rnme nt this co ntro lling. s st ' em has e e a o e and the a e o a b e ea e . y b n b lish d, w st will pr b bly gr t r than be fo re h t e e o T e o o r a o A . D . 1 8 0 a a a In p ri d mp , b ut 3 , we lthy inh

a o f A a a e H iratomi Yo ib ei o a the d a bit nt rit , n m d j , f und th t y

o a o was e e e fo r e e the az e as fr m H ir t much b tt r suit d r c iving gl , it

e o e a the I dsumi- a a a a a ea dri d m r quickly th n y m cl y, thus s ving gr t

eal of a a d l b o ur. For the sam e reaso n a clay fro m Go to Isl nd is n ow a ir m an a gen er lly use d. H ato i was himse lf an am ate ur d

o o a . H e was an o a m an at the tea e e o e and g d rtist imp rt nt c r m ni s, co ntribute d greatly to the deve lopme nt o f the industry by instruct

the a a e in the e o o f a and ing m nuf ctur r m th d p inting, by supplying him w a a f a an ith d e signs . It is s id th t the making o ﬂower v s e s d o f tea H a cups with sauce rs was co mm ence d by him . e so ld m ny

e e to o e n e N a a a all o f e e a e pi c s f r ig rs in g s ki, which w r m rk d with “ the ara e o f a o the e he o e . son a e ch ct r S mp , titl b r H is , n m d

a o ee e and the a e ea S mp , succ d d him, is pursuing tr d in gr t

o pr sperity. h D h t e e o Kwamb um o r a o A . D . 1 66 a é t In p ri d , b ut 5 , t , e

in e o f e a e e ‘ a e a o f T o o a e pr c S nd i, s nt thith r m rch nt ki , n m d

‘ a a Gorob ei to a e an a e a e T iz a I m riy , purch s rticl m d by suji K

e o a f to h E o . e en y m n , which was fterwards o f e red t e mper r Sinc th the make r has b ee n ho n oure d annually by an orde r fro m the

C o to h in he a a e a e ea urt supply t e ware use d t p l c , which is v ry cl r

an e o e a o a e o a o . The a e for tr sluc nt p rc l in , with c b lt d c r ti n rticl s ’ the E e or o wn use and for a o f the e a a are mp r s , th t imp ri l f mily, o a e e th C a o e o r the e a oa rn m nt d with e hrys nth emum ﬂ w r, imp ri l c t * ’ - o f ar . Kiz a em o n s a o Kiheii has een e ms y gr nds n , j, b distinguish d

t an - - H e was a e e a e o ffi a a e a no Daiio . wi h ci l n m , H id chi j c l br t d

a e a a a e th use o f a a . On m k r, h ving ccide nt lly disco ver d e s gg rs o e the a e the a was e he o a o ne p ning kiln ft r b king ﬁnish d, f und th t po t had falle n inside a large r one set o n a l o wer stand ; on break in a a the o e e e he o to a o e a e g w y ut r pi c , f und his st nishm nt ﬁnish d

I n ro c on [See t du ti , page A P A N E E E R 8 8 [ S R 0 TT Y.

o T to the use o f an o e b ox o r pr ducti o n . his sugge ste d him ut r

a h a a e a e the a ar o e e s ggar . T e rticle to b e b k d is pl c d in s gg , c v r d

w a an d the o e so as to e a e e a . ith lid , j int lut d s l it h rm tic lly It is

e u i h W he a e the a a has th n p t n t e kiln . h e n t b king is ﬁnish d, s gg r

' to b e o e T o e o as GoRu/zzn o br k n . his pr c ss , which is kn wn , is nly

e a a a e e the o o o e a e us d in b king v lu bl piec s . In c mm n pr c ss , c ll d

' ' ' E orlzz - z r h f h a a no t e T Katsuz O a z t e j o int o t e s gg r is lut d . suji ,

e e an o f Kiheii o ne o f the e a a rer o f d sc nd t j, is distinguish d m nuf ctu s

the e e da and e e a e e o e a . pr s nt y, is sp ci lly skill d in pi rcing p rc l in

N H a o o e o the e a ( o . e ls re ce ive s empl ym nt fr m Imp ri l

C o urt . The e xhibits fro m A rita have b e en prepare d by a lo cal c o m

a a e K oransha the o e o e e e o f p ny c ll d , m r pr min nt m mb rs which

o are T Katsuz O a S umino suké o e b dy suj i , Fuk mi , b th v ry distin

uished a e a a and a e a a e Tedz uka g m k rs in J p n , m rch nt n m d

Kam n uk h a a a a Ye i e o s é. T e president o f the co mp ny is Fuk g w z a mo n T o a a a e e o to o e a ye . his c mp ny m de gre t x rti ns pr cur

e ta e a o f e o e and to e o e the o e cr di bl displ y th ir pr duc , bring b f r n tic o f foreign ers the progre ss e ffe cte d in the sh o rt space o f a year

the V e a Ex o e e o n e since i nn hibitio n . The ir e ff rts w r cr w d with

e and e o o n o o a a e . Th o al succ ss, th ir c ntributi pr ve d m st ttr ctiv e t t

e o f o e A a a o to 1 1 0 a numb r h us s in rit m unts 7 4 , with 5 43 inh b itants 1 2 0 o e are e a o e a - a 0 ; h us s ng ge d in p rc l in m king, 3 in

- o e a a an d e ar 1 60 o e . The p rc l in p inting, th re e s ome 5 w rkm n

o a e o no t e a 0 an a e a o f c mp ny mpl ys l ss th n 4 5 po tters d p int rs, m ny

e e a an d e e e a to e e e a th m skill d h nds , th r is ve ry re so n b li v th t it

i o b e a a e to a o w ll sh rtly dv nc d pr spero us situati o n .

The village o f Okawaji— mura lie s thre e mile s in a n o rtherly

e o o A a e th dir cti n fr m rit , whith r e wo rks were remo ve d about

A . D . 1 1 0 P e N ab eshima o I wa a awa ea A a 7 by rinc fr m y g , n r rit , the a e a e e o to a a and no t l tt r pl c b ing in pr ximity public highw y,

a e for the e e e i- a suit bl s cr cy r quired . The wo rks at Okawajmur

e e e the o a o e e of the e and the o e w r und r l c l g v rnm nt princ , pr duc

o e o e o f the e of a e as a e tea c nsist d s l ly b st kind w r , such pl t s, cups,

0 A P A N E E R 9 j S 0 TTE R Y.

S HON S UI WARE .

I H m m u o c h D S ( ), with pright edge p r elain , painted in blue wit c m o o o f o m c a ﬂying birds, deta hed sprigs , and sy b ls b rder ge etri l

o o o f c o o om . diaper utside, b rder s r lls b tt unglazed Made by Goroda iu Go S ho nsui o 1 80 — 0 m y ab ut 5 9 . Dia . 9 in .

d o f n s R o Go ro da iu We give here the ate the Japa e e ep rt but if y . Go S ho nsiu n d o m C n in 1 1 m n r retur e fr hi a 5 3, he ust have bee a ve y o ld m an in 1 80 o r 1 0 5 59 .

C I N I C C U P o c o o the YL DR AL ; p r elain, painted in blue utside r und li a o c ar p are ﬁve panels with diapers and l ndscapes , bel w whi h e a two o ne e vertic l ﬂutes, alternately in blue and in white insid

o of c o n a m o . k a b rder panels , ea h with a ﬁgure nster Mar in “ ” a F ukn m to a squ re, , Happiness . [Si ilar ﬁgure Made

— Go roda iu G0 S hon sui 1 80 0 . . 2 . by y , 5 9 H 7 in

A IT R A WARE .

O N N T oé zl m ono o m of y o o r R AM E ( ) , in the f r a uth standing ; p oc and m o the lain, slightly painted in red , green, blue ; a ng o m m L ” o c c c o . rna ents curs the hara ter 7 , ngevity His right a c A o o f h nd is pla ed in his breast . M ade at rita , pr vince Hizen, o 1 6 0 1 ab ut 5 . H . 2 7 in .

I B o c o m o o PA R OF EAKERS, tag nal at the uth ; p rcelain , painted c o o a in l urs with gilding ; shaped panels with diapers, l nd

e tc . o o n o of o scapes , , irregularly disp sed a gr und pe nies with blue leaves round the lips a double band o f panels en c lo sing

C m m e tc . A o c of diapers , hrysanthe u s , Made at rita , pr vin e

o 1 6 0 2 . m . 1 0 . H izen, ab ut 7 . H . 37 in dia 7 in O I A N D C V o c o o V FORM VASE O ER p rcelain, ri hly painted in c l urs

of o o e tc . c o with gilding ; panels vari us shapes, tref il , , ntaining

m o Th o fe ale ﬁgures and ﬂ wers . e c ver has been strengthened

m o m . e and unted with gilt and silvered etal . Ebo ny stand Mad A o 1 6 0 m 1 6 at rita ab ut 9 . H . 347 in . dia . 7 in .

' N C N BU N koro of o c a o o I E SE R ER ( ), p r elain , with gl bular b dy, rest on c o m o m o ing three legs, and a pier ed c ver sur unted by a nster on o o m lo w c o o it vari us rna ents in relief, painted in brilliant l urs , o n o e red , green , and pale blue, with gilding the b dy three quatr o o on o m f il panels with ﬂ wers a bright red gr und between the , n o a A o hares o waves ; o n the c o ver drag ns . Made t rita ab ut

1 1 0 . m 7 H . 7 7 in . dia . 4 7 in . [Figure N C N E BU N koro in o r m o f c o c k c o I E S R ER ( ), the f a r wing the head 1 ; A RJ TA WA RE . 9

m ok o e o m and nec k fo rm ing a c over s o that the s e w uld issu fr h c m a c o o s the m o uth ; p o r elain , ena elled in the natur l l ur wit

. t A a o 1 0 . . . . 7 7 in gilding. M ade a rit ab ut 7 4 H in l

329-7 7 .

N o . 1 0 . 8 I nc Bu n . A . 7 Fig. 5 . ense r er rita ware

k e L I H m m o and l c 1 7 2. ARGE D S ( ) ; p rcelain , painted in red b a ish blu

o f e tc . in the c entre a vase o f pe o nies b o rder trees, prunus , ,

A o 1 0 . - at 7 4 with cl o ud lik e panels in red . Made rita ab ut

Diam . 22 7 in . 2 A P A N E S E P 9 j OTTE R Y.

L G I H ram o ( ) ; p l i , i t i l kish l AR E D S rce a n pa n ed n red and b ac b ue , o o f ith t h s g gil i g ; in th c t two sto ks w uc e reen and d n e en re r ,

m - p , o o . o of o k with runus ba b , etc b rder trellis w r , divide d into r e c c o p , o a o three a ts a h ntaining a quatref il panel with ph enix . A o 1 0 . m . 2 M ade at rita ab ut 7 4 Dia 1 in .

! E B TT sake - ire o S UARE SAK O LE ( ), the b dy tapering to wards the the o base, sh ulders truncated ; a very sm all nec k o rc elain ; p , c o o painted in l urs with gilding panels o f irregular fo rm c on

C em m and o o taining hrysanth u s ther ﬂ wers , with patch es o f

A . N o . 1 Fig. 59. rita 7 7 .

d o o n o a . e at A a iaper as a gr und the sh ulders di pers Mad rit , o 1 0 ab ut 7 7 . H . 7 94 in . T m m o c o o PLA E ( ) , with shaped edge ; p rcelain , painted in l urs n c with gildi g ; in the entre an irregular panel , with a three c o o n d two o c lawed drag n the e ge l ng panels , ea h with a bird on a ro ck the gro und dull blue with white s c ro lls outlined in

o and o e tc . c o c . g ld , with red ﬂ wers , , s attered ver the surfa e

a e A o 1 0 . m . . M d at rita , ab ut 7 9 Dia 9 94 in C I H ram o c m c o o SAU ER D S ( ) p r elain , painted in ena el l urs with

e o C o re d - c o o e p nies, in itr n , green , white , and , with liver l ur d

o n o . A o 1 0 . m . leaves , a greenish gr und Made at rita , ab ut 7 9 Dia 1 8 7 in . o c o o BOWL p rcelain , ri hly painted in c l urs , with gilding

9 4 jA P A N E S E P OTTE R V

ea t- a e o o at the c k h r sh p d panels with scr lls , o n a red gr und ba

- e ro . k of C - hwa 1 6 1 88. blu sc lls Mar the hinese peri o d Ching , 4 5 4

u e A o 1 8 0 . D m . . [Fig r Made at rita, ab ut 4 ia 7 in jﬁ 340 -7 7

1 8 . L G I H sara o c e 3 AR E D S ( ) ; p r lain, delicately p ainted o o o H in rich c l urs with gilding ; prunus trees , pe nies ,

. o m birds , etc utside o rna ented in blue , with birds ’ o n o D az and seaweed . Mark in red g ld and blue, ' “ z: N i- on H i- z en S a m - am a P ufﬁn- o wn s ez p y g , Made ” k S ara am a G a . by Fu agawa at y , H izen, in reat J pan Ye iz a em on k at m BE [Figure Made by y Fu agawa , A 1 8 . m . 6 rita, 7 5 Dia 3 in .

’

- 1 8 . ﬁ an a z ke o a 4 FLOWER VASE ( ) p rcelain, with bluish ] c o o ”J [a! grey glaze , painted with an archai pattern in c l urs with gilding the bo dy covered with slender plants with narrow red and yell o w leaves o n the Sho ulder a band of running scroll o n red gro und ; ro und the o o n c o o a b dy a white band , which a nventi n l bird , w o lam a: m m o alternating ith f ur in ﬂa es , all a ng c o l uds ; b order at fo o t o f two alternate diape rs . ’ ' “ ” - k F uka m g s ez k m . Mar in red , , Made by Fu a i b S um ino suké k m [Figure Made y Fu a i , at

A 1 8 H 1 1 . rita , 7 5 . 7 in .

- 1 85 . PA I R OF FLOWER VASES (lzana pear shaped c o o m and slightly ribbed, pied in design fr an ancient o o c c o m o br nze ; p r elain, vered with a pale pri r se glaze ; fro m the base pro ceed leaf- shaped p o ints o f diaper ;

' o th k k F uka sez e e a o . r und n c drag n in relief Mar , , Made ” k S umin o suké kam by Fu a . Made by Fu i ,

A 1 8 . 6 . at rita, 7 5 . H 7 in 1 86 C POT o f E o o m . OFFEE , ur pean f r , with the it HE handle and lining o f c o ver pierc ed ; deli c o c k ate p rcelain , painted in bla , green, and red with gilding ; o n the b o dy gro ups o f fig fig Fifi fern in bla c k and gold deli c ate bo rders in ’ ’

- o . k o H i z en Ts n z sez Fi 6 . 6 , , g. 3. Fig 4 g ld, etc Mar , in g ld j , A M ade b rita. y [Figure

N 8 N 1 8 6~ o . 1 O 6 A 1 8 . . . 4 4 ] Made at rita, 7 5 H 5 7 in

344- 7 7

1 8 . C I W two and o k o to c o 7 SU R ER, ith pierced handles rev lving n b ver uit m o a e and the m en s e with the last, si ilarly dec r t d with sa e

m k . . m . . ar . H 37 in dia 5 7 in OR A A A R W 7 1 W E . 95

O KA WA I J WARE .

1 88 N I N C N BU N koro o of a . ! UADRA GULAR E SE R ER ( ) , c nsisting tray o a o o c c o o f with fo ur feet , supp rting tr ugh , ver whi h ﬁts a ver pierce d netwo rk at the sides are alternately a tree and a Roi ﬁsh at a waterfall ; b orders o f leaves and c inquefo ils o n a red

e Okawa i o c of o 1 0 . ground. Mad at j, pr vin e H izen , ab ut 7 4

L. . H . 5 7 in . 5 7 in 1 8 T W H I H ram o m o f m o 9. O S APED D S ES ( ), in the f r an ar rial badge ; ’ h is k o aaé zl ootan a o t e design n wn as the , and represents pe ny f n m o a c o o c . ﬂ wer, with bran h leaves each side , as if e bra ing it

a Okawa i o 1 0 . L. 6 . M de at j, ab ut 7 7 94 in ra m 1 0 . C I H o 9 SAU ER D S ( ), p rcelain ; painted in green and blue ;

- k and o o o l inside , fern li e branches ther leaves utside , scr l s in

' - c om Euslzz té o to o o rim . blue , and b teeth ( ) b rder f t [Figure

Okawa i a o 1 0 . m Made at j, b ut 7 7 Dia . 4 7 in . 1 1 N C N BU N koro o o m o f lo w 9 . I E SE R ER ( ) and c ver, in the f r a vase o f o m lo w c o with part the rna ent in very relief, the ver sur m o o f old m an c o unted by the ﬁgure an seated, vered with a

o o c o o o n c elad n glaze ; p r elain, painted in c l urs with gilding

the body a b o y climbing a pine tree and a three - c lawed drago n am ong c l o uds ne ar a prunus tree ; s c attered ab o ut are seal m m o o characters . signifying the sun , the autu n n, and spring.

Ok awa i a o 1 0 . . . Made at j, b ut 7 7 H 7 7 in N G I N C N B N Ram o m o f two 1 92. ! UADRA ULAR E SE UR ER ( ) , in the f r a e o m o n c o handled vas , with rna ents in relief and the ver a o f Fukuroku iu o d of Lo orc se ate d ﬁgure j , the g ngevity buff p e

i o e o o f la n , c ver d with a celad n glaze, the head, feet , and hand

u az . Okawa i o 1 0 . the ﬁg re left ungl ed Made at j, ab ut 7 7

6 . m . . H . 7 ; in dia 4 94 in C I H sara o e a e o o o 1 93. SAU ER D S ( ) p rc lain, p int d in blue and ther c l urs a k e o o inside, bas et with high handl , c ntaining fruit and ﬂ wers

- - o to o o rim . Okawa i o 1 8 10 . comb te eth b rder f t M ade at j, ab ut

8 . D iam. in 1 C I H 3617 4 o 94. SAU ER D S ( ) p rcelain, painted in blue, red, and green a m o o c o f o inside, zaleas and agn lia utside, pat hes ﬂ wers and

- - o to o o rim . Okawa i o 1 8 1 0 c omb teeth b rder f t Made at j, ab ut .

8 . Diam. in

1 N C N B N koro o o f - o m 95. I E SE UR ER ( ), with pierced c ver, pear shaped f r ,

n o e a k- resting o a ﬂattened sphere p rc l in, with dar blue de c o

o o m a e tc . Okawa i o 1 8 1 0 rati n , f r l plants, M ade at j, ab ut .

6 . d m . . H . 7 in ia 374 in 6 A PA E E TE 9 j N S P OT R Y.

PE N 1 96. REST in the fo rm of a branch o f prunus tree

o o m o c the c olo . in bl ; p r elain , painted in natural urs

Okawa i o 1 820 . L. . Made at j, ab ut 47 in

’ I fi ana- z é e c o o oc B 1 97 . PA R OF FLOWER VASES ( ) elad n p r c c k o o f c is o m lain , ra led the b dy ea h richly rna ented m c o o fi ve ”I BB in brilliant ena el l urs with gilding, with petalled fl owers and leaves round the nec k sto rks am o ng c lo uds o n red ground r o und the base a band fl. ”J o f green s c ale w o rk with c o nventi onal waves and two ’ ' ' ' c o o k N zonz H z - z en F uka aw a rez sa red t rt ises . Mar , g , ” ka aw N 6 Made by Fu g a o f ichi Hizen. [Figure

a e at Okawa i 1 8 . M d j, 7 5

- S H I RA I SH I WARE .

V e e o o f the o o f a e. o e e ry littl is kn wn rigin this w r It is , h w v r, a fact that it has develo pe d m o st remarkably and has eve n bee n e o te e the a e e ea a o o f a o e a - a er xp r d sinc dv nt, tw nty y rs g , p rc l in m k

o f KiOto a e o a. The a e a are o in the e , n m d S w m t ri ls f und n igh b ourho od are e a a o the an f A makusa , but mix d with cl y fr m Isl d o . The ware made he re is pe rfectly White and co vere d wi th a n e twork o f a e and the o a e a o e e e e e cr ckl s , rn m nt ti n is xc ll ntly x cuted with

a Th a a vitreo us subst nce s . e cr ckl e d Cel do n is so m ewhat darker

a he kawa i a th n t O j w re .

T is no c m n o f in c o c on [ here spe i e this ware the lle ti .]

M I KA WA I J WARE .

Mikawa l a e the o o f Ma - ura es j is situ t d in c unty tsu , six mil

Th o distant in a s outherly dire ctio n fro m A rita. e w rks were

ir k a M e e i a o A . D 1 6 e stablish e d in the peri o d ( b ut . 5 5 by man a a a S anno o and so n e e a o f a n me d Im mur j his , d sc nd nts

C o ea a o a e w the o e o f a e o f the M a - ura r n , in cc rd nc ith rd r princ tsu

e e the a e a e e are family re siding at H irato . H nc rticl s m d her ge n erally

' f zlrato ware and are e e for the use o f the e o r as calle d , ith r princ ,

e e to the o u or to o e o . The S om e tsuké pr s nts Sh g n , th rs fr m him painted with Chin e se bo ys playing under a pine tree we re e spe cially

8 A RA N E E P TTE 9 j S O R Y.

O N N T oki m om o m o f a c o t o o S ; R AME ( ) , in the f r nven i nal li n, tand o n o c k o m c eo c ing a r , fr whi h spring p nies in white bis uit ; por

c e lain o . Mikawa i a o , painted in blue and br wn Made at j, b ut

1 0 8 . 7 9 . H . 7 in [Figure

' E UG s aRé o m o f a m an and SAK J ( in the f r fat seated , with i him c k o f large bag behind , the ne whi c h rests o n his right o and o m a o o e o a e th sh ulder f r s sp ut , p rc lain, with vari us gl z s, e

L 2 . 66. o . Mik w l N o 00 . Fig i n a aj ware. .

’ b a i o m an s oak o . g be ng yell w, the cl blue c ver wanting Made l Mik wa i 1 80 0 . . at a o . H . . j, ab ut 57 in l 7 7 in

20 2. TWO G B I N C N B N koro i c t LO ULAR E SE UR ERS ( ) , with p er ed rellis o o a o n c C o c vers p rcel in, painted in blue ; ea h ﬁve hinese b ys

Mikawa i a o 1 8 0 . . 2 . at an d . play, ﬁr trees Made at j, b ut 3 H 7 in

diam . 37 in . n wo a o b Od FLOWER VASE (ﬁa a with t h ndles, gl bular y and

m o o o c m . oo s all f t p r elain , painted in ena el c l urs with gilding o n o ne a o o n c e side quatref il in biscuit, whi h , in slight reli f, a c o nventi onal li o n am ong waves and c l ouds ; o n the o ther side

' ' s/z o c /zz é'n oaz and amo o e on c k the , viz . ﬁr, prunus , b b tr es the ne E YA M A WA E KA M R . 99 c.

n o . Two k I . m e e and o m phoenixes o gold gr und mar s I pr ss d, f r

‘ ' ‘ D az N i- on M i- é awa- z sez a ing a ring ro und the base , p j , M de

at M ikawajiin Great Japan . ' ’ - r n - sim 2 . I n red, Oz te K o a

' S ei- z an sez a , Made by Seiz n ” r n h e at the Ko a s a. [Figur 6 M ade 1 87 5 . H . 7 in .

T EA CU P WJ T H H AN DLE A N D C o f E o n o m SAU ER , ur pea f r

- o c egg shell p r elain, painted in red with gilding ; o n each are six o o bl ng white p anels , e ach c o ntaining a ﬁgure o f a p o et red gro und w ith

c om - k o c o b li e bje ts in g ld .

' k M i- é aw a - z Mari Mar , j Ckzié am tsu/éuru , Made by ” o C k Mikawa i M ri hi ara, at j. 1 8 Cu [ Figure 7 5 . p h .

2 . m . 2 in . a 7 in dia 7 , s ucer

diam . 57 in .

W KAMEYAMA ARE .

T Th a e of his kiln is situ ate d on a hill n ear N agasaki . e d t its

wa o a o no t o . a o e e a s f und ti n is kn wn It is cert in , h w v r, th t it e a e a e the A a e for th e o e of a the st blish d ft r rit syst m , purp s imit ting

C e e S o m e tsuké a use o f a a o on the an hin s , by m king cl y f und Isl d

— o f A makusa. e the e io T o A D 1 8 0 a a e a Sinc p r d e mp ( . . 3 43) m t ri l has ee o e o C a and e o e o the b n imp rt d fr m hin , is mpl y d m stly in

a a e of t a r T are e m nuf ctur e s ervice s o saké ve ssels. hey gr y in

o o o f a oa e o a e a - e o o e e ln c l ur, c rs b dy, p int d with d rk blu c l ur, r s mb i g a of C e e o e a k a osu T a e m et kind hin s p rc l in n own s G . his w r with great favour fro m amateurs until within the last ten years since

e the a o f the a e has and the a o now th n qu lity w r declin ed, f ct ry is c los e d .

The c m o f no on in c o c o i o [ spe i en this ware is l ger the lle ti n, hav ng been l st o r ok o c En br en bef re it rea hed gland. ] R 1 0 0 jA PAN E S E P OTTE Y.

SAN DA WARE .

The kiln from which this ware e manate d was ere cte d in the

o e o A . D . 1 68 8 o n the A a e he peri d G nr ku ( rit principl , by t

f e o f the a who e e h Prince o S tsu , Kuki f mily , w r prince s under t e

Th a w o ld feudal syste m no w ab o lish ed . e f ctory as starte d fo r the

o e o f a th e C e e Ce a o a e purp s imit ting hin s l d n , which r nk d high in

h a o . ea e a e e the e e e and an t e public f v ur Gr t succ ss tt nd d nt rpris , experie nce d m an c an scarcely distinguish the imitatio n from the o a or e e o the a e a a e e C e a o was rigin l , v n fr m nci nt J p n s l d n , which

f h a a a also a repro ductio n o t e Chin e se w re . S nd Celad on is much a e a e the o a e e e and o an ppr ci t d but w rks h v d clin d , nly inferio r

a e the e o a e no w a e po rcel in us d by n ighb uring f rm rs is m d .

0 N N B N koio o o f c o c k 2 5 . I CE SE UR ER ( ) , in the f rm a lo oking back

o a c o o . wards ; p rcel in, vered with celad n glaze Sanda ware ,

1 1 0 . . 8 . . 8 m ade ab out 7 H 7 in l 7 in.

206. N C N B N koro the o f o o m c I E SE UR ER ( ) , in shape an vif r cage , pier ed an d n o n o o c in trellis pattern , resti g a ﬂat trip d base p r elain ,

o a a o . m 1 c vered with cel d n glaze Sanda ware, ade in 7 67 . i H . 97 a

TOZAN WARE .

T a e o a a e a or the o o f e i his w r is fr m priv t f ct y in t wn H im j, in

he o e o f a a o e the a o f a a pr vinc H rim , f und d by f mily S k i (formerly

e e the e a e m for the o of princ s und r f ud l syst ), purp se

a the A a a e . D e and te a s imit ting rit w r inn r s ervice s, o

' ’ a e M akz té a e ee a e a e th c ll d g , h v b n m d ft r e Chin e se S omet

saké o f the M e A e and the e a o iddl g s, C l d n pro duce d h ere is s omewhat ﬁn er than that kn o wn as N ankin

F r h C elado n in China. o t e last ﬁfte en years the works 1 1 a e ee e ene a and at e e o a a ,15s h v b n d g r ting, pr s nt nly sm ll inf rio 1 a a n trade in e w re s is c rrie d o . No .

20 I F I C T C N T IC sk 7 . PA R O PR KE A DLES KS ( a/lu with

o - o m o o o c o o c b wl shaped n zzles , unted in w d and pper, bel w whi h

c c m o n c - o ylindri al ste s , resting sau er shaped b wls ; tall bell o o n m s m shaped bases p rcelain, painted in blue ; the ste s, y

AP A N E S E P j 0 TTE R Y.

A ITI N DD O AL SPECI MEN S.

2 1 0 . I b and - flee a orc PA R OF FLOWER VASES ( ), with shaped h ndles p e la a e o o o n o o f o in, p int d in c l urs with gilding the b dy each , f ur ﬁshes and a t orto ise swimm ing o n the a B shoulder a band o f ri c h diaper with

‘ quatrefo ils ; sm all b o rders at ne c k and o o on c k two o k f t ; ne birds in g ld . M ar s m 2k ' ' 1 . e H i- z efz Ts u z sez Blu under glaze , j , ” T 2 . In N i M ade by suji in H izen . red, ’ “ 1507: To - kzy o H o - c lzi- m ua i t a [U y y g , Pa n ed th e H oc hi en o f T ok o a at y y i , Jap n . A a o [Figure rit ware, dec rated at R T ok o 1 8 8 ﬁg i in 7 5 . H . 7 in .

2 1 1 . I Fi . 0 . 1 , g 7 _ Fig 7 PA R OF FLOWER VASES

A Ki omidz u. o o m o an d rita . y vif r b dies shaped handles 2 N o . 2 1 0 . N 0 . 1 1 o c o o w p rcelain, richly painted in l urs ith gilding ; o n ea c h are two panels with ﬂ owers ; gro und o f key pattern in gold o n red ; o n the ne c ks

o m on c o o n . k K an ph enixes a g l uds ; the bases, diapers M ar , ' ” z an sez . a Ki omidz u , Made by Kanzan [ Figure M de at y ,

D n hic hi 1 8 . . 1 by Kanzan e s in 7 5 H 47 in .

‘ I ﬁ ana o 2 1 2. PA R OF FLOWER VASES ( with l ng ovifo rm bo dies ; o a o e e o e a p rcel in, c v red with rais d utlines r presenting prunus ' l e o om . k D az N z tr e in bl M ar , pon “ S ei- u tsakury f , Made by Seifu o f ” Great Japan . [ Figure Made at Ki omidz u 1 8 y in 7 5 . I b 2 1 3. PA R O F FLOWER VASES ( ana

c ho colate - glazed ware im itating basket o k o rm w r , with twigs f ing handles . ’ ‘ B at N - 2 Fi . k c c i mz D oJ z ac /ii Fig. 7 . g 73. Mar s rat hed, p ' ” Ki omidz u. Ki omidz u. s ez D Ohac hi Gr a y y , Made by , eat Jap n.

N o . 2 1 2 . N o . 2 1 . at Ki om idz u T k 3 Made y , by a ahashi .

D Oha hi 1 8 . . 1 2 . c , 7 5 H 7 in P T b ana o f E o o m o c the 2 1 4. FLOWER O ( ur pean f r p r elain,

o c o o f - e o utside with red gr und and ins ripti ns in white , twenty nin

a from o k H i- c he C a ass ge a w r by Wang , a hinese lines , being p O

— o wh o A .D . 2 1 two o . pr se writer, lived 3 37 9 gilt b rders Made by

T k D Ohac hi atKi o midz u 1 8 . . 6 . a ah ashi , y , 7 5 H 7 in A D I TI N E I M E N I 0 D O A L S P C S . 3

PO dobin o T EA T ( ) , with verarching handle thin grey ware with c c o c o of pitted surfa e , with an incised ins ripti n , nsisting Japanese um verses the lid in the shape of a nelum b i leaf. Made at Kioto

nun Ren etsu 1 86 . . in . . by the g , in 7 H 5 7 A N surf for o c o P ( washing rice ; c arse red ware, vered with o o a reddish br wn glaze , the inside r ugh with radiating comb

k . a e . N O lo a . D a . m ar s Jap n se c lity i m in .

B DGE TH E P RI N CE A OF OF SOMA. LIS T OF POTTERS ‘ A N D DECORA TORS

XH TED A T TH E PAR EX T ON 1 8 8 WHO E IBI IS H IBI I , 7 .

I n Japan the fam ily nam e is usually fo llo wed by the perso nal

m . I n o o to c o o m E o the na e rder, h wever, nf r with ur pean usage , m o o o f E o 1 8 8 na es were transp sed in the catal gue the Paris xhibiti n, 7 , o m o m o m c to and the pers nal and re i p rtant na e redu ed an initial. I n this list the defe c t has been rem edied ; and by o m itting the comm as o o c R the nam es will be f und t be pla ed as they are in the eport . The o f o an name s with an asterisk are th se o dec rators y .

N E AM S . PLACES . A b é m O i. a az a a , K n w . * A a a ii T e . N a o a. kiy m , j g y * A 0 ki T r ki h i. T o a c o o . , ki A a Zi i o he . N a o a. s n , g y

D a é D enz ab uro H m i hik t , a a s i.

’

Da e Kasuké . e a a t , Su n g .

a a H z i u o . N a a. H r , goy * a o K iOho . T o H tt ri, kio .

a o T a. H tt ri , sun do. * Yasukic h H iguchi, i. do .

’

- o T om o nao . a akura awa H ri, H ig shi g . * Hu ishima e a é . N a o a j , S nt r g y . * H o c hi e n C o m a . T o y y p ny o ki .

Iri ama K aino suké . Y o a . y , kk ichi

a S asuké . do . Ishim ,

nz I to , H a O. do .

do . I to e . , Kichib i

a a S uz ukic hi. N a o a. Iw t , g y

a z a D enshic hi. KiOto . K n n ,

k I c hinokura. o . a o o u é. M K t , G s in z " 1 0 6 J A PA N E S E P OTTE R y:

N E AM S .

S himidz u O o . , nk

S himidz u R ; okub ei.

S himidz u ’ , S ekisen .

S hito mi o , Sh hei .

T a a Tansai. k gi,

T a i a a DOhac h . k h shi ,

Ta ao a u nz O k k , G e .

Taka i hiur su K tc o . , j

Ta e o o a a a. k m t , H y t

' Ta ni , Sumi.

T a z a e ikai. n n , S

sukada Ki om atsu. T , y

' ir t K ic O. U c hin1 0 0 , o h

Wa Kitei ke, . * a a M ohic hi. Yam d ,

mo o az a. Yama t , K um

Ya a o o Matasab uro . m m t ,

‘ a a a Chiuz a ém o n. Yam n k , y

iraku Ze n OrO. Ye , g

Yeiraku, Ze nic hirO. T az a Yeisinsha. im .

’

k i S Osuké. Yo o ,

a M a a. Idz ushi. Yo t , kit

H E om oo c . AMM R OF D AI KOKU . (Fr a native w d ut ) I N D E X.

I t has not b een thought nec essary to inc lude in this I ndex the names in the

c d n L s o f o o tte rs pre e i g i t p .

A b o C in s o C f c o , h e e p tter hiusa, a t ry at 7 3

A atsu- m f c o Cho iro o 2 g ura, a t ry at j , p tters 5

A kahada Cho - niu o 2 ware , p tter 5

A ka- é m on o f C n s C o n - 2 y , i itati hi e e h se Karatsu ware 7

o c n Choz a em on o p r elai y , p tter 5 5

A makusa I n o f Co c n - Chin 0 ' , sla d hi ese ware 5 , 7 3

A m C o n o o n o n o f n o eya, rea p tter C rea rigi Japa ese p t

ter 2 8 2 26 y , , 4, , 34

f c o o n o n A rita a t ries. C rea p rc elai 7 2

C n m m o f on I 6 2 1 ra e, e ble l gevity , z A sakusa Raku ware

kok od Dai u, the g A f c o wata , a t ry at ’ D aik oku s hamm er A wata imitations of Satsuma D enshic hi n n , Ka za

‘ o n D ge , priest Panko wares D Ohac hi T k , a ahashi , B nko c o a Ki hibei , p tter

Banko Yiuse tsu o , p tter

B n o o e shi, K zawa, p tter

B n n od e te , the g dess

Bisham on od , the g Biz en ware

- l n Egg shell po rc e ai .

Bun ei m o p , Ka eya , p tter

B n o H o n o s s I u z , za , p tter Fi he 7

F u ikata - m f c o r 2 j ura, a t y at 4

Cha - no - yu (tea c eremonies) Fujin a ware 48

C k o o - no - Fu tmasa o hi ara, M ri , p tter Fujiwara j , p tter 59

Ch n o . ka Ye iz a emon o 88 i a , S uth Fu gawa y , p tter

Chiuhei H m o o o e Fukakusa f c o 8 , ashi t , p tt r , a t ry at 5

' - ko - k k m S uminosuke o 88 Chiu aratsu ware Fu a i , p tter , 97 ’ 1 0 8 I A D E X.

p A GE

Fukuroku iu od 1 H - s m T kuz a mo n j , the g , 5 , 33, 5 7 . igashi hi a o ye

H m f c o 59: 95 i eji , a t ry at

m nc 8 I kkan c o k Fu ai , Pri e 4 Hirai , la quer w r er

O e- no - sho e tc . H iraka Furuta rib , 3 ware

m 2 , 8 H s o o Fushi i ware 4 5 ira awa Kur , p tter H irato ware Ge mpin ware 34 H iratomiYOJ lb e i

Ge nsai H c o 0 H o e f c o , a hita, p tter 5 ir s , a t ry at ’ Genshosai c o o H - s k w , de rat r 49 ita u e are 1 Ge taha (getao ko shi) 4 Hizen fac tories

Gi o i o 8 2 0 H okao c o y g , p tter , 4, 5 , fa t ry at Go ds o f Go od Fo rtune 1 5 H oraku ware

Go io z aka f c o Horidashité j , a t ry at 59

Gokuhin 88 H o od tei , the g

Go mb ei Go o 86 H o n B n o o , su, p tter 4 7 , za u z , p tter

o nz a e m on T m o 10 H o z en Ze n o ro o G y , a ura, p tter , 79 , g , p tter

o ro da iu ho nsui o 2 8 H o c hiy e n o f To k o G y S , p tter , 9, 5 y i

Gosab uro ‘ o , p tter 59 Gosu porc elain 99 I c hi - niu ( S ab ei ) po tter 5 2 6 o Go mb ei o , 8 I c nose f c o 8 G su , p tter 4 7 hi , a t ry at 4 i G osuké o o I dsumi m A S , Kat , p tter 37 ya a, rita 6

aiiro o 1 0 I dsum o wire G oto S j , p tter , 79 4 7 Iga ware 42

H ac hikan an omura f c o 0 Ig , a t ry at 7

H c Gensai ot I arashi ihei o a hita , p ter g J , p tter 45

H ac hiz o o I k Yasu iro o , p tter eda j , p tter 97

H f c o I kkan H c o k 2 agi a t ry , irai , la quer w r er 5

Haku - an Imado ware 59

r ku o Imam S anno o o 6 H an o , p tter ura j , p tter 9 ’ nsuke m o o o I m f c o s 8 H a , Kawa t , p tter ari , a t rie at 9 , 4

H anz o o I m e w , p tter b are 37

ridsu c o k b mura k n 8 H a , la quer w r er I m é , il at 3

m - no - D aiio o n k m f c o 6 Hari a j , p tter I a i ura , a t ry at 3

m Co n f c o ns b urmn ss s s din 1 H asa a, rea a t ry at I nc e e g, ve el u e 3

w To rasuké o - m 6 Hasega a , p tter I nn ya a ware 3

o hiuh e i o B nk 8 2 8 Has him ot C , p tter I se a o ware , 3

iz ando o t I - k 2 0 H ek , p t er shi ya i 9, 34 , 4 d n s I to uiri 31 Heral ry, Japa e e g .

ib ok o Co n nc I tsuka 22 H , rea pri e 0 - no - D aiio I wakuraz an f c or H idac hi j , a t y at 5

1 1 0 I ND E X.

m N a anomura f c o at Kushiri ura g , a t ry

Kushité N a awara f c o ware g , a t ry at

n N o f c o Kuta i ware ag ya, a t ry at

c o N k m o fa t ry at a aji a, p tter

Yeiraku o k N o nab u no n w r ed at a , Ka , pai ter

n f c o arutaki f c o Kuwa a, a t ry at N , a t ry at

Kuz um iMorika é c o o N awashiro awa c o g , de rat r g , fa t ry at n k n Ninsei N o nomura o Kyli ( iri ) , , p tter

iraku o ,N , p tter

Lo n m m o f N ishikité gevity, e ble s ware

N o nomura N insei o , p tter

Ma tam a s o 2 ga t ub 7 , 5

- Makudsu - a- h Kidto 1 0 1 Ob a a- futokoro o g ara, g , Set

amb ashira f c o 2 O o n n M , a t ry at 4 gata K ri , pai ter

Mann ak a- Kob utsu 29 Ohiware

b o 61 Ohim ac hi f c o Maruya Sa ei , p tter z , a t ry at

himidsu Zoroku o 6 1 Ok m e Mas , p tter a

asuki hi w m o o o 0 Okawa M c , Ka a t , p tter 3 ji ware

Matsu a a f c o 8 OkuvKorai g y , a t ry at 9 ware

- 6 Matsu m oto ware 4 Old J apan ware

Matsu e f c o s 8 Omuro f c o y , a t rie at 47 , 4 , a t ry at

idsuko shiYo sib ei o 6 1 O e M , p tter rib Ware

i akité 8 1 00 k M g ware 3 , Osaka Ra u ware

M k do f m d of 1 O — o f c o i a , a ily ba ge 9 shi K ji, a t ry at

Mikawa if c o 6 j a t ry 9, 9 Ota Fac to ry Minato ware 50 S atsuma made there 6 Mino ware 3 ! Oto ware

n ei Kas hiu o 0 ‘ Mi , , p tt 7 Oto wa a Kurob ei o p er y , p tter

m m o n of 8 ‘ Mishi a ware, i itati 7 O o f c o uh , a t ry at

Mi- n c o k 6 ura Ke ya, la quer w r er 5 , 5 7

Kiusetsu o 6 Miwa , p tter 4 Phoenix Mi aiS a uro o 2 y j , p tter 7

m o 6 1 ' Miyata Ka eji , p tter Raku fac to ry Miz oro f c o , a t ry at 59 R k A sakusa a u ware, o C k o M ri hi ara, p tter 99 DOhac hi Mo rika é Kuz umi c o o g , , de rat r 79 H oraku Osaka N ab eshima (Okawa ) p Ware Tokio N a amura f c o g , a t ry at Rakuh o o t , p tter N a k m m n ag sa i, Ka eya a ear ‘ Rakuz an m f c o Ya a, a t ry I N D E X. 1 I 1

PAGE Ren etsu o S hi ekatsu F g , p tter g , uruta 35

R k Co n o S o c o o i ei, rea p tter hik , de rat r 5 5 Shino ware 34

Ri- n o no - o n sa pei , p tter Shi s shi 34

K o - niu o S hinsei so c d 6 iy , p tter , ware alle 3

Ri oz en Z en o ro n s o n n ot 60 6 y , g Shi h (Ke za ), p ter , 4

R okei o S r - , p tter hi a ishi ware 96

Rokub ei o S hiraku c f om , p tter , lay r 35 Shirato ware 96

1 2 8 S m o T o o c o 1 6 S aggars , 7 hi y hara, fa t ry at

ah i I c hj- niu o 2 n n o 6d S e ( ), p tter 5 Shisui Ke za , p tter

b o 61 S hitoro Sa ei , Maruya , p tter ware

" S aiiro GotO 1 0 S hiunk ei TOShir 2 j , , 79 ( o) 9

KI Oto S aiki o f c o S ho c k b ai. 1 8 y a t ries, 59 hi u 7 , 39, 9

S a uro Mi ai o 2 S o n d o f 1 j , y , p tter 7 h gu s, ba ge the 9

S k f c o 0 S hohaku o d a ai, a t ry at 5 , p tter 7

S ké s 1 h onsui Goro da iu 2 8 a ves els 3 S , y , 9, 5 S am po 8 7 S h onsuiware 90

sanda ware 1 00 S ho - 0 S higarakiware 46

' - S a niu o . 2 o o o 80 , p tter 5 Sh r , p tter

‘ S anno o I m m u o 6 S h o z o d c o o 80 j, a ra, p tter 9 , e rat r

' n o 0 S huko S a pei, p tter 7 3

S ara am a f c o S o b m f c o y , a t ry at 94 ara ura, a t ry at 44

‘ S um f c o ‘ 8 1 0 om d of nc o f 1 1 0 ats a a t ry , S a, ba ge Pri e 9, 3 ware 7 2 So m a ware 78

m o n o f 1 0 1 S o m e tsuké n m fo r o c n 0 i itati s , a e p r elai 3

- - if Yo hei o 6 1 1 0 2 S o niu o . 2 S e ﬁ , p tter , , p tter 5

S e ikai T n n o 60 o n S hi araki 1 , a za , p tter S ta g ware 4

e ikan i f c o 60 6 o o 6 S j, a t ries at 59, , 5 S wa, p tter 9

o uminosuké k m o 88 Seizan, p tter 99 S , Fu a i, p tter , 97

S nk o S k Y asub ei 1 0 1 e i , p tter 55 uzu i S enraku y en 5 4

S o 8 28 Taiz an Yoh ei otter 60 et ware , , , p

o - o 6 T m o nc f c o in 2 Set Kur ware 3 aji a, pr vi e, a t ries 4

S etom ono I o T m m f c o aji i ura , a t ry at 36

o - uke T k D ohac hi o 8 Set S ware 35 a ahashi , p tter 5 ,

S b B nko o 8 61 1 02 hi ata a , p tter 4 ,

S f c o 8 8 Takaminé f c o hida, a t ry at 4 , 9 , a t ry at 60

hi ar S g akiware 40 Takatori ware 44

S hi eharu o 80 T m 2 g , p tter a ba ware 4 . 4 2 1 1 2 [ N O E / Yo

PAGE

Tamikic hi o o 0 Un- o , Kat , p tter 3 , 35 yei , p tter

T m Gonz a em on 1 0 U s no f c o s a ura y , 7 9 re hi , a t rie at

T n k Cho iro o 1 a a a j , p tter 5

8 - - - Tanaka mura ( A rita) 5 Wakanetsu hiko no miko to

T an - niu o 2 k m f c o , p tter 5 Wa aya a, a t ry at

T n S eikai o 60 ke Kitei o a zan , p tter Wa , p tter .

Taro em on o 2 n m o o f y , p tter 7 Writi g, des

l T f c o awara, a t ry at 44

T e a o o f S o 2 m k c o s b wl et ware 7 , 9 Ya a u hi , p tter o f 4 5

T e a c m on s m s o m f o 80 ere ie 3 Ya a hir ura, ac t ry at

Tea o fo ms o f 1 n 0 p ts, r 4 Ya agawa ware 5

Tedz uka Kameno suké 88 Yasub e i S k 0 1 , uzu i 1

T m c o s 80 Yasu iro I k d o erai ura, fa t rie at j , e a, p tter 97

T s f c o 1 s - s e hi , a t ry at 4 Yat u ha hi 7 6

To daii m o f 2 - o j, te ple 4 Yatsu shir ware 7 6

Té iro o 2 Yeb is od j , p tter . 9 , the g 1 5

T ok o R k 6 o B nko 8 2 8 i a u ware 5 Yed a ware , 3

T ok d o f 1 Ye iraku 6 80 ugawa, ba ge 9 ware 5 ,

T ok - niu o 2 m on o f 6 1 u , p tter 5 i itati

T okuz a e mon H - m . 86 Ye iz a e mo n k o 88 y , igashi shi a y , Fu agawa, p tter

T okuz en Zen o ro o 6 Ye - k s u , g , p tter 9 arat ware 26

T orasuké H s o 6 1 Ye nshiu T k o , a egawa, p tter a at ri ware 4 5

T o o s c d x Yiusetsu B nko o rt i e, sa re 7 , a , p tter 8 2

T o sab uro 2 Yohei S eifii o 61 1 02 9 , , p tter ,

To o o 2 28 Yo ib e i o shir , p tter , 9, j , p tter 2 7

TOIOmi- no - m ob o okk c f c o Ka i , K ri 44, 45 Y ai hi, a t ry at 35

8 ok o m Ota f c o 1 0 1 4 . 49. Y ha a, a t ry

T o o suké o Yoné- k y , p tter 5 5 ha ari 26

T o o - 1 os H n f c o y ura ware 5 Y hida ( ize ) , a t ry at 89

T o n c o o 8 2 o KiOto f c o za , de rat r Y shida ( ) a t ry at 60

T o n 1 00 Yo shida a o za ware y , p tter 80

To o o Yosob e i Midsukoshi o z , p tter 47 , , p tter 6 1

T K atsuz O o 88 1 02 Yuz an o suji , p tter , , p tter 80

iz a emon o 8 Tsuji K y , p tter 7

h m n of f c o 6 Zen oro H oz en o Tsus i a, isla d , a t ry 4 g , p tter

Zen oro Ri oz en o g y , p tter ‘ U c hium i Kic hiz i) Ze z é ware

U i f c o Zo ro ku Mashim idsu o j, a t ry at , , p tter

tea distric t of Japan .

Unive rs ity of California S OUTHERN REGIONA L LIBRA RY FA CILITY 305 De Ne ve Drive Parking Lot 1 7 0 Bo x 95 1388 LOS A NGELES CAL FORN A 90095 - 138 8 , I I