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German Operetta on Broadway and in the West End, 1900–1940
Downloaded from https://www.cambridge.org/core. IP address: 170.106.202.58, on 26 Sep 2021 at 08:28:39, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://www.cambridge.org/core/product/2CC6B5497775D1B3DC60C36C9801E6B4 Downloaded from https://www.cambridge.org/core. IP address: 170.106.202.58, on 26 Sep 2021 at 08:28:39, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://www.cambridge.org/core/product/2CC6B5497775D1B3DC60C36C9801E6B4 German Operetta on Broadway and in the West End, 1900–1940 Academic attention has focused on America’sinfluence on European stage works, and yet dozens of operettas from Austria and Germany were produced on Broadway and in the West End, and their impact on the musical life of the early twentieth century is undeniable. In this ground-breaking book, Derek B. Scott examines the cultural transfer of operetta from the German stage to Britain and the USA and offers a historical and critical survey of these operettas and their music. In the period 1900–1940, over sixty operettas were produced in the West End, and over seventy on Broadway. A study of these stage works is important for the light they shine on a variety of social topics of the period – from modernity and gender relations to new technology and new media – and these are investigated in the individual chapters. This book is also available as Open Access on Cambridge Core at doi.org/10.1017/9781108614306. derek b. scott is Professor of Critical Musicology at the University of Leeds. -
Widerstand Aus Katholischen Kreisen S
Inhalt Vorwort S. 5 Einleitung S. 7 Die Künstlerkolonie am Laubenheimer Platz S. 12 Organisierter Selbstschutz gegen SA – Übergriffe in den Jahren 1931-1933 – Grossrazzia und Verhaftungswelle im «Roten Block» – Einzelschicksale in der Künstlerkolonie und die Flucht ins Exil – Zugehörigkeit zu kommunisti- schen Widerstandskreisen nach 1939 – Hilfe für Verfolgte: Helene Jacobs und Dr. Franz Kaufmann – Josi von Koskull: Eine Oppositionelle im Umfeld der Künstlerkolonie Wilmersdorfer Schulen zwischen Anpassung und Verweigerung S. 32 An der Cecilienschule (Nikolsburger Platz 5) – Das Bismarck-Lyzeum (Lassenstrasse 16-20) – Das Grunewald-Gymnasium (Herbertstrasse 2) – Die jüdische Privatschule Dr. Leonore Goldschmidt (Hohenzollerndamm 110a) – Das Heinrich-von-Kleist-Gymnasium (Kranzer Strasse 3) – Die Hindenburg-Oberrealschule (Am Volkspark 36) Jugendliche wehren sich S. 47 Bei der Bündischen Jugend – Jazz-Fans – In den Reihen der Organisation Todt Neu Beginnen S. 55 «Neu beginnen!» – George Eliasberg – Ernst Bry – Hedwig Leibetseder – Edith Jacobsohn – Edith Taglicht – Edith Schumann – Kontakte zur «Deutschen Volksfront» (Hermann Brill) Die Sozialistische Arbeiterpartei S. 63 Leitungsmitglied Walter Fabian – Käthe Schuftan – Hans Ils – Werner Jahr und Peter Loewy – Fürsorgerin Hilde Ephraim –Trotzkisten (Robert Springer) Sozialdemokraten gegen Gewalt und Diktatur S. 69 Angeklagte im Prozess 1934: Oswald Zienau und Fritz Strauss – Helene Hirscht – Jungbanner um Alfred Nau – Stummer Massenprotest – Kurt Funk – Hildegard Wegscheider – Siegfried Nestriepke – Gewerkschafter Dr. Otto Suhr – Die «Kreisauer» Carlo Mierendorff und Theodor Haubach Widerstand aus den Reihen der KPD S. 82 Illegale Gewerkschafter – Im Geheimapparat der KPD (Heinz Riegel und Erna Ueberrhein) – Hilde Rubinstein – Verborgene Druckereien und Waffen- lager – Fluchthelfer – Ruth Mock – Marta Astfalck-Vietz – Die»Rütli-Gruppe» (Hanno Günther und Elisabeth Pungs) – Schulze-Boysen/Harnack- Organisation Verfolgte Künstler S. -
Persecution, Collaboration, Resistance
Münsteraner Schriften zur zeitgenössischen Musik 5 Ina Rupprecht (ed.) Persecution, Collaboration, Resistance Music in the ›Reichskommissariat Norwegen‹ (1940–45) Münsteraner Schrift en zur zeitgenössischen Musik Edited by Michael Custodis Volume 5 Ina Rupprecht (ed.) Persecution, Collaboration, Resistance Music in the ‘Reichskommissariat Norwegen’ (1940–45) Waxmann 2020 Münster x New York The publication was supported by the Deutsche Forschungsgemeinschaft , the Grieg Research Centre and the Westfälische Wilhelms-Universität Münster as well as the Open Access Publication Fund of the University of Münster. Bibliographic information published by the Deutsche Nationalbibliothek Th e Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografi e; detailed bibliographic data are available in the Internet at http://dnb.dnb.de Münsteraner Schrift en zur zeitgenössischen Musik, Volume 5 Print-ISBN 978-3-8309-4130-9 E-Book-ISBN 978-3-8309-9130-4 DOI: https://doi.org/10.31244/9783830991304 CC BY-NC-SA 4.0 Waxmann Verlag GmbH, 2020 Steinfurter Straße 555, 48159 Münster www.waxmann.com [email protected] Cover design: Pleßmann Design, Ascheberg Cover pictures: © Hjemmefrontarkivet, HA HHI DK DECA_0001_44, saddle of sources regarding the Norwegian resistance; Riksarkivet, Oslo, RA/RAFA-3309/U 39A/ 4/4-7, img 197, Atlantic Presse- bilderdienst 12. February 1942: Th e newly appointed Norwegian NS prime minister Vidkun Quisling (on the right) and Reichskomissar Josef Terboven (on the left ) walking along the front of an honorary -
Document Contains 1,126 Words
No. 19-351 ================================================================================================================ In The Supreme Court of the United States --------------------------------- ♦ --------------------------------- FEDERAL REPUBLIC OF GERMANY, a foreign state, and STIFTUNG PREUSSICHER KULTURBESITZ, Petitioners, v. ALAN PHILIPP, et al., Respondents. --------------------------------- ♦ --------------------------------- On Writ of Certiorari To The United States Court of Appeals For The D.C. Circuit --------------------------------- ♦ --------------------------------- JOINT APPENDIX --------------------------------- ♦ --------------------------------- JONATHAN M. FREIMAN NICHOLAS M. O’DONNELL Counsel of Record Counsel of Record TADHG DOOLEY ERIKA L. TODD BENJAMIN M. DANIELS SULLIVAN & WORCESTER LLP DAVID R. ROTH One Post Office Square WIGGIN AND DANA LLP Boston, MA 02109 265 Church Street (617) 338-2814 P.O. Box 1832 [email protected] New Haven, CT 06508-1832 Counsel for Respondents (203) 498-4400 [email protected] DAVID L. HALL WIGGIN AND DANA LLP Two Liberty Place 50 S. 16th Street Suite 2925 Philadelphia, PA 19102 (215) 998-8310 Counsel for Petitioners Petition For Certiorari Filed September 16, 2019 Certiorari Granted July 2, 2020 ================================================================================================================ COCKLE LEGAL BRIEFS (800) 225-6964 WWW.COCKLELEGALBRIEFS.COM i TABLE OF CONTENTS Page Relevant Docket Entries from the United States District Court for the District -
INFORMATION ISSUFO by the Assoaajion of JEMSH REFIKEES U Oleat BRITJUK
Volume XXXIV No. 7 Jul/ 1979 INFORMATION ISSUFO BY THE ASSOaAJION OF JEMSH REFIKEES U OlEAT BRITJUK Eva G. Reichmann their foreseeable decisions their contributions make especially meaningful reading, giving experienced THE SUBLIME MYSTERY accounts of both the ways that led them to Zionism and to those further designs that resulted from it. It is probably no mere coincidence that Twenty-one Contemporaries in Search of their "Judaism" they both see one of their most urgent tasks in This is an eminently Impressionist book. Should share a struggle for survival, to belong to a Jewish working for reconciliation and a new dialogue "^yone expect to find in it anything resembling destiny from which—with the help of God or with Germans and Christians. Their new-won "*e "Essence of Judaism"—a topic masterly ex without it—there is no escape" is the hardly more Jewish security as Israeli citizetis gave them the pounded by one of the sages of our age. Rabbi explicit statement of Samuel Bak, a painter. Al ability and also the desire to stretch out into ^ Baeck—he would be sadly disappointed. The fons Rosenberg (Zurich), a writer who, while spheres of fonner antagonism. Coincidences, by ^tributors to this anthology (Mein Judentum, having found a new spiritual home in Christianity, the way, are according to a saying of Franz ^erausgegeben von Hans Jurgen Schultz. Kreuz continues to feel Judaism as the unalterable Rosenzweig, quoted by Emst Simon, what "the ^W'lag Stuttgart—Berlin 1978. DM 24.-)—writers, foundation of his existence which cannot be cast ancients called Angels". -
Leichte Muse Im Wandel Der Zeiten
MUSIKTHEATER IM DIALOG V LEICHTE MUSE IM WANDEL DER ZEITEN SYMPOSIUMSBERICHT ZUM FORSCHUNGSPROJEKT „INSZENIERUNG VON MACHT UND UNTERHALTUNG – PROPAGANDA UND MUSIKTHEATER IN NÜRNBERG 1920-1950“ AM 12. JUNI 2016 IM STAATSTHEATER NÜRNBERG Konzeption und Leitung: Anno Mungen (Forschungsinstitut für Musiktheater der Universität Bayreuth) Johann Casimir Eule (Staatstheater Nürnberg) In Zusammenarbeit mit LEICHTE MUSE IM WANDEL DER ZEITEN : GRUSSWORT : LEICHTE MUSE IM WANDEL DER ZEITEN GRUSSWORT Wohl kaum eine Stadt in Deutschland ist mit der Ideologie des Natio- nalsozialismus so eng verbunden wie Nürnberg. Die damaligen Städtischen Bühnen waren bei den Reichsparteitagen durch ihre räumliche Nähe zu den täglichen Aufmärschen vor Adolf Hitlers Residenz im Hotel Deutscher Hof und durch Festaufführungen u. a. von „Die Meistersinger von Nürnberg“ Teil einer politischen Inszenierung und standen nicht nur in dieser Zeit im besonderen Blickpunkt der NS-Führung. Die Aufarbeitung dieser Zeit, der Verbindung von Politik und Kunst und damit der Rolle unseres Opernhauses in der NS-Diktatur ist uns ein großes Anliegen. Ich freue mich daher sehr, dass wir das Forschungsinstitut für Musik- theater Bayreuth und seinen Leiter Prof. Dr. Anno Mungen gewinnen konnten, ein Forschungsprojekt ins Leben zu rufen, das die Rolle des Theaters aber auch die Funktion von theatralen Inszenierungen in Nürnberg in der NS-Zeit untersuchen wird. Dieses Forschungsprojekt „Inszenierung von Macht und Unterhaltung. Propaganda und Musiktheater in Nürnberg 1920-1950“ wurde bereits 2014 ins Leben gerufen und erhielt 2016 die Zusage für eine Förderung durch die Deutsche Forschungsgemeinschaft (DFG). In Zusammenarbeit zwi- schen dem Staatstheater Nürnberg, dem Forschungsinstitut für Musiktheater und dem Dokumentationszentrum Reichsparteitage werden die Ergebnisse 2018 in einer Ausstellung der Öffentlichkeit vorgestellt. -
ODEON Matrix Numbers — Xbo 1000 - 6129 (Berlin: Jumbo) Discography Compiled by Christian Zwarg for GHT Wien Diese Diskographie Dient Ausschließlich Forschungszwecken
ODEON Matrix Numbers — xBo 1000 - 6129 (Berlin: Jumbo) Discography compiled by Christian Zwarg for GHT Wien Diese Diskographie dient ausschließlich Forschungszwecken. Die beschriebenen Tonträger stehen nicht zum Verkauf und sind auch nicht im Archiv des Autors oder der GHT vorhanden. Anfragen nach Kopien der hier verzeichneten Tonaufnahmen können daher nicht bearbeitet werden. Sollten Sie Fehler oder Auslassungen in diesem Dokument bemerken, freuen wir uns über eine Mitteilung, um zukünftige Updates noch weiter verbessern und ergänzen zu können. Bitte senden Sie Ihre Ergänzungs- und Korrekturvorschläge an: [email protected] This discography is provided for research purposes only. The media described herein are neither for sale, nor are they part of the author's or the GHT's archive. Requests for copies of the listed recordings therefore cannot be fulfilled. Should you notice errors or omissions in this document, we appreciate your notifying us, to help us improve future updates. Please send your addenda and corrigenda to: [email protected] master Bxo 1017 1907.09. D25 AN GEM: Berlin Zu Kampf und Sieg (Tiedke) Friedrich Kark (MD). — Odeon-Orchester (orchestra). Jumbola/Odeon GN 933 D25 AN «Dannenberg» master Bxo 1020 1907.09. D25 AN GEM: Berlin Unter Kanonendonner — Marsch (Meinecke) Friedrich Kark (MD). — Odeon-Orchester (orchestra). Jumbola/Odeon GN 932 D25 AN «Dannenberg» master xBo 1036 1907.09. D25 AN GEM: Berlin Mit Pauken und Trompeten — Marsch (Francke) Friedrich Kark (MD). — Odeon-Orchester (orchestra). Jumbo/Odeon BL (Germany) A 40010, A 5070 D25 AN «Dannenberg» Jumbola/Odeon GN 928 D25 AN «Dannenberg» master xBo 1060 1907.09. D25 AN GEM: Berlin Rembrandt — Marsch (Sahmetini) Friedrich Kark (MD). -
'Just Like Hitler': Comparisons to Nazism in American Culture
University of Massachusetts Amherst ScholarWorks@UMass Amherst Open Access Dissertations 5-2010 'Just Like Hitler': Comparisons To Nazism in American Culture Brian Scott Johnson University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/open_access_dissertations Part of the English Language and Literature Commons Recommended Citation Johnson, Brian Scott, "'Just Like Hitler': Comparisons To Nazism in American Culture" (2010). Open Access Dissertations. 233. https://scholarworks.umass.edu/open_access_dissertations/233 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Open Access Dissertations by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. ‘JUST LIKE HITLER’ COMPARISONS TO NAZISM IN AMERICAN CULTURE A Dissertation Presented by BRIAN JOHNSON Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2010 English Copyright by Brian Johnson 2010 All Rights Reserved ‘JUST LIKE HITLER’ COMPARISONS TO NAZISM IN AMERICAN CULTURE A Dissertation Presented by BRIAN JOHNSON Approved as to style and content by: ______________________________ Joseph T. Skerrett, Chair ______________________________ James Young, Member ______________________________ Barton Byg, Member ______________________________ Joseph F. Bartolomeo, Department Head -
Reichskommissariat Ostland from Wikipedia, the Free Encyclopedia
Create account Log in Article Talk Read Edit View history Reichskommissariat Ostland From Wikipedia, the free encyclopedia "Ostland" redirects here. For the province of the Empire in Warhammer 40,000, see Ostland (Warhammer). Navigation Reichskommissariat Ostland (RKO) was the civilian occupation regime established by Main page Germany in the Baltic states (Estonia, Latvia, and Lithuania), the north-eastern part of Reichskommissariat Ostland Contents Poland and the west part of the Belarusian SSR during World War II. It was also known Reichskommissariat of Germany Featured content [1] initially as Reichskommissariat Baltenland ("Baltic Land"). The political organization Current events ← → for this territory—after an initial period of military administration before its establishment— 1941–1945 Random article was that of a German civilian administration, nominally under the authority of the Reich Donate to Wikipedia Ministry for the Occupied Eastern Territories (German: Reichsministerium für die besetzten Ostgebiete) led by Nazi ideologist Alfred Rosenberg, but was in reality Interaction controlled by the Nazi official Hinrich Lohse, its appointed Reichskommissar. Help The main political objective, which the ministry laid out in the framework of National Flag Emblem About Wikipedia Socialist policies for the east established by Adolf Hitler, were the complete annihilation Community portal of the Jewish population and the settlement of ethnic Germans along with the expulsion or Recent changes Germanization of parts of the native population -
Der Kinematograph (October 1929)
Auflage- 4900 J ar «Manbr^l • *• r VERLAG SCHERL* BERLIN SW68 ff Berlin, den I. Oktober 1929 Deutscher Tonfilm-Sieg „Das Land ohne Frauen“ im Capitol Die Zukunft des deutschen gleichberechtigt nehe inerikanischen. nt hundertprozei »nem tfroßen. abcndlül cn werden dürft n. daß wir die lechnik ngenden und sprcchcn- ildes in jeder Weise be- paraturen für Aufnahme und haupten, daß überhaupt von Wiedergabe gleichberechtigt vielen 1 on-Schauspiclerinnen neuen denen anderer Länder der Satz gilt, daß diejenige Frau auch im Film die beste ist. die am wenigsten spricht. Mag sein, daß an diesem Dabei muß festgestcllt wer¬ Film in bezug auf die Hand¬ den. daß Elga Brink neunzig- hing und auch über dramatur¬ prozentig auch sprachlich gische. schauspielerische Ein¬ wirkt und daß Connic, der zelheiten zu streiten ist, aber Hauptdarsteller, bereits einen ** bIe,bl doch — nehmt alles Grad der filmischen Sprech¬ "“r in allem — ein großes Der Film selbst zeigt eine Der Steward des bräutlichen vollkommenheit erreicht hat, erk. eine bahnbrechende der nicht nur ausreicht, son¬ Tat. stark dramatische Handlung. Schiffes verrät den frommen Er erzählt uns die Geschieht Betrug und sorgt so indirekt dern bertits starke künstleri¬ Nur wer Gelegenheit halte. von den Goldgräbern in dafür, daß jetzt Selbstmord. sche Wirkungen auslöst. ,e Entstehung dieses Films Australien, die ohne Frauen Mordversuch. Lynchjustiz, Photographisch ist der Film sehen, wer die Arbeit mit leben müssen, bis die eng¬ abenteuerliche Rettung aus eine Höheleistung. Otto “HhcllsmäOiger Apparatur lische Regierung eines Tages der Wüste und andere be¬ Kanturek hat den Bildern erfolgte, kann ermessen, was ein ganzes Schiff voll heirats¬ lebende Momente in den zum Teil Stimmungen gege¬ ?er l“ts«hl,ch geleistet wor- den «t. -
The Quest for Racial Purity: African Germans
the quest for racial purity: Germans with Mental and Physical Disabilities, African Germans, and Roma rom the moment that hitler took power in germany, he began implementing his vision for a new Germany—one that elevated “Aryan” Germans to the top of the Nazis’ racial hierarchy and that ranked all other groups along a spectrum of relative inferiority. Nazi leaders wasted no time conceiving and adopting measures that would safeguard the “Aryan” German race, thereby ensuring that future genera- tions would be—in their eyes—racially pure, genetically healthy, and socially productive and loyal to the state. This goal meant, above all, stigmatizing, discriminating against, and ultimately killing those whom the Nazis identified as being biologically and racially flawed. In such a context, especially Jews (see chapter 5), but also Roma (Gypsies), people with mental and physical disabilities, and African Germans, faced direct and immediate danger at the hands of the Nazis. In time, the Nazi decision to go to war would advance those long-term goals in pre- viously unimaginable ways. Territorial acquisition went hand in hand with population engineering as the Nazis sought to increase the number of “Aryan” Germans while simul- taneously thinning the ranks of those they considered inferior by virtue of race or biology. The state of national emergency created by the war would eventually provide the pretext and cover for increasingly radical steps. Nazi racial persecution was unique, for there was no escape—not even for those who were German by birth—from the harsh verdict of inferiority. For those who were targeted, national loyalty or communal solidarity were of no consequence: only “Aryans” who met the racial and biological standards of the Nazis could claim membership in the National Community (Volksgemeinschaft). -
Oscar Levant: Pianist, Gershwinite, Middlebrow Media Star
Washington University in St. Louis Washington University Open Scholarship Arts & Sciences Electronic Theses and Dissertations Arts & Sciences Spring 5-15-2020 Oscar Levant: Pianist, Gershwinite, Middlebrow Media Star Caleb Taylor Boyd Washington University in St. Louis Follow this and additional works at: https://openscholarship.wustl.edu/art_sci_etds Part of the Film and Media Studies Commons, Music Commons, and the Sociology Commons Recommended Citation Boyd, Caleb Taylor, "Oscar Levant: Pianist, Gershwinite, Middlebrow Media Star" (2020). Arts & Sciences Electronic Theses and Dissertations. 2169. https://openscholarship.wustl.edu/art_sci_etds/2169 This Dissertation is brought to you for free and open access by the Arts & Sciences at Washington University Open Scholarship. It has been accepted for inclusion in Arts & Sciences Electronic Theses and Dissertations by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. WASHINGTON UNIVERSITY IN ST. LOUIS Department of Music Dissertation Examination Committee: Todd Decker, Chair Ben Duane Howard Pollack Alexander Stefaniak Gaylyn Studlar Oscar Levant: Pianist, Gershwinite, Middlebrow Media Star by Caleb T. Boyd A dissertation presented to The Graduate School of Washington University in partial fulfillment of the requirements for the degree of Doctor of Philosophy May 2020 St. Louis, Missouri © 2020, Caleb T. Boyd Table of Contents List of Figures ................................................................................................................................