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Remaking Italy? Place Configurations and Italian Electoral Politics Under the ‘Second Republic’
Modern Italy Vol. 12, No. 1, February 2007, pp. 17–38 Remaking Italy? Place Configurations and Italian Electoral Politics under the ‘Second Republic’ John Agnew The Italian Second Republic was meant to have led to a bipolar polity with alternation in national government between conservative and progressive blocs. Such a system it has been claimed would undermine the geographical structure of electoral politics that contributed to party system immobilism in the past. However, in this article I argue that dynamic place configurations are central to how the ‘new’ Italian politics is being constructed. The dominant emphasis on either television or the emergence of ‘politics without territory’ has obscured the importance of this geographical restructuring. New dynamic place configurations are apparent particularly in the South which has emerged as a zone of competition between the main party coalitions and a nationally more fragmented geographical pattern of electoral outcomes. These patterns in turn reflect differential trends in support for party positions on governmental centralization and devolution, geographical patterns of local economic development, and the re-emergence of the North–South divide as a focus for ideological and policy differences between parties and social groups across Italy. Introduction One of the high hopes of the early 1990s in Italy was that following the cleansing of the corruption associated with the party regime of the Cold War period, Italy could become a ‘normal country’ in which bipolar politics of electoral competition between clearly defined coalitions formed before elections, rather than perpetual domination by the political centre, would lead to potential alternation of progressive and conservative forces in national political office and would check the systematic corruption of partitocrazia based on the jockeying for government offices (and associated powers) after elections (Gundle & Parker 1996). -
Stalinism and Trotskyism in Vietnam
r Telegram: Defend the DRV-NLF! The following telegram was sent as the u.s. imperialists mined Haiphong harbor and the North Vietnamese coast. At the time Soviet bureaucrats were preparing to receive Nixon in Moscow just as their Chinese counterparts a few months earlier wined and dined him in Peking as he terror-bombed Vietnam. Embassy of the U.S.S.R. Washington, D.C. U.N. Mission of the People's Republic of China New York, N.Y. On behalf of the urgent revolutionary needs of the international working class and in accord with the inevitable aims of our future worker~ government in the United States, we demand that you immediately expand shipment of military supplies of the highest technical quality to the Democratic Republic of Vietnam and that you offer the DRV the fullest all sided assistance including necessary Russian-Chinese joint military collaboration. No other course will serve at this moment of savage imperialist escalation against the DRV and the Indochinese working people whose military victories have totally shattered the myths of the Vietnamization and pacification programs of Kennedy, Johnson and Nixon. signed: Political Bureau, Spartacist League of the U.S. 8 May 1972 copies to: D RV and N LF delegations, Paris -from Workers Vanguard No.9, June 1972 6 n p Stalinism and Trotskyism In• Vietnam ~···· l,~ ~ r SPARTACIST PUBLISHING co. Box 1377, G.P.O. New York, N.Y. 10001, U.S.A . • December 1976 Ho Chi Minh Ta Thu Thau CONTENTS CHAPTER I In Defense of Vietnamese Trotskyism (I:·: • >'~ Stalinism and Trotskyism in Vietnam ................... -
Thesis W/ Corrections
Renouncing the Le-: Working-class conserva7sm in France, 1930-1939 Joseph Starkey A Thesis submi+ed for the Degree of PhD at Cardiff University 2014 Abstract Histories of the working class in France have largely ignored the existence of working-class conservaGsm. This is parGcularly true of histories of the interwar period. Yet, there were an array of Catholic and right-wing groups during these years that endeavoured to bring workers within their orbit. Moreover, many workers judged that their interests were be+er served by these groups. This thesis explores the parGcipaGon of workers in Catholic and right-wing groups during the 1930s. What did these groups claim to offer workers within the wider context of their ideological goals? In which ways did conservaGve workers understand and express their interests, and why did they idenGfy the supposed ‘enemies of the leT’ as the best means of defending them? What was the daily experience of conservaGve workers like, and how did this experience contribute to the formaGon of ‘non-leT’ poliGcal idenGGes? These quesGons are addressed in a study of the largest Catholic and right-wing groups in France during the 1930s. This thesis argues that, during a period of leT-wing ascendancy, these groups made the recruitment of workers a top priority. To this end, they harnessed parGcular elements of mass poliGcal culture and adapted them to their own ideological ends. However, the ideology of these groups did not simply reflect the interests of the workers that supported them. This thesis argues that the interests of conservaGve workers were a raGonal and complex product of their own experience. -
When Fear Is Substituted for Reason: European and Western Government Policies Regarding National Security 1789-1919
WHEN FEAR IS SUBSTITUTED FOR REASON: EUROPEAN AND WESTERN GOVERNMENT POLICIES REGARDING NATIONAL SECURITY 1789-1919 Norma Lisa Flores A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY December 2012 Committee: Dr. Beth Griech-Polelle, Advisor Dr. Mark Simon Graduate Faculty Representative Dr. Michael Brooks Dr. Geoff Howes Dr. Michael Jakobson © 2012 Norma Lisa Flores All Rights Reserved iii ABSTRACT Dr. Beth Griech-Polelle, Advisor Although the twentieth century is perceived as the era of international wars and revolutions, the basis of these proceedings are actually rooted in the events of the nineteenth century. When anything that challenged the authority of the state – concepts based on enlightenment, immigration, or socialism – were deemed to be a threat to the status quo and immediately eliminated by way of legal restrictions. Once the façade of the Old World was completely severed following the Great War, nations in Europe and throughout the West started to revive various nineteenth century laws in an attempt to suppress the outbreak of radicalism that preceded the 1919 revolutions. What this dissertation offers is an extended understanding of how nineteenth century government policies toward radicalism fostered an environment of increased national security during Germany’s 1919 Spartacist Uprising and the 1919/1920 Palmer Raids in the United States. Using the French Revolution as a starting point, this study allows the reader the opportunity to put events like the 1848 revolutions, the rise of the First and Second Internationals, political fallouts, nineteenth century imperialism, nativism, Social Darwinism, and movements for self-government into a broader historical context. -
The Surreal Voice in Milan's Itinerant Poetics: Delio Tessa to Franco Loi
City University of New York (CUNY) CUNY Academic Works Dissertations, Theses, and Capstone Projects CUNY Graduate Center 2-2021 The Surreal Voice in Milan's Itinerant Poetics: Delio Tessa to Franco Loi Jason Collins The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/4143 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] THE SURREALIST VOICE IN MILAN’S ITINERANT POETICS: DELIO TESSA TO FRANCO LOI by JASON M. COLLINS A dissertation submitted to the Graduate Faculty in Comparative Literature in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2021 i © 2021 JASON M. COLLINS All Rights Reserved ii The Surreal Voice in Milan’s Itinerant Poetics: Delio Tessa to Franco Loi by Jason M. Collins This manuscript has been read and accepted for the Graduate Faculty in Comparative Literature in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy _________________ ____________Paolo Fasoli___________ Date Chair of Examining Committee _________________ ____________Giancarlo Lombardi_____ Date Executive Officer Supervisory Committee Paolo Fasoli André Aciman Hermann Haller THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT The Surreal Voice in Milan’s Itinerant Poetics: Delio Tessa to Franco Loi by Jason M. Collins Advisor: Paolo Fasoli Over the course of Italy’s linguistic history, dialect literature has evolved a s a genre unto itself. -
Book Reviews
italian culture, Vol. xxxii No. 2, September 2014, 138–60 Book Reviews Fictions of Appetite: Alimentary Discourses in Italian Modernist Literature. By Enrico Cesaretti. Pp. vii + 272. Oxford: Peter Lang. 2013. Aside from a few, notable examples, such as Gian-Paolo Biasin’s I sapori della modernità (1991), gastro-criticism is a fairly new multi-disciplinary approach to literature that incorpo- rates literary studies, anthropology, sociology, semiotics and history to explore cultural production. Enrico Cesaretti’s gastro-critical approach to Italian Modernism brings together articles previously published; but here they are revised in order to read early twentieth century Italian writers and texts from a new perspective. The four chapters explore both well-known and nearly forgotten texts by authors such as F. T. Marinetti, Aldo Palazzeschi, Paola Masino, Massimo Bontempelli, and Luigi Pirandello through the common thematic of food, eating, depravation and hunger. Cesaretti notes that “virtually every major twentieth-century Western intellectual from Freud onward, has refl ected on the multiple cultural roles and implications of food and eating” (3). Modernism brought renewed focus on the body, so the trope of food, or lack thereof, becomes an important semiotic concern for writers of the period. Cesaretti’s selection of authors and texts stems from a chronological closeness more so than a great stylistic affi nity, and he is conscious of trying to unite his authors under the umbrella of the term Modernism, which, as he notes, has been problematic in Italian literary critical circles. For Cesaretti, these fi ve authors all emphasize food, hunger, and related tropes in their works because of historical reality (food shortages in Italy during the interwar years among others) and because of Modernism’s emphasis on the body and its functions. -
“Critica Sociale” E La Rivoluzione Russa (1917-1926)
SPES – Rivista della Società di Politica, Educazione e Storia, Suppl. di “Ricerche Pedagogiche” ISSN 2533-1663 (online) Anno X, n. 10, Luglio – Dicembre 2019, pp. 105-132 “Critica Sociale” e la rivoluzione russa (1917-1926) Giovanna Savant La rivoluzione di febbraio è accolta con favore dall’ala moderata del PSI, che ha in “Critica Sociale” il principale organo di espressione. La caduta dello zar sembra aprire una fase democratica il cui scopo è di trasformare l’autocrazia russa in un moderno regime rappresentativo. La rivista turatiana segue prima con simpatia e poi con preoccupazione crescente le vicende russe, fino a quando l’avvento al pote- re dei bolscevichi cancella ogni speranza di uno sviluppo democratico. Da questo momento, il giudizio sulla Russia dividerà le due anime del PSI in modo irrimedia- bile: mentre i massimalisti guarderanno alla dittatura bolscevica come a un model- lo, per i moderati costituirà un’aberrazione dei canoni del materialismo storico. The Revolution of February is welcomed by the moderate wing of the Italian Social- ist Party, which has in “Critica Sociale” the main media outlet. The Czar's fall seems to open a democratic phase that aims to get Russian autocracy into a modern representative system. The review of Turati, at first, is pleased about the Russian events, but later it shows a rising concern until the Bolsheviks come to power de- stroying all hope for democratic development. Since this moment, the judgment on Russia will separate irreparably the two souls of the Italian Socialist Party: the maximalists see the Bolshevik dictatorship as a model, while the moderates consider it an aberration of the principles of the historical materialism. -
SIAC HOME Files/STALINISM TRADITION and the WORKING CLASS.Pdf
Stalinism, Tradition, and the Working Class A response to comrades who honeymoon in the past DON MILLIGAN Mayday in London, 1928 2 The Dictatorship of the Proletariat There is one, only one, essential element in the Marxist critique of capitalism. It is very simple and very plain, but in it are focused all the many- faceted analyses of the capitalist order. It is this: there is a striking contradiction between the increasingly social character of the process of production and the anti-social character of capitalist property. [. ] This contradiction between the anti-social character of [private] property and the social character of our production is the source of all anarchy and irrationality in capitalism.1 Isaac Deutscher n the Marxist tradition ‘dictatorship’ means domination and, just to confuse matters, it also carries with it the Irather more conventional political meaning that refers to a state of lawless and arbitrary rule by a tyrant or an association of tyrants. In the former rather than the latter sense Marxists have always thought of capitalist society as ‘the dictatorship of the bourgeoisie’. After all, capitalist society is founded upon the defence of private property against all comers, and the state and legal system is organized to ensure that the most favourable social and political conditions for the businessman and the entrepreneur prevail. The state guarantees the right of the owners of private capital to employ workers to generate profits in order to finance a new round of private investment, and so on. Irrespective of whether or not the state or political form of capitalist rule is oligarchic, dictatorial, or democratic, Marxists in the past, and today, regard the bourgeois domination of society as ‘dictatorial’. -
And Bernardo Bertolucci's 1900
The “Betrayed Resistance” in Valentino Orsini’s Corbari (1970) and Bernardo Bertolucci’s 1900 (1976) Dominic Gavin The connections between Italian film and history have been the object of renewed attention in recent years. A number of studies have provided re-readings of Italian cinema, especially from the perspective of public memory. Charting the interrelations of cinema, the public use of history, and historiography, these studies include reevaluations of the cinema of the Resistance, the war film, the Holocaust and the Fascist dictatorship.1 The ongoing debates over Resistance memory in particular—the “never-ending liberation,” in the words of one historian—have provided a motive for reconsidering popular cultural productions as vehicles of collective perceptions of the past.2 If Italian film studies came relatively late to the issues of cinema and public memory, this approach has now become mainstream.3 In this essay, I am concerned with films on the Resistance during the 1970s. These belong to a wider grouping of contemporary cinematic productions that deal with the Fascist dictatorship and antifascism. These films raise a series of critical questions. How did the general film field contribute to the wider processing of historical memory, and how did it relate to political violence in Italy?4 To what extent did the work of Italian filmmakers participate in the “new discourse” of international cinema in the 1970s concerning the treatment of Nazism and the occupation,5 or to what extent were filmmakers engaged in reaffirming populist -
Women and the Communist Party of Canada, 1932-1941, with Specific Reference to the Activism of Dorothy Livesay and Jim Watts
Mother Russia and the Socialist Fatherland: Women and the Communist Party of Canada, 1932-1941, with specific reference to the activism of Dorothy Livesay and Jim Watts by Nancy Butler A thesis submitted to the Department of History in conformity with the requirements for the degree of Doctor of Philosophy Queen’s University Kingston, Ontario, Canada November 2010 Copyright © Nancy Butler, 2010 ii Abstract This dissertation traces a shift in the Communist Party of Canada, from the 1929 to 1935 period of militant class struggle (generally known as the ‘Third Period’) to the 1935-1939 Popular Front Against Fascism, a period in which Communists argued for unity and cooperation with social democrats. The CPC’s appropriation and redeployment of bourgeois gender norms facilitated this shift by bolstering the CPC’s claims to political authority and legitimacy. ‘Woman’ and the gendered interests associated with women—such as peace and prices—became important in the CPC’s war against capitalism. What women represented symbolically, more than who and what women were themselves, became a key element of CPC politics in the Depression decade. Through a close examination of the cultural work of two prominent middle-class female members, Dorothy Livesay, poet, journalist and sometime organizer, and Eugenia (‘Jean’ or ‘Jim’) Watts, reporter, founder of the Theatre of Action, and patron of the Popular Front magazine New Frontier, this thesis utilizes the insights of queer theory, notably those of Eve Kosofsky Sedgwick and Judith Butler, not only to reconstruct both the background and consequences of the CPC’s construction of ‘woman’ in the 1930s, but also to explore the significance of the CPC’s strategic deployment of heteronormative ideas and ideals for these two prominent members of the Party. -
The Political Legacy of Entertainment TV
School of Economics and Finance The Political Legacy of Entertainment TV Ruben Durante, Paolo Pinotti and Andrea Tesei Working Paper No. 762 December 201 5 ISSN 1473-0278 The Political Legacy of Entertainment TV∗ Ruben Durantey Paolo Pinottiz Andrea Teseix July 2015 Abstract We investigate the political impact of entertainment television in Italy over the past thirty years by exploiting the staggered intro- duction of Silvio Berlusconi's commercial TV network, Mediaset, in the early 1980s. We find that individuals in municipalities that had access to Mediaset prior to 1985 - when the network only featured light entertainment programs - were significantly more likely to vote for Berlusconi's party in 1994, when he first ran for office. This effect persists for almost two decades and five elections, and is es- pecially pronounced for heavy TV viewers, namely the very young and the old. We relate the extreme persistence of the effect to the relative incidence of these age groups in the voting population, and explore different mechanisms through which early exposure to en- tertainment content may have influenced their political attitudes. Keywords: television, entertainment, voting, political participa- tion, Italy. JEL codes: L82, D72, Z13 ∗We thank Alberto Alesina, Antonio Ciccone, Filipe Campante, Ruben Enikolopov, Greg Huber, Brian Knight, Valentino Larcinese, Marco Manacorda, Torsten Persson, Barbara Petrongolo, Andrei Shleifer, Francesco Sobbrio, Joachim Voth, David Weil, Katia Zhuravskaya, and seminar participants at Bocconi, CREI, NYU, MIT, Sciences Po, Brown, Dartmouth, Sorbonne, WZB, Surrey, Queen Mary, Yale, EIEF, LSE, Namur, and participants at the 2013 AEA Meeting, the 2013 EUI Conference on Communica- tions and Media Markets, and the Lisbon Meeting on Institutions and Political Economy for helpful comments. -
E42 Mark Blyth & David Kertzer Mixdown
Brown University Watson Institute | E42_Mark Blyth & David Kertzer_mixdown [MUSIC PLAYING] MARK BLYTH: Hello, and welcome to a special edition of Trending Globally. My name is Mark Blyth. Today, I'm interviewing David Kertzer. David is the former provost here at Brown University. But perhaps more importantly, he knows more about Italy than practically anybody else we can find. Given that the elections have just happened in Italy and produced yet another kind of populist shock, we thought is was a good idea to bring him in and have a chat. Good afternoon, David. DAVID KERTZER: Thanks for having me, Mark. MARK BLYTH: OK, so let's try and put this in context for people. Italy's kicked off. Now, we could talk about what's happening right now today, but to try and get some context on this, I want to take us back a little bit. This is not the first time the Italian political system-- indeed the whole Italian state-- has kind of blown up. I want to go back to 1994. That's the last time things really disintegrated. Start there, and then walk forward, so then we can talk more meaningfully about the election. So I'm going to invite you to just take us back to 1994. Tell us about what was going on-- the post-war political compact, and then [BLOWS RASPBERRY] the whole thing fell apart. DAVID KERTZER: Well, right after World War II, of course, it was a new political system-- the end of the monarchy. There is a republic. The Christian Democratic Party, very closely allied with the Catholic Church, basically dominated Italian politics for decades.