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Thesis W/ Corrections
Renouncing the Le-: Working-class conserva7sm in France, 1930-1939 Joseph Starkey A Thesis submi+ed for the Degree of PhD at Cardiff University 2014 Abstract Histories of the working class in France have largely ignored the existence of working-class conservaGsm. This is parGcularly true of histories of the interwar period. Yet, there were an array of Catholic and right-wing groups during these years that endeavoured to bring workers within their orbit. Moreover, many workers judged that their interests were be+er served by these groups. This thesis explores the parGcipaGon of workers in Catholic and right-wing groups during the 1930s. What did these groups claim to offer workers within the wider context of their ideological goals? In which ways did conservaGve workers understand and express their interests, and why did they idenGfy the supposed ‘enemies of the leT’ as the best means of defending them? What was the daily experience of conservaGve workers like, and how did this experience contribute to the formaGon of ‘non-leT’ poliGcal idenGGes? These quesGons are addressed in a study of the largest Catholic and right-wing groups in France during the 1930s. This thesis argues that, during a period of leT-wing ascendancy, these groups made the recruitment of workers a top priority. To this end, they harnessed parGcular elements of mass poliGcal culture and adapted them to their own ideological ends. However, the ideology of these groups did not simply reflect the interests of the workers that supported them. This thesis argues that the interests of conservaGve workers were a raGonal and complex product of their own experience. -
The Surreal Voice in Milan's Itinerant Poetics: Delio Tessa to Franco Loi
City University of New York (CUNY) CUNY Academic Works Dissertations, Theses, and Capstone Projects CUNY Graduate Center 2-2021 The Surreal Voice in Milan's Itinerant Poetics: Delio Tessa to Franco Loi Jason Collins The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/4143 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] THE SURREALIST VOICE IN MILAN’S ITINERANT POETICS: DELIO TESSA TO FRANCO LOI by JASON M. COLLINS A dissertation submitted to the Graduate Faculty in Comparative Literature in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2021 i © 2021 JASON M. COLLINS All Rights Reserved ii The Surreal Voice in Milan’s Itinerant Poetics: Delio Tessa to Franco Loi by Jason M. Collins This manuscript has been read and accepted for the Graduate Faculty in Comparative Literature in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy _________________ ____________Paolo Fasoli___________ Date Chair of Examining Committee _________________ ____________Giancarlo Lombardi_____ Date Executive Officer Supervisory Committee Paolo Fasoli André Aciman Hermann Haller THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT The Surreal Voice in Milan’s Itinerant Poetics: Delio Tessa to Franco Loi by Jason M. Collins Advisor: Paolo Fasoli Over the course of Italy’s linguistic history, dialect literature has evolved a s a genre unto itself. -
And Bernardo Bertolucci's 1900
The “Betrayed Resistance” in Valentino Orsini’s Corbari (1970) and Bernardo Bertolucci’s 1900 (1976) Dominic Gavin The connections between Italian film and history have been the object of renewed attention in recent years. A number of studies have provided re-readings of Italian cinema, especially from the perspective of public memory. Charting the interrelations of cinema, the public use of history, and historiography, these studies include reevaluations of the cinema of the Resistance, the war film, the Holocaust and the Fascist dictatorship.1 The ongoing debates over Resistance memory in particular—the “never-ending liberation,” in the words of one historian—have provided a motive for reconsidering popular cultural productions as vehicles of collective perceptions of the past.2 If Italian film studies came relatively late to the issues of cinema and public memory, this approach has now become mainstream.3 In this essay, I am concerned with films on the Resistance during the 1970s. These belong to a wider grouping of contemporary cinematic productions that deal with the Fascist dictatorship and antifascism. These films raise a series of critical questions. How did the general film field contribute to the wider processing of historical memory, and how did it relate to political violence in Italy?4 To what extent did the work of Italian filmmakers participate in the “new discourse” of international cinema in the 1970s concerning the treatment of Nazism and the occupation,5 or to what extent were filmmakers engaged in reaffirming populist -
14707176.Pdf
I c/66-14 AN ESSAY ON REVISIONISM IN THE ITALIAN COMMUNIST PARTY Giorgio Galli Massachusetts Institute of Technology Center for International Studies International Communism Project The following essay explores the evolution of Italian Communist re- visionism. In general when we speak of "revisionism" in the Italian Communist Party (PCI) we usually refer to the question of whether the conquest of power is possible and of what strategy the Party puts forward in order to achieve it: the classical questions, in short, which were at the center of the first great revisionist debate in the Second International. Extensive comparisons have therefore been made between Italian "revisionism" and its classical antecedents. But first a brief review of the PCI's attitude toward the Italian Con- stitution may be illuminating. At a particularly signi icant moment in its recent history, the Eighth Congress of December 1956, the PCI approved the "Elements for a Policy Declaration" which regards the Italian Constitution that went into effect in January 1948, as an "important victory on the Italian road to Socialism," and illustrates one fundamental aspect of it in the follow- ing manner: As far as private property is concerned, it is guaranteed by law, 'with the aim of safeguarding its social function and making it accessible to all,' and it is precisely for this reason that the Constitution lays down limits for it and even provides for expro- priation, with compensation, for 'reasons of general interest.' It is not, therefore, unreasonable to state that the Republican Constitution . sets up some of the conditions which may, when they are put into effect . -
Durham E-Theses
Durham E-Theses English Folk under the Red Flag: The Impact of Alan Bush's `Workers' Music' on 20th Century Britain's Left-Wing Music Scene ROBINSON, ALICE,MERIEL How to cite: ROBINSON, ALICE,MERIEL (2021) English Folk under the Red Flag: The Impact of Alan Bush's `Workers' Music' on 20th Century Britain's Left-Wing Music Scene , Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/13924/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 English Folk under the Red Flag: The Impact of Alan Bush’s ‘Workers’ Music’ on 20 th Century Britain’s Left-Wing Music Scene Alice Robinson Abstract Workers’ music: songs to fight injustice, inequality and establish the rights of the working classes. This was a new, radical genre of music which communist composer, Alan Bush, envisioned in 1930s Britain. -
The “Bordigist Current”
THE “BORDIGIST CURRENT” (1919-1999) Italy, France, Belgium Philippe Bourrinet Index Introduction ...........................................................................................................5 1. The origins (1912-1926) ........................................................................................11 2. German Left or Italian Left? ...................................................................................30 3. The Birth of the Left Fraction of the PCI ..............................................................45 1933-39 Bilan. Milestones on the road to defeat 4. The Weight of the Counter-Revolution..................................................................65 5. The War in Spain: No Betrayal! .............................................................................88 6. Towards war or revolution? (1937-39) ..................................................................103 7. Balance sheet of the Russian Revolution...............................................................115 1939-45 Trial by fire 8. The ordeal of war: from fraction to party? ............................................................137 9. The “Partito Comunista Internazionalista” ...........................................................153 Conclusion..........................................................................................................167 Appendix 1 DECLARATION OF PRINCIPLES OF THE BELGIAN FRACTION OF THE INTERNATIONAL COMMUNIST LEFT...................170 Appendix 2 Manifesto of the Communist Left -
"A Road to Peace and Freedom": the International Workers Order and The
“ A ROAD TO PEACE AND FREEDOM ” Robert M. Zecker “ A ROAD TO PEACE AND FREEDOM ” The International Workers Order and the Struggle for Economic Justice and Civil Rights, 1930–1954 TEMPLE UNIVERSITY PRESS Philadelphia • Rome • Tokyo TEMPLE UNIVERSITY PRESS Philadelphia, Pennsylvania 19122 www.temple.edu/tempress Copyright © 2018 by Temple University—Of The Commonwealth System of Higher Education All rights reserved Published 2018 All reasonable attempts were made to locate the copyright holders for the materials published in this book. If you believe you may be one of them, please contact Temple University Press, and the publisher will include appropriate acknowledgment in subsequent editions of the book. Library of Congress Cataloging-in-Publication Data Names: Zecker, Robert, 1962- author. Title: A road to peace and freedom : the International Workers Order and the struggle for economic justice and civil rights, 1930-1954 / Robert M. Zecker. Description: Philadelphia : Temple University Press, 2018. | Includes index. Identifiers: LCCN 2017035619| ISBN 9781439915158 (cloth : alk. paper) | ISBN 9781439915165 (paper : alk. paper) Subjects: LCSH: International Workers Order. | International labor activities—History—20th century. | Labor unions—United States—History—20th century. | Working class—Societies, etc.—History—20th century. | Working class—United States—Societies, etc.—History—20th century. | Labor movement—United States—History—20th century. | Civil rights and socialism—United States—History—20th century. Classification: LCC HD6475.A2 -
Livio Maitan Bio-Bibliographical Sketch
Lubitz' TrotskyanaNet Livio Maitan Bio-Bibliographical Sketch Contents: Basic biographical data Biographical sketch Selective bibliography Sidelines, notes on archives Basic biographical data Name: Livio Maitan Other names (by-names, pseud. etc.): Claudio ; Domingo ; Fausto ; Claudio Giuliani ; L.M. ; Libero ; Livio ; Claudio Mangani ; Mario Date and place of birth: April 1, 1923, Venezia [Venice] (Italy) Date and place of death: September 16, 2004, Roma [Rome] (Italy) Nationality: Italian Occupations, careers, etc.: historian, lecturer, journalist, translator, editor, party leader, professional revolutionary Time of activity in Trotskyist movement: 1947 - 2004 (lifelong Trotskyist) Biographical sketch This short biographical sketch is chiefly based upon autobiographical notes which Livio Maitan sent to me on request in 1996 and on some of the obituaries listed below (see Selective bibliography: Books and articles about Maitan, below). Livio Maitan – together with Ernest Mandel and Pierre Frank the European top-leader and chief the- oretician of the Fourth International (International/United Secretariat) during the 1950s-1980s – was born in Venezia (Venice) on April 1, 1923 as a son of a teacher and a housewife. Maitan got married in 1954 and was divorced in 1983; he had two sons, Gianni (b. 1959) and Marco (b. 1963). In 1942, when studying classical literature (Greek and Latin) at the University of Padua, he became active in the anti-fascist resistance movement and in 1943 he joined the illegal PSIUP (Partito So- cialista Italiano di Unità Proletaria, Italian Socialist Party of Proletarian Unity). In 1944 he was sen- tenced by a fascist court, escaped to Switzerland and had to spent several months in internment camps there before he could return to Italy in May 1945. -
Proquest Dissertations
Saying 'G: Women, Desire and Their Depiction in East Germany by Jane Freelanci, B.A. A research essay submitted to the Faculty of Graduate Studies and Research in partial fulfilment of the requirements for the degree of Master of Arts Institute of European, Russian and Eurasian Studies Carleton University Ottawa, Ontario June, 2010 ©2010, J. Freeland Library and Archives Bibliothèque et ?F? Canada Archives Canada Published Heritage Direction du Branch Patrimoine de l'édition 395 Wellington Street 395, rue Wellington OttawaONK1A0N4 OttawaONK1A0N4 Canada Canada Your file Votre référence ISBN: 978-0-494-71676-2 Our file Notre référence ISBN: 978-0-494-71676-2 NOTICE: AVIS: The author has granted a non- L'auteur a accordé une licence non exclusive exclusive license allowing Library and permettant à la Bibliothèque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par télécommunication ou par l'Internet, prêter, telecommunication or on the Internet, distribuer et vendre des thèses partout dans le loan, distribute and sell theses monde, à des fins commerciales ou autres, sur worldwide, for commercial or non- support microforme, papier, électronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriété du droit d'auteur ownership and moral rights in this et des droits moraux qui protège cette thèse. Ni thesis. Neither the thesis nor la thèse ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent être imprimés ou autrement printed or otherwise reproduced reproduits sans son autorisation. -
Italian Communists, the Cold War, and West-East Migration from Venezia Giulia, 1945-1949
Graduate Theses, Dissertations, and Problem Reports 2019 Liberation by Emigration: Italian Communists, the Cold War, and West-East Migration from Venezia Giulia, 1945-1949 Luke Gramith West Virginia University, [email protected] Follow this and additional works at: https://researchrepository.wvu.edu/etd Part of the European History Commons, Intellectual History Commons, Labor History Commons, Political History Commons, and the Social History Commons Recommended Citation Gramith, Luke, "Liberation by Emigration: Italian Communists, the Cold War, and West-East Migration from Venezia Giulia, 1945-1949" (2019). Graduate Theses, Dissertations, and Problem Reports. 3914. https://researchrepository.wvu.edu/etd/3914 This Dissertation is protected by copyright and/or related rights. It has been brought to you by the The Research Repository @ WVU with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you must obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Dissertation has been accepted for inclusion in WVU Graduate Theses, Dissertations, and Problem Reports collection by an authorized administrator of The Research Repository @ WVU. For more information, please contact [email protected]. LIBERATION BY EMIGRATION: ITALIAN COMMUNISTS, THE COLD WAR, AND WEST-EAST MIGRATION FROM VENEZIA GIULIA, 1945-1949 Luke Gramith Dissertation submitted to the Eberly College of Arts and Sciences at West Virginia University in partial fulfillment of the requirements for the degree of Doctor of Philosophy in History Joshua Arthurs, Ph.D., Chair Katherine Aaslestad, Ph.D. -
Intercontinental Press the Americas
Intercontinental Press the Americas i, v' ? ~ * :S8E«SS^i^SM< Fred Flalstead addressing mass demonstration in Washington, D.C., May 9, 1970. With this issue we begin serializing the forthcoming book Out ment. Halstead was one of the leading organizers of the largest Now!, Fred Halstead's account of the American antiwar move- national antivyar demonstrations. See page 804. Other Features: Rockefeller's Laundry Job on CIA Struggle for Right to Abortion In Britain Washington's $25 Billion Spy Network Interview With Bernadette Devlin McAiiskey Democracy and the Portuguese Revolution A Letter from 0. Slaughter . The Predictions About an Economic Upswing .. And a Reply by Joseph Hansen policy since the turn of the century. The protests of publications like the Times are designed primarily as propagan da to smear the image of proletarian revolution and to furnish a lying, democrat The Reopening of Republica—a Significant Victory ic cover for more direct intervention in Portugal if the MFA and the Communist An important victory for workers democ the Socialist party leaders agreed to conces party prove incapable of controlling the racy was won in Portugal June 6 when the sions demanded by the military high coun mass movement and blocking its develop bourgeois military regime, in response to cil, one of them being resumption of their ment in an anticapitalist direction. mass pressure, decided to permit Republica, participation in cabinet meetings. For the bourgeoisie, democratic rights are the Lisbon daily that reflects the views of not essential to preserve their class rule; in the Socialist party leadership, to resume fact, in today's world, democratic rights publication. -
9 the “Partito Comunista Internazionalista”
9 The “Partito Comunista Internazionalista” Despite the repression acted out by Mussolini, the “Bordigist” current had not disappeared. Even if Bordiga was no longer active and had withdrawn into a prudent silence, many of the rank and file militants had held on to the positions of the Livorno Congress. But they found it impossible to maintain any organised activity, even in clandestinity. It was above all in the prisons, in the island gaols (galera) and places of exile (confini) that the Bordigist left preserved its identity and kept up its organisational links. When the last core of intransigents like Damen, Repossi and Fortichiari were excluded from the PCI in 1943, the Bordigist militants did not abandon the struggle. Far from it. It was natural that these militants should find in Onorato Damen their most resolute spokesman and also their most effective organiser. Born in 1893 in the province of Ascoli Piceno, he adhered directly to the left wing of the PSI around 1910. Conscripted during the war with the tank of sergeant, he was demoted in 1917 and condemned to two years in prison for ‘incitement to desertion’ and for denouncing ‘the imperialist character of the war’. Once released, he was with the Abstentionist Fraction in Bologna, then in Imola and Livorno. In 1921 he was secretary of the Camera del Lavoro in Pistoia and director of the communist paper L’Avvenire. In 1921, on returning from an electoral meeting supporting his candidature for parliament, he was arrested by the fascists, but immediately released after workers’ protest strike. Some time afterwards, in company with armed communists, he came up against the Squadristi — a confrontation which ended with the death of a fascist.